original passage: The avant-garde art world has made note of the "Mona Lisa"s undeniable popularity. Because of the painting's overwhelming stature, Dadaists and Surrealists often produce modifications and caricatures. In 1883, "Le rire," an image of a "Mona Lisa" smoking a pipe, by Sapeck (Eugène Bataille), was shown at the "Incoherents" show in Paris. In 1919, Marcel Duchamp, one of the most influential modern artists, created "L.H.O.O.Q.", a "Mona Lisa" parody made by adorning a cheap reproduction with a moustache and goatee. Duchamp added an inscription, which when read out loud in French sounds like "Elle a chaud au cul" meaning: "she has a hot ass", implying the woman in the painting is in a state of sexual excitement and intended as a Freudian joke. According to Rhonda R. Shearer, the apparent reproduction is in fact a copy partly modelled on Duchamp's own face.
original sentence: The avant-garde art world has made note of the "Mona Lisa"s undeniable popularity.
sentence2: Despite the crude nature of some of their work, would art historians conclude that the avant-garde crowd's parodies were done out of love and/or respect for Leonardo's masterpiece?
sentence1: The avant-garde art world has made note of the "Mona Lisa"s popularity, though they make pains to point out that the artistic talent therein is far from undeniable. Because of the painting's overwhelming stature, Dadaists and Surrealists often produce modifications and caricatures. In 1883, "Le rire," an image of a "Mona Lisa" smoking a pipe, by Sapeck (Eugène Bataille), was shown at the "Incoherents" show in Paris. In 1919, Marcel Duchamp, one of the most influential modern artists, created "L.H.O.O.Q.", a "Mona Lisa" parody made by adorning a cheap reproduction with a moustache and goatee. Duchamp added an inscription, which when read out loud in French sounds like "Elle a chaud au cul" meaning: "she has a hot ass", implying the woman in the painting is in a state of sexual excitement and intended as a Freudian joke. According to Rhonda R. Shearer, the apparent reproduction is in fact a copy partly modelled on Duchamp's own face.