AlekseyCalvin's picture
Add generated example (#5)
4b50d91 verified
metadata
license: apache-2.0
language:
  - en
tags:
  - flux
  - diffusers
  - lora
  - replicate
base_model: black-forest-labs/FLUX.1-dev
pipeline_tag: text-to-image
instance_prompt: >-
  Beardsley style illustration clip, by Aubrey Beardsley, Edwardian erotic
  Symbolist Decadent india ink masterful cartoon art by Aubrey Beardsley,
  Refined masterful line-work
widget:
  - text: >-
      Beardsley style... illustration art of a cat goddess, by Eszter
      Winkelmayer, intricate linework, ink and paper, color, by Aubrey
      Beardsley, Edwardian erotic Symbolist Decadent india ink masterful cartoon
      art by Aubrey Beardsley, Refined masterful line-work
    output:
      url: images/example_dbp1ki1ad.png
  - text: >-
      Beardsley style illustration art, by Aubrey Beardsley, of: complexly
      dramatic theatrical scene enacted by an avant-garde trio representing two
      rebelling proletarians, a young androgynous green-eyed revolutionary
      sailor on the left and a blue-eyed Ukrainian Bolshevik cossack on the
      right.  They are tying up and capturing a third: a flabby green malicious
      fanged top-hatted monster with money hands. Edwardian Symbolist Decadent
      art by Aubrey Beardsley. India ink. Refined masterful line-work. Title
      "CAPITAL"  in ornate Edwardian font astrolabe topology, geometric figural
      patterned designs,
    output:
      url: images/example_u9obyise2.png
  - text: Beardsley style...
    output:
      url: images/example_i7rb14kga.png
  - text: >-
      [Beardsley] style animated illustration clip. Edwardian Symbolist Decadent
      art by Aubrey Beardsley. India ink. Featuring six persons, three men and
      three women, in 18th-century courtly costumes. In the center of the
      composition is a tiny man person in a turban and with his arm bent, hand
      on his hip. On the right is a speaking man sitting on his knees on the
      floor over an upturned decorative palace chair lying on its side next to a
      scepter with a ball tip. The person sitting on his knees wears a long
      button gown, a frilled shirt, and a lushly curly long hair. He is bowing
      whilst curtsying with his elegant thin palm and saying something. Across
      from him, in the foreground of the left side of the composition, is an
      angry courtly lady wearing a dress with an enormous beautifully ornate
      patterned skirt, a corset, and an elaborate 18th century Rococo-style updo
      hairstyle. She is seen in profile, angrily ranting out at the person
      performing a curtsy, and is holding a closed fan. The tiny person in the
      turban is peeking out from behind her huge skirt. Behind her, on the
      furthest left, is another lady dressed similarly, with a
      neutral-expression on her calm face. On the opposite side from her, in the
      right corner of the composition is a surprised-looking man in a wig, next
      to another woman in a fine large dress, standing by the window. The wall
      behind them and the tapestries above windows show elaborate detailing and
      textures. From Beardsley's visual adaptation of Alexander Pope's poem
      "Rape of the Lock". Extremely detailed stylized figurative depictions.
      Book illustration brought to life. Arcane symbolism. Refined masterful
      line-work.
    output:
      url: images/example_35i49cf88.png
  - text: >-
      [Beardsley] style animated illustration clip. Edwardian erotic Symbolist
      Decadent art by Aubrey Beardsley, of a beautiful queen of the underworld
      surrounded by her courtesans. The queen has large black hair and horns.
      She wears a black corset and a belt made up of the heads and wings of
      dark-curly-haired angels. Her bare breasts hang in a shapely way over the
      top of her corset. On her legs she wears huge stylized wide pants, over
      tiny triangular shoes. Directly next to the queen are two male courtesans:
      on the left side is a white-costumed unmasked jester with a frilled collar
      and butterfly bows, who stands with his legs (fat at the thighs, but thin
      at the ankles) crossed. On the right side is a jester in a black mask and
      cloak, kissing the queen's arm. On the furthest right stands a young
      unmasked guard with a huge feather dipping from atop his head. He stands
      facing away from the viewer and is seemingly urinating.  On the opposite
      side from him we can see part of the head of another person, a tall,
      snake-bodied person. India ink. Extremely detailed stylized figurative
      depictions. Book illustration brought to life. Arcane symbolism. Refined
      masterful line-work.
    output:
      url: images/example_54q4scnpn.png

Aubrey Beardsley Style via a Tokyo Expo Selection

HISTORIC ๐’œ๐“ก๐’ฏ๐š’๐•ค๐•ฅ STYLE โ„’๐“ธโ„œ๐ด๐˜ด

A Low(ish) Rank Adapter (LoRA) for FLUX

||| By SilverAgePoets.com |||

Prompt
Beardsley style... illustration art of a cat goddess, by Eszter Winkelmayer, intricate linework, ink and paper, color, by Aubrey Beardsley, Edwardian erotic Symbolist Decadent india ink masterful cartoon art by Aubrey Beardsley, Refined masterful line-work
Prompt
Beardsley style illustration art, by Aubrey Beardsley, of: complexly dramatic theatrical scene enacted by an avant-garde trio representing two rebelling proletarians, a young androgynous green-eyed revolutionary sailor on the left and a blue-eyed Ukrainian Bolshevik cossack on the right. They are tying up and capturing a third: a flabby green malicious fanged top-hatted monster with money hands. Edwardian Symbolist Decadent art by Aubrey Beardsley. India ink. Refined masterful line-work. Title "CAPITAL" in ornate Edwardian font astrolabe topology, geometric figural patterned designs,
Prompt
Beardsley style...
Prompt
[Beardsley] style animated illustration clip. Edwardian Symbolist Decadent art by Aubrey Beardsley. India ink. Featuring six persons, three men and three women, in 18th-century courtly costumes. In the center of the composition is a tiny man person in a turban and with his arm bent, hand on his hip. On the right is a speaking man sitting on his knees on the floor over an upturned decorative palace chair lying on its side next to a scepter with a ball tip. The person sitting on his knees wears a long button gown, a frilled shirt, and a lushly curly long hair. He is bowing whilst curtsying with his elegant thin palm and saying something. Across from him, in the foreground of the left side of the composition, is an angry courtly lady wearing a dress with an enormous beautifully ornate patterned skirt, a corset, and an elaborate 18th century Rococo-style updo hairstyle. She is seen in profile, angrily ranting out at the person performing a curtsy, and is holding a closed fan. The tiny person in the turban is peeking out from behind her huge skirt. Behind her, on the furthest left, is another lady dressed similarly, with a neutral-expression on her calm face. On the opposite side from her, in the right corner of the composition is a surprised-looking man in a wig, next to another woman in a fine large dress, standing by the window. The wall behind them and the tapestries above windows show elaborate detailing and textures. From Beardsley's visual adaptation of Alexander Pope's poem "Rape of the Lock". Extremely detailed stylized figurative depictions. Book illustration brought to life. Arcane symbolism. Refined masterful line-work.
Prompt
[Beardsley] style animated illustration clip. Edwardian erotic Symbolist Decadent art by Aubrey Beardsley, of a beautiful queen of the underworld surrounded by her courtesans. The queen has large black hair and horns. She wears a black corset and a belt made up of the heads and wings of dark-curly-haired angels. Her bare breasts hang in a shapely way over the top of her corset. On her legs she wears huge stylized wide pants, over tiny triangular shoes. Directly next to the queen are two male courtesans: on the left side is a white-costumed unmasked jester with a frilled collar and butterfly bows, who stands with his legs (fat at the thighs, but thin at the ankles) crossed. On the right side is a jester in a black mask and cloak, kissing the queen's arm. On the furthest right stands a young unmasked guard with a huge feather dipping from atop his head. He stands facing away from the viewer and is seemingly urinating. On the opposite side from him we can see part of the head of another person, a tall, snake-bodied person. India ink. Extremely detailed stylized figurative depictions. Book illustration brought to life. Arcane symbolism. Refined masterful line-work.

AUBREY BEARDSLEY's legacy and style require no introductions. Look him up if you must.
I am sure that there are already Beardsley LoRAs out there for Flux (if not, I would be thoroughly shocked).
Ours, however, bears the distinction of being fine tuned on a set of about 40 exclusive & original photos of a selection of Beardsley originals presently exhibited in Tokyo.
This LoRA is also fairly high in its rank (64), step-count (4000), and training resolution (1280 and 768).
Fine-tuned at 2e-4 learning rate on one A100 over the Abliterated (V.2) (de-censored) modification of Flux Dev.

Trigger words

You should use Beardsley style illustration clip, by Aubrey Beardsley, Edwardian erotic Symbolist Decadent india ink masterful cartoon art by Aubrey Beardsley, Refined masterful line-work, etc, to make the decadent reverie your own.

Use it with the ๐Ÿงจ diffusers library

from diffusers import AutoPipelineForText2Image
import torch

pipeline = AutoPipelineForText2Image.from_pretrained('black-forest-labs/FLUX.1-dev', torch_dtype=torch.float16).to('cuda')
pipeline.load_lora_weights('AlekseyCalvin/BeardsleyFLUX_LoRA_BySilverAgePoets')
image = pipeline('your prompt').images[0]