<image_21>The image is an illustration of three children playing in the water. The background is a light green color and the children are in various poses, with one child in the center holding a red ball and the other two children on either side of him. The child on the left is wearing a pink swimsuit and the child on on the right is wearing an orange swimsuit. All three children have curly hair and appear to be having fun. The image is taken from a top-down perspective, looking down on the children.

<image_22>The image is a photograph of an open book with illustrations on the pages. The book appears to be a children's book, as there is a ruler on the left side of the page. The background of the book is a light green color, and the illustrations are in pastel colors.

In the center of the image, there are three illustrations of mermaids in different poses. The first illustration is of a mermaid with curly hair, the second is of two mermaid tails, and one is of an octopus. The third illustration is a pink and orange mermaid, with a long tail and a tail. The fourth illustration is an orange and purple mermaid. The fifth illustration is in the shape of a fish, with its tail curling around its body. The sixth illustration is on the right side, with the mermaid on the bottom and the octopus on the top.

<image_23>The image is an illustration of a group of three women and a child in a room. The room appears to be a hallway with a tiled floor and a beige wall. The women are dressed in colorful dresses and are standing in front of a large mirror. The woman on the left is wearing a pink headscarf and the woman in the middle is wearing blue and green dresses. The child is standing next to the mirror and is looking at the women. On the right side of the image, there is a woman wearing a red and white patterned dress and a white hat. She is holding a small child in her arms. The background is blurred, but it seems like the room is well-lit with natural light coming in from the window.
<video>
<image_24>The image is an illustration from a children's book. It shows a room with a pink rug and a potted plant on the floor. On the left side of the image, there is a young girl sitting on a staircase with a baby in her arms. She is wearing a pink dress and has a big smile on her face. Next to her, there are two other girls, one wearing a green dress and the other wearing a red dress. The girl in the green dress is standing in front of a mirror and is looking at her reflection in it. The other girl is standing next to her and is also looking at the mirror. There is a pink flower on the rug and the text on the image reads "I'm going to take a bath, like be good."

<image_25>The image is an illustration of a room with two women in it. The room appears to be a living room with a pink rug on the floor and a potted plant on the left side. On the right side of the image, there is a woman wearing a green tank top and red and white patterned pants. She is standing in front of a green dresser with a mirror on top of it. In front of the dresser, there are two potted plants. The woman in the red dress is holding a bouquet of flowers and is looking at her reflection in the mirror. The text on the image reads "I'm going to take a bath. You be good."
</video>
<image_26>The image is an illustration of a group of children playing with plants. There are six illustrations in total, arranged in a grid-like pattern on a beige background.

The illustrations depict a boy and a girl playing with a potted plant. The boy is wearing a red shorts and a white headband, and the girl is holding a green plant in her hand. The girl is sitting on a blue chair with a basket of flowers on her head.

In the center of the image, there is a girl sitting on top of a green table with a vase of flowers in front of her. She is wearing white underwear and has her hair tied up in a bun. The background is a light brown color, and there are a few birds flying around the illustrations. The illustrations are done in a cartoon-like style, with bright colors and exaggerated features.
<video>
<image_27>The image is an open book with illustrations on the pages. The background is a light beige color and the illustrations are in a cartoon-like style.

On the left side of the page, there is a small illustration of a man sitting on a chair with a basket of flowers on his head. He is wearing a blue shirt and has a big smile on his face. On the right side, there are two figures, one of which is holding a large white feather and the other is standing on its hind legs. The figure on the left is holding the feather and appears to be dancing.

In the center of the image, there appears to have a woman wearing a white dress and a green headdress. She is also dancing with her arms outstretched and her head tilted back, as if she is dancing. The woman on the right is standing with her back to the viewer and is looking up at the woman in the white dress. She has a long white feather in her hand and is wearing green leaves on her head.
- The overall style of the illustration is whimsical and playful.

<image_28>The image is an open book with illustrations on the pages. The background is a light brown color and the illustrations are in a cartoon-like style. On the left side of the page, there is an illustration of a young girl with a basket of fruit on her head. She is wearing a white dress and has a big smile on her face. Next to her, there are two young girls with green leaves on their heads. One of the girls is holding a large white feather, while the other girl is standing on her hind legs with her arms stretched out in front of her. The girl on the left is holding the basket with her hands and appears to be playing with the feather. The boy on the right is standing with his arms outstretched and his head tilted back, as if he is dancing. The overall mood of the image is playful and whimsical.

<image_29>The image is an illustration of a bathroom scene. In the center of the image, there is a woman wearing a white towel wrapped around her head and standing in front of a mirror. She is looking at her reflection in the mirror with a smile on her face. On the left side of the illustration, there are two children, a boy and a girl, standing in the bathroom. The boy is holding a potted plant and the girl is standing next to him. The bathroom has a pink rug with a floral pattern and a blue sink with a green faucet. There is also a large mirror on the wall and a window with white curtains. The floor is covered with a pink and white striped rug.

<image_30>The image is an illustration of a bathroom scene. It shows a mother and her two children in the bathroom. The mother is standing in front of a large mirror, holding a towel over her head and looking at her reflection. She is wearing a white robe and has a towel wrapped around her head. The child is standing next to her, looking at the mirror with a curious expression. There is a potted plant on the countertop next to the sink and a towel hanging from a hook on the wall. The bathroom has a pink tiled floor and a window with white curtains. The walls are painted in a light pink color. The overall mood of the image is playful and whimsical.
</video> mermaids he imagines what it would be like to dive deep in down into the water to shed his clothes to see all the beautiful colors and let his hair all down and all the tricks and the friends that Julian would meet if you could only be a mermaid vamanos mijo abuela did you see the mermaid I saw them be ho abuelo I am also a mermaid I'm going to take a bath you be Julien has a good idea get rid of some of this Oh grab a little of that all these would be perfect it's really shaping up that is exactly what I need I am a fabulous mermaid amazing oh oh I

<Untitled Chapter 1>

Confess Our Sins before God

Happy Father's Day

Julian Is a Mermaid

.Fear Is a Powerful Motivator

The Call To Fear Not in the Gospel

Closing Hymn


<video>
<image_31>The image is a photograph of an open book with illustrations on the pages. The book appears to be a children's book, as there are three illustrations on each page.

The first illustration on the left shows a young girl wearing a white dress and a green headdress with leaves on her head. She is holding a bouquet of flowers in her hands. The second illustration in the middle shows a boy wearing a blue shirt and white pants. He is standing on a pink carpeted floor with a pink rug in front of him. The third illustration shows a girl with green hair and a blue hat. The girl is dancing with her arms outstretched and her head tilted back.

There are also small illustrations of flowers and leaves scattered around the pages of the book. The background of the pages is a light pink color.

<image_32>The image is a photograph of an open book with illustrations on the pages. The book appears to be a children's book, as indicated by the text on the right side of the image. The illustrations are colorful and detailed, with a variety of shapes and patterns.

In the center of the page, there are three illustrations of a young girl with a large green headdress on her head. She is wearing a white dress and has a flower in her hair. The headdress is decorated with red and green leaves and flowers. The girl is standing on a pink carpeted floor, with her arms stretched out to the sides and her legs slightly bent at the knees. She has a big smile on her face and is holding a green hoop in her hand. The background of the illustrations is a light blue color, and there is a small illustration of a woman in a blue dress on the top right corner.
</video><video>
<image_33>The image is a digital illustration of three people in a room. On the left side of the image, there is a woman wearing a blue dress with white polka dots and a turban on her head. She is standing in front of a pink wall with a painting of red flowers on it. The woman is holding hands with a child, who is wearing a yellow dress and a green hat. The child is standing next to the woman, and they are both looking at the painting. The painting is done in a cartoon-like style with bright colors and exaggerated features. The background is blurred, but it appears to be a room with a window and a door.

<image_34>The image is an illustration of a group of people walking on a sidewalk. The background is a pinkish-purple color with a pattern of small white dots. On the left side of the image, there is a woman wearing a blue dress and a white headscarf, holding a bouquet of flowers in her hand. She is walking with a dog on a leash. Next to her, there are two other people, one wearing a yellow shirt and black pants, and the other wearing a green shirt and blue pants. The dog is brown and appears to be a small breed. The people are walking on the sidewalk, and there are trees and bushes in the background. The image is taken from a top-down perspective, looking down on the people and the dog.

<image_35>The image is a photograph of an open book with a colorful illustration on the cover. The book appears to be a children's book, as there is a pink brick wall in the background. On the left side of the cover, there is an illustration of a woman wearing a blue dress and a white headscarf, holding a baby in her arms. She is standing in front of a tree with pink flowers and green leaves. Next to her, there are two dogs, one brown and one black, walking on a leash. The woman is wearing a white dress and the dog is brown and white. The text on the book reads "Where are we going?"
</video><video>
<image_36>The image is a colorful illustration of a circus scene. The background is a blue sky with white clouds and a red roof. In the center of the image, there is a group of people walking on a dirt path. On the left side, there are three people dressed in colorful costumes, one of them is holding a large green balloon and the other two are wearing green dresses. The person on the right side is wearing a yellow feathered costume with a black hat and purple shoes. In front of the person in the yellow costume is a large bird with a long beak and a long tail. The bird is standing on its hind legs and appears to be dancing.

On the bottom right corner of the illustration, a person's hand is visible, pointing towards the bird. The illustration is done in a cartoon-like style with bright colors and exaggerated features.

<image_37>The image is a hand-drawn illustration of a group of people and animals in a circus-like setting. The background is a blue sky with white clouds. On the left side of the image, there is a pink building with a red roof and a red curtain. In the center, there are three people wearing colorful costumes - a woman in a red dress, a man in a green suit, and a woman with a pink hat. The woman is holding a large green balloon and the man is wearing a black hat with a white feather.

On the right side of this image, on the bottom right corner, there appears to be a large yellow rooster with a black and white striped tail. The rooster is standing on its hind legs with its wings spread wide and its head turned to the side.

The overall style of the illustration is whimsical and playful, with bright colors and exaggerated features.

<image_38>The image is a close-up of a group of people walking on a sandy beach. The people are dressed in colorful costumes and appear to be dancing or having fun. The background is filled with vibrant colors and patterns, including pink, blue, green, yellow, and red. The beach is covered in small pebbles and there is a small dog lying on the ground in front of the group. The overall mood of the image is lively and energetic.
</video>
<image_39>The image shows a woman standing behind a podium in a church. She is wearing a black t-shirt and glasses and appears to be speaking into a microphone. The background is a wooden wall with a white curtain and a potted plant on the left side. On the right side of the image, there is a vase with colorful flowers. The text on the image reads "Matthew 10:16-20, 24-39 Scripture Reading".
 don't think of whele thinks I'm as fabulous as I do I think my tail looks great I think my headdress looks great for me up with love for you Julian and where are we going Yossi says abuela mermaids whispers Julian all kinds of mermaid like you and so they did our text today comes from the Gospel of Matthew chapter 10 verses 16 through 20 24 through 39 it's part of Jesus commissioning of the disciples his instructions to them prior to sending them on a mission they've been authorized to proclaim the good news cure the sick raised the dead cleanse the lepers and cast out demons Jesus now seeks to encourage his followers in the face of the opposition they will encounter as they do this work today I am reading from the inclusive Bible translation I am sending you out like sheep among wolves so you must be as clever as snakes but as innocent as doves be on your guard people will haul you into court they will flog you in synagogues for my sake you will be dragged before rulers and governors as witnesses to them and to the Gentiles when they hand you over don't worry about how to speak or what to say you'll be given what you should say when the time comes because it is not youth speaking but the Spirit of your Abba God speaking through you a student is not superior to the teacher the follower is not above the leader the student should be glad simply to become like the teacher the follower like the leader if the head of the house has been called Beelzebub how much more the members of the household don't let people intimidate you nothing is concealed that will not be revealed and nothing is hidden that will not be made known what I tell you in darkness speak in the light what you hear in private proclaim from the housetops don't fear those who can deprive the body of life but can't destroy the soul rather fear the one who can destroy both body and soul in gana are not the sparrows sold for penny yet not a single sparrow falls to the ground without your Abba gods knowledge as for you every hair on your head has been counted so don't be afraid of anything you are worth more than an entire flock of sparrows whoever acknowledges me before others I will acknowledge before Abba God in heaven whoever disowns me before others I will disown before Abba God in heaven don't suppose that I came to bring peace on earth I came not to bring peace but a sword I have come to turn a son against his father a daughter against her mother in law against in law once enemies will be members of one's own household those who love mother or father daughter or

<Untitled Chapter 1>

Confess Our Sins before God

Happy Father's Day

What's Your Favorite Thing To Wear What Makes You Feel Fabulous

Julian Is a Mermaid

.Fear Is a Powerful Motivator

The Call To Fear Not in the Gospel

Closing Hymn

Creative Commons Attribution license (reuse allowed)


<caption><image_40>The image shows a woman standing behind a podium in a room with wooden walls and a white curtain in the background. She is wearing a black t-shirt and glasses and appears to be speaking into a microphone. There is a plant on the left side of the image and a vase with pink flowers on the right side. The woman looks serious and focused as she speaks.</caption> son more than me are not worthy of me those who will not carry with them the instrument of their own death following in my footsteps are not worthy of me you who have found your life will lose it and you who lose your life for my sake will find it fear is a powerful motivator when I was growing up I often made the decision to do certain things and not do other things because I was afraid of the consequences what if my mother found out what if I got caught was sent to the principal's office and this one on my permanent record what if I got hurt or worse from honest fear more often motivated me not to do something versus persuading me to do something there were certainly times when I would go along with the crowd for fear of being left out or might double check to make sure that I had done what I was supposed to do for fear of making a mistake but in general my fears kept me from making what seemed likely to be bad choices they kept me relatively safe from the moment we're born we learned to fear the world around us as parents we teach our children to fear the stranger and sometimes to even be wary of those that are closest to us political leaders have long recognized the power of fear and ensuring our conformity to government structures even when doing so isn't in our best interest and doesn't meet the needs they have been elected of the people that they've been elected to serve fear has been used as the driving force behind vast segments of our economy and it shapes our political priorities but this is not a new phenomenon in today's text from Matthew as Jesus is commissioning his disciples to go out and continue to do God's work in the world to continue to apply the lessons that Jesus has taught them and follow in his footsteps he is fully aware that the one thing most likely to cause the disciples to fail in their mission is fear although Jesus disciples have already courageously left the security of their homes families and jobs to follow him he knows that the challenges that lie ahead of them will be much greater much riskier much scarier but they must be faced because faithful practice of the gospel welcoming the stranger caring for those in need advocating for justice loving those that society has overlooked and dehumanized will inevitably put the disciples on a collision course with the powers of this world so as Jesus prepares his disciples for their mission to the lost sheep of the house of Israel he is starkly realistic about the threats they will face yet at the same time he builds the case for why they should not let their fear control them or keep them from getting there and leading the lives they have been called to as I reflected on this text in that many events of the last few weeks I recognized some simple yet powerful similarities of intent in the talk that most black parents in this country are compelled to give our children particularly our male children the talk doesn't have an official name or script and in reality for many of us it's not just one talk but a series of warnings reminders passing on of a crazy wisdom that our parents gave us in an effort to keep us safe because we live in a culture where everyday activities can evoke fear if you're black and where fear seems to motivate those we are afraid of driving while black jogging while black shopping while black hanging out with friends while black being stopped by the police while black I vividly remember a conversation I had with my son when he was in middle school feeling a new sense of freedom during the summer hanging out with his friends in the evening enjoying the extended hours of daylight somehow it came up that the boys been at one location and we're racing to another perhaps trying to get back for pizza or just goofing around they were hiding in bushes cutting through alleys nothing nefarious just kids having fun I didn't want to dampen his enthusiasm but I felt compelled to remind him that although these boys were his lifelong friends and he thought of them like brothers the reality was that they were white and he was a tall black boy and that if for some reason he got separated from them and was noticed running and hiding it might attract unwanted attention and perhaps even an encounter with the police which might or might not end well chances are that once they figured out he lives in Oak Park not Chicago and that he's with his local school mates in his own neighborhood it will be okay but I wanted him to be prepared most importantly though I wanted him to know that if he ever experiences a dehumanizing experience that makes him feel less than when he's just out living his life he didn't do anything wrong he isn't the problem he is beloved and valued by us and by God and he can trust in that love no matter what the world throws at him so be alert be prepared but don't be afraid to be you of course Jesus disciples and even the matthean community that today's text was originally addressed to we're facing a much more threatening situation than the one most of us Christ's followers confront today so Jesus commissioning warning may sound surprisingly harsh and uncomfortable Western Christianity tends to favor the idea that God will always protect us from harm but if we are good Christians we will be blessed to live a life mostly free from pain and suffering and that the church is a place of refuge where we can escape the world and find comfort for the disciples and the early Christians however choosing to follow Jesus was not just countercultural it was dangerous Matthew's Gospel was written in part to encourage synagogue members to risk separation from family and friends in order to follow Jesus and breaking those relationships could be a matter of life and death in a culture where family identity and connections protected you from many of the dangers of life the gospel writer offers no illusions if they live as Jesus did they risk suffering as he did he was falsely accused persecuted run out of town back to the edge of a kill cliff questioned by authorities and eventually killed his disciples and followers should expect no less importantly however their suffering does not mean that they are not beloved by God it simply means that the power of a life drenched in God's love doing God's work in the world threatens the powers and principalities of this world we long for justice and peace but the very act of peacemaking generates violence because power does not give up just because we ask politely it's an uncomfortable truth one of the Messier aspects of our faith there's a tension between our desire to comfort our neighbor by giving to the poor feeding the sick praying feeding the hungry praying for the sick visiting the incarcerated and welcoming the immigrant and our willingness to vocally and visibly advocate on their behalf especially when it will cost us something it has been amazing and gratifying to see so many who have been willing to stand up and speak out for racial justice in the past few weeks doing so always comes at a cost sometimes the cost is an uncomfortable conversation that you'd really rather not have particularly if you're not sure that will have any impact other than to make the other person angry with you or the cost could be bigger and more permanent like a broken relationship a write-up in a personnel file a lost job or opportunity even one safety or one's life and yet thankfully more and more people are willing to stand up and speak out every day including many Christians including many pilgrims we are learning not to fear no matter what we face in the midst of chaos and conflict we are sustained by the reassurance that God is with us in the struggle watching over us and ordering our steps Jesus used the much loved image of the tiny sparrow precious and watched over by God to remind us of our greater value in the eyes of God we can trust that God cares for you and cares for me even knows the number of hairs on our heads and that nothing we do or think will stop God from loving us this reassurance comes in the midst of rather than instead of the pain and struggle around and within us it does not magically make the world a better place but it does ground us in a love so deep and so wide that it can hold us and propel us forward when we want to do the brave and faithful thing but fear that the floor will fall out from beneath us if we do the call to fear not in the gospel is not a command to pretend we are not afraid it is a call to action to share the good news of the gospel to show up and speak in support of what is just and right to risk speaking truth to power whether that power is in the form of an elected official a person in a uniform your boss coworker best friend or family member none of this is easy it's messy when things matter there may be chaos when important changes need to be made there may be conflict what is expected as peace can actually sometimes feel uneasy even violent and don't be surprised if you find that those you love most also infuriate you the fears we are called to face as we seek justice and love mercy are legitimate but they don't have to be disabling I pray that despite individual concern some may have about specific aspects of the current protests and some of the language deployed and demands calling for racial equality that we collectively will continue to boldly and publicly work towards dismantling the pervasive inherently racist systems which are so normative in this country that simply calling them out can be perceived as aggression fear not for we serve an awesome God whose love we can trust to see us through whatever the [Music] [Applause] [Music] today's prayers are sponsors and so when I say Lord in your mercy you are invited to respond at home with hear our prayer and when I call on us to name those we wish to pray for today I invite you to speak the person's name aloud wherever most holy and merciful God we ask for your guidance in action word and thought you the great I am who breathed life into clay who continues to mold us in your many-colored image open our hearts wide crack them open that we may long for justice and mercy as you do Lord in your mercy hear our prayer we pray for those who mourn we pray for the family of George Floyd we pray for families who have lost loved ones we pray for those living in Tulsa especially in this week we pray for Jean Williams and her family as they care for her at her home following a long we pray for her Mo's who passed away this past Friday and for his wife and children we pray for dr. brodnik student Sara LeMahieu who suddenly lost her mother we come before you got in our pain in our grief trusting in your goodness and your peace that surpasses our understanding and we pray that your presence would be with all those who holy mystery you have shaken the foundations of what we thought to be order you have removed the blindfolds to our Angela unjust acts and collusion you have upended our sense of control and turned over the tables of our normalcy help us to seek your will and turn to your light to seek your word and so we attend to words in the news of police reform and migrant worker and essential workers and health equity and social distancing and roiled tossed out I can't breathe spiritual bypassing voting voter suppression caught on film in the midst of all those words let us not forget words like hunger poverty deserted overrun surge of cases marginalized Lord in your mercy hear our prayer and now O God hear us as we name before you those God we lift up these names to you these precious souls bring your peace and your hope and the power of your love to those we have named before you Lord in your mercy hear our prayer and now hear us God as we pray the prayer your son Jesus taught us in whatever way that we can our Father who art in heaven hallowed be thy name thy kingdom come thy will be done on earth as it is in heaven give us this day our daily bread and forgive us

<Untitled Chapter 1>

Confess Our Sins before God

Happy Father's Day

Julian Is a Mermaid

.Fear Is a Powerful Motivator

The Call To Fear Not in the Gospel

Closing Hymn


<caption><image_42>The image shows a man standing at a podium in a church. He is wearing a purple polo shirt and appears to be giving a speech or presentation. The background of the image is a wooden wall with a white curtain and a potted plant on the left side. On the right side, there is a vase with colorful flowers. The text on the image reads "You may give you".</caption> our sins as we forgive those who sin against us and lead us not into temptation but deliver us from evil for thine is the kingdom and the power and all right we've now reached the part of the service where we give generously as we are able you are invited to give to pilgrim Congregational Church using any of the following methods you can go online at pilgrim oak park org and there you can select given from the menu or click the gift - pilgrim button you can download the tidally app from your phone's app store free of charge and give in that manner you can text the word give to 833 721 1098 or you can mail a check directly to pilgrim let us [Music] [Music]

<Untitled Chapter 1>

Confess Our Sins before God

Happy Father's Day

Julian Is a Mermaid

.Fear Is a Powerful Motivator

The Call To Fear Not in the Gospel

Closing Hymn


<caption><image_44>The image shows a man standing behind a wooden altar in a church. He is wearing a purple polo shirt and has a bald head and glasses. The altar is covered with an orange cloth and there is a vase of colorful flowers on the right side of the image. The background is a wooden wall with a white curtain hanging on it. The man appears to be giving a sermon or presentation.</caption> and Lord we gratefully offer this portion of what you've already given us please help us use all of our gifts for the betterment of our church our community and now it is time for Spence immediately following our worship gathering today please join us for a very important zoom meeting to discuss Reverend Gloria Cox's official call and job description here at pilgrim Congregational Church this will take place in lieu of our regular fellowship hour I hope to see you on the zoom call our be bald immigration group invites the church to read dear America notes from an undocumented citizen by Jose Antonio Vargas for an all church read beyond hunger needs your help to keep providing the variety of nutritious food that our neighbors need to put dinner on their tables in particular they are seeking donations of canned goods the specific items and drop-off hours can be found in the what's happening email at pilgrim that we send every week or at go

<Untitled Chapter 1>

Confess Our Sins before God

Happy Father's Day

Julian Is a Mermaid

.Fear Is a Powerful Motivator

The Call To Fear Not in the Gospel

Closing Hymn


<caption><image_45>The image is a screenshot from a video call. It shows a woman with short blonde hair and glasses, wearing a pink blouse. She is standing in front of a colorful plaid background. The text on the image reads "Closing Hymn: I Will Trust In the Lord."</caption> beyond hunger org all are invited to join Gloria and I for Tuesday evening online prayer it starts at 8 p.m. the zoom link can be found on our website our Facebook page and in the what's happening weekly pilgrim email it is a wonderful way to wind down the day and spend it in community and in the presence of God and now please join me in singing our closing hymn I'd like to invite everyone at home to please join me in singing to him I will trust in the I will trust in the Lord I will trust in the Lord I will trust in the Lord till I [Music]

<Untitled Chapter 1>

Confess Our Sins before God

Happy Father's Day

Julian Is a Mermaid

.Fear Is a Powerful Motivator

The Call To Fear Not in the Gospel

Closing Hymn


<caption><image_46>The image shows a woman standing behind a podium in a church. She is wearing a black top and glasses and appears to be speaking into a microphone. The podium is made of wood and has a white cloth draped over it. Behind her, there is a wooden wall with a decorative design. On the right side of the image, there are colorful flowers and a potted plant. The woman is looking directly at the camera with a serious expression on her face.</caption> we trust in the Lord I will trust in the I'm gonna treat everybody right I'm gonna treat everybody right I'm gonna don't wanna treat everybody right I'm we are a people loved by God may we live as signs of this love we are people blessed with hope may we live in light of this hope do not fear nor be afraid may the love of God and the grace of Christ and the courage of the Spirit strengthen our faith and keep us spiritually connected during this time

<Untitled Chapter 1>

Confess Our Sins before God

Happy Father's Day

Julian Is a Mermaid

.Fear Is a Powerful Motivator

The Call To Fear Not in the Gospel

Closing Hymn


<transcript><audio_2> Also wir sind hier für den Talk von Kaffee-Riechern, Abtrittfahrern und Fischbein-Abreißern mit Michaela Fieser. Abtrittanbieter und Fischbein-Reißer. Beruf aus vergangenen Zeiten.</transcript><transcript><audio_3> Fisa ist Autorin, Bloggerin und Radiomensch. Hat da schon beim Deutschlandradio Features gehalten. Hat eine sehr interessante Geschichte, war in einem japanischen Kloster, hat da ganz viele tolle Sachen gemacht.</transcript><transcript><audio_4> Ich würde sagen, erst mal eine Runde Applaus für Sie.</transcript>
<image_5>The image shows a man standing on a stage in front of a projector screen. He is holding a microphone and appears to be giving a presentation. The man is wearing a blue jacket, brown pants, and a lanyard around his neck. He has long hair and is looking towards the screen with a serious expression on his face. The background of the screen is white and there is a shadow of a person on the left side of the image.

<image_6>The image shows a woman standing behind a podium in a conference room. She is wearing a black jacket and appears to be giving a presentation. The podium has a sign that reads "3333" in blue and green letters, with the words "WOW OF ROW" written in smaller letters below it. There is a laptop on the podium and a water bottle on the right side of the image. The background is a gray wall with a projector screen on the left side. The woman is holding a microphone and seems to be speaking to the audience.
<transcript><audio_7> vorgestellt. Jetzt überlasse ich dir das Feld. Ich erzähle mal ganz kurz noch ein bisschen zu mir, weil mein Lebenslauf so ein bisschen schräg ist. Ich habe</transcript><transcript><audio_8> Schluss in Amerika gemacht damals in Science Fiction. Und hab dann in London Japanologie</transcript><video>
<image_9>The image shows a woman standing in front of a beige wall. She is wearing a black jacket and has short dark hair. She appears to be speaking or giving a presentation, as she is gesturing with her hands as if she is explaining something. The woman has a serious expression on her face and is looking off to the side.

<image_10>The image shows a woman standing in front of a beige wall. She is wearing a black jacket and has short dark hair. She appears to be speaking or giving a presentation, as she is gesturing with her hands as if she is explaining something. Her facial expression is serious and focused.

<image_11>The image shows a young woman standing in front of a beige wall. She is wearing a black jacket and appears to be in a room with a wooden paneled wall in the background. The woman has shoulder-length dark hair and is looking off to the side with a serious expression on her face. She has a microphone in her mouth and is gesturing with her hands as if she is speaking or explaining something.

<image_12>The image shows a woman standing in front of a beige wall. She is wearing a black blazer and has short dark hair. She appears to be speaking into a microphone and is gesturing with her hands as she speaks. The image is taken from a low angle, so the focus is on the woman.
</video><transcript><audio_13> und fand das dann so spannend. Ich dachte, wenn man westliche Kunstgeschichte macht, dann muss man das Christentum verstehen, weil das ja immer wieder vorkommt. Und deshalb dachte ich, in der japanischen Kunstgeschichte kommt dieser Buddhismus immer vor. Also wenn ich diese Kunst verstehen will,</transcript>
<image_14>The image shows a woman standing on a stage with a microphone in her hand. She is wearing a black blazer and appears to be giving a presentation or giving a speech. The background is a beige wall with a subtle pattern. The woman has shoulder-length dark hair and is looking off to the side with a serious expression on her face. She seems to be gesturing with her hands as she speaks.
<transcript><audio_15> verstehen und habe dann damals ein Kloster gefunden, das mich aufgenommen hat für ein Jahr, wo ich dann Schwertkampf und Kalligrafie und Blumenstecken und Tee-Zeremonie und all die Dinge gelernt habe, ein Jahr lang. Und</transcript> So we're here for the talk of coffee-smelling celebrants and fish-leg traversers with Michaela fish professions from times gone by. Michaela fieser is an author, blogger and radio person who has already held features at Germany Radio and has a very interesting story in the Japanese monastery  I've done a lot of great things and I would say first of all a round of applause for you and then we'll start so I introduced them now I'll leave the picture to you okay should I tell you a little bit about myself because my Curriculum vitae is a bit weird, I mean, I got a high school diploma in America and then studied Japan and Asian art history in London and found it so exciting. I thought if you do Western art history then you have to  you understand Christianity because it happens again and again and that's why I thought Buddhism always appears in Japanese art history, so if I want to understand this art I also have to understand Buddhism and then I found a monastery that took me in for a year  where I came from calligraphy and flower arranging and the ceremony and learned all these things. I


<transcript><audio_16> in Japan, habe dort über die Bergasketen geforscht, hatte ein Stipendium an der Uni, habe dann gearbeitet für, damals kam Broadband gerade auf, habe dort neue</transcript><transcript><audio_17> L.A., Tokio, London gearbeitet hat und dann kam ein radikaler Bruch, dann habe ich gesagt, okay, jetzt reicht es mit Japan, ich muss zurück nach Deutschland und bin dann mit dem VW-Bus sechs Monate durchs Land gefahren, um Orte zu suchen, die</transcript>
<image_18>The image shows a woman standing in front of a beige wall with her arms stretched out to the sides. She is wearing a black jacket with a graphic design on it and has short dark hair. She appears to be speaking into a microphone and is gesturing with her hands as if she is explaining something. The image is taken from a low angle, looking up at the woman.
<transcript><audio_19> Und damit fing dann quasi meine Karriere als Schriftstellerin an. Und ich erzähle das jetzt einfach, weil in meiner Arbeit geht es mir immer darum, Dinge echt zu erleben oder echte Dokumente zu haben. Diese Recherche ist mir ganz...</transcript><video>
<image_20>The image shows a woman standing in front of a beige wall with a microphone in her hand. She appears to be giving a presentation or giving a speech. She is wearing a black blazer and has shoulder-length dark hair. Her hands are gesturing with both hands as she speaks. She has a serious expression on her face and is looking off to the side.

<image_21>The image shows a woman standing in front of a wooden wall. She is wearing a black jacket and appears to be speaking into a microphone. Her hands are gesturing with her fingers as she speaks. She has short, dark hair and is looking directly at the camera with a serious expression. The image is taken from a low angle, with the focus on the woman's face.
</video>
<image_22>The image shows the interior of an elevator. The elevator is made of wood and has a beige color. On the left side of the elevator, there is a telephone and a red button. Above the telephone, there are two white signs with black text. The sign on the right side has the letter "U" written on it. The floor is covered with a white carpet. The image appears to be taken from a low angle, looking up at the elevator.
<transcript><audio_23> Ich fange jetzt mal an hier mit, mir ist gerade aufgefallen, als ich oben wartete, bis die anderen fertig sind, es geht ja hier heute um Arbeitswelten und</transcript> stayed in Japan for a year and then researched the mountain askets there. I got a scholarship at the university. I then worked for Broadband, which was just coming up. I developed new content there Then I had a team that worked in LA Tokyo London and then there was a radical break. I said okay, that's enough of Japan, I have to go back to Germany and then I drove around the country in a VW bus for months looking for places that no one knew about and then I did That's how my career as a writer began and I'm just telling you this now because my work is always about experiencing things for real or having real documents. This research is very, very important to me in everything, and I'm starting now  Let's go here and here I just noticed that I was waiting upstairs until the others were ready, today it's about working environments, um


<transcript><audio_24> fand ich ganz lustig, hier ist der Panikknopf, also falls sich Panik auswirft, kann man hier draufdrücken und da geht die Beleuchtung an, oben gibt es noch eine Pausenklingel, noch ein schönes altes Telefon, das sind so Artefakte,</transcript><caption><image_25>The image is a screenshot from a video call. It shows a room with a door and a sign on the wall. The door appears to be closed and there is a sign above it that reads "No Entry". On the left side of the image, there is an image of a person sitting at a desk with a laptop and a phone in front of them. On the right side, there are two smaller images. The background is black with small white dots scattered across it. The image appears to have been taken in a dimly lit room.</caption><transcript><audio_26> Darum geht es jetzt ja in meinem Talk. Es geht um die Poetics of Work von Kaffee-Riechen-Abtritt-Anbietern und Fischbein-Reißern. Das heißt, es ist der Titel von einem Buch, das habe ich zusammen mit der Wolleinheit</transcript><transcript><audio_27> Berufe gesucht haben, wo man selbst am Namen heute nicht mehr erkennen kann, was es für Berufe sind. Also Kaffeeriecher hat, dazu komme ich später noch, aber es hat nicht</transcript><transcript><audio_28> Ja, Fische haben ja keine Beine. Was ist das also? Und ich habe dann danach noch zwei andere Bücher gemacht über das Thema Arbeit. Eins mit dem preußischen Kulturbesitz oder beide mit dem</transcript> I thought this was really funny. Here's the panic button, so if you panic, you can  press it here and the lighting goes on upstairs there is a break bell and a nice old telephone these are artifacts that will soon no longer exist that's what my talk is about now it's about the poetics of work of coffee-smelling salesmen and whalebone rippers two  the title of the book that I made together with the wonderful illustrator IRM sucht where we were looking for professions where you can no longer tell what kind of professions they are, even from the name, so I'll get to that later, but it has  nothing to do with barista fischbeinreißer yes fish do n't have legs so what is it and then I wrote two other books on the subject of work one with the Prussian cultural heritage or both with the Prussian


<transcript><audio_29> Und zwar haben die mich in ihre Archive gelassen und dort ihre alten Fotografien rausholen lassen. Und zum Teil waren diese Fotografien in Berlin-Charlottenburg in einer alten Offizierskegelbahn im Keller. Also das waren ganz ungewöhnliche Orte.</transcript><transcript><audio_30> der Anthropologe David Graeber</transcript><transcript><audio_31> aufgelistet. Ich als Autorin bin auf Platz 123, also relativ sicher. Am sichersten ist der Recreational Therapist. Das ist jemand, der sich mit Leuten beschäftigt, die zurück ins</transcript><transcript><audio_32> Und ganz schlimm sind Data Entry Keyers, Library Technicians, New Account Clerks. Das sind also alles Jobs, die bald verschwinden werden.</transcript> cultural heritage and they have me in their archives  left and had their old photographs taken out there and some of these photographs were in Berlinchlottenburg in the old officer's bowling alley in the basement, so they were very unusual places, um yes, dying work, the anthropologist David Graber has already talked about the __ jobs, I have now in the  Guardian found a list of jobs that will soon die out, they have a number of 704 jobs listed. I as an author am in 123rd place, so relatively safe, the safest person is the recreational therapist, that is someone who deals with people who bring them back to life through crafts  and so and so and really bad is so really bad are data entry K Library technicians new account clerks the S so all jobs that will soon disappear


<transcript><audio_33> zum alten Handwerk. Das ist ein Bild aus einem Buch von 1880, wo verschiedene Handwerksberufe aufgelistet wurden und der</transcript><transcript><audio_34> hat dieses Buch gleich auf Französisch und Englisch und Deutsch rausgebracht. Das ist jetzt die Klempnerei. Ich wollte ein bisschen auf die Arbeitsatmosphäre eingehen. Sie sitzen da alle zusammen in diesem Raum. Da ist ein Vogelkäfig, der singt dann. Den kann man dann füttern und über den Vogel reden.</transcript><transcript><audio_35> kommt rein, hat so ein Sieb in der Hand, der noch bearbeitet werden muss, Tee wird gekocht, da ist ein ganz junger Lehrling, der alte Meister und ist eigentlich ganz heimelig und</transcript><transcript><audio_36> Und das ist auf Französisch und Englisch, weil das damals eben auch in England und Frankreich so eine Klempner-Werkstatt ganz genauso aussah. Und das ist jetzt nochmal 100 Jahre zurück, wieder eine Klempner-Werkstatt.</transcript><transcript><audio_37> Genau das Gleiche. Sie sitzen auch zusammen. Auch die Frau ist wieder mit im Raum. Männer verschiedenen Alters. Der Ofen und so weiter. Und dann gehe ich jetzt vor. 90%.</transcript><transcript><audio_38> eine Klempner-Werkstatt, fotografiert von einem Kraus, über den ist nichts mehr bekannt, weil zu dem Zeitpunkt waren auch Fotografen noch Handwerker. Man sieht, es ist auch wieder die Frau mit dabei, der Ofen.</transcript> but I'm going back here to the old trades, this is a picture from a book from 1880 where different trades were listed and the publisher at the time, Winkelmann and Söhne, published this book in French and English and German and that is now the plumbing and I wanted to go into the working atmosphere a little bit so they all sit together in this bird cage that sings  Then that's it, you can feed it and talk about the bird. The woman comes in and has a sieve in her hand that still needs to be worked on. Tea is being made. There is a very young apprentice, the old master, who is actually very secretive It's from 1880 and that's on in in French and English because that's exactly what a Klentner workshop looked like back then in England and France, and now it's another 100 years back and it's actually a Klentner workshop  exactly the same, so they are also sitting together and the woman is in the room again, men of different ages, the oven and so on and then I go now before 1925, also back then, a Klentner workshop photographed by a Kraus, nothing is known about him because of him  At that time, photographers were still craftsmen, um, you can see that the woman is there again, the oven,


<transcript><audio_39> ich brauche das wohl kaum dazu zu sagen, dass es heute ganz anders aussieht in der Klempner Werkstatt. Und eigentlich, wie mit fast allen Berufen, also das geht mir so, mit allen meinen Freunden, ob die jetzt Musik machen, ob die schreiben, ob die</transcript><transcript><audio_40> programmieren, das ist eigentlich alles immer nur auf diesem Computer. Und diese ganzen Atmosphären fehlen. In diesem Buch geht es dann um, das ist das</transcript><transcript><audio_41> sind alles Fotografien bis 1945, weil dann nach dem Krieg gab es einen großen Bruch, da ist das alles verschwunden, die Industrialisierung hat dann ganz stark angefangen. Das ist</transcript><transcript><audio_42> spannend, dieses Bild, weil es von dem Willi Römer ist und der war selbst aus einer Handwerkerfamilie in Berlin in der Torstraße, ist er bei Schneidern aufgewachsen, seine Eltern waren Schneider und der hatte halt dieses ein</transcript> um, but I hardly need to say that things look completely different in the Klentner workshop today, and actually like with almost all professions, so that  I feel the same way with all my friends, whether they make music, whether they write, whether they program, it's all actually just on this computer and all these atmospheres Um, this book is about no, that 's that, that's all photographs from a  from the yes until 45 because then after the war there was a big break and it all disappeared, the industrialization then started very strongly, which is now exciting, this picture of which Willi Römer is and he himself was from a family of craftsmen in  He grew up in Berlin on Torstrasse with tailors. His parents were tailors and he had this


<transcript><audio_43> wie er mit diesen anderen Handwerkern sprechen muss, wie er da reinkommt, ob er da mal eine Stulle mitbringt, der hatte auch das Vokabular und ist einfach reingelassen. Aber Handwerk ist ja auch noch, das ist dann die Abysaktülm,</transcript> know-how about how he had to talk to these other craftsmen, how he got in there, whether he brought Daal a sandwich, he also had the vocabulary and was simply let in, but  Craftsmanship is also that of Abisak Tülmann, who was


<transcript><audio_44> und hat erst eine Tischlereilehre gemacht und ist dann zur Fotografie erst gekommen. Die hat andere Berufe fotografiert, die eben auch noch so ganz handwerklich waren. Das Zählen in der Bank,</transcript><transcript><audio_45> Das ist wieder ein Bild von dem Willi Römer, wo man auch sieht, wie wichtig es ist, einen Lehrling zu haben, weil der dann da reinpasst in diese Turmuhr zum Repräsentieren.</transcript><transcript><audio_46> hat auch einen Sinn. Und der Willi Römer ist dann auch gerne rausgegangen und hat die Handwerker nicht im Kämmerchen fotografiert, sondern ist auch raus in die Stadt, ist auf die Dächer von Berlin gegangen und hat die Chance</transcript><transcript><audio_47> was sie gemacht haben. Und ich möchte jetzt noch ein Bild zeigen von einem Zeitgenossen von ihm, das ist der Seidenstücker, das war der Flaneur der Fotografen damals. Also ich gehe nochmal zurück. Also Willy Römer,</transcript><transcript><audio_48> die während der Arbeit gemacht und der Seidenstücker hat dann schon angefangen, das ästhetisch wahrzunehmen, dieses Schwarz-Weiß und diese Formeln und Schatten.</transcript><transcript><audio_49> Oben das Bild von Willi Römer ist einer, der diese Pantinen macht. Und hier beim Seidenstücker, da haben sie die dann tatsächlich an. Die Arbeiter.</transcript><transcript><audio_50> wahnsinnig viel, diese Bilder. Und auch das ist Handarbeit, Handwerk. Das ist dieser Kabelsalat, den man sich niemandem wünscht. Und</transcript> born at the age of 36 and first did an apprenticeship in carpentry and then came to photography. She photographed other professions that were also completely craftsmanlike and that's it  Counting banknotes in the bank is another picture of the Roman where you can also see how important it is to have an apprentice because he then fits into this tower clock to repair it, so that makes sense and the Roman is  Then he also liked to go out and photograph the craftsmen not in their little rooms, but also went out into the city, went to the books on the roofs of Berlin and photographed the chimney chimneyers what they had done and would like to show a picture from a contemporary of his  That's the Seidenstücker, he was the photographer's flâneur back then, so I'll go back again, so Will Römer did that while he was working and the Seidenstücker then started to perceive it aesthetically, this black and white and these shapes and shadows, um shadows, um you can see  Here again at the top is the picture of Will Römer, someone who makes these slippers and here at the Seidenstücker they actually give them to the workers. Um yes, I think these pictures tell you a lot and that's also manual work. No, that's this tangled cable  that you don't wish for anyone,


<transcript><audio_51> da ging damals, als ich das Buch gemacht habe, der Gedanke zurück, was ist denn Handwerk? Und bei den alten Griechen war es so, der Homer hat geschrieben, Muse mit heller Stimme, Hefaistos, das war ja der Stichwort,</transcript><transcript><audio_52> Mit Athene, der eulenäugigen Göttin, lehrt er herrliche Werke, die Menschen auf Erden, die früher hausten wie Tiere in Höhlen der Berge. Doch jetzt in der Lehre jenes ruhmreichen Künstlers Hephaistos lernten sie schaffen, bringen sie leicht ihre Zeit dahin bis zum Ende des Jahres.</transcript><transcript><audio_53> Frieden in ihren eigenen Häusern. Also es geht darum, dass der Handwerker verantwortlich war, die Menschen aus den Höhlen herauszuholen und die Zivilisation zu schaffen. Alle</transcript> um yes and there it goes, so when I was writing the book the thought went back to what is craft and with the ancient Greeks it was like that, Homer wrote Muse with a bright voice heffa istos that was the blacksmith glorious thinker's prize in song with Athena the Eulenuguese goddess, he taught wonderful works to the people on earth who previously lived like animals in caves in the mountains but now learned in the teachings of that glorious artist heffa istos to create them and easily pass their time until the end of the year Live in peace and quiet in their own houses so it's about that the craftsman was responsible for getting the people out of the caves and into and creating civilization everything that we


<transcript><audio_54> ist von jemandem erdacht, erschaffen worden. Das ist also die große Leistung. Und Homer sagt es aber auch, dass der Handwerker, hat die genannt Demio Ergos, öffentlich und produktiv</transcript><transcript><audio_55> Sklaven waren oder Adelig. Alles dazwischen. Chirurgen, Arbeiter, das waren alles Handwerker. Die eben unsere Zivilisation erschaffen haben. Und jetzt...</transcript><transcript><audio_56> den ihr vielleicht kennt aus der Occupy-Bewegung, der sagt, wir sind jetzt in einem Zeitalter angekommen, wo es wahnsinnig viele Börsen</transcript> have around us today was created by someone that was created  So the great achievement and Homer also says that the craftsman called them demioergos public and productive and they were all who were nothing slaves or anything in between surgeons craftsmen who created our civilization and now comes David  Graber, who you may know from the Occupy movement, says so, we have now arrived in the age where there are an incredible number of


<transcript><audio_57> So jobs...</transcript>__] jobs, i.e.


<transcript><audio_58> aber auch prekäre wie Pizzas,</transcript><transcript><audio_59> Und jetzt also wirklich im wahrsten Sinne des Wortes, der Abtrittanbieter, da lese ich mal ganz kurz vor.</transcript><transcript><audio_60> Wir setzten unseren Spaziergang fort, ohne ein bestimmtes Ziel zu haben und sprachen von Literatur und allerlei Gebräuchen. Plötzlich bemerkte ich in der Nähe von Buckingham House zu meiner Linken im Gebüsch fünf oder sechs Personen, die</transcript><transcript><audio_61> und dabei den Vorübergehenden den Hintern zukehrten. Also wir hatten eine Situation in Europa, 16. bis 18. Jahrhundert,</transcript><transcript><audio_62> Toiletten gab. Also es gab zu Zeiten in Rom gab es 116, ich hab's mir aufgeschrieben, 144 Latrinen und 116 Pissstände, aber das ist alles verloren gegangen. Und gerade im 16. Jahrhundert</transcript><transcript><audio_63> ist man wirtschaftlich beweglicher geworden, musste von Ort zu Ort reisen und da war natürlich auch dieses Bedürfnis erledigen ein starkes. Und so taucht eben der Abtrittanbieter auf, der ist dann auf Messen, der wird dann auch hier im Kongresszentrum</transcript><caption><image_64>The image shows a woman standing at a podium in front of a projector screen. She is wearing a black blazer and appears to be giving a presentation. The screen is turned on and the woman is gesturing with her hands as she speaks. The background is a plain white wall. The image is taken from a low angle, looking up at the screen.</caption> administrative, bureaucratic jobs but also precarious ones like pizza delivery, put dien and so on, jobs that no one wants to do and that's what I want to do now  a little uh show jobs that used to exist the __ jobs were uh and now really in the truest sense of the word the transfer provider uh I read just before Casanova reported we continue our walk without a specific destination  and were talking about literature and all sorts of customs, suddenly I noticed near Buckingham House on my left in the room five or six people who were carrying out an urgent need and turning their backs on the temporary ones, so we had a situation in Europe 16 17  up to the 18th century where there were no public toilets, so at times in Rome there were 116 I wrote down 144 latrines and 116 piss stalls but all of that was lost and especially in the 16th century people became more economically mobile and had to move from place to place  travel and of course there was also this strong need to do something and so the sales provider shows up who went to trade fairs and was probably walking around here in the congress center and


<transcript><audio_65> hatte dann so einen Eimer dabei und Ledermäntel und dann konnte man sich da draufsetzen und seine Notdurft verrichten. Weil ansonsten hat man sich damals tatsächlich ganz unmöglicher Dinge bedient. Ich war in</transcript><caption><image_66>The image is a digital illustration of two people, a man and a woman, sitting on a bench. They are both wearing traditional clothing, with the man wearing a blue robe and the woman wearing a white robe. The man is holding a book in his hands and appears to be reading it. The woman is wearing a pink dress and has her hair tied up in a bun. They both have a basket on the bench next to them.

The background of the image is black and white, with a map of a city in the background. The map is drawn in a sketch-like style, with various lines and shapes representing different parts of the city. The text on the image reads "Illustration: Immele Schuhe" which translates to "The Book of the City" in English.</caption><transcript><audio_67> Also das sind Leute, die haben sich eine Kutsche anhalten lassen und sind mit der einmal ums Carré gefahren und dann wieder ausgestiegen und fühlten sich besser. Genau. Ähm.</transcript><transcript><audio_68> im 19. Jahrhundert kamen dann diese öffentlichen Toiletten wieder auf in Europa. Und dann Café Achteck hießen die dann oder Madaj-Tempel. Und das waren quasi, das waren gusseiserne Strukturen so.</transcript><transcript><audio_69> die man dann auch bewegen konnte, weil das natürlich auch eine Belästigung war für die Leute, die an den Plätzen wohnten, wo diese Toiletten waren. Dann wurden die also immer bewegt. Als nächstes habe ich den Foulon</transcript><transcript><audio_70> der das Urin aufsammelt und das Urin dann gärt, das wird dann zu Ammoniak und wird dann ein tolles Putzmittel. Die waren ganz wichtig im</transcript> had a bucket with him and leather coats and then you could sit on them and his  To relieve oneself because otherwise back then people actually made use of completely impossible things, so I then I really I was in the rarities library and so on so these are people who had a carriage stopped, drove around the KR once and then got out again and felt better and only in the 19th century did these public toilets appear again in Europe and then coffee octagon they were called or D madai temples and they were basically cast iron structures so octagonal that you could then move Because that was of course also a nuisance for the people who lived in the places where these toilets were, then they were always being moved so next I have the fulon who is fulone is someone who collects it and then the urine ferments and then it becomes too  Ammonia and then becomes a great cleaning agent they were very important in


<transcript><audio_71> jemand ist Lautus, ein Römer ist ein Lautus, ein guter Römer, wenn er, und Lautus heißt gut gewaschen. Das heißt, diese weise Toga war ganz, ganz wichtig, gerade diese Senator,</transcript><transcript><audio_72> Und diese weißen Togen gab es eben nur aus dem Grund, dass es diese Folonen gab. Diese Männer und Frauen, die hatten dann tatsächlich, das hatte ich ja schon erwähnt, in der ganzen Stadt verschiedene Latrinen, die sie immer geleert haben, aber die hatten auch Amphoren, diese Aufwärtskirchen,</transcript>
<image_73>The image shows a young man standing behind a podium in a conference room. He is wearing a black jacket and has shoulder-length dark hair. He appears to be speaking or giving a presentation, as he is gesturing with his right hand as if he is making a point. The background is a plain white wall.

<image_74>The image shows a woman standing behind a podium and speaking into a microphone. She is wearing a black blazer and appears to be giving a presentation or presentation. The background is a gray wall with a projector screen on the left side. The woman is gesturing with her hands as she speaks.
<transcript><audio_75> Da haben sie dann auch oben den Kopf abgebrochen, dass man besser reinpinkeln konnte. Und haben die dann eingesammelt. Und man sagte dann zum Beispiel auch, ein Senator sei non-valid loziat.</transcript><transcript><audio_76> weil es war bekannt, dass wenn man Wein getrunken hat, war das Urin nicht so gut, wie wenn man anderes getrunken hat. Und es wurde dann, ist auch so eine Sache, die dann später, also die Folonen haben dann das gesammelt und haben dann darin gewaltt.</transcript>
<image_77>The image shows a woman standing behind a podium in a conference room. She is wearing a black blazer and has shoulder-length dark hair. She appears to be speaking into a microphone and is smiling at the camera. The background is a plain white wall with a projector screen on the left side. The podium is made of wood and there is a laptop on it. The woman looks confident and engaged in her presentation.
<transcript><audio_78> die weißen Togen, die waren in Carthago und so am Rande der Stadt. In Italien waren sie eher in der Stadt, weil es dort nicht so gestunken hat, weil die Temperaturen anders waren. Ähm,</transcript><video>
<image_79>The image shows a woman standing in front of a beige wall with a microphone in her hand. She is wearing a black jacket with a yellow stripe on the left side and a black t-shirt underneath. She has shoulder-length dark hair and appears to be speaking or giving a presentation. Her hands are raised above her head and she is gesturing with both hands as if she is explaining something. The image appears to have been taken in a dimly lit room.

<image_80>The image shows a woman standing in a room with a beige wall in the background. She is wearing a black jacket with a graphic design on it and has shoulder-length dark hair. She appears to be speaking into a microphone and is gesturing with her hands as if she is giving a presentation or explaining something. There is a blue chair visible on the right side of the image.
</video> ancient Rome because in ancient Rome they said someone is lautus that a a a Roman is a loud a a good Roman if he and lautus means well washed that means this way togaer was whole  It was particularly important for these senators that they wore these white togas and these white togas only existed for the reason that there were these men and women who had them. I have already mentioned various latrines throughout the city that they always taught  But they also had the ones at the front that they had set up, also at the Senate, where they also broke off the head at the top so that it was easier to pee in and then they collected them and they said, for example, that a senator was also nonvalet lozion suum, that is, not worthy of his urine because it was known that when you drank wine, the urine wasn't as good as when you drank something else, and then it became a thing that later the folon then collected it and then used violence in it and that became it  these the white detogen the goods in Cartago and so on on the outskirts of the city in Italy they were more in the city because it did n't smell so bad there because the temperatures were different


<transcript><audio_81> you</transcript>music] warm


<transcript><audio_82> Und das ging dann so weit, dass man dann, also das Foulon gab es dann auch zur Zeit, als Paris umgebaut wurde. Und da hatte man dann damals schon, hatte man für ganz viel Geld stattgefunden.</transcript><transcript><audio_83> eingesetzt, die die Straßen reinigen und hat denen dann aber ein paar Jahre später wieder viel Geld gegeben, dass man die menschlichen Fäkalien wieder einsammeln konnte und daraus Ammoniak gewinne. Also es ist immer so,</transcript>
<image_84>The image shows a woman standing on a stage with a microphone in her hand. She is wearing a black blazer and appears to be giving a presentation or presentation. The background is a plain white wall with a projector screen on the right side. The woman is gesturing with her hands as she speaks. She has shoulder-length dark hair and is looking off to the side with a serious expression on her face.
<transcript><audio_85> wusste auch, dass der Urin aus armen Mietshäusern in Mailand zum Beispiel viel besser war als der Urin aus den reichen Gegenden, weil die eine ganz andere Nährung hatten. Die waren dann stickstoffhaltiger. Jetzt geht es weiter zum Kaffeeriecher. Da muss man ein bisschen aufholen.</transcript><video>
<image_86>The image shows a woman standing in front of a podium with a microphone in her hand. She is wearing a black jacket and appears to be giving a presentation or presentation. The background is a plain beige wall with a blue logo on the right side. The woman has shoulder-length dark hair and is looking towards the left side of the image. She has a serious expression on her face and is gesturing with her hands as she speaks.

<image_87>The image shows a woman standing behind a podium and speaking into a microphone. She is wearing a black blazer and appears to be giving a presentation or presentation. The background is a plain beige wall with a shadow of a person on the left side of the image. The woman is gesturing with her hands as she speaks.

<image_88>The image shows a woman standing behind a podium and speaking into a microphone. She is wearing a black blazer and appears to be giving a presentation. The background is a beige wall with a shadow of a person's shadow cast on it. The woman is standing in front of the podium and is gesturing with her hands as she speaks. The image appears to have been taken in a dimly lit room.
</video> yes that and that that then went so far that D one  Then the Volon was there at the time when Paris was being rebuilt and back then they had hired street sweepers to clean the streets for a lot of money and then a few years later they gave them a lot of money again so that they could be human Was able to collect feces again and get ammonia from it, so it's always back and forth and you and you also knew that the urine from poor apartment buildings in Milan, for example, was much better than the urine from the rich areas because they had a completely different diet when they were there more nitrogenous um you have to catch up a bit.


<transcript><audio_89> Kaffee kam auf, als die Türken Wien belagert haben. Und nach der Belagerung fand man halt diese ganzen Säcke mit Kaffeebohnen. Und es dauerte dann auch eine Weile, bis man wusste,</transcript><transcript><audio_90> und mit Sahne und Zucker anrichten. Und dann wurden auch die ersten Cafés eröffnet und man merkte, ah, der macht einen wachen Geist, das ist toll. Und wurde sehr, sehr schnell dann zurückgebracht</transcript><transcript><audio_91> mit 150% seines Kaufpreises besteuert. Das heißt, für eine Kanne Kaffee, den Kaffee zu kochen, musste man mit Steuern so viel zahlen, wie eine Spinnerin an einem Tag verdient hat. Und es ist halt immer so bei Warenkosten,</transcript><transcript><audio_92> die von allen gewollt werden, die aber klein sind, wie Kaffeebohnen, wenn die ja nicht geröstet sind, sondern auch grün, dann riechen die ja nicht. Die konnte man überall mit sich schmuggeln. Und der Kaffeeschmuggel kreist,</transcript> Coffee hasn't been around forever um coffee came into being when the Turks besieged Vienna and after the siege you found all these sacks of coffee beans and it took a while until  you knew how to brew this coffee and prepare it with cream and sugar, um, and then the first coffee shops were opened and you noticed, ah, it makes your mind alert, that's great, um, and very, very quickly it became a luxury item, that is, it was sold at 150  % of his purchase price was taxed, which means that for a pot of coffee to make the coffee you had to pay as much in taxes as a crazy woman earned in a day and it's just always like that. We all know that the ones that everyone wanted  Everyone wanted them but they were small like coffee beans if they weren't roasted but were still green then they did n't smell. They could be smuggled everywhere and the coffee smuggling,


<transcript><audio_93> war unglaublich. Der wurde wirklich, der kam einfach rein in die Stadt und der König wollte was dagegen tun und hat dann gedacht, okay, da setze ich doch diese alten Kriegsveteranen ein und dann hat</transcript><transcript><audio_94> ausgebildet, die zu jedem nach Hause gehen durften und dort schnuppern konnten, ob die Leute gerade Kaffee hatten und wenn sie keine Besteuerungsurkunde hatten, konnten die verhaften. Und das ist so ein bisschen</transcript><transcript><audio_95> Ich meine, wir werden ja heute auch überwacht, aber heute merkt man es nicht. Aber die Typen, die waren so schlimm, weil man muss sich vorstellen, es waren halt Kriegsveteranen, die hatten ja, das waren</transcript><transcript><audio_96> Kerle und die kamen dann halt einfach nach Hause und haben das Haus umgekrempelt. Ich hab da mal noch ein Zitat von einer Frau. Nee, aber...</transcript><caption><image_97>The image shows a young woman standing behind a podium with the number 27 on it. She is wearing a black jacket and appears to be giving a speech or presentation. The background is a plain white wall. The woman is holding a microphone and seems to be speaking into it. The image is taken from a low angle, with the focus on the woman and the podium.</caption><transcript><audio_98> Moment. Das hat also eine Frau dann geschrieben. Man stelle sich die Aufregung vor, als ich mit meinen Freundinnen bei Tische saß, die Tür aufzuhalten,</transcript><transcript><audio_99> uniformierte Männer in die Stube stürmten, unsere Tassen inspizierten und die Küche auf den Kopf stellten. Zu meinem Glück wurde an diesem Nachmittag nur Tee serviert. Und die Kaffeerie, die waren so verhasst, dass die nach acht Jahren, äh,</transcript> especially in Berlin, was unbelievable into the city and the king wanted to do something about it and then thought, okay, I'll use these old war veterans and then he trained 400 veterans who were allowed to go to everyone's house and could sniff out whether the people had coffee and if they had  If they didn't have a tax certificate, they could arrest them and it's a bit like that. I mean, we're monitored today too, but today you don't notice it, but the guys who were like that were so bad because you have to imagine they were war veterans and they had They were just rough guys and then they just came home and then I turned the house inside out. I have a quote from Mrs. W who used the word sniffing before, no, but sniffing is very good, that fits here  So a woman wrote that. Imagine the excitement when I was sitting at the table with my friends, the door was thrown open, three uniformed men stormed into the room, inspected our cups and turned the kitchen upside down. Luckily for me that afternoon was the only thing  Tea was served and the coffee makers were so hated that they were abolished after 8 years.


<transcript><audio_100> abgeschafft wurden. Da ist wirklich das Volk auf die Barrikaden gestiegen. Und denke ich mir manchmal, es wäre nicht schlecht, wenn es heute auch so wäre. Ja.</transcript><transcript><audio_101> nur noch einen Beruf, der verhasster war, das war der Perückenriegel.</transcript><transcript><audio_102> Jobs, die so furchtbar waren, dass ich tatsächlich Probleme hatte, darüber irgendwas zu finden. Es gab in keinem Archiv irgendwas, da musste ich tatsächlich detektivisch rangehen und es war dank dieser Deutschlandreise, die ich damals gemacht habe im VW-Bus,</transcript><caption><image_103>The image shows a young woman standing on a stage with a microphone in her hand. She is wearing a black jacket and a gray t-shirt. She appears to be giving a presentation or lecture, as she is gesturing with her right hand as if she is explaining something. The background is a plain white wall.</caption><transcript><audio_104> einen Ort gekommen, wo es Sandsteinhöhlen gab. Und da hatte ich zum ersten Mal von diesen Sandmännern gehört. Und zwar waren Sandmänner, man brauchte damals, um die guten Stuben zu reinigen, hat man so ein bisschen Sand</transcript><transcript><audio_105> auf dem Holzboden und dann zusammengefegt. Und indem man dann diesen Sand aufgefegt hat, hat man auch diesen ganzen Schmutz mit eingefegt. Das war einfach Kehrwoche, so ist ganz normal. Man hat diszipliniert,</transcript> The people really went up to the barricades and I sometimes think to myself that wouldn't be bad if it were like that today, yes there were actually only  Another job that was more hated was the wig smeller or sniffer who could then rip people's wigs off and see if they had this piece of paper inside. The Sandman is now one of those jobs, these __ jobs, these shitty jobs that were so terrible that I actually had problems  I couldn't find anything about it, there was n't anything in the archives, so I actually had to take a detective approach and it was thanks to that trip to Germany that I took in the VW bus that I came to a place where there were sandstone caves and that's where I had the first time  I heard about these sandmen and they were sandmen. They were needed back then to clean the living rooms. You scattered a little bit of sand everywhere on the wooden floor and then swept it up and then you swept up this sand and swept up all the dirt with it  So that was just a week, that's completely normal,


<transcript><audio_106> Sand auch benutzt für, das hat mir mein Opa auch noch erzählt, für Milchkannen und so. Und die Sandmänner waren halt Menschen, die nach 1845 gab es eine große Kartoffelerntenkrise</transcript> the sand was also used for that's what my grandpa told me for milk cans and stuff like that and the sandmen were just people who after 1845 there was a big potato harvest


<transcript><audio_107> ganz viel angefangen, eben diesen Sandstein abzuarbeiten. Und haben den mit nach Hause genommen und dann mit ihren Familien gerieben, gerieben. Das heißt, dieser Sand war bei denen zu Hause, die hatten tränende Augen,</transcript><transcript><audio_108> Ritzenöffnungen. Es muss ganz furchtbar gewesen sein. Ich habe auch von einem Arzt noch ein Dokument gefunden, der meinte, er hätte von so einem Sandmann die Lunge seziert, die sei ihm fast auseinandergebröselt. Und es gab halt wirklich nichts. Die waren so...</transcript><transcript><audio_109> Es war so ein schrecklicher Job, dass keiner darüber geschrieben hat. Und ich habe dann Aufzeichnungen gefunden, weil ich dann auf einer Deutschlandkarte geguckt habe, die Geologie, wo gibt es Sandsteine und habe dann dort die ganzen Heimatmuseen angeschrieben und gefragt, habt ihr nicht irgendwas über die Sandmänner? So.</transcript><caption><image_110>The image shows a woman standing in front of a podium with a microphone in her hand. She appears to be giving a presentation or giving a speech. The woman has shoulder-length dark hair and is wearing a black blazer with a graphic design on it. She is gesturing with her hands as she speaks. The background is a plain white wall.</caption><transcript><audio_111> Also jetzt hatten wir ja die normalen Handwerker, die die Zivilisation aufbauen. Wir hatten die Scheißjobs, die dann auftauchen, wenn irgendwo ein Bedürfnis entsteht, dass man so, dass man</transcript><transcript><audio_112> Und dann gibt es in Japan, durfte ich dann kennenlernen, eine Ningen Kokuho. Und eine Ningen Kokuho ist ein lebender Nationalschatz. Und das haben die dort, dass die dort Menschen haben,</transcript><transcript><audio_113> keiner kann. Das kann dann Töpfern sein oder eine bestimmte Art und Weise Papier herzustellen oder Puppen herzustellen. Die lernen das von den Meistern. Das ist dann einfach so eine Tradition, die von einem zum anderen weitergereicht wird. Und so kommt</transcript> crisis and a lot of them started  I had to work on this sandstone and took it home with them and then rubbed it with their families, which means that this sand was at home with those who had watery eyes, the sand was in all the crevices in their bodies, it must have been quite terrible, and I had it too  I also found a document from the doctor who said he had a Sandman's lung that had been set and it was almost crumbled apart and there really weren't any of them, it was such a terrible job that no one wrote about it and then I did  Um, I found a record because I then looked at the geology on a map of Germany, where is there sandstone and then I wrote to all the local museums and asked, did n't you know anything about the Sandmen? So now we had the normal craftsmen who built up the civilization  had the shitty jobs that pop up when a need arises somewhere that you can fulfill so that you can earn bread and then in Japan I was able to get to know a ningen kokoho and a ningen kokoho is a living national treasure that has it  that they have people there who can do something that no one else can do, it can be pottery or a certain way of making paper or making dolls and they learn it from the masters, it 's just a tradition that goes from one to the other  is passed on to others and that's how it happens that


<transcript><audio_114> dass zum Beispiel Gold gar nicht, oder jedenfalls im traditionellen Sinne, nicht so wertvoll war, wie jetzt eine handgetöpferte Teetasse. Weil Gold ist einfach ein Material. Da hat auch mal ein Teemeister ein Teehaus in Kyoto gebaut, das einfach mit Gold</transcript><transcript><audio_115> Gold sieht schön aus, aber mehr nicht. Er wollte einfach nur dieses Material zeigen. Aber ansonsten ist diese Kunst, einen Tonklumpen zu nehmen und den zu formen und den zu lackieren, das über Jahrtausende</transcript><transcript><audio_116> viel wertvoller als jetzt so eine Materialität. Und deshalb gibt es dort immer noch diese Ningen-Kokoro. Und da wollte ich jetzt nochmal zurückgehen zu, wir hatten ja vorhin Homer, der gesagt hat, der Handwerker ist...</transcript><transcript><audio_117> Platon hat für Handwerker das Wort Poein benutzt, machen, herstellen und es kommt vom Gleichwortstamm wie die Poesie, also die Muse dahinter. Das ist so</transcript> in Japan, for example, gold wasn't at all valuable, or at least not as valuable in the traditional sense as a hand-made tea cup is now because gold is simply a material. Sometimes a tea master simply has a tea house built in Kyoto is simply covered with gold in no time gold looks beautiful but that's all he wanted to show it just this material but otherwise this art is to take a lump of clay and shape it and paint it and that has been with them for thousands of years  Materiality is much more valuable to the Japanese than it is now and that's why there is still this ningen kokoho there and I wanted to go back to we had Homer earlier who said the craftsman is productive and public Plato has the word for craftsmen  Poein uses make make and it comes from the same word as poetry so the muse behind it that's a


<transcript><audio_118> einfach im Blick behalten, was man arbeitet, weil man ja so viel Zeit im Leben damit verbringt. Wie prägt die Arbeitszeit</transcript><transcript><audio_119> wir uns beschäftigen, unser Weltbild. Und da habe ich eben Bilder gefunden, das kennt ihr vielleicht, von Fritz Kahn von 1926. Das war halt zur Hochzeit der Industrialisierung. Da hat man sich eben den Menschen als Verbilder</transcript> bit like that you should just keep an eye on what you work what you do because you spend so much time in your life on it you spend so much time in your life on it um and yes because that  how does the work we do shape our view of the world and I just found pictures that you might know from Fritz kN from SE 26 because it was just Z at the height of industrialization people


<transcript><audio_120> eigentlich ein schreckliches Bild. Oben geht es rein und dann arbeitet alles und unten kommt es dann raus. Das hier wurde in einem Tempel in Peking gefunden. Das ist eher aus</transcript><transcript><audio_121> Ja, genau.</transcript><transcript><audio_122> Go hat das gemacht, jetzt ist es das Neueste, wie der Computer uns sieht. Heute haben wir es also ganz... Tommy Go ist in New York an der Universität</transcript><transcript><audio_123> naja, das ist jetzt quasi so weit sind wir gekommen. Genau. Ich würde jetzt sagen, jetzt haben wir Frage und Antwort. Ich würde euch bitten, Fragen zu stellen, die so gut sind, die</transcript> imagined people as factories, actually a terrible one  The picture at the top goes in and then everything works and then it comes out at the bottom. This was found in the temple in Beijing, this is more from the Daoist world view where this is again the body of a human being but all the organs have a different assignment and  everyone works together and in harmony and a friend of ours who Tommy go did that now is the latest in how the computer sees us today so all Tom IG is in New York at the university um he teaches and well that's basically it now  We've come this far, exactly. I would say now we have questions and answers. I would ask you to ask questions that are so good, that


<transcript><audio_124> zu werden, dass wir darüber noch nachdenken können. Ich weiß nicht, ob es Fragen gibt. Das war jetzt wirklich nur so ein...</transcript> are too good to be answered, that we can still think about them. I do n't know if there are any questions  That was really just a [music]


<video>
<image_127>The image shows a young man standing behind a podium and speaking into a microphone. He is wearing a blue shirt and has long dark hair and a beard. He appears to be giving a presentation or presentation. Behind him, there is a large screen with a blue background and white text that reads "computer sees us, Dr. Igoe". There is also a shadow of a person on the left side of the image.

<image_128>The image shows a man standing on a stage in front of a projector screen. He is wearing a black jacket and has long dark hair and a beard. He appears to be giving a presentation or giving a speech. The screen behind him has text that reads "How the computer" and "Sullivan, Tom Igoe". There is also a logo of a computer on the screen.

<image_129>The image shows a man standing on a stage with a microphone in front of him. He is wearing a blue jacket and has long dreadlocks. He appears to be giving a presentation or presentation, as there is a large screen behind him with the words "Computer sees us" written on it. The man is looking directly at the camera with a serious expression on his face. There is a shadow of a person on the left side of the image.
</video><transcript><audio_130> Falls es Fragen gibt, bitte an den Mikrofonen aufstellen. Da gibt es Mikrofone, vier Stück im Saal. Einfach anstellen und ich rufe euch auf. Ja, dann erst mal du. Ich glaube, du hast uns nicht erzählt, was Fischbeinreißer sind.</transcript><transcript><audio_131> Nachdem ich das am Anfang schon verkackt habe, muss das jetzt rauchen. Das erzähle ich doch so gerne. Fischbeinreise. Fischbein ist nichts anderes als die Barten beim Wal. Und zwar, Walfang gibt es ja schon lange.</transcript><video>
<image_132>The image shows a woman standing in front of a beige wall with a projector screen on the left side. She is wearing a black blazer with a graphic design on it and has short brown hair. She appears to be giving a presentation or giving a speech, as she is gesturing with her right hand as if she is explaining something. The image is taken from a low angle, so the focus is on the woman and her presentation.

<image_133>The image shows a young man standing in front of a beige wall. He is wearing a black jacket with a graphic design on it and a yellow tie. He has short dark hair and is holding his hands up to his face, as if he is making a gesture with his fingers. He appears to be in a room with a projector screen on the left side of the image.

<image_134>The image shows a woman standing in front of a whiteboard with her arms stretched out wide. She is wearing a black blazer with a yellow scarf around her neck. She has short brown hair and appears to be speaking or giving a presentation. The background is a plain beige wall.

<image_135>The image shows a woman standing on a stage with her arms stretched out in front of her. She appears to be giving a presentation or giving a speech. She is wearing a black blazer with a yellow and black patterned shirt underneath. Her hair is styled in a short bob and she has a serious expression on her face. The background is a beige wall with a projector screen on the left side.
</video><transcript><audio_136> ich meine, früher gab es ja keinen Plastik und Materialien hat man ja einfach aus der Natur genommen und irgendwann kam man dann halt darauf, diese Barten vom Wal, die sind so lang und beweglich und toll, was kann man damit anstellen? Und dann kam man zuerst</transcript>
<image_137>The image shows a woman standing behind a podium with a microphone in front of her. She is wearing a black jacket and appears to be giving a presentation. The podium has a sign that reads "3333 EM ROI SKROW" in blue letters. The background is a white wall with a projector screen. The woman is gesturing with her hands as she speaks.
<transcript><audio_138> Spanien auf die Idee, damit die in Kleider reinzustecken und hat so den Frauen vor allem, aber auch den Männern dann so kubistische Formen gegeben, so mit Korsetten und so raus oder Schnabelschuhe. Das war, also das war und lustigerweise</transcript><transcript><audio_139> später dann, also das war einer der Gründe, warum der Wahlfang auch so floriert hat. Die Quäker hatten in Nordamerika, in Nantucket, ihre Wahlstation. Die hatten ja überhaupt nichts mit Mode zu tun, aber das waren die besten</transcript>
<image_140>The image shows a young woman standing behind a podium in a conference room. She is wearing a black jacket and a yellow scarf, and appears to be giving a presentation. The podium has a sign that reads "3333 EM ROI SKROW" in blue letters. The woman is standing in front of a projector screen, and there is a laptop on the podium. She has shoulder-length dark hair and is looking off to the side with a serious expression on her face.
<transcript><audio_141> Und der Fischbeinreißer ist halt der, der dann die Barten auseinanderreißt. Ich glaube, die sind so faserig und die kann man dann mit einem Messer haut man oben rein und kann man die so auseinanderziehen. Ich stelle mir das so haptisch ganz schön vor.</transcript>
<image_142>The image shows a woman standing behind a podium in a conference room. She is wearing a black blazer and appears to be giving a presentation. The podium has a logo on it that reads "333 EM ROI SKROW" in blue letters. The woman is gesturing with her hands as she speaks. Behind her, there is a projector screen with a presentation slide. The room has a white wall and a wooden floor.
<video>
<image_143>The image shows a woman standing behind a podium with a microphone in front of her. She is wearing a black jacket and appears to be giving a presentation or presentation. The podium has a sign that reads "333 EM ROF SKROW" in blue letters. The background is a white wall with a projector screen. The woman is looking towards the screen with a serious expression on her face.

<image_144>The image shows a woman standing in front of a projector screen in a conference room. She is wearing a black jacket with a graphic design on it and has shoulder-length brown hair. She appears to be speaking or giving a presentation, as she is gesturing with her hands as she speaks. The background is a beige wall with a whiteboard on the left side.
</video><transcript><audio_145> Kommt der Sandmann, also der Sandmann von den Geschichten, auch von dem Sandmann? Hat das irgendeinen Zusammenhang? Ja, hat tatsächlich einen Zusammenhang. E.T.A. Hoffmann hat eine Geschichte geschrieben über einen Sandmann, aber da war es eine Gruselfigur. Und wie man...</transcript> thank you so if you have any questions please stand at the microphones there are four microphones in the hall just turn them on and I'll call you up then first of all I think you haven't told us about fishbone tearer  Oh, that's what I'd like to know, yes, after I screwed it up at the beginning, I have to get it out now. That's what I like to tell you about the fishbone trip. Fishbone is nothing other than the baleen of a whale and that has been around for a long time, but at some point I think  In the past there was no plastic and materials were simply taken from nature and at some point you came up with these baleen from whales, they are so long and flexible and it's great what can you do with them and then you first came across them  in Spain came up with the idea of putting them into dresses and gave the women, especially the men, a cubist shape like that with corsets and stuff like that or pointed shoes m that was that and, funnily enough, they were later that that  was one of the reasons why wahfang flourished so much. The quaeers had their wahstation in North America in Nentaket. They were the hten and had nothing to do with fashion at all, but they were the best whalebone fish and the whalebone fish is the one that tears the baleen apart  I think they're so fibrous and you can hit them on top with a knife and you can pull them apart like that. I imagine it's quite nice to have the feel of it and thanks, the Sandman comes from the Sandman from the stories and from that one too  Sandmann has the Irish connection, yes there is actually a connection ETA Hoffmann wrote a story about a Sandman but it was a scary figure and how


<transcript><audio_146> der nachts kommt und weiß nicht, ob der die Kinder holt, ich weiß es nicht mehr, aber der war...</transcript> you then see this scary figure who comes at night and don't know if he takes the children, I don't remember but that's it  So he was a [laughter]


<transcript><audio_149> war eine Gruselfigur, weil diese Sandmänner halt so furchtbar aus sahen, weil die natürlich den ganzen Tag mit diesem Sand zu tun hatten und halt wirklich unterlaufende rote Augen hatten und wahrscheinlich auch ständig Schmerzen und vielleicht auch eine raue Stimme so. Und wie dann aber die</transcript> scary figure, he was a scary figure because these sandmen looked so terrible because of course they had to deal with this sand all day long and they had really red eyes and were probably in constant pain and maybe one too  rough voice like that but then this twist


<transcript><audio_150> der dann diesen Traumsand streut. Ja, das ist mal wieder eine Verdrehung. Also ich sehe keine Fragen mehr. Dann einen tollen Applaus für</transcript> came to the sandman who then twist again so I don't see any more questions then a great applause [applause]


<image_0>The image is a screenshot of a news anchor sitting at a desk in front of a TV screen. The anchor is wearing a suit and appears to be in a news studio. The background shows a green field with palm trees and a blue sky. On the left side of the screen, there is a banner with three blue and white cans of water. At the bottom of the image, there are logos for the TV channel, TNM, and the logo for the news channel.
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<image_4>The image shows a person riding a red tractor on a dirt road. The person is wearing a green shirt and is holding the handlebars of the tractor. The tractor is parked on the side of the road and appears to be in motion. The background shows a green field with trees and mountains in the distance. The sky is blue and the overall mood of the image is peaceful and serene. The image is likely from a news channel, as indicated by the logo on the top right corner and the text on the bottom right corner.
<transcript><audio_5> foreign</transcript> a gentle Ton when you alova is strata care to help Lao Ho Forest hyacinth by calling, I want to change chapman's phone number 2 that asked for Day You should know that one is going to be slower and probably shoot the ball in  If you think about me, I'll have to go out to the mountainous area, my frog friend will probably go down and stab the West when we're gone. Mrs. Matta will definitely mark the big brother in the flocka. When she comes out, she'll go and rape her for money every year, she'll go back along Po.  The total loss is that that day I give away 2 3 ways and everyone who fans me is sure to be a great pig Hello friend block 3 this is the car charger of the car is not tired naturally the fuel is already mind iCloud star page