original passage: The avant-garde art world has made note of the "Mona Lisa"s undeniable popularity. Because of the painting's overwhelming stature, Dadaists and Surrealists often produce modifications and caricatures. In 1883, "Le rire," an image of a "Mona Lisa" smoking a pipe, by Sapeck (Eugène Bataille), was shown at the "Incoherents" show in Paris. In 1919, Marcel Duchamp, one of the most influential modern artists, created "L.H.O.O.Q.", a "Mona Lisa" parody made by adorning a cheap reproduction with a moustache and goatee. Duchamp added an inscription, which when read out loud in French sounds like "Elle a chaud au cul" meaning: "she has a hot ass", implying the woman in the painting is in a state of sexual excitement and intended as a Freudian joke. According to Rhonda R. Shearer, the apparent reproduction is in fact a copy partly modelled on Duchamp's own face.
original sentence: The avant-garde art world has made note of the "Mona Lisa"s undeniable popularity.
sentence2: Does it sound like the avant-garde world was truly trying to draw attention away from the old masters, and toward a more modern style of painting, which they considered more deserving of fame?
sentence1: The avant-garde art world has made note of the "Mona Lisa"s popularity, which would be impossible to deny. Because of the painting's overwhelming stature, Dadaists and Surrealists often produce modifications and caricatures. In 1883, "Le rire," an image of a "Mona Lisa" smoking a pipe, by Sapeck (Eugène Bataille), was shown at the "Incoherents" show in Paris. In 1919, Marcel Duchamp, one of the most influential modern artists, created "L.H.O.O.Q.", a "Mona Lisa" parody made by adorning a cheap reproduction with a moustache and goatee. Duchamp added an inscription, which when read out loud in French sounds like "Elle a chaud au cul" meaning: "she has a hot ass", implying the woman in the painting is in a state of sexual excitement and intended as a Freudian joke. According to Rhonda R. Shearer, the apparent reproduction is in fact a copy partly modelled on Duchamp's own face.