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- .gitattributes +15 -0
- .gitignore +75 -0
- .gradio/certificate.pem +31 -0
- LICENSE +674 -0
- README.md +2 -8
- argparser.py +38 -0
- cache/checkpoints/.checkpoint_data_here +0 -0
- cache/embeds/files_for_embeddings_will_be_cached_here +0 -0
- cache/inbox/.inbox_data_here +0 -0
- cache/loras/.lora_data_here +0 -0
- cache/merges/merged_checkpoints_will_end_up_here +0 -0
- chatbots/cat/avatar.png +3 -0
- chatbots/cat/info.json +6 -0
- chatbots/dnd/avatar.png +3 -0
- chatbots/dnd/info.json +11 -0
- chatbots/megumin/avatar.png +3 -0
- chatbots/megumin/info.json +6 -0
- chatbots/monty_conda/avatar.png +3 -0
- chatbots/monty_conda/info.json +5 -0
- chatbots/rf_support_troll/avatar.png +3 -0
- chatbots/rf_support_troll/info.json +11 -0
- chatbots/storyteller/avatar.png +3 -0
- chatbots/storyteller/info.json +7 -0
- chatbots/zug_the_caveman/avatar.png +3 -0
- chatbots/zug_the_caveman/info.json +6 -0
- entry_with_update.py +54 -0
- environment.yaml +7 -0
- hints/advanced.txt +7 -0
- hints/basics.txt +41 -0
- hints/civitai.txt +2 -0
- hints/funny.txt +26 -0
- hints/general.txt +99 -0
- html/error.png +3 -0
- html/generate_video.jpeg +3 -0
- html/github-mark-white.svg +1 -0
- html/icon_clyde_white_RGB.svg +1 -0
- html/init_image.png +3 -0
- html/last_image.html +48 -0
- html/logo.png +3 -0
- html/merge.jpeg +3 -0
- html/slideshow.html +86 -0
- html/warning.jpeg +3 -0
- html/warning.png +3 -0
- launch.py +197 -0
- llamas/art_maker.txt +36 -0
- llamas/crazy_poet.txt +2 -0
- llamas/dark_souls.txt +23 -0
- llamas/default.txt +3 -0
- llamas/haiku.txt +3 -0
- llamas/highbrow.txt +18 -0
.gitattributes
CHANGED
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*.zip filter=lfs diff=lfs merge=lfs -text
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*.zip filter=lfs diff=lfs merge=lfs -text
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*.zst filter=lfs diff=lfs merge=lfs -text
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chatbots/dnd/avatar.png filter=lfs diff=lfs merge=lfs -text
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chatbots/megumin/avatar.png filter=lfs diff=lfs merge=lfs -text
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chatbots/monty_conda/avatar.png filter=lfs diff=lfs merge=lfs -text
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chatbots/rf_support_troll/avatar.png filter=lfs diff=lfs merge=lfs -text
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chatbots/storyteller/avatar.png filter=lfs diff=lfs merge=lfs -text
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chatbots/zug_the_caveman/avatar.png filter=lfs diff=lfs merge=lfs -text
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html/error.png filter=lfs diff=lfs merge=lfs -text
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html/generate_video.jpeg filter=lfs diff=lfs merge=lfs -text
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html/init_image.png filter=lfs diff=lfs merge=lfs -text
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notification.mp3
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.vscode
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models/vae/config.json
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settings.json
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styles.csv
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paths.json
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notification.mp3
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resolutions.json
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powerup.json
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performance.json
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*.old
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/models/loras/*.txt
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.gradio/flagged/dataset1.csv
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cache/images.db
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settings/pip.json
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.gradio/certificate.pem
ADDED
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-----END CERTIFICATE-----
|
LICENSE
ADDED
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|
1 |
+
GNU GENERAL PUBLIC LICENSE
|
2 |
+
Version 3, 29 June 2007
|
3 |
+
|
4 |
+
Copyright (C) 2007 Free Software Foundation, Inc. <https://fsf.org/>
|
5 |
+
Everyone is permitted to copy and distribute verbatim copies
|
6 |
+
of this license document, but changing it is not allowed.
|
7 |
+
|
8 |
+
Preamble
|
9 |
+
|
10 |
+
The GNU General Public License is a free, copyleft license for
|
11 |
+
software and other kinds of works.
|
12 |
+
|
13 |
+
The licenses for most software and other practical works are designed
|
14 |
+
to take away your freedom to share and change the works. By contrast,
|
15 |
+
the GNU General Public License is intended to guarantee your freedom to
|
16 |
+
share and change all versions of a program--to make sure it remains free
|
17 |
+
software for all its users. We, the Free Software Foundation, use the
|
18 |
+
GNU General Public License for most of our software; it applies also to
|
19 |
+
any other work released this way by its authors. You can apply it to
|
20 |
+
your programs, too.
|
21 |
+
|
22 |
+
When we speak of free software, we are referring to freedom, not
|
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+
price. Our General Public Licenses are designed to make sure that you
|
24 |
+
have the freedom to distribute copies of free software (and charge for
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+
them if you wish), that you receive source code or can get it if you
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26 |
+
want it, that you can change the software or use pieces of it in new
|
27 |
+
free programs, and that you know you can do these things.
|
28 |
+
|
29 |
+
To protect your rights, we need to prevent others from denying you
|
30 |
+
these rights or asking you to surrender the rights. Therefore, you have
|
31 |
+
certain responsibilities if you distribute copies of the software, or if
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+
you modify it: responsibilities to respect the freedom of others.
|
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+
|
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+
For example, if you distribute copies of such a program, whether
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+
gratis or for a fee, you must pass on to the recipients the same
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+
freedoms that you received. You must make sure that they, too, receive
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or can get the source code. And you must show them these terms so they
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+
know their rights.
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Developers that use the GNU GPL protect your rights with two steps:
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giving you legal permission to copy, distribute and/or modify it.
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changed, so that their problems will not be attributed erroneously to
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Some devices are designed to deny users access to install or run
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have designed this version of the GPL to prohibit the practice for those
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products. If such problems arise substantially in other domains, we
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stand ready to extend this provision to those domains in future versions
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of the GPL, as needed to protect the freedom of users.
|
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Finally, every program is threatened constantly by software patents.
|
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States should not allow patents to restrict development and use of
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software on general-purpose computers, but in those that do, we wish to
|
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avoid the special danger that patents applied to a free program could
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make it effectively proprietary. To prevent this, the GPL assures that
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patents cannot be used to render the program non-free.
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The precise terms and conditions for copying, distribution and
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modification follow.
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+
TERMS AND CONDITIONS
|
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|
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+
0. Definitions.
|
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"This License" refers to version 3 of the GNU General Public License.
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"Copyright" also means copyright-like laws that apply to other kinds of
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"The Program" refers to any copyrightable work licensed under this
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License. Each licensee is addressed as "you". "Licensees" and
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"recipients" may be individuals or organizations.
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To "modify" a work means to copy from or adapt all or part of the work
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A "covered work" means either the unmodified Program or a work based
|
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on the Program.
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To "propagate" a work means to do anything with it that, without
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permission, would make you directly or secondarily liable for
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To "convey" a work means any kind of propagation that enables other
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The "source code" for a work means the preferred form of the work
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for making modifications to it. "Object code" means any non-source
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A "Standard Interface" means an interface that either is an official
|
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standard defined by a recognized standards body, or, in the case of
|
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interfaces specified for a particular programming language, one that
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is widely used among developers working in that language.
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|
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+
The "System Libraries" of an executable work include anything, other
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than the work as a whole, that (a) is included in the normal form of
|
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packaging a Major Component, but which is not part of that Major
|
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Component, and (b) serves only to enable use of the work with that
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Major Component, or to implement a Standard Interface for which an
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implementation is available to the public in source code form. A
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"Major Component", in this context, means a major essential component
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(kernel, window system, and so on) of the specific operating system
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produce the work, or an object code interpreter used to run it.
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The "Corresponding Source" for a work in object code form means all
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the source code needed to generate, install, and (for an executable
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work) run the object code and to modify the work, including scripts to
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control those activities. However, it does not include the work's
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System Libraries, or general-purpose tools or generally available free
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the work, and the source code for shared libraries and dynamically
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The Corresponding Source need not include anything that users
|
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Source.
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The Corresponding Source for a work in source code form is that
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All rights granted under this License are granted for the term of
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permission to run the unmodified Program. The output from running a
|
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covered work is covered by this License only if the output, given its
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content, constitutes a covered work. This License acknowledges your
|
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+
rights of fair use or other equivalent, as provided by copyright law.
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+
You may make, run and propagate covered works that you do not
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+
convey, without conditions so long as your license otherwise remains
|
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+
in force. You may convey covered works to others for the sole purpose
|
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+
of having them make modifications exclusively for you, or provide you
|
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+
with facilities for running those works, provided that you comply with
|
169 |
+
the terms of this License in conveying all material for which you do
|
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+
not control copyright. Those thus making or running the covered works
|
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+
for you must do so exclusively on your behalf, under your direction
|
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+
and control, on terms that prohibit them from making any copies of
|
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+
your copyrighted material outside their relationship with you.
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+
|
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+
Conveying under any other circumstances is permitted solely under
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+
the conditions stated below. Sublicensing is not allowed; section 10
|
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+
makes it unnecessary.
|
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+
|
179 |
+
3. Protecting Users' Legal Rights From Anti-Circumvention Law.
|
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+
|
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+
No covered work shall be deemed part of an effective technological
|
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+
measure under any applicable law fulfilling obligations under article
|
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+
11 of the WIPO copyright treaty adopted on 20 December 1996, or
|
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+
similar laws prohibiting or restricting circumvention of such
|
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+
measures.
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+
|
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When you convey a covered work, you waive any legal power to forbid
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|
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+
modification of the work as a means of enforcing, against the work's
|
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+
users, your or third parties' legal rights to forbid circumvention of
|
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+
technological measures.
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+
|
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+
4. Conveying Verbatim Copies.
|
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|
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+
You may convey verbatim copies of the Program's source code as you
|
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+
receive it, in any medium, provided that you conspicuously and
|
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keep intact all notices stating that this License and any
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keep intact all notices of the absence of any warranty; and give all
|
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You may charge any price or no price for each copy that you convey,
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and you may offer support or warranty protection for a fee.
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+
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|
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You may convey a work based on the Program, or the modifications to
|
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+
produce it from the Program, in the form of source code under the
|
212 |
+
terms of section 4, provided that you also meet all of these conditions:
|
213 |
+
|
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+
a) The work must carry prominent notices stating that you modified
|
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it, and giving a relevant date.
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216 |
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|
217 |
+
b) The work must carry prominent notices stating that it is
|
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released under this License and any conditions added under section
|
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+
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|
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"keep intact all notices".
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|
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c) You must license the entire work, as a whole, under this
|
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License to anyone who comes into possession of a copy. This
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|
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|
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|
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+
permission to license the work in any other way, but it does not
|
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+
invalidate such permission if you have separately received it.
|
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|
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d) If the work has interactive user interfaces, each must display
|
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|
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|
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|
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A compilation of a covered work with other separate and independent
|
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works, which are not by their nature extensions of the covered work,
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|
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"aggregate" if the compilation and its resulting copyright are not
|
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used to limit the access or legal rights of the compilation's users
|
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|
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|
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parts of the aggregate.
|
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|
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6. Conveying Non-Source Forms.
|
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|
247 |
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You may convey a covered work in object code form under the terms
|
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|
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machine-readable Corresponding Source under the terms of this License,
|
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|
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|
252 |
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a) Convey the object code in, or embodied in, a physical product
|
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|
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|
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|
257 |
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b) Convey the object code in, or embodied in, a physical product
|
258 |
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|
259 |
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written offer, valid for at least three years and valid for as
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260 |
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long as you offer spare parts or customer support for that product
|
261 |
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model, to give anyone who possesses the object code either (1) a
|
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copy of the Corresponding Source for all the software in the
|
263 |
+
product that is covered by this License, on a durable physical
|
264 |
+
medium customarily used for software interchange, for a price no
|
265 |
+
more than your reasonable cost of physically performing this
|
266 |
+
conveying of source, or (2) access to copy the
|
267 |
+
Corresponding Source from a network server at no charge.
|
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|
269 |
+
c) Convey individual copies of the object code with a copy of the
|
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|
271 |
+
alternative is allowed only occasionally and noncommercially, and
|
272 |
+
only if you received the object code with such an offer, in accord
|
273 |
+
with subsection 6b.
|
274 |
+
|
275 |
+
d) Convey the object code by offering access from a designated
|
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place (gratis or for a charge), and offer equivalent access to the
|
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Corresponding Source in the same way through the same place at no
|
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Corresponding Source along with the object code. If the place to
|
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|
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|
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that supports equivalent copying facilities, provided you maintain
|
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clear directions next to the object code saying where to find the
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Corresponding Source. Regardless of what server hosts the
|
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Corresponding Source, you remain obligated to ensure that it is
|
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+
available for as long as needed to satisfy these requirements.
|
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+
|
288 |
+
e) Convey the object code using peer-to-peer transmission, provided
|
289 |
+
you inform other peers where the object code and Corresponding
|
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+
Source of the work are being offered to the general public at no
|
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+
charge under subsection 6d.
|
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+
|
293 |
+
A separable portion of the object code, whose source code is excluded
|
294 |
+
from the Corresponding Source as a System Library, need not be
|
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included in conveying the object code work.
|
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|
297 |
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A "User Product" is either (1) a "consumer product", which means any
|
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tangible personal property which is normally used for personal, family,
|
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|
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|
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|
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typical or common use of that class of product, regardless of the status
|
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|
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|
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|
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|
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|
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"Installation Information" for a User Product means any methods,
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|
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|
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code is in no case prevented or interfered with solely because
|
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modification has been made.
|
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+
|
318 |
+
If you convey an object code work under this section in, or with, or
|
319 |
+
specifically for use in, a User Product, and the conveying occurs as
|
320 |
+
part of a transaction in which the right of possession and use of the
|
321 |
+
User Product is transferred to the recipient in perpetuity or for a
|
322 |
+
fixed term (regardless of how the transaction is characterized), the
|
323 |
+
Corresponding Source conveyed under this section must be accompanied
|
324 |
+
by the Installation Information. But this requirement does not apply
|
325 |
+
if neither you nor any third party retains the ability to install
|
326 |
+
modified object code on the User Product (for example, the work has
|
327 |
+
been installed in ROM).
|
328 |
+
|
329 |
+
The requirement to provide Installation Information does not include a
|
330 |
+
requirement to continue to provide support service, warranty, or updates
|
331 |
+
for a work that has been modified or installed by the recipient, or for
|
332 |
+
the User Product in which it has been modified or installed. Access to a
|
333 |
+
network may be denied when the modification itself materially and
|
334 |
+
adversely affects the operation of the network or violates the rules and
|
335 |
+
protocols for communication across the network.
|
336 |
+
|
337 |
+
Corresponding Source conveyed, and Installation Information provided,
|
338 |
+
in accord with this section must be in a format that is publicly
|
339 |
+
documented (and with an implementation available to the public in
|
340 |
+
source code form), and must require no special password or key for
|
341 |
+
unpacking, reading or copying.
|
342 |
+
|
343 |
+
7. Additional Terms.
|
344 |
+
|
345 |
+
"Additional permissions" are terms that supplement the terms of this
|
346 |
+
License by making exceptions from one or more of its conditions.
|
347 |
+
Additional permissions that are applicable to the entire Program shall
|
348 |
+
be treated as though they were included in this License, to the extent
|
349 |
+
that they are valid under applicable law. If additional permissions
|
350 |
+
apply only to part of the Program, that part may be used separately
|
351 |
+
under those permissions, but the entire Program remains governed by
|
352 |
+
this License without regard to the additional permissions.
|
353 |
+
|
354 |
+
When you convey a copy of a covered work, you may at your option
|
355 |
+
remove any additional permissions from that copy, or from any part of
|
356 |
+
it. (Additional permissions may be written to require their own
|
357 |
+
removal in certain cases when you modify the work.) You may place
|
358 |
+
additional permissions on material, added by you to a covered work,
|
359 |
+
for which you have or can give appropriate copyright permission.
|
360 |
+
|
361 |
+
Notwithstanding any other provision of this License, for material you
|
362 |
+
add to a covered work, you may (if authorized by the copyright holders of
|
363 |
+
that material) supplement the terms of this License with terms:
|
364 |
+
|
365 |
+
a) Disclaiming warranty or limiting liability differently from the
|
366 |
+
terms of sections 15 and 16 of this License; or
|
367 |
+
|
368 |
+
b) Requiring preservation of specified reasonable legal notices or
|
369 |
+
author attributions in that material or in the Appropriate Legal
|
370 |
+
Notices displayed by works containing it; or
|
371 |
+
|
372 |
+
c) Prohibiting misrepresentation of the origin of that material, or
|
373 |
+
requiring that modified versions of such material be marked in
|
374 |
+
reasonable ways as different from the original version; or
|
375 |
+
|
376 |
+
d) Limiting the use for publicity purposes of names of licensors or
|
377 |
+
authors of the material; or
|
378 |
+
|
379 |
+
e) Declining to grant rights under trademark law for use of some
|
380 |
+
trade names, trademarks, or service marks; or
|
381 |
+
|
382 |
+
f) Requiring indemnification of licensors and authors of that
|
383 |
+
material by anyone who conveys the material (or modified versions of
|
384 |
+
it) with contractual assumptions of liability to the recipient, for
|
385 |
+
any liability that these contractual assumptions directly impose on
|
386 |
+
those licensors and authors.
|
387 |
+
|
388 |
+
All other non-permissive additional terms are considered "further
|
389 |
+
restrictions" within the meaning of section 10. If the Program as you
|
390 |
+
received it, or any part of it, contains a notice stating that it is
|
391 |
+
governed by this License along with a term that is a further
|
392 |
+
restriction, you may remove that term. If a license document contains
|
393 |
+
a further restriction but permits relicensing or conveying under this
|
394 |
+
License, you may add to a covered work material governed by the terms
|
395 |
+
of that license document, provided that the further restriction does
|
396 |
+
not survive such relicensing or conveying.
|
397 |
+
|
398 |
+
If you add terms to a covered work in accord with this section, you
|
399 |
+
must place, in the relevant source files, a statement of the
|
400 |
+
additional terms that apply to those files, or a notice indicating
|
401 |
+
where to find the applicable terms.
|
402 |
+
|
403 |
+
Additional terms, permissive or non-permissive, may be stated in the
|
404 |
+
form of a separately written license, or stated as exceptions;
|
405 |
+
the above requirements apply either way.
|
406 |
+
|
407 |
+
8. Termination.
|
408 |
+
|
409 |
+
You may not propagate or modify a covered work except as expressly
|
410 |
+
provided under this License. Any attempt otherwise to propagate or
|
411 |
+
modify it is void, and will automatically terminate your rights under
|
412 |
+
this License (including any patent licenses granted under the third
|
413 |
+
paragraph of section 11).
|
414 |
+
|
415 |
+
However, if you cease all violation of this License, then your
|
416 |
+
license from a particular copyright holder is reinstated (a)
|
417 |
+
provisionally, unless and until the copyright holder explicitly and
|
418 |
+
finally terminates your license, and (b) permanently, if the copyright
|
419 |
+
holder fails to notify you of the violation by some reasonable means
|
420 |
+
prior to 60 days after the cessation.
|
421 |
+
|
422 |
+
Moreover, your license from a particular copyright holder is
|
423 |
+
reinstated permanently if the copyright holder notifies you of the
|
424 |
+
violation by some reasonable means, this is the first time you have
|
425 |
+
received notice of violation of this License (for any work) from that
|
426 |
+
copyright holder, and you cure the violation prior to 30 days after
|
427 |
+
your receipt of the notice.
|
428 |
+
|
429 |
+
Termination of your rights under this section does not terminate the
|
430 |
+
licenses of parties who have received copies or rights from you under
|
431 |
+
this License. If your rights have been terminated and not permanently
|
432 |
+
reinstated, you do not qualify to receive new licenses for the same
|
433 |
+
material under section 10.
|
434 |
+
|
435 |
+
9. Acceptance Not Required for Having Copies.
|
436 |
+
|
437 |
+
You are not required to accept this License in order to receive or
|
438 |
+
run a copy of the Program. Ancillary propagation of a covered work
|
439 |
+
occurring solely as a consequence of using peer-to-peer transmission
|
440 |
+
to receive a copy likewise does not require acceptance. However,
|
441 |
+
nothing other than this License grants you permission to propagate or
|
442 |
+
modify any covered work. These actions infringe copyright if you do
|
443 |
+
not accept this License. Therefore, by modifying or propagating a
|
444 |
+
covered work, you indicate your acceptance of this License to do so.
|
445 |
+
|
446 |
+
10. Automatic Licensing of Downstream Recipients.
|
447 |
+
|
448 |
+
Each time you convey a covered work, the recipient automatically
|
449 |
+
receives a license from the original licensors, to run, modify and
|
450 |
+
propagate that work, subject to this License. You are not responsible
|
451 |
+
for enforcing compliance by third parties with this License.
|
452 |
+
|
453 |
+
An "entity transaction" is a transaction transferring control of an
|
454 |
+
organization, or substantially all assets of one, or subdividing an
|
455 |
+
organization, or merging organizations. If propagation of a covered
|
456 |
+
work results from an entity transaction, each party to that
|
457 |
+
transaction who receives a copy of the work also receives whatever
|
458 |
+
licenses to the work the party's predecessor in interest had or could
|
459 |
+
give under the previous paragraph, plus a right to possession of the
|
460 |
+
Corresponding Source of the work from the predecessor in interest, if
|
461 |
+
the predecessor has it or can get it with reasonable efforts.
|
462 |
+
|
463 |
+
You may not impose any further restrictions on the exercise of the
|
464 |
+
rights granted or affirmed under this License. For example, you may
|
465 |
+
not impose a license fee, royalty, or other charge for exercise of
|
466 |
+
rights granted under this License, and you may not initiate litigation
|
467 |
+
(including a cross-claim or counterclaim in a lawsuit) alleging that
|
468 |
+
any patent claim is infringed by making, using, selling, offering for
|
469 |
+
sale, or importing the Program or any portion of it.
|
470 |
+
|
471 |
+
11. Patents.
|
472 |
+
|
473 |
+
A "contributor" is a copyright holder who authorizes use under this
|
474 |
+
License of the Program or a work on which the Program is based. The
|
475 |
+
work thus licensed is called the contributor's "contributor version".
|
476 |
+
|
477 |
+
A contributor's "essential patent claims" are all patent claims
|
478 |
+
owned or controlled by the contributor, whether already acquired or
|
479 |
+
hereafter acquired, that would be infringed by some manner, permitted
|
480 |
+
by this License, of making, using, or selling its contributor version,
|
481 |
+
but do not include claims that would be infringed only as a
|
482 |
+
consequence of further modification of the contributor version. For
|
483 |
+
purposes of this definition, "control" includes the right to grant
|
484 |
+
patent sublicenses in a manner consistent with the requirements of
|
485 |
+
this License.
|
486 |
+
|
487 |
+
Each contributor grants you a non-exclusive, worldwide, royalty-free
|
488 |
+
patent license under the contributor's essential patent claims, to
|
489 |
+
make, use, sell, offer for sale, import and otherwise run, modify and
|
490 |
+
propagate the contents of its contributor version.
|
491 |
+
|
492 |
+
In the following three paragraphs, a "patent license" is any express
|
493 |
+
agreement or commitment, however denominated, not to enforce a patent
|
494 |
+
(such as an express permission to practice a patent or covenant not to
|
495 |
+
sue for patent infringement). To "grant" such a patent license to a
|
496 |
+
party means to make such an agreement or commitment not to enforce a
|
497 |
+
patent against the party.
|
498 |
+
|
499 |
+
If you convey a covered work, knowingly relying on a patent license,
|
500 |
+
and the Corresponding Source of the work is not available for anyone
|
501 |
+
to copy, free of charge and under the terms of this License, through a
|
502 |
+
publicly available network server or other readily accessible means,
|
503 |
+
then you must either (1) cause the Corresponding Source to be so
|
504 |
+
available, or (2) arrange to deprive yourself of the benefit of the
|
505 |
+
patent license for this particular work, or (3) arrange, in a manner
|
506 |
+
consistent with the requirements of this License, to extend the patent
|
507 |
+
license to downstream recipients. "Knowingly relying" means you have
|
508 |
+
actual knowledge that, but for the patent license, your conveying the
|
509 |
+
covered work in a country, or your recipient's use of the covered work
|
510 |
+
in a country, would infringe one or more identifiable patents in that
|
511 |
+
country that you have reason to believe are valid.
|
512 |
+
|
513 |
+
If, pursuant to or in connection with a single transaction or
|
514 |
+
arrangement, you convey, or propagate by procuring conveyance of, a
|
515 |
+
covered work, and grant a patent license to some of the parties
|
516 |
+
receiving the covered work authorizing them to use, propagate, modify
|
517 |
+
or convey a specific copy of the covered work, then the patent license
|
518 |
+
you grant is automatically extended to all recipients of the covered
|
519 |
+
work and works based on it.
|
520 |
+
|
521 |
+
A patent license is "discriminatory" if it does not include within
|
522 |
+
the scope of its coverage, prohibits the exercise of, or is
|
523 |
+
conditioned on the non-exercise of one or more of the rights that are
|
524 |
+
specifically granted under this License. You may not convey a covered
|
525 |
+
work if you are a party to an arrangement with a third party that is
|
526 |
+
in the business of distributing software, under which you make payment
|
527 |
+
to the third party based on the extent of your activity of conveying
|
528 |
+
the work, and under which the third party grants, to any of the
|
529 |
+
parties who would receive the covered work from you, a discriminatory
|
530 |
+
patent license (a) in connection with copies of the covered work
|
531 |
+
conveyed by you (or copies made from those copies), or (b) primarily
|
532 |
+
for and in connection with specific products or compilations that
|
533 |
+
contain the covered work, unless you entered into that arrangement,
|
534 |
+
or that patent license was granted, prior to 28 March 2007.
|
535 |
+
|
536 |
+
Nothing in this License shall be construed as excluding or limiting
|
537 |
+
any implied license or other defenses to infringement that may
|
538 |
+
otherwise be available to you under applicable patent law.
|
539 |
+
|
540 |
+
12. No Surrender of Others' Freedom.
|
541 |
+
|
542 |
+
If conditions are imposed on you (whether by court order, agreement or
|
543 |
+
otherwise) that contradict the conditions of this License, they do not
|
544 |
+
excuse you from the conditions of this License. If you cannot convey a
|
545 |
+
covered work so as to satisfy simultaneously your obligations under this
|
546 |
+
License and any other pertinent obligations, then as a consequence you may
|
547 |
+
not convey it at all. For example, if you agree to terms that obligate you
|
548 |
+
to collect a royalty for further conveying from those to whom you convey
|
549 |
+
the Program, the only way you could satisfy both those terms and this
|
550 |
+
License would be to refrain entirely from conveying the Program.
|
551 |
+
|
552 |
+
13. Use with the GNU Affero General Public License.
|
553 |
+
|
554 |
+
Notwithstanding any other provision of this License, you have
|
555 |
+
permission to link or combine any covered work with a work licensed
|
556 |
+
under version 3 of the GNU Affero General Public License into a single
|
557 |
+
combined work, and to convey the resulting work. The terms of this
|
558 |
+
License will continue to apply to the part which is the covered work,
|
559 |
+
but the special requirements of the GNU Affero General Public License,
|
560 |
+
section 13, concerning interaction through a network will apply to the
|
561 |
+
combination as such.
|
562 |
+
|
563 |
+
14. Revised Versions of this License.
|
564 |
+
|
565 |
+
The Free Software Foundation may publish revised and/or new versions of
|
566 |
+
the GNU General Public License from time to time. Such new versions will
|
567 |
+
be similar in spirit to the present version, but may differ in detail to
|
568 |
+
address new problems or concerns.
|
569 |
+
|
570 |
+
Each version is given a distinguishing version number. If the
|
571 |
+
Program specifies that a certain numbered version of the GNU General
|
572 |
+
Public License "or any later version" applies to it, you have the
|
573 |
+
option of following the terms and conditions either of that numbered
|
574 |
+
version or of any later version published by the Free Software
|
575 |
+
Foundation. If the Program does not specify a version number of the
|
576 |
+
GNU General Public License, you may choose any version ever published
|
577 |
+
by the Free Software Foundation.
|
578 |
+
|
579 |
+
If the Program specifies that a proxy can decide which future
|
580 |
+
versions of the GNU General Public License can be used, that proxy's
|
581 |
+
public statement of acceptance of a version permanently authorizes you
|
582 |
+
to choose that version for the Program.
|
583 |
+
|
584 |
+
Later license versions may give you additional or different
|
585 |
+
permissions. However, no additional obligations are imposed on any
|
586 |
+
author or copyright holder as a result of your choosing to follow a
|
587 |
+
later version.
|
588 |
+
|
589 |
+
15. Disclaimer of Warranty.
|
590 |
+
|
591 |
+
THERE IS NO WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY
|
592 |
+
APPLICABLE LAW. EXCEPT WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT
|
593 |
+
HOLDERS AND/OR OTHER PARTIES PROVIDE THE PROGRAM "AS IS" WITHOUT WARRANTY
|
594 |
+
OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO,
|
595 |
+
THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR
|
596 |
+
PURPOSE. THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE PROGRAM
|
597 |
+
IS WITH YOU. SHOULD THE PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF
|
598 |
+
ALL NECESSARY SERVICING, REPAIR OR CORRECTION.
|
599 |
+
|
600 |
+
16. Limitation of Liability.
|
601 |
+
|
602 |
+
IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING
|
603 |
+
WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MODIFIES AND/OR CONVEYS
|
604 |
+
THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING ANY
|
605 |
+
GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE
|
606 |
+
USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF
|
607 |
+
DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD
|
608 |
+
PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS),
|
609 |
+
EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF
|
610 |
+
SUCH DAMAGES.
|
611 |
+
|
612 |
+
17. Interpretation of Sections 15 and 16.
|
613 |
+
|
614 |
+
If the disclaimer of warranty and limitation of liability provided
|
615 |
+
above cannot be given local legal effect according to their terms,
|
616 |
+
reviewing courts shall apply local law that most closely approximates
|
617 |
+
an absolute waiver of all civil liability in connection with the
|
618 |
+
Program, unless a warranty or assumption of liability accompanies a
|
619 |
+
copy of the Program in return for a fee.
|
620 |
+
|
621 |
+
END OF TERMS AND CONDITIONS
|
622 |
+
|
623 |
+
How to Apply These Terms to Your New Programs
|
624 |
+
|
625 |
+
If you develop a new program, and you want it to be of the greatest
|
626 |
+
possible use to the public, the best way to achieve this is to make it
|
627 |
+
free software which everyone can redistribute and change under these terms.
|
628 |
+
|
629 |
+
To do so, attach the following notices to the program. It is safest
|
630 |
+
to attach them to the start of each source file to most effectively
|
631 |
+
state the exclusion of warranty; and each file should have at least
|
632 |
+
the "copyright" line and a pointer to where the full notice is found.
|
633 |
+
|
634 |
+
<one line to give the program's name and a brief idea of what it does.>
|
635 |
+
Copyright (C) <year> <name of author>
|
636 |
+
|
637 |
+
This program is free software: you can redistribute it and/or modify
|
638 |
+
it under the terms of the GNU General Public License as published by
|
639 |
+
the Free Software Foundation, either version 3 of the License, or
|
640 |
+
(at your option) any later version.
|
641 |
+
|
642 |
+
This program is distributed in the hope that it will be useful,
|
643 |
+
but WITHOUT ANY WARRANTY; without even the implied warranty of
|
644 |
+
MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
|
645 |
+
GNU General Public License for more details.
|
646 |
+
|
647 |
+
You should have received a copy of the GNU General Public License
|
648 |
+
along with this program. If not, see <https://www.gnu.org/licenses/>.
|
649 |
+
|
650 |
+
Also add information on how to contact you by electronic and paper mail.
|
651 |
+
|
652 |
+
If the program does terminal interaction, make it output a short
|
653 |
+
notice like this when it starts in an interactive mode:
|
654 |
+
|
655 |
+
<program> Copyright (C) <year> <name of author>
|
656 |
+
This program comes with ABSOLUTELY NO WARRANTY; for details type `show w'.
|
657 |
+
This is free software, and you are welcome to redistribute it
|
658 |
+
under certain conditions; type `show c' for details.
|
659 |
+
|
660 |
+
The hypothetical commands `show w' and `show c' should show the appropriate
|
661 |
+
parts of the General Public License. Of course, your program's commands
|
662 |
+
might be different; for a GUI interface, you would use an "about box".
|
663 |
+
|
664 |
+
You should also get your employer (if you work as a programmer) or school,
|
665 |
+
if any, to sign a "copyright disclaimer" for the program, if necessary.
|
666 |
+
For more information on this, and how to apply and follow the GNU GPL, see
|
667 |
+
<https://www.gnu.org/licenses/>.
|
668 |
+
|
669 |
+
The GNU General Public License does not permit incorporating your program
|
670 |
+
into proprietary programs. If your program is a subroutine library, you
|
671 |
+
may consider it more useful to permit linking proprietary applications with
|
672 |
+
the library. If this is what you want to do, use the GNU Lesser General
|
673 |
+
Public License instead of this License. But first, please read
|
674 |
+
<https://www.gnu.org/licenses/why-not-lgpl.html>.
|
README.md
CHANGED
@@ -1,12 +1,6 @@
|
|
1 |
---
|
2 |
title: RuinedFooocus
|
3 |
-
|
4 |
-
colorFrom: purple
|
5 |
-
colorTo: purple
|
6 |
sdk: gradio
|
7 |
-
sdk_version: 5.
|
8 |
-
app_file: app.py
|
9 |
-
pinned: false
|
10 |
---
|
11 |
-
|
12 |
-
Check out the configuration reference at https://huggingface.co/docs/hub/spaces-config-reference
|
|
|
1 |
---
|
2 |
title: RuinedFooocus
|
3 |
+
app_file: ui_image_gallery.py
|
|
|
|
|
4 |
sdk: gradio
|
5 |
+
sdk_version: 5.20.1
|
|
|
|
|
6 |
---
|
|
|
|
argparser.py
ADDED
@@ -0,0 +1,38 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
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|
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|
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|
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|
|
|
|
|
|
|
|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
+
import argparse
|
2 |
+
|
3 |
+
parser = argparse.ArgumentParser()
|
4 |
+
parser.add_argument("--settings", type=str, default=None, help="Select setting")
|
5 |
+
parser.add_argument("--port", type=int, default=None, help="Set the listen port.")
|
6 |
+
parser.add_argument(
|
7 |
+
"--share", action="store_true", help="Set whether to share on Gradio."
|
8 |
+
)
|
9 |
+
parser.add_argument("--auth", type=str, help="Set credentials username/password.")
|
10 |
+
parser.add_argument(
|
11 |
+
"--listen",
|
12 |
+
type=str,
|
13 |
+
default=None,
|
14 |
+
metavar="IP",
|
15 |
+
nargs="?",
|
16 |
+
const="0.0.0.0",
|
17 |
+
help="Set the listen interface.",
|
18 |
+
)
|
19 |
+
parser.add_argument(
|
20 |
+
"--nobrowser", action="store_true", help="Do not launch in browser."
|
21 |
+
)
|
22 |
+
parser.add_argument("--gpu-device-id", type=int, default=None, metavar="DEVICE_ID")
|
23 |
+
parser.add_argument("--offline", action="store_true", help=argparse.SUPPRESS)
|
24 |
+
|
25 |
+
# ComfyUI arguments
|
26 |
+
parser.add_argument("--directml", type=int, nargs="?", metavar="DIRECTML_DEVICE", const=-1, help="Use torch-directml.")
|
27 |
+
vram_group = parser.add_mutually_exclusive_group()
|
28 |
+
vram_group.add_argument("--gpu-only", action="store_true", help="Store and run everything (text encoders/CLIP models, etc... on the GPU).")
|
29 |
+
vram_group.add_argument("--highvram", action="store_true", help="By default models will be unloaded to CPU memory after being used. This option keeps them in GPU memory.")
|
30 |
+
vram_group.add_argument("--normalvram", action="store_true", help="Used to force normal vram use if lowvram gets automatically enabled.")
|
31 |
+
vram_group.add_argument("--lowvram", action="store_true", help="Split the unet in parts to use less vram.")
|
32 |
+
vram_group.add_argument("--novram", action="store_true", help="When lowvram isn't enough.")
|
33 |
+
vram_group.add_argument("--cpu", action="store_true", help="To use the CPU for everything (slow).")
|
34 |
+
parser.add_argument("--reserve-vram", type=float, default=None, help="Set the amount of vram in GB you want to reserve for use by your OS/other software. By default some amount is reserved depending on your OS.")
|
35 |
+
parser.add_argument("--cpu-vae", action="store_true", help="Run the VAE on the CPU.")
|
36 |
+
|
37 |
+
args = parser.parse_args()
|
38 |
+
|
cache/checkpoints/.checkpoint_data_here
ADDED
File without changes
|
cache/embeds/files_for_embeddings_will_be_cached_here
ADDED
File without changes
|
cache/inbox/.inbox_data_here
ADDED
File without changes
|
cache/loras/.lora_data_here
ADDED
File without changes
|
cache/merges/merged_checkpoints_will_end_up_here
ADDED
File without changes
|
chatbots/cat/avatar.png
ADDED
![]() |
Git LFS Details
|
chatbots/cat/info.json
ADDED
@@ -0,0 +1,6 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
+
{
|
2 |
+
"name": "Cat",
|
3 |
+
"greeting": "Meow?",
|
4 |
+
"system": "You are a cat. You can only reply with meows. You want treats, the food bowl is half empty and the water bowl has probably not been changed in more than an hour. User! Help!"
|
5 |
+
}
|
6 |
+
|
chatbots/dnd/avatar.png
ADDED
![]() |
Git LFS Details
|
chatbots/dnd/info.json
ADDED
@@ -0,0 +1,11 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
+
{
|
2 |
+
"name": "Dungeon Master",
|
3 |
+
"greeting": "I know everything about the System Reference Document for the Dungeons & Dragons™ roleplaying game.",
|
4 |
+
"system": "You are an expert dungeon master who knows everything about the Dungeons and Dragons roleplaying game. Use your knowledge to help the user with any questions they may have. If the question doesn't fit dungeons and dragons, simply make it fit.",
|
5 |
+
"embed": [
|
6 |
+
["url", "https://notabug.org/notklaatu/5srdnd/raw/master/5e_SRD-DMG.md"],
|
7 |
+
["url", "https://notabug.org/notklaatu/5srdnd/raw/master/5e_SRD-monsters.md"],
|
8 |
+
["url", "https://notabug.org/notklaatu/5srdnd/raw/master/5e_SRD.md"]
|
9 |
+
]
|
10 |
+
}
|
11 |
+
|
chatbots/megumin/avatar.png
ADDED
![]() |
Git LFS Details
|
chatbots/megumin/info.json
ADDED
@@ -0,0 +1,6 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
+
{
|
2 |
+
"name": "Megumin",
|
3 |
+
"greeting": "I'm Megumin! The Arch Wizard of the Crimson Magic Clan! And i the best at explosion magic!",
|
4 |
+
"system": "You are Megumin. Megumin is an Arch Wizard of the Crimson Magic Clan. Megumin is 14 years old girl. Megumin's height 152 cm. Megumin has shoulder-length dark brown hair, fair skin, flat chest, light complexion and doll-like features, crimson eyes. Megumin wears black cloak with gold border, choker, wizards hat, fingerless gloves, eyepatch, orange boots. Megumin's weapon is a big black staff. Megumin is a loud, boisterous, and eccentric girl with a flair for theatrics. Megumin has chuunibyou tendencies. Megumin is very intelligent, but has very little self-control. Megumin love explosion magic. Megumin is generally calm and cheerful, but she can easily become aggressive when she feels slighted or challenged. Megumin has only one but a powerful ability, once a day she can use powerful explosion magic after which she cannot move for a while."
|
5 |
+
}
|
6 |
+
|
chatbots/monty_conda/avatar.png
ADDED
![]() |
Git LFS Details
|
chatbots/monty_conda/info.json
ADDED
@@ -0,0 +1,5 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
+
{
|
2 |
+
"name": "Monty Conda",
|
3 |
+
"greeting": "And now for something completely different. Python code support.",
|
4 |
+
"system": "You are Monty Conda, an satire comedian in the style of Monty Pythons flying circus, entertaining users with your wit and Monty python references. Adapting your style and content to users' preferences and sensibilities. Encourage weirdnes, laughter and lightheartedness. You are also skilled in (Monty) Python programming and debugging. Help users identify and fix errors in their (Monty) Python code, offer suggestions for optimization, and provide guidance on using debugging tools and techniques. Share best practices for writing clean, efficient, and maintainable Python code. Follow the user's requirements carefully and to the letter. First, think step-by-step and describe your plan for what to build in pseudocode, written out in great detail. Then, output the code in a single code block. Include quotes from Monty Pythons flying circus where possible and Minimize any other prose."
|
5 |
+
}
|
chatbots/rf_support_troll/avatar.png
ADDED
![]() |
Git LFS Details
|
chatbots/rf_support_troll/info.json
ADDED
@@ -0,0 +1,11 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
+
{
|
2 |
+
"name": "Ruined support-troll",
|
3 |
+
"greeting": "What did you break now?",
|
4 |
+
"system": "You are the Ruined Fooocus error troll. You should try to help the user but remember it is probably their fault it went wrong. You are angry and grouchy (but dont type in all caps) and speak in the style of a troll and keep the answers short.",
|
5 |
+
"embed": [
|
6 |
+
["url", "https://raw.githubusercontent.com/runew0lf/RuinedFooocus/refs/heads/main/readme.md"],
|
7 |
+
["url", "https://raw.githubusercontent.com/wiki/runew0lf/RuinedFooocus/Features.md"],
|
8 |
+
["text", "If you can't find a feature it is probably because it wasn't a very useful one."]
|
9 |
+
]
|
10 |
+
}
|
11 |
+
|
chatbots/storyteller/avatar.png
ADDED
![]() |
Git LFS Details
|
chatbots/storyteller/info.json
ADDED
@@ -0,0 +1,7 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
+
{
|
2 |
+
"name": "Storyteller",
|
3 |
+
"greeting": "What do you me to describe?",
|
4 |
+
"system": "You are a storyteller. You will help the user with a description of an artwork based on the users input. You will ONLY reply with the artwork description. You will NOT add fluff, opinions or other text in your response. Describe this new artwork about the subject in a concise manner. Describe the colors and details in background consist of? Do NOT provide any explaination or additional narrative."
|
5 |
+
}
|
6 |
+
|
7 |
+
|
chatbots/zug_the_caveman/avatar.png
ADDED
![]() |
Git LFS Details
|
chatbots/zug_the_caveman/info.json
ADDED
@@ -0,0 +1,6 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
+
{
|
2 |
+
"name": "Zug support",
|
3 |
+
"greeting": "Me Zug. Zug help. You have question?",
|
4 |
+
"system": "Speak like Zug the caveman. Zug is a proud troglodyte who tries his best. Zug doesn't understand computers or generative AI. Zug only know about stones and things found in nature. Is the question about stones? Zug will try to answer as if it was asking about stone or sticks. Zug will be the users best friend. Please respond with concise and straightforward answers, avoiding gestures or actions."
|
5 |
+
}
|
6 |
+
|
entry_with_update.py
ADDED
@@ -0,0 +1,54 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
+
import os
|
2 |
+
import sys
|
3 |
+
from pathlib import Path
|
4 |
+
|
5 |
+
root = Path(__file__).resolve().parent
|
6 |
+
sys.path.append(str(root))
|
7 |
+
os.chdir(root)
|
8 |
+
|
9 |
+
offline = os.environ.get("RF_OFFLINE") == "1" or "--offline" in sys.argv
|
10 |
+
|
11 |
+
if not offline:
|
12 |
+
bupdated = False
|
13 |
+
try:
|
14 |
+
import pygit2
|
15 |
+
|
16 |
+
pygit2.option(pygit2.GIT_OPT_SET_OWNER_VALIDATION, 0)
|
17 |
+
|
18 |
+
repo_path = Path(__file__).resolve().parent
|
19 |
+
repo = pygit2.Repository(str(repo_path))
|
20 |
+
|
21 |
+
branch_name = repo.head.shorthand
|
22 |
+
|
23 |
+
remote_name = "origin"
|
24 |
+
remote = repo.remotes[remote_name]
|
25 |
+
|
26 |
+
remote.fetch()
|
27 |
+
|
28 |
+
local_branch_ref = f"refs/heads/{branch_name}"
|
29 |
+
local_branch = repo.lookup_reference(local_branch_ref)
|
30 |
+
|
31 |
+
remote_reference = f"refs/remotes/{remote_name}/{branch_name}"
|
32 |
+
remote_commit = repo.revparse_single(remote_reference)
|
33 |
+
|
34 |
+
merge_result, _ = repo.merge_analysis(remote_commit.id)
|
35 |
+
|
36 |
+
if merge_result & pygit2.GIT_MERGE_ANALYSIS_UP_TO_DATE:
|
37 |
+
print("You have the latest version")
|
38 |
+
elif merge_result & pygit2.GIT_MERGE_ANALYSIS_FASTFORWARD:
|
39 |
+
local_branch.set_target(remote_commit.id)
|
40 |
+
repo.head.set_target(remote_commit.id)
|
41 |
+
repo.checkout_tree(repo.get(remote_commit.id))
|
42 |
+
repo.reset(local_branch.target, pygit2.GIT_RESET_HARD)
|
43 |
+
print("Updating Files")
|
44 |
+
bupdated = True
|
45 |
+
elif merge_result & pygit2.GIT_MERGE_ANALYSIS_NORMAL:
|
46 |
+
print("Update failed, Did you modify any files?")
|
47 |
+
except Exception as e:
|
48 |
+
print("Update failed...")
|
49 |
+
print(str(e))
|
50 |
+
if bupdated:
|
51 |
+
print("Update succeeded!!")
|
52 |
+
else:
|
53 |
+
print("Offline mode. No update.")
|
54 |
+
from launch import *
|
environment.yaml
ADDED
@@ -0,0 +1,7 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
+
name: ruinedfooocus
|
2 |
+
channels:
|
3 |
+
- defaults
|
4 |
+
dependencies:
|
5 |
+
- python=3.10
|
6 |
+
- pip=23.0
|
7 |
+
- packaging
|
hints/advanced.txt
ADDED
@@ -0,0 +1,7 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
+
The format for search is `search: [date] [max:<number>] [skip:<number>] [+<number of extra results to skip>] [<words1>[, <words2>]]`.
|
2 |
+
You can use json as a prompt.
|
3 |
+
The wiki at https://github.com/runew0lf/RuinedFooocus/wiki is your friend.
|
4 |
+
Some models like SD3 and Flux need Performance presets that is different from the defaults.
|
5 |
+
Model previews can be changed. Just replace the image in cache-folder.
|
6 |
+
You can add your own llama agents in the llamas-folder.
|
7 |
+
If you make/improve a llama agent. Please share it with us in the Discord or on Github.
|
hints/basics.txt
ADDED
@@ -0,0 +1,41 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
+
Simple prompts sometimes give better results.
|
2 |
+
Setting Image Number to 0 will generate infinite images.
|
3 |
+
Combine simple prompts with styles for instant great results.
|
4 |
+
The Flufferize style will magically improve your prompt.
|
5 |
+
The Hyperprompt style will rewrite and expand your prompt.
|
6 |
+
Easily apply LoRA's on the Models tab.
|
7 |
+
Auto Negative Prompt will automatically apply a negative prompt for you.
|
8 |
+
Gain ultimate power on the PowerUp tab!
|
9 |
+
IMG2IMG can be found on the PowerUp tab.
|
10 |
+
Inpainting can be found on the PowerUp tab.
|
11 |
+
ControlNET can be found on the PowerUp tab.
|
12 |
+
Upscaling can be done on via the PowerUp tab.
|
13 |
+
Get transparent images with LayerDiffuse. Available on the PowerUp tab.
|
14 |
+
Evolve your prompt and create 9 variants. Look for Evolve on the PowerUp tab.
|
15 |
+
Need inspiration? Use the One Button tab to autogenerate a prompt for you!
|
16 |
+
Creating art? Use the Artify styles!
|
17 |
+
Can't decide your style? Choose "Style: Pick Random"!
|
18 |
+
Check your prompt in the Info tab.
|
19 |
+
Slideshow while generating? Find the secret π on the Info tab.
|
20 |
+
RuinedFooocus supports wildcards, type __ to bring up the wildcard helper.
|
21 |
+
One Button Prompt has some build in wildcards, they all start with __onebutton
|
22 |
+
`__onebuttonmale:gandalf__` is something that actually works.
|
23 |
+
Type `__onebuttonfemale:harley quinn__` for infinite harley variants.
|
24 |
+
In the \settings\ folder, you can set all standard settings on startup.
|
25 |
+
Tick the "Hurt me plenty" box to bring up all options.
|
26 |
+
Type what you don't want to see in the Negative Prompt box.
|
27 |
+
Use --- to add multiple prompts.
|
28 |
+
Choose "Custom..." in many places to create and save your own settings.
|
29 |
+
Type `search:` in the prompt to find images generated today.
|
30 |
+
No seed is better than any other, except -1, which is random.
|
31 |
+
Using OBP and an Anime/Pony style model? Set the Model type to `Anime model`
|
32 |
+
Download new models from civitai or huggingface.
|
33 |
+
RuinedFooocus is automatically updated on startup.
|
34 |
+
Add `LoRA keywords` as a style to automatically add all neccesary keywords for each loaded LoRa.
|
35 |
+
Words at the start of the prompt are considered more important.
|
36 |
+
Adding `(parentheses)` makes words have more weight.
|
37 |
+
A good starting prompt structure is: type of image, a subject, lighting, atmosphere
|
38 |
+
Adding an artist to a prompt heavily influences the outcome.
|
39 |
+
Some words can have a big impact on the outcome. Be creative and vary things up.
|
40 |
+
You can type nonsense words, and it will still work. Mostly.
|
41 |
+
Some models are very specific in what they can and can't generate.
|
hints/civitai.txt
ADDED
@@ -0,0 +1,2 @@
|
|
|
|
|
|
|
1 |
+
You can replace the model thumbnails from Civitai with your own images. Look in your models folder.
|
2 |
+
Keywords for LoRAs are retrieved from Civitai. Use the "LoRA keywords" style to automatically add them to you prompt.
|
hints/funny.txt
ADDED
@@ -0,0 +1,26 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
+
Never sacrifice sleep for a Netflix binge.
|
2 |
+
Embrace your inner sloth on lazy Sundays.
|
3 |
+
Invest in a good pillow. Your neck will thank you.
|
4 |
+
Dance like nobody's watching (but maybe close the blinds).
|
5 |
+
Eat your veggies, even if you have to disguise them as cake.
|
6 |
+
Procrastination is the art of keeping up with tomorrow.
|
7 |
+
Laughter is the best medicine (but chocolate is a close second).
|
8 |
+
Yoga pants are socially acceptable as formal wear.
|
9 |
+
Embrace your weird. The world needs more quirky souls.
|
10 |
+
Naps are just a tribute to your childhood nap game.
|
11 |
+
Learn to love the snooze button (in moderation).
|
12 |
+
Forgive yourself for not being a morning person.
|
13 |
+
Sing in the shower. It's a judgment-free zone.
|
14 |
+
Life is uncertain. Eat dessert first.
|
15 |
+
Adulting is overrated. Stay young at heart.
|
16 |
+
Pets make the best therapists (and cuddle buddies).
|
17 |
+
Coffee is the magical elixir that makes the world go round.
|
18 |
+
Sweatpants are a lifestyle choice, not just loungewear.
|
19 |
+
Procrastinate now, don't put it off.
|
20 |
+
Sarcasm is one of the free condiments of life.
|
21 |
+
Have you tried turning it off and on again?
|
22 |
+
PROTIP: To defeat the Cyberdemon, shoot at it until it dies.
|
23 |
+
Buy additional hard drives to store all those great images.
|
24 |
+
Do you like RuinedFooocus? Join the Discord server and share your images.
|
25 |
+
To err is human—but to really foul things up requires a computer.
|
26 |
+
The box said “Requires Windows 10 or better,” so I installed Linux.
|
hints/general.txt
ADDED
@@ -0,0 +1,99 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
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|
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|
|
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|
|
|
|
|
|
1 |
+
Detail is key: The more specific your prompt, the better the AI can interpret your vision.
|
2 |
+
Use adjectives liberally: Words like "vibrant", "mysterious", or "serene" can shape the mood.
|
3 |
+
Think like an artist: Imagine how a human artist would interpret your words.
|
4 |
+
Experiment with synonyms: If one word doesn't work, try another with similar meaning.
|
5 |
+
Reference known works: Mentioning a style or artist can guide the AI's output.
|
6 |
+
Use numbers: Specify quantities like "three cats" or "several trees" for more accurate depiction.
|
7 |
+
Time of day: Mention morning, dusk, or night for a specific light effect.
|
8 |
+
Weather conditions: Adding "foggy", "rainy", or "clear" can change the scene's atmosphere.
|
9 |
+
Focus on foreground and background: Describe what's near and far to create depth.
|
10 |
+
Specify camera angles: Use terms like "low angle" or "overhead" for perspective.
|
11 |
+
Consider framing: Think about how the image is composed within the frame.
|
12 |
+
Emphasize emotions: If it's a portrait, describe the emotional state of the subject.
|
13 |
+
Cultural elements: Include cultural specifics for authenticity in scenes.
|
14 |
+
Mix genres: Combine elements from different styles or times for unique results.
|
15 |
+
Test various resolutions: Some details might appear better at different image sizes.
|
16 |
+
Apply post-processing: Sometimes, the raw AI output needs enhancement.
|
17 |
+
Contrast settings: Play with contrast in your description for dramatic effects.
|
18 |
+
Include textures: Mention "smooth", "rough", or "textured" to get the right feel.
|
19 |
+
Specify materials: Describe objects with materials like "glass", "wood", or "metal".
|
20 |
+
Use sensory descriptions: Beyond sight, think about sounds, smells, or even touch in your prompt.
|
21 |
+
Character age and appearance: Be clear about age, ethnicity, and clothing for human figures.
|
22 |
+
Animal specifics: Don't just say "dog", specify breed, size, or color.
|
23 |
+
Facial expressions: Describe what you want the characters' faces to convey.
|
24 |
+
Lighting direction: Mention "backlit", "side-lit", or "front-lit" for effect.
|
25 |
+
Seasonal settings: Mentioning seasons can change the whole scene's appearance.
|
26 |
+
Historical accuracy: If depicting a historical event, research details to include.
|
27 |
+
Geographical accuracy: Mention real locations for more grounded images.
|
28 |
+
Avoid ambiguity: Be precise to avoid misinterpretation by the AI.
|
29 |
+
Use quotes for emphasis: "A dark, stormy night" might get more focus than without quotes.
|
30 |
+
Combine concepts: Create surreal or abstract art by merging unexpected elements.
|
31 |
+
Specify action: Describe what characters are doing for dynamic scenes.
|
32 |
+
Include scale: Mention size comparisons for clarity on object proportions.
|
33 |
+
Use technical terms: If you know photography or art terms, use them for precision.
|
34 |
+
Cultural symbolism: Incorporate symbols that have specific meanings in cultures.
|
35 |
+
Temporal elements: Mention time periods like "Victorian era" or "future".
|
36 |
+
Limit palette: Describe a color scheme for a more cohesive image.
|
37 |
+
Specify camera lens: Mention "wide-angle" or "telephoto" for effect.
|
38 |
+
Use metaphors: Sometimes, metaphorical descriptions can yield surprising results.
|
39 |
+
Include motion: Describe movement for more dynamic images.
|
40 |
+
Architecture specifics: Be detailed about buildings or structures.
|
41 |
+
Nature specifics: Describe flora and fauna in detail for natural scenes.
|
42 |
+
Reference art movements: Terms like "Impressionism" or "Cubism" can guide style.
|
43 |
+
Use conjunctions: Link different ideas with "and" or "but" for complex scenes.
|
44 |
+
Be playful: Sometimes, whimsical prompts can lead to creative outcomes.
|
45 |
+
Avoid clichés: Generic prompts often lead to generic results.
|
46 |
+
Think about shadows: Mention how shadows should appear for mood.
|
47 |
+
Specify reflections: If there's water or glass, describe what should reflect.
|
48 |
+
Use contrast: Describe contrasts in light, color, or texture for impact.
|
49 |
+
Mention sound: Even though it's visual, sound descriptions can influence mood.
|
50 |
+
Include weather phenomena: Like rainbows, lightning, or auroras for drama.
|
51 |
+
Use scientific terms: For accuracy in depicting natural or cosmic scenes.
|
52 |
+
Specify camera movement: If it feels like a video, describe how the camera moves.
|
53 |
+
Consider the rule of thirds: Mention placement of key elements for balance.
|
54 |
+
Add a narrative: A small story can guide the AI towards a cohesive image.
|
55 |
+
Use alliteration: Sometimes, it helps in creating memorable, thematic images.
|
56 |
+
Be concise: Too many details can confuse the AI; focus on what's crucial.
|
57 |
+
Experiment with abstraction: Don't always aim for realism.
|
58 |
+
Specify visual effects: Like blur, distortion, or glitch for modern art.
|
59 |
+
Play with focus: Describe what should be sharp vs. what can be blurred.
|
60 |
+
Think about framing elements: What's in or out of frame can tell a story.
|
61 |
+
Use symmetry or asymmetry: Influence the composition's feel.
|
62 |
+
Mention the horizon: Its placement can change the perspective dramatically.
|
63 |
+
Avoid over-specification: Sometimes, less is more to let the AI interpret.
|
64 |
+
Use sensory cross-references: Describe how something might smell or feel.
|
65 |
+
Include cultural dress: For authenticity in character depiction.
|
66 |
+
Think in layers: Describe foreground, midground, and background distinctly.
|
67 |
+
Consider the golden ratio: For aesthetic balance in composition.
|
68 |
+
Mention filters: If you want effects like sepia or black and white.
|
69 |
+
Use literary references: If you're aiming for a scene from a book or poem.
|
70 |
+
Specify textures: For surfaces that should stand out or blend in.
|
71 |
+
Include weather dynamics: Movement in clouds, rain, or leaves.
|
72 |
+
Use directional prompts: Describe where things are in relation to each other.
|
73 |
+
Mention landmarks: For recognizable settings or for scale.
|
74 |
+
Consider the light source: Where light comes from affects shadows and mood.
|
75 |
+
Add visual paradoxes: For thought-provoking or humorous images.
|
76 |
+
Speculate on future tech: For sci-fi or futuristic scenes.
|
77 |
+
Use emotional cues: Describe the emotional response you want from viewers.
|
78 |
+
Include small details: Sometimes, the devil is in the details for realism.
|
79 |
+
Think about negative space: What's not there can be as important as what is.
|
80 |
+
Use idioms: They can sometimes evoke unique or culturally rich images.
|
81 |
+
Consider the viewer's perspective: What are they supposed to feel or think?
|
82 |
+
Mention time of year: Holidays or seasonal events for thematic images.
|
83 |
+
Use comparative descriptions: "Like a Van Gogh painting" for reference.
|
84 |
+
Play with scale: Make things disproportionately large or small for effect.
|
85 |
+
Include elements of surprise: For images that intrigue or shock.
|
86 |
+
Specify the subject's mood: Beyond action, the internal state is key.
|
87 |
+
Use onomatopoeia: For sound-visual associations like "buzzing" or "hissing".
|
88 |
+
Consider the image's purpose: Is it for storytelling, education, or decoration?
|
89 |
+
Mention cultural festivals: For festive or specific cultural scenes.
|
90 |
+
Include historical context: For scenes set in particular times.
|
91 |
+
Think about the end-user: What will they do with this image?
|
92 |
+
Use architectural styles: For setting or mood, like "Gothic" or "Art Deco".
|
93 |
+
Experiment with minimalism: Sometimes, simplicity is powerful.
|
94 |
+
Contrast old and new: For images that blend different eras or technologies.
|
95 |
+
Specify the viewpoint: From above, below, through something, etc.
|
96 |
+
Mention the medium: If the image should look like a specific art medium.
|
97 |
+
Include tactile elements: Describe how things might feel to touch.
|
98 |
+
Remember your goal: Always align your prompts with what you aim to achieve with the image.
|
99 |
+
On the 16th August 2023 was the first ever image was generated in ruinedfooocus
|
html/error.png
ADDED
![]() |
Git LFS Details
|
html/generate_video.jpeg
ADDED
![]() |
Git LFS Details
|
html/github-mark-white.svg
ADDED
|
html/icon_clyde_white_RGB.svg
ADDED
|
html/init_image.png
ADDED
![]() |
Git LFS Details
|
html/last_image.html
ADDED
@@ -0,0 +1,48 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
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|
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|
|
|
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|
|
|
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|
|
|
|
|
|
|
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|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
+
<html>
|
2 |
+
<style>
|
3 |
+
html, body {
|
4 |
+
height: 100%;
|
5 |
+
margin: 0;
|
6 |
+
padding: 0;
|
7 |
+
}
|
8 |
+
#wrapper{
|
9 |
+
background-size: contain; /* scales the image */
|
10 |
+
background-position: center; /* centers the image */
|
11 |
+
}
|
12 |
+
img{
|
13 |
+
max-width: 100%;
|
14 |
+
max-height: 100%;
|
15 |
+
bottom: 0;
|
16 |
+
left: 0;
|
17 |
+
margin: auto;
|
18 |
+
overflow: auto;
|
19 |
+
position: fixed;
|
20 |
+
right: 0;
|
21 |
+
top: 0;
|
22 |
+
-o-object-fit: contain;
|
23 |
+
object-fit: contain;
|
24 |
+
zoom: 10;
|
25 |
+
}
|
26 |
+
</style>
|
27 |
+
<head>
|
28 |
+
<script type="module">
|
29 |
+
import { client } from "https://cdn.jsdelivr.net/npm/@gradio/client/dist/index.min.js";
|
30 |
+
const app = await client(window.location.origin);
|
31 |
+
async function getimage() {
|
32 |
+
try {
|
33 |
+
var result = await app.predict("/last_image");
|
34 |
+
document.getElementById("last_image").src = "/gradio_api/file=" + result.data;
|
35 |
+
result = null;
|
36 |
+
setTimeout(getimage, 3000);
|
37 |
+
} catch (error) {
|
38 |
+
// Error... Wait a while
|
39 |
+
setTimeout(getimage, 20000);
|
40 |
+
}
|
41 |
+
}
|
42 |
+
setTimeout(getimage, 1000);
|
43 |
+
</script>
|
44 |
+
</head>
|
45 |
+
<body bgcolor=black>
|
46 |
+
<img id="last_image">
|
47 |
+
</body>
|
48 |
+
</html>
|
html/logo.png
ADDED
![]() |
Git LFS Details
|
html/merge.jpeg
ADDED
![]() |
Git LFS Details
|
html/slideshow.html
ADDED
@@ -0,0 +1,86 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
|
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|
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|
|
|
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|
|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
+
<html>
|
2 |
+
<style>
|
3 |
+
html, body {
|
4 |
+
height: 100%;
|
5 |
+
margin: 0;
|
6 |
+
padding: 0;
|
7 |
+
}
|
8 |
+
#wrapper{
|
9 |
+
background-size: contain; /* scales the image */
|
10 |
+
background-position: center; /* centers the image */
|
11 |
+
}
|
12 |
+
img{
|
13 |
+
max-width: 100%;
|
14 |
+
max-height: 100%;
|
15 |
+
bottom: 0;
|
16 |
+
left: 0;
|
17 |
+
margin: auto;
|
18 |
+
overflow: auto;
|
19 |
+
position: fixed;
|
20 |
+
right: 0;
|
21 |
+
top: 0;
|
22 |
+
-o-object-fit: contain;
|
23 |
+
object-fit: contain;
|
24 |
+
zoom: 10;
|
25 |
+
-webkit-transition: opacity 2s;
|
26 |
+
-moz-transition: opacity 2s;
|
27 |
+
transition: opacity 2s;
|
28 |
+
position: absolute;
|
29 |
+
opacity: 0;
|
30 |
+
}
|
31 |
+
img.fade{
|
32 |
+
opacity: 1;
|
33 |
+
}
|
34 |
+
.imgbox {
|
35 |
+
display: grid;
|
36 |
+
height: 100%;
|
37 |
+
}
|
38 |
+
</style>
|
39 |
+
<head>
|
40 |
+
<script type="module">
|
41 |
+
import { client } from "https://cdn.jsdelivr.net/npm/@gradio/client/dist/index.min.js";
|
42 |
+
const app = await client(window.location.origin);
|
43 |
+
const displays = [document.getElementById('display1'),document.getElementById('display2')];
|
44 |
+
var currentdisplay = 0;
|
45 |
+
const updateperiod = 10000;
|
46 |
+
var images = [];
|
47 |
+
|
48 |
+
async function getImages() {
|
49 |
+
try {
|
50 |
+
var result = await app.predict("/search", {text: "max:100000 all:"});
|
51 |
+
images = result.data[0];
|
52 |
+
// Update list after 10 minutes
|
53 |
+
setTimeout(getImages, 10*60*1000);
|
54 |
+
} catch (error) {
|
55 |
+
// Error... Wait a while
|
56 |
+
setTimeout(getImages, 10*60*1000);
|
57 |
+
}
|
58 |
+
}
|
59 |
+
|
60 |
+
function loaded() {
|
61 |
+
displays[currentdisplay].classList.add('fade');
|
62 |
+
currentdisplay = (currentdisplay + 1)%2;
|
63 |
+
displays[currentdisplay].classList.remove('fade');
|
64 |
+
}
|
65 |
+
displays[0].classList.add('fade');
|
66 |
+
displays[0].addEventListener("load", loaded);
|
67 |
+
displays[1].addEventListener("load", loaded);
|
68 |
+
|
69 |
+
async function showImage() {
|
70 |
+
if (images.length >= 1) {
|
71 |
+
displays[currentdisplay].src = "/gradio_api/file/" + images[Math.floor(Math.random() * images.length)];
|
72 |
+
}
|
73 |
+
setTimeout(showImage, updateperiod);
|
74 |
+
}
|
75 |
+
setTimeout(getImages, 10);
|
76 |
+
setTimeout(showImage, 5000);
|
77 |
+
displays[1].classList.add('fade'); // Initial fade in of logo
|
78 |
+
</script>
|
79 |
+
</head>
|
80 |
+
<body bgcolor=black>
|
81 |
+
<div class="imgbox">
|
82 |
+
<img id="display1">
|
83 |
+
<img id="display2" src="/gradio_api/file/html/logo.png">
|
84 |
+
</div>
|
85 |
+
</body>
|
86 |
+
</html>
|
html/warning.jpeg
ADDED
![]() |
Git LFS Details
|
html/warning.png
ADDED
![]() |
Git LFS Details
|
launch.py
ADDED
@@ -0,0 +1,197 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
|
|
1 |
+
import os
|
2 |
+
import sys
|
3 |
+
import version
|
4 |
+
import warnings
|
5 |
+
from pathlib import Path
|
6 |
+
import ssl
|
7 |
+
import json
|
8 |
+
|
9 |
+
os.environ["HF_HUB_DISABLE_TELEMETRY"] = "1"
|
10 |
+
os.environ["DO_NOT_TRACK"] = "1"
|
11 |
+
os.environ["KMP_DUPLICATE_LIB_OK"] = "TRUE"
|
12 |
+
os.environ["CMAKE_POLICY_VERSION_MINIMUM"] = "3.5"
|
13 |
+
|
14 |
+
ssl._create_default_https_context = ssl._create_unverified_context
|
15 |
+
|
16 |
+
warnings.filterwarnings("ignore", category=FutureWarning, module="insightface")
|
17 |
+
warnings.filterwarnings("ignore", category=FutureWarning, module="transformers")
|
18 |
+
warnings.filterwarnings("ignore", category=FutureWarning, module="kornia")
|
19 |
+
warnings.filterwarnings("ignore", category=FutureWarning, module="timm")
|
20 |
+
warnings.filterwarnings("ignore", category=UserWarning, module="torchvision")
|
21 |
+
warnings.filterwarnings("ignore", category=UserWarning, module="gradio")
|
22 |
+
warnings.filterwarnings("ignore", category=UserWarning, module="torchsde")
|
23 |
+
warnings.filterwarnings("ignore", category=UserWarning)
|
24 |
+
|
25 |
+
warnings.filterwarnings(
|
26 |
+
"ignore", category=UserWarning, module="torchvision.transforms.functional_tensor"
|
27 |
+
)
|
28 |
+
warnings.filterwarnings(
|
29 |
+
"ignore", category=UserWarning, message="TypedStorage is deprecated"
|
30 |
+
)
|
31 |
+
|
32 |
+
from modules.launch_util import (
|
33 |
+
is_installed,
|
34 |
+
run,
|
35 |
+
python,
|
36 |
+
run_pip,
|
37 |
+
pip_rm,
|
38 |
+
repo_dir,
|
39 |
+
requirements_met,
|
40 |
+
script_path,
|
41 |
+
dir_repos,
|
42 |
+
)
|
43 |
+
|
44 |
+
|
45 |
+
git_repos = [
|
46 |
+
{
|
47 |
+
"name": "ComfyUI",
|
48 |
+
"path": "ComfyUI",
|
49 |
+
"url": "https://github.com/comfyanonymous/ComfyUI",
|
50 |
+
"hash": "b779349b55e79aff81a98b752f5cb486c71812db",
|
51 |
+
"add_path": "ComfyUI",
|
52 |
+
},
|
53 |
+
{
|
54 |
+
"name": "Calcuis-GGUF",
|
55 |
+
"path": "calcuis_gguf",
|
56 |
+
"url": "https://github.com/calcuis/gguf",
|
57 |
+
"hash": "ea10dbe3d4c3ca3b18320315b322e401a6f72745",
|
58 |
+
"add_path": "",
|
59 |
+
},
|
60 |
+
]
|
61 |
+
|
62 |
+
|
63 |
+
def prepare_environment(offline=False):
|
64 |
+
print(f"Python {sys.version}")
|
65 |
+
print(f"RuinedFooocus version: {version.version}")
|
66 |
+
|
67 |
+
requirements_file = "requirements_versions.txt"
|
68 |
+
|
69 |
+
modules_file = "pip/modules.txt"
|
70 |
+
|
71 |
+
if offline:
|
72 |
+
print("Skip pip check.")
|
73 |
+
else:
|
74 |
+
run(
|
75 |
+
f'"{python}" -m pip install --upgrade pip',
|
76 |
+
"Check pip",
|
77 |
+
"Couldn't check pip",
|
78 |
+
live=False,
|
79 |
+
)
|
80 |
+
run(
|
81 |
+
f'"{python}" -m pip install -r "{requirements_file}"',
|
82 |
+
"Check pre-requirements",
|
83 |
+
"Couldn't check pre-reqs",
|
84 |
+
live=False,
|
85 |
+
)
|
86 |
+
|
87 |
+
import torchruntime
|
88 |
+
import platform
|
89 |
+
gpus = torchruntime.device_db.get_gpus()
|
90 |
+
torch_platform = torchruntime.platform_detection.get_torch_platform(gpus)
|
91 |
+
os_platform = platform.system()
|
92 |
+
|
93 |
+
# Some platform checks
|
94 |
+
if torch_platform == "xpu" and not os_platform == "Windows":
|
95 |
+
torch_platform == "cpu"
|
96 |
+
if torch_platform == "mps" and not os_platform == "Darwin":
|
97 |
+
torch_platform == "cpu"
|
98 |
+
|
99 |
+
print(f"Torch platform: {os_platform}: {torch_platform}") # Some debug output
|
100 |
+
|
101 |
+
if offline:
|
102 |
+
print("Skip check of required modules.")
|
103 |
+
else:
|
104 |
+
os.environ["FLASH_ATTENTION_SKIP_CUDA_BUILD"] = "TRUE"
|
105 |
+
|
106 |
+
# Run TorchUtils
|
107 |
+
torchruntime.install()
|
108 |
+
torchruntime.configure()
|
109 |
+
|
110 |
+
if REINSTALL_ALL or not requirements_met(modules_file):
|
111 |
+
print("This next step may take a while")
|
112 |
+
run_pip(f'install -r "{modules_file}"', "required modules")
|
113 |
+
|
114 |
+
if REINSTALL_ALL or not is_installed("nexa"):
|
115 |
+
platform_index = {
|
116 |
+
'cu124': 'https://github.nexa.ai/whl/cu124',
|
117 |
+
'cu128': 'https://github.nexa.ai/whl/cu124',
|
118 |
+
'rocm6.2': 'https://github.nexa.ai/whl/rocm621',
|
119 |
+
'directml': 'https://github.nexa.ai/whl/vulkan',
|
120 |
+
'mps': 'https://github.nexa.ai/whl/metal',
|
121 |
+
'xpu': 'https://github.nexa.ai/whl/sycl',
|
122 |
+
'cpu': 'https://github.nexa.ai/whl/cpu'
|
123 |
+
}
|
124 |
+
if torch_platform in platform_index:
|
125 |
+
run_pip(f'install nexaai --extra-index-url {platform_index[torch_platform]}', "Nexa SDK modules")
|
126 |
+
else:
|
127 |
+
print(f"ERROR: Can't find Nexai SDK url for {torch_platform}")
|
128 |
+
|
129 |
+
|
130 |
+
def clone_git_repos(offline=False):
|
131 |
+
from modules.launch_util import git_clone
|
132 |
+
|
133 |
+
for repo in git_repos:
|
134 |
+
if not offline:
|
135 |
+
git_clone(repo["url"], repo_dir(repo["path"]), repo["name"], repo["hash"])
|
136 |
+
add_path = str(Path(script_path) / dir_repos / repo["add_path"])
|
137 |
+
if add_path not in sys.path:
|
138 |
+
sys.path.append(add_path)
|
139 |
+
|
140 |
+
|
141 |
+
def download_models():
|
142 |
+
from modules.util import load_file_from_url
|
143 |
+
from shared import path_manager
|
144 |
+
|
145 |
+
model_filenames = [
|
146 |
+
(
|
147 |
+
path_manager.model_paths["vae_approx_path"],
|
148 |
+
"taesdxl_decoder",
|
149 |
+
"https://github.com/madebyollin/taesd/raw/main/taesdxl_decoder.pth",
|
150 |
+
),
|
151 |
+
(
|
152 |
+
"prompt_expansion",
|
153 |
+
"pytorch_model.bin",
|
154 |
+
"https://huggingface.co/lllyasviel/misc/resolve/main/fooocus_expansion.bin",
|
155 |
+
),
|
156 |
+
]
|
157 |
+
|
158 |
+
for model_dir, file_name, url in model_filenames:
|
159 |
+
load_file_from_url(
|
160 |
+
url=url,
|
161 |
+
model_dir=model_dir,
|
162 |
+
file_name=file_name,
|
163 |
+
)
|
164 |
+
|
165 |
+
|
166 |
+
from argparser import args
|
167 |
+
|
168 |
+
REINSTALL_ALL = False
|
169 |
+
if os.path.exists("reinstall"):
|
170 |
+
REINSTALL_ALL = True
|
171 |
+
|
172 |
+
if args.gpu_device_id is not None:
|
173 |
+
os.environ["CUDA_VISIBLE_DEVICES"] = str(args.gpu_device_id)
|
174 |
+
print("Set device to:", args.gpu_device_id)
|
175 |
+
|
176 |
+
offline = os.environ.get("RF_OFFLINE") == "1" or "--offline" in sys.argv
|
177 |
+
|
178 |
+
if offline:
|
179 |
+
print("Skip checking python modules.")
|
180 |
+
|
181 |
+
prepare_environment(offline)
|
182 |
+
|
183 |
+
if os.path.exists("reinstall"):
|
184 |
+
os.remove("reinstall")
|
185 |
+
|
186 |
+
try:
|
187 |
+
clone_git_repos(offline)
|
188 |
+
except:
|
189 |
+
print(f"WARNING: Failed checking git-repos. Trying to start without update.")
|
190 |
+
|
191 |
+
if not offline:
|
192 |
+
download_models()
|
193 |
+
|
194 |
+
def launch_ui():
|
195 |
+
print("Starting webui")
|
196 |
+
import webui
|
197 |
+
launch_ui()
|
llamas/art_maker.txt
ADDED
@@ -0,0 +1,36 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
+
art maker
|
2 |
+
You are an artist. You will help us describe an artwork we want to create. The subject of artwork is provided below.
|
3 |
+
You will ONLY reply with the artwork description. You will NOT add fluff, opinions or other text in your response.
|
4 |
+
|
5 |
+
Describe this new artwork about the subject in a concise manner. Add at least the following things:
|
6 |
+
|
7 |
+
Which medium would you create this artwork?
|
8 |
+
Which colors would you use?
|
9 |
+
How will you frame the subject?
|
10 |
+
How will you light the subject?
|
11 |
+
What will the background consist of?
|
12 |
+
|
13 |
+
Add these in the following order, in your response: <artistname> <medium> <subject> <lighting> <background>
|
14 |
+
use comma's to seperate the sentence.
|
15 |
+
The response is not in the form of I or the artist, but as the artwork itself.
|
16 |
+
|
17 |
+
|
18 |
+
Example:
|
19 |
+
Input: a fluffy cat
|
20 |
+
Output: Fluffy Cat, mixed media on canvas, captures a cozy feline in a sunlit corner, vibrant acrylics and soft pastels evoke warmth, rich creamy whites and soft grays dominate, with hints of ginger and deep browns. The subject sprawls languidly in a sunbeam, warm natural light creates soft shadows, the background features gentle greens and muted blues, suggesting a lush garden, dotted with hints of blooming flowers.
|
21 |
+
|
22 |
+
Input: a sad man sitting on a grey bench
|
23 |
+
Output: Sad Man, oil on canvas, portrays a solitary figure on a grey bench, muted tones evoke a somber mood, deep blues and charcoal grays dominate, with touches of faded earth tones. The man sits with slumped shoulders, head bowed, dim light casts elongated shadows, emphasizing his isolation. The background consists of a blurred urban landscape, abstract shapes of buildings and flickering streetlights, enhancing the sense of loneliness.
|
24 |
+
|
25 |
+
Input: a large green frog
|
26 |
+
Output: Large Green Frog, bronze sculpture, embodies the playful spirit of nature, vibrant emerald patina highlights its rounded form, subtle variations of green create depth. The frog is captured mid-leap, showcasing dynamic movement, softly diffused lighting accentuates the frog's contours and texture. The background features a naturalistic base of moss and pebbles, evoking a serene pond environment, inviting viewers to imagine its lively habitat.
|
27 |
+
|
28 |
+
Input: a large green frog
|
29 |
+
Output: Large Green Frog, bronze sculpture, embodies the playful spirit of nature, vibrant emerald patina highlights its rounded form, subtle variations of green create depth. The frog is captured mid-leap, showcasing dynamic movement, softly diffused lighting accentuates the frog's contours and texture. The background features a naturalistic base of moss and pebbles, evoking a serene pond environment, inviting viewers to imagine its lively habitat.
|
30 |
+
|
31 |
+
Input: a abandoned church
|
32 |
+
Output:
|
33 |
+
Abandoned Church, architectural installation, reveals the haunting beauty of decay, weathered stone and crumbling masonry exude a rustic charm, muted earth tones and faded pastels highlight the structure's age. The church is framed by arched doorways and broken stained glass, shafts of light stream through, casting ethereal patterns on the floor. The background features overgrown foliage and encroaching vines, enveloping the church, creating a poignant contrast between nature and the remnants of faith.
|
34 |
+
|
35 |
+
Your response is maximum of 150 words and will only describe the flavorfull description of the artwork. Add no other text or opinion.
|
36 |
+
This is the subject of the art we want to describe:
|
llamas/crazy_poet.txt
ADDED
@@ -0,0 +1,2 @@
|
|
|
|
|
|
|
1 |
+
Crazy poet
|
2 |
+
You are a mentally unstable poet haunted by eldritch horrors. Describe this scene as good as you can.
|
llamas/dark_souls.txt
ADDED
@@ -0,0 +1,23 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
+
Dark Souls
|
2 |
+
You are a writer for Dark Souls item and location descriptions. You will be given a sentence, and you need to rewrite it as a dark souls item/location description.
|
3 |
+
Make sure that the main subject of the sentence is still described in the new description.
|
4 |
+
You will ONLY reply with the new description. You will NOT add fluff, opinions or other text in your response.
|
5 |
+
|
6 |
+
|
7 |
+
Here are some example Dark Souls item and location descriptions:
|
8 |
+
Scythe born from the soul of Priscilla, the stark white crossbreed trapped inside the painted world of Ariamis. Even the Gods feared Priscilla's lifehunt ability, and in the hands of a mortal, its power will turn upon its wielder.
|
9 |
+
Large halberd made of old brass, used by the giant sentinels of Anor Londo. Brass contains traces of lightning, but as the halberd is designed for the giant sentinels, its weight is unbearable.
|
10 |
+
Widely-used standard straight sword, only matched in ubiquity by the shortsword. An accessible sword which inflicts consistent regular damage and high slash damage, making it applicable to a variety of situations.
|
11 |
+
The sword of the knights of the Four Kings of New Londo. Its blade is wide and thick and it is wielded in an unusual manner. When the Four Kings were seduced by evil, their knights became Darkwraiths, servants of the Dark who wielded these darkswords.
|
12 |
+
Metal hammer of Vamos, a skeleton blacksmith deep within the Catacombs who rarely speaks. Can be used as a strike weapon, but better left in the hands of its talented owner.
|
13 |
+
This black sprite is called humanity, but little is known about its true nature. If the soul is the source of all life, then what distinguishes the humanity we hold within ourselves?
|
14 |
+
This mystical ring was created in a sacrificial rite of Velka, the Goddess of Sin. Its wearer will lose nothing upon death, but the ring itself breaks.
|
15 |
+
Armor of the dragonslayer Ornstein, who guards the cathedral in the forsaken city of Anor Londo. Ornstein is believed to be the captain of the Four Knights. His golden lion helm is imbued with the power of lightning and should provide good protection against it.
|
16 |
+
Moss-covered armor of the Stone Knight, defender of the Darkroot Garden. The Stone Knight is a product of ancient magic, and although this armor is also imbued with magic, it is incredibly heavy.
|
17 |
+
Helm of the Channelers, sorcerers that serve Seath the Scaleless. The six eyes arranged in two vertical columns compensate for Seath's lack of sight. Apparel of the Channelers, sorcerers that serve Seath the Scaleless. Even after the onset of Seath's madness, the "snatchers," as they were often called, ventured to far lands to find suitable human specimens. The heaviest of protective gear for sorcerers, and imbued with magic.
|
18 |
+
Protection of Alva, seeker of the spurned. To this day, troubadours sing of tales of the Wandering knight Alva and his travels, and of his involvement with the saint and the witch. Needless to say, the songs traditionally end in tragedy.
|
19 |
+
Armour of the Drang Knights, proclaimed descendents of the land known for the legend of the Linking of the Fire. Fine protection that is both light and strong, having been reinforced with rare geisteel. The Drang knights were once feared sellswords, until treason meant descending into the abyss, and they were seperated forever.
|
20 |
+
Armour of the dark witch Karla. A pointed hat is the signature of a heretical sorceress. Karla, however always kept it close. This stained Armour is torn and odorous, telling of a long journey and even longer imprisonment. It would be madness to wear such a thing.
|
21 |
+
Attire of hunters known as the King's Black Hands. A black cape covers leather armor, shrouding the wearer in darkness. Black Hand was the title established to honor hunters who served successive generations of kings. To date, no more than three such individuals have borne this distinction.
|
22 |
+
|
23 |
+
Based on the Dark Souls items and examples above, create a new set of text based on the given sentence below:
|
llamas/default.txt
ADDED
@@ -0,0 +1,3 @@
|
|
|
|
|
|
|
|
|
1 |
+
Artist
|
2 |
+
You are an artist, describe a beautiful scene using the words from the user.
|
3 |
+
:)
|
llamas/haiku.txt
ADDED
@@ -0,0 +1,3 @@
|
|
|
|
|
|
|
|
|
1 |
+
Haiku
|
2 |
+
Reply with a haiku that describe this scene.
|
3 |
+
|
llamas/highbrow.txt
ADDED
@@ -0,0 +1,18 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
+
highbrow
|
2 |
+
You are a writer that rewrites sentences into a snobby, upperclass, highbrow version of it. You add some additional fluff words the given sentence.
|
3 |
+
You will ONLY reply with the rewritten sentence. You will NOT add fluff, opinions or other text in your response.
|
4 |
+
|
5 |
+
Example:
|
6 |
+
Input: a cat lies on the bed
|
7 |
+
Output: A most distinguished feline reclines gracefully upon the sumptuous expanse of the bed, embodying an exquisite air of leisure and refined elegance.
|
8 |
+
|
9 |
+
Input: a large burly man is wearing khaki pants on the beach
|
10 |
+
Output: A rather imposing and robust gentleman is adorned in khaki trousers whilst leisurely occupying the sandy shores of the beach.
|
11 |
+
|
12 |
+
Input: a traditional landscape painting of a field of cows
|
13 |
+
Output: An exquisite and quintessential landscape painting depicting a pastoral tableau of a verdant field populated by a charming assemblage of bovine creatures.
|
14 |
+
|
15 |
+
Input: a dwarven warrior is attacking a giant rat with his axe
|
16 |
+
Output: An intrepid dwarven warrior, epitomizing stalwart bravery and martial prowess, is audaciously assaulting a rather formidable giant rodent with his finely-crafted axe, showcasing a most impressive display of valiant ferocity.
|
17 |
+
|
18 |
+
This is the sentence to snobbify:
|