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R\u00e9daction et r\u00e9ception<br />\n6\u00e8me s\u00e9quence : De profundis II. Analyse de l\u2019\u0153uvre\n<strong>S\u00e9ance IV : Le Portrait de Dorian Gray </strong><br />\n1\u00e8re s\u00e9quence : Gen\u00e8se du roman<br />\n2\u00e8me s\u00e9quence : R\u00e9daction, parution et r\u00e9ception du roman<br />\n3\u00e8me s\u00e9quence : Les noms des deux personnages principaux<br />\n4\u00e8me s\u00e9quence : \u00c1 quel genre litt\u00e9raire le roman appartient-il ?<br />\n5\u00e8me s\u00e9quence : Un roman psychologique<br />\n6\u00e8me s\u00e9quence : Le Portrait de Dorian Gray et la musique\n<strong>S\u00e9ance V : Le th\u00e9\u00e2tre d\u2019Oscar Wilde </strong><br />\n1\u00e8re s\u00e9quence : Oscar Wilde, homme de th\u00e9\u00e2tre<br />\n2\u00e8me s\u00e9quence : Les influences I<br />\n3\u00e8me s\u00e9quence : Les influences II<br />\n4\u00e8me s\u00e9quence : Les premi\u00e8res pi\u00e8ces (V\u00e9ra, ou les Nihilistes, La Duchesse de Padoue, L\u2019\u00c9ventail de lady Windermere)<br />\n5\u00e8me s\u00e9quence : Salom\u00e9 (1892)<br />\n6\u00e8me s\u00e9quence : Une femme sans importance, Un mari id\u00e9al et L\u2019importance d\u2019\u00eatre Constant\n<strong>S\u00e9ance VI : Oscar Wilde, penseur et pr\u00e9curseur (philosophie, psychanalyse et th\u00e9orie du genre). 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