bookbot/ljspeech_phonemes · Datasets at Hugging Face

id stringlengths 10 10	file stringlengths 174 174	text stringlengths 5 187	normalized_text stringlengths 12 187	phonemes stringlengths 19 296
LJ001-0001	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0001.wav	Printing, in the only sense with which we are at present concerned, differs from most if not from all the arts and crafts represented in the Exhibition	Printing, in the only sense with which we are at present concerned, differs from most if not from all the arts and crafts represented in the Exhibition	p ɹ ˈɪ n t ɪ ŋ , ˈɪ n ð ə ˈoʊ n l i s ˈɛ n s w ˈɪ θ w ˈɪ t͡ʃ w ˈi ˈɑ ɹ ˈæ t p ɹ ˈɛ z ə n t k ə n s ˈɚ n d , d ˈɪ f ɚ z f ɹ ˈʌ m m ˈoʊ s t ˈɪ f n ˈɑ t f ɹ ˈʌ m ˈɔ l ð ə ˈɑ ɹ t s ˈæ n d k ɹ ˈæ f t s ɹ ˌɛ p ɹ ɪ z ˈɛ n t ɪ d ˈɪ n ð ə ˌɛ k s ɪ b ˈɪ ʃ ə n
LJ001-0002	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0002.wav	in being comparatively modern.	in being comparatively modern.	ˈɪ n b ˈi ɪ ŋ k ə m p ˈɛ ɹ ɪ t ɪ v l i m ˈɑ d ɚ n .
LJ001-0003	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0003.wav	For although the Chinese took impressions from wood blocks engraved in relief for centuries before the woodcutters of the Netherlands, by a similar process	For although the Chinese took impressions from wood blocks engraved in relief for centuries before the woodcutters of the Netherlands, by a similar process	f ɚ ɔ l ð ˈoʊ ð ə t͡ʃ aɪ n ˈi z t ˈʊ k ɪ m p ɹ ˈɛ ʃ ə n z f ɹ ˈʌ m w ˈʊ d b l ˈɑ k s ɪ ŋ ɡ ɹ ˈeɪ v d ˈɪ n ɹ ɪ l ˈi f f ɚ s ˈɛ n t͡ʃ ɚ i z b ɪ f ˈɔ ɹ ð ə w ˈʊ d k ˌʌ t ɚ z ə v ð ə n ˈɛ ð ɚ l ə n d z , b ˈaɪ ə s ˈɪ m ɪ l ɚ p ɹ ˈɑ s ˌɛ s
LJ001-0004	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0004.wav	produced the block books, which were the immediate predecessors of the true printed book,	produced the block books, which were the immediate predecessors of the true printed book,	p ɹ ə d ˈu s t ð ə b l ˈɑ k b ˈʊ k s , w ˈɪ t͡ʃ w ɚ ð ə ɪ m ˈi d i ɪ t p ɹ ˈɛ d ə s ˌɛ s ɚ z ə v ð ə t ɹ ˈu p ɹ ˈɪ n t ɪ d b ˈʊ k ,
LJ001-0005	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0005.wav	the invention of movable metal letters in the middle of the fifteenth century may justly be considered as the invention of the art of printing.	the invention of movable metal letters in the middle of the fifteenth century may justly be considered as the invention of the art of printing.	ð ə ɪ n v ˈɛ n ʃ ə n ə v m ˈu v ə b ə l m ˈɛ t ə l l ˈɛ t ɚ z ˈɪ n ð ə m ˈɪ d ə l ə v ð ə f ɪ f t ˈi n θ s ˈɛ n t͡ʃ ɚ i m ˈeɪ d͡ʒ ˈʌ s t l i b ˈi k ə n s ˈɪ d ɚ d ˈæ z ð ə ɪ n v ˈɛ n ʃ ə n ə v ð ə ˈɑ ɹ t ə v p ɹ ˈɪ n t ɪ ŋ .
LJ001-0006	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0006.wav	And it is worth mention in passing that, as an example of fine typography,	And it is worth mention in passing that, as an example of fine typography,	ˈæ n d ˈɪ t ˈɪ z w ˈɚ θ m ˈɛ n ʃ ə n ˈɪ n p ˈæ s ɪ ŋ ð ˈæ t , ˈæ z ə n ɪ ɡ z ˈæ m p ə l ə v f ˈaɪ n t ə p ˈɑ ɡ ɹ ə f i ,
LJ001-0007	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0007.wav	the earliest book printed with movable types, the Gutenberg, or "forty-two line Bible" of about 1455,	the earliest book printed with movable types, the Gutenberg, or "forty-two line Bible" of about fourteen fifty-five,	ð ə ˈɚ l i ɪ s t b ˈʊ k p ɹ ˈɪ n t ɪ d w ˈɪ θ m ˈu v ə b ə l t ˈaɪ p s , ð ə ɡ ˈu t ə n b ɚ ɡ , ˈɔ ɹ f ˈɔ ɹ t i t ˈu l ˈaɪ n b ˈaɪ b ə l ə v ə b ˈaʊ t f ˌɔ ɹ t ˈi n f ˈɪ f t i f ˈaɪ v ,
LJ001-0008	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0008.wav	has never been surpassed.	has never been surpassed.	h ˈæ z n ˈɛ v ɚ b ˈɪ n s ɚ p ˈæ s t .
LJ001-0009	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0009.wav	Printing, then, for our purpose, may be considered as the art of making books by means of movable types.	Printing, then, for our purpose, may be considered as the art of making books by means of movable types.	p ɹ ˈɪ n t ɪ ŋ , ð ˈɛ n , f ɚ ˈaʊ ɚ p ˈɚ p ə s , m ˈeɪ b ˈi k ə n s ˈɪ d ɚ d ˈæ z ð ə ˈɑ ɹ t ə v m ˈeɪ k ɪ ŋ b ˈʊ k s b ˈaɪ m ˈi n z ə v m ˈu v ə b ə l t ˈaɪ p s .
LJ001-0010	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0010.wav	Now, as all books not primarily intended as picture-books consist principally of types composed to form letterpress,	Now, as all books not primarily intended as picture-books consist principally of types composed to form letterpress,	n ˈaʊ , ˈæ z ˈɔ l b ˈʊ k s n ˈɑ t p ɹ aɪ m ˈɛ ɹ ə l i ɪ n t ˈɛ n d ɪ d ˈæ z p ˈɪ k t͡ʃ ɚ b ˈʊ k s k ə n s ˈɪ s t p ɹ ˈɪ n s ɪ p l i ə v t ˈaɪ p s k ə m p ˈoʊ z d t ə f ˈɔ ɹ m l ˈɛ t ɚ p ɹ ˌɛ s ,
LJ001-0011	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0011.wav	it is of the first importance that the letter used should be fine in form;	it is of the first importance that the letter used should be fine in form;	ˈɪ t ˈɪ z ə v ð ə f ˈɚ s t ɪ m p ˈɔ ɹ t ə n s ð ˈæ t ð ə l ˈɛ t ɚ j ˈu s t ʃ ˈʊ d b ˈi f ˈaɪ n ˈɪ n f ˈɔ ɹ m ;
LJ001-0012	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0012.wav	especially as no more time is occupied, or cost incurred, in casting, setting, or printing beautiful letters	especially as no more time is occupied, or cost incurred, in casting, setting, or printing beautiful letters	ɪ s p ˈɛ ʃ l i ˈæ z n ˈoʊ m ˈɔ ɹ t ˈaɪ m ˈɪ z ˈɑ k j ə p ˌaɪ d , ˈɔ ɹ k ˈɔ s t ɪ ŋ k ˈɚ d , ˈɪ n k ˈæ s t ɪ ŋ , s ˈɛ t ɪ ŋ , ˈɔ ɹ p ɹ ˈɪ n t ɪ ŋ b j ˈu t ɪ f ə l l ˈɛ t ɚ z
LJ001-0013	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0013.wav	than in the same operations with ugly ones.	than in the same operations with ugly ones.	ð ə n ˈɪ n ð ə s ˈeɪ m ˌɑ p ɚ ˈeɪ ʃ ə n z w ˈɪ θ ˈʌ ɡ l i w ˈʌ n z .
LJ001-0014	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0014.wav	And it was a matter of course that in the Middle Ages, when the craftsmen took care that beautiful form should always be a part of their productions whatever they were,	And it was a matter of course that in the Middle Ages, when the craftsmen took care that beautiful form should always be a part of their productions whatever they were,	ˈæ n d ˈɪ t w ə z ə m ˈæ t ɚ ə v k ˈɔ ɹ s ð ˈæ t ˈɪ n ð ə m ˈɪ d ə l ˈeɪ d͡ʒ ɪ z , w ˈɛ n ð ə k ɹ ˈæ f t s m ɛ n t ˈʊ k k ˈɛ ɹ ð ˈæ t b j ˈu t ɪ f ə l f ˈɔ ɹ m ʃ ˈʊ d ˈɔ l w ˌeɪ z b ˈi ə p ˈɑ ɹ t ə v ð ˈɛ ɹ p ɹ ə d ˈʌ k ʃ ə n z w ˌʌ t ˈɛ v ɚ ð ˈeɪ w ɚ ,
LJ001-0015	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0015.wav	the forms of printed letters should be beautiful, and that their arrangement on the page should be reasonable and a help to the shapeliness of the letters themselves.	the forms of printed letters should be beautiful, and that their arrangement on the page should be reasonable and a help to the shapeliness of the letters themselves.	ð ə f ˈɔ ɹ m z ə v p ɹ ˈɪ n t ɪ d l ˈɛ t ɚ z ʃ ˈʊ d b ˈi b j ˈu t ɪ f ə l , ˈæ n d ð ˈæ t ð ˈɛ ɹ ɚ ˈeɪ n d͡ʒ m ə n t ˈɔ n ð ə p ˈeɪ d͡ʒ ʃ ˈʊ d b ˈi ɹ ˈi z n ə b ə l ˈæ n d ə h ˈɛ l p t ə ð ə ʃ ˈæ p l ɪ n s ə v ð ə l ˈɛ t ɚ z ð ə m s ˈɛ l v z .
LJ001-0016	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0016.wav	The Middle Ages brought calligraphy to perfection, and it was natural therefore	The Middle Ages brought calligraphy to perfection, and it was natural therefore	ð ə m ˈɪ d ə l ˈeɪ d͡ʒ ɪ z b ɹ ˈɔ t k ə l ˈɪ ɡ ɹ ə f i t ə p ɚ f ˈɛ k ʃ ə n , ˈæ n d ˈɪ t w ə z n ˈæ t͡ʃ ɚ ə l ð ˈɛ ɹ f ˌɔ ɹ
LJ001-0017	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0017.wav	that the forms of printed letters should follow more or less closely those of the written character, and they followed them very closely.	that the forms of printed letters should follow more or less closely those of the written character, and they followed them very closely.	ð ˈæ t ð ə f ˈɔ ɹ m z ə v p ɹ ˈɪ n t ɪ d l ˈɛ t ɚ z ʃ ˈʊ d f ˈɑ l oʊ m ˈɔ ɹ ˈɔ ɹ l ˈɛ s k l ˈoʊ s l i ð ˈoʊ z ə v ð ə ɹ ˈɪ t ə n k ˈɛ ɹ ɪ k t ɚ , ˈæ n d ð ˈeɪ f ˈɑ l oʊ d ð ˈɛ m v ˈɛ ɹ i k l ˈoʊ s l i .
LJ001-0018	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0018.wav	The first books were printed in black letter, i.e. the letter which was a Gothic development of the ancient Roman character,	The first books were printed in black letter, i.e. the letter which was a Gothic development of the ancient Roman character,	ð ə f ˈɚ s t b ˈʊ k s w ɚ p ɹ ˈɪ n t ɪ d ˈɪ n b l ˈæ k l ˈɛ t ɚ , ˈaɪ ˈi ð ə l ˈɛ t ɚ w ˈɪ t͡ʃ w ə z ə ɡ ˈɑ θ ɪ k d ɪ v ˈɛ l ə p m ə n t ə v ð ə ˈeɪ n ʃ ə n t ɹ ˈoʊ m ə n k ˈɛ ɹ ɪ k t ɚ ,
LJ001-0019	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0019.wav	and which developed more completely and satisfactorily on the side of the "lower-case" than the capital letters;	and which developed more completely and satisfactorily on the side of the "lower-case" than the capital letters;	ˈæ n d w ˈɪ t͡ʃ d ɪ v ˈɛ l ə p t m ˈɔ ɹ k ə m p l ˈi t l i ˈæ n d s ˌæ t ɪ s f ˈæ k t ɚ ə l i ˈɔ n ð ə s ˈaɪ d ə v ð ə l ˈoʊ ɚ k ˈeɪ s ð ə n ð ə k ˈæ p ɪ t ə l l ˈɛ t ɚ z ;
LJ001-0020	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0020.wav	the "lower-case" being in fact invented in the early Middle Ages.	the "lower-case" being in fact invented in the early Middle Ages.	ð ə l ˈoʊ ɚ k ˈeɪ s b ˈi ɪ ŋ ˈɪ n f ˈæ k t ɪ n v ˈɛ n t ɪ d ˈɪ n ð ə ˈɚ l i m ˈɪ d ə l ˈeɪ d͡ʒ ɪ z .
LJ001-0021	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0021.wav	The earliest book printed with movable type, the aforesaid Gutenberg Bible, is printed in letters which are an exact imitation	The earliest book printed with movable type, the aforesaid Gutenberg Bible, is printed in letters which are an exact imitation	ð ə ˈɚ l i ɪ s t b ˈʊ k p ɹ ˈɪ n t ɪ d w ˈɪ θ m ˈu v ə b ə l t ˈaɪ p , ð ə ə f ˈɔ ɹ s ˌɛ d ɡ ˈu t ə n b ɚ ɡ b ˈaɪ b ə l , ˈɪ z p ɹ ˈɪ n t ɪ d ˈɪ n l ˈɛ t ɚ z w ˈɪ t͡ʃ ˈɑ ɹ ə n ɪ ɡ z ˈæ k t ˌɪ m ə t ˈeɪ ʃ ə n
LJ001-0022	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0022.wav	of the more formal ecclesiastical writing which obtained at that time; this has since been called "missal type,"	of the more formal ecclesiastical writing which obtained at that time; this has since been called "missal type,"	ə v ð ə m ˈɔ ɹ f ˈɔ ɹ m ə l ɪ k l ˌi z i ˈæ s t ɪ k ə l ɹ ˈaɪ t ɪ ŋ w ˈɪ t͡ʃ ə b t ˈeɪ n d ˈæ t ð ˈæ t t ˈaɪ m ; ð ˈɪ s h ˈæ z s ˈɪ n s b ˈɪ n k ˈɔ l d m ˈɪ s ə l t ˈaɪ p ,
LJ001-0023	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0023.wav	and was in fact the kind of letter used in the many splendid missals, psalters, etc., produced by printing in the fifteenth century.	and was in fact the kind of letter used in the many splendid missals, psalters, etc., produced by printing in the fifteenth century.	ˈæ n d w ə z ˈɪ n f ˈæ k t ð ə k ˈaɪ n d ə v l ˈɛ t ɚ j ˈu s t ˈɪ n ð ə m ˈɛ n i s p l ˈɛ n d ɪ d m ˈɪ s ə l z , s ˈɔ l t ɚ z , ˌɛ t s ˈɛ t ɚ ə . , p ɹ ə d ˈu s t b ˈaɪ p ɹ ˈɪ n t ɪ ŋ ˈɪ n ð ə f ɪ f t ˈi n θ s ˈɛ n t͡ʃ ɚ i .
LJ001-0024	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0024.wav	But the first Bible actually dated (which also was printed at Maintz by Peter Schoeffer in the year 1462)	But the first Bible actually dated (which also was printed at Maintz by Peter Schoeffer in the year fourteen sixty-two)	b ˈʌ t ð ə f ˈɚ s t b ˈaɪ b ə l ˈæ k t͡ʃ ə l i d ˈeɪ t ɪ d w ˈɪ t͡ʃ ˈɔ l s oʊ w ə z p ɹ ˈɪ n t ɪ d ˈæ t m ˈeɪ n t s b ˈaɪ p ˈi t ɚ ʃ ˈoʊ f ɚ ˈɪ n ð ə j ˈɪ ɹ f ˌɔ ɹ t ˈi n s ˈɪ k s t i t ˈu
LJ001-0025	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0025.wav	imitates a much freer hand, simpler, rounder, and less spiky, and therefore far pleasanter and easier to read.	imitates a much freer hand, simpler, rounder, and less spiky, and therefore far pleasanter and easier to read.	ˈɪ m ə t ˌeɪ t s ə m ˈʌ t͡ʃ f ɹ ˈi ɚ h ˈæ n d , s ˈɪ m p l ɚ , ɹ ˈaʊ n d ɚ , ˈæ n d l ˈɛ s s p ˈaɪ k i , ˈæ n d ð ˈɛ ɹ f ˌɔ ɹ f ˈɑ ɹ p l ˈi s ə n t ɚ ˈæ n d ˈi z i ɚ t ə ɹ ˈi d .
LJ001-0026	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0026.wav	On the whole the type of this book may be considered the ne-plus-ultra of Gothic type,	On the whole the type of this book may be considered the ne-plus-ultra of Gothic type,	ˈɔ n ð ə h ˈoʊ l ð ə t ˈaɪ p ə v ð ˈɪ s b ˈʊ k m ˈeɪ b ˈi k ə n s ˈɪ d ɚ d ð ə n ˈeɪ p l ˈʌ s ˈʌ l t ɹ ə ə v ɡ ˈɑ θ ɪ k t ˈaɪ p ,
LJ001-0027	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0027.wav	especially as regards the lower-case letters; and type very similar was used during the next fifteen or twenty years not only by Schoeffer,	especially as regards the lower-case letters; and type very similar was used during the next fifteen or twenty years not only by Schoeffer,	ɪ s p ˈɛ ʃ l i ˈæ z ɹ ɪ ɡ ˈɑ ɹ d z ð ə l ˈoʊ ɚ k ˈeɪ s l ˈɛ t ɚ z ; ˈæ n d t ˈaɪ p v ˈɛ ɹ i s ˈɪ m ɪ l ɚ w ə z j ˈu s t d ˈʊ ɹ ɪ ŋ ð ə n ˈɛ k s t f ɪ f t ˈi n ˈɔ ɹ t w ˈɛ n t i j ˈɪ ɹ z n ˈɑ t ˈoʊ n l i b ˈaɪ ʃ ˈoʊ f ɚ ,
LJ001-0028	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0028.wav	but by printers in Strasburg, Basle, Paris, Lubeck, and other cities.	but by printers in Strasburg, Basle, Paris, Lubeck, and other cities.	b ˈʌ t b ˈaɪ p ɹ ˈɪ n t ɚ z ˈɪ n s t ɹ ˈæ s b ɚ ɡ , b ˈæ s ə l , p ˈɛ ɹ ɪ s , l ˈu b ˌɛ k , ˈæ n d ˈʌ ð ɚ s ˈɪ t i z .
LJ001-0029	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0029.wav	But though on the whole, except in Italy, Gothic letter was most often used	But though on the whole, except in Italy, Gothic letter was most often used	b ˈʌ t ð ˈoʊ ˈɔ n ð ə h ˈoʊ l , ɪ k s ˈɛ p t ˈɪ n ˈɪ t ə l i , ɡ ˈɑ θ ɪ k l ˈɛ t ɚ w ə z m ˈoʊ s t ˈɔ f t ə n j ˈu s t
LJ001-0030	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0030.wav	a very few years saw the birth of Roman character not only in Italy, but in Germany and France.	a very few years saw the birth of Roman character not only in Italy, but in Germany and France.	ə v ˈɛ ɹ i f j ˈu j ˈɪ ɹ z s ˈɔ ð ə b ˈɚ θ ə v ɹ ˈoʊ m ə n k ˈɛ ɹ ɪ k t ɚ n ˈɑ t ˈoʊ n l i ˈɪ n ˈɪ t ə l i , b ˈʌ t ˈɪ n d͡ʒ ˈɚ m ə n i ˈæ n d f ɹ ˈæ n s .
LJ001-0031	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0031.wav	In 1465 Sweynheim and Pannartz began printing in the monastery of Subiaco near Rome,	In fourteen sixty-five Sweynheim and Pannartz began printing in the monastery of Subiaco near Rome,	ˈɪ n f ˌɔ ɹ t ˈi n s ˈɪ k s t i f ˈaɪ v s w ˈaɪ n h ˌaɪ m ˈæ n d p ˈæ n ɚ t s b ɪ ɡ ˈæ n p ɹ ˈɪ n t ɪ ŋ ˈɪ n ð ə m ˈɑ n ə s t ˌɛ ɹ i ə v s ˈu b i ə k oʊ n ˈɪ ɹ ɹ ˈoʊ m ,
LJ001-0032	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0032.wav	and used an exceedingly beautiful type, which is indeed to look at a transition between Gothic and Roman,	and used an exceedingly beautiful type, which is indeed to look at a transition between Gothic and Roman,	ˈæ n d j ˈu s t ə n ɪ k s ˈi d ɪ ŋ l i b j ˈu t ɪ f ə l t ˈaɪ p , w ˈɪ t͡ʃ ˈɪ z ɪ n d ˈi d t ə l ˈʊ k ˈæ t ə t ɹ æ n z ˈɪ ʃ ə n b ɪ t w ˈi n ɡ ˈɑ θ ɪ k ˈæ n d ɹ ˈoʊ m ə n ,
LJ001-0033	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0033.wav	but which must certainly have come from the study of the twelfth or even the eleventh century MSS.	but which must certainly have come from the study of the twelfth or even the eleventh century MSS.	b ˈʌ t w ˈɪ t͡ʃ m ˈʌ s t s ˈɚ t ə n l i h ˈæ v k ˈʌ m f ɹ ˈʌ m ð ə s t ˈʌ d i ə v ð ə t w ˈɛ l f θ ˈɔ ɹ ˈi v ə n ð ə ɪ l ˈɛ v ə n θ s ˈɛ n t͡ʃ ɚ i ˈɛ m ˈɛ s ˈɛ s .
LJ001-0034	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0034.wav	They printed very few books in this type, three only; but in their very first books in Rome, beginning with the year 1468,	They printed very few books in this type, three only; but in their very first books in Rome, beginning with the year fourteen sixty-eight,	ð ˈeɪ p ɹ ˈɪ n t ɪ d v ˈɛ ɹ i f j ˈu b ˈʊ k s ˈɪ n ð ˈɪ s t ˈaɪ p , θ ɹ ˈi ˈoʊ n l i ; b ˈʌ t ˈɪ n ð ˈɛ ɹ v ˈɛ ɹ i f ˈɚ s t b ˈʊ k s ˈɪ n ɹ ˈoʊ m , b ɪ ɡ ˈɪ n ɪ ŋ w ˈɪ θ ð ə j ˈɪ ɹ f ˌɔ ɹ t ˈi n s ˈɪ k s t i ˈeɪ t ,
LJ001-0035	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0035.wav	they discarded this for a more completely Roman and far less beautiful letter.	they discarded this for a more completely Roman and far less beautiful letter.	ð ˈeɪ d ɪ s k ˈɑ ɹ d ɪ d ð ˈɪ s f ɚ ə m ˈɔ ɹ k ə m p l ˈi t l i ɹ ˈoʊ m ə n ˈæ n d f ˈɑ ɹ l ˈɛ s b j ˈu t ɪ f ə l l ˈɛ t ɚ .
LJ001-0036	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0036.wav	But about the same year Mentelin at Strasburg began to print in a type which is distinctly Roman;	But about the same year Mentelin at Strasburg began to print in a type which is distinctly Roman;	b ˈʌ t ə b ˈaʊ t ð ə s ˈeɪ m j ˈɪ ɹ m ˈɛ n t ə l ə n ˈæ t s t ɹ ˈæ s b ɚ ɡ b ɪ ɡ ˈæ n t ə p ɹ ˈɪ n t ˈɪ n ə t ˈaɪ p w ˈɪ t͡ʃ ˈɪ z d ɪ s t ˈɪ ŋ k t l i ɹ ˈoʊ m ə n ;
LJ001-0037	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0037.wav	and the next year Gunther Zeiner at Augsburg followed suit;	and the next year Gunther Zeiner at Augsburg followed suit;	ˈæ n d ð ə n ˈɛ k s t j ˈɪ ɹ ɡ ˈʌ n θ ɚ z ˈaɪ n ɚ ˈæ t ˈɔ ɡ z b ɚ ɡ f ˈɑ l oʊ d s ˈu t ;
LJ001-0038	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0038.wav	while in 1470 at Paris Udalric Gering and his associates turned out the first books printed in France, also in Roman character.	while in fourteen seventy at Paris Udalric Gering and his associates turned out the first books printed in France, also in Roman character.	w ˈaɪ l ˈɪ n f ˌɔ ɹ t ˈi n s ˈɛ v ə n t i ˈæ t p ˈɛ ɹ ɪ s j ˈu d ə l ɹ ɪ k ɡ ˈɪ ɹ ɪ ŋ ˈæ n d h ˈɪ z ə s ˈoʊ ʃ i ɪ t s t ˈɚ n d ˈaʊ t ð ə f ˈɚ s t b ˈʊ k s p ɹ ˈɪ n t ɪ d ˈɪ n f ɹ ˈæ n s , ˈɔ l s oʊ ˈɪ n ɹ ˈoʊ m ə n k ˈɛ ɹ ɪ k t ɚ .
LJ001-0039	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0039.wav	The Roman type of all these printers is similar in character,	The Roman type of all these printers is similar in character,	ð ə ɹ ˈoʊ m ə n t ˈaɪ p ə v ˈɔ l ð ˈi z p ɹ ˈɪ n t ɚ z ˈɪ z s ˈɪ m ɪ l ɚ ˈɪ n k ˈɛ ɹ ɪ k t ɚ ,
LJ001-0040	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0040.wav	and is very simple and legible, and unaffectedly designed for use; but it is by no means without beauty.	and is very simple and legible, and unaffectedly designed for use; but it is by no means without beauty.	ˈæ n d ˈɪ z v ˈɛ ɹ i s ˈɪ m p ə l ˈæ n d l ˈɛ d͡ʒ ə b ə l , ˈæ n d ʌ n ˈæ f ˈɛ k t ˈɛ d l i d ɪ z ˈaɪ n d f ɚ j ˈu s ; b ˈʌ t ˈɪ t ˈɪ z b ˈaɪ n ˈoʊ m ˈi n z w ɪ ð ˈaʊ t b j ˈu t i .
LJ001-0041	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0041.wav	It must be said that it is in no way like the transition type of Subiaco,	It must be said that it is in no way like the transition type of Subiaco,	ˈɪ t m ˈʌ s t b ˈi s ˈɛ d ð ˈæ t ˈɪ t ˈɪ z ˈɪ n n ˈoʊ w ˈeɪ l ˈaɪ k ð ə t ɹ æ n z ˈɪ ʃ ə n t ˈaɪ p ə v s ˈu b i ə k oʊ ,
LJ001-0042	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0042.wav	and though more Roman than that, yet scarcely more like the complete Roman type of the earliest printers of Rome.	and though more Roman than that, yet scarcely more like the complete Roman type of the earliest printers of Rome.	ˈæ n d ð ˈoʊ m ˈɔ ɹ ɹ ˈoʊ m ə n ð ə n ð ˈæ t , j ˈɛ t s k ˈɛ ɹ s l i m ˈɔ ɹ l ˈaɪ k ð ə k ə m p l ˈi t ɹ ˈoʊ m ə n t ˈaɪ p ə v ð ə ˈɚ l i ɪ s t p ɹ ˈɪ n t ɚ z ə v ɹ ˈoʊ m .
LJ001-0043	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0043.wav	A further development of the Roman letter took place at Venice.	A further development of the Roman letter took place at Venice.	ə f ˈɚ ð ɚ d ɪ v ˈɛ l ə p m ə n t ə v ð ə ɹ ˈoʊ m ə n l ˈɛ t ɚ t ˈʊ k p l ˈeɪ s ˈæ t v ˈɛ n ɪ s .
LJ001-0044	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0044.wav	John of Spires and his brother Vindelin, followed by Nicholas Jenson, began to print in that city,	John of Spires and his brother Vindelin, followed by Nicholas Jenson, began to print in that city,	d͡ʒ ˈɑ n ə v s p ˈaɪ ɚ z ˈæ n d h ˈɪ z b ɹ ˈʌ ð ɚ v ˈɪ n d ə l ɪ n , f ˈɑ l oʊ d b ˈaɪ n ˈɪ k ə l ə s d͡ʒ ˈɛ n s ə n , b ɪ ɡ ˈæ n t ə p ɹ ˈɪ n t ˈɪ n ð ˈæ t s ˈɪ t i ,
LJ001-0045	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0045.wav	1469, 1470;	fourteen sixty-nine, fourteen seventy;	f ˌɔ ɹ t ˈi n s ˈɪ k s t i n ˈaɪ n , f ˌɔ ɹ t ˈi n s ˈɛ v ə n t i ;
LJ001-0046	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0046.wav	their type is on the lines of the German and French rather than of the Roman printers.	their type is on the lines of the German and French rather than of the Roman printers.	ð ˈɛ ɹ t ˈaɪ p ˈɪ z ˈɔ n ð ə l ˈaɪ n z ə v ð ə d͡ʒ ˈɚ m ə n ˈæ n d f ɹ ˈɛ n t͡ʃ ɹ ˈæ ð ɚ ð ə n ə v ð ə ɹ ˈoʊ m ə n p ɹ ˈɪ n t ɚ z .
LJ001-0047	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0047.wav	Of Jenson it must be said that he carried the development of Roman type as far as it can go:	Of Jenson it must be said that he carried the development of Roman type as far as it can go:	ə v d͡ʒ ˈɛ n s ə n ˈɪ t m ˈʌ s t b ˈi s ˈɛ d ð ˈæ t h ˈi k ˈɛ ɹ i d ð ə d ɪ v ˈɛ l ə p m ə n t ə v ɹ ˈoʊ m ə n t ˈaɪ p ˈæ z f ˈɑ ɹ ˈæ z ˈɪ t k ə n ɡ ˈoʊ :
LJ001-0048	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0048.wav	his letter is admirably clear and regular, but at least as beautiful as any other Roman type.	his letter is admirably clear and regular, but at least as beautiful as any other Roman type.	h ˈɪ z l ˈɛ t ɚ ˈɪ z ˈæ d m ɚ ə b l i k l ˈɪ ɹ ˈæ n d ɹ ˈɛ ɡ j ə l ɚ , b ˈʌ t ˈæ t l ˈi s t ˈæ z b j ˈu t ɪ f ə l ˈæ z ˈɛ n i ˈʌ ð ɚ ɹ ˈoʊ m ə n t ˈaɪ p .
LJ001-0049	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0049.wav	After his death in the "fourteen eighties," or at least by 1490, printing in Venice had declined very much;	After his death in the "fourteen eighties," or at least by fourteen ninety, printing in Venice had declined very much;	ˈæ f t ɚ h ˈɪ z d ˈɛ θ ˈɪ n ð ə f ˌɔ ɹ t ˈi n ˈeɪ t i z , ˈɔ ɹ ˈæ t l ˈi s t b ˈaɪ f ˌɔ ɹ t ˈi n n ˈaɪ n t i , p ɹ ˈɪ n t ɪ ŋ ˈɪ n v ˈɛ n ɪ s h ˈæ d d ɪ k l ˈaɪ n d v ˈɛ ɹ i m ˈʌ t͡ʃ ;
LJ001-0050	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0050.wav	and though the famous family of Aldus restored its technical excellence, rejecting battered letters,	and though the famous family of Aldus restored its technical excellence, rejecting battered letters,	ˈæ n d ð ˈoʊ ð ə f ˈeɪ m ə s f ˈæ m ɪ l i ə v ˈɑ l d ʌ s ɹ ɪ s t ˈɔ ɹ d ˈɪ t s t ˈɛ k n ɪ k ə l ˈɛ k s ə l ə n s , ɹ ɪ d͡ʒ ˈɛ k t ɪ ŋ b ˈæ t ɚ d l ˈɛ t ɚ z ,
LJ001-0051	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0051.wav	and paying great attention to the "press work" or actual process of printing,	and paying great attention to the "press work" or actual process of printing,	ˈæ n d p ˈeɪ ɪ ŋ ɡ ɹ ˈeɪ t ə t ˈɛ n ʃ ə n t ə ð ə p ɹ ˈɛ s w ˈɚ k ˈɔ ɹ ˈæ k t͡ʃ u ə l p ɹ ˈɑ s ˌɛ s ə v p ɹ ˈɪ n t ɪ ŋ ,
LJ001-0052	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0052.wav	yet their type is artistically on a much lower level than Jenson's, and in fact	yet their type is artistically on a much lower level than Jenson's, and in fact	j ˈɛ t ð ˈɛ ɹ t ˈaɪ p ˈɪ z ɑ ɹ t ˈɪ s t ɪ k l i ˈɔ n ə m ˈʌ t͡ʃ l ˈoʊ ɚ l ˈɛ v ə l ð ə n d͡ʒ ˈɛ n s ə n z , ˈæ n d ˈɪ n f ˈæ k t
LJ001-0053	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0053.wav	they must be considered to have ended the age of fine printing in Italy.	they must be considered to have ended the age of fine printing in Italy.	ð ˈeɪ m ˈʌ s t b ˈi k ə n s ˈɪ d ɚ d t ə h ˈæ v ˈɛ n d ɪ d ð ə ˈeɪ d͡ʒ ə v f ˈaɪ n p ɹ ˈɪ n t ɪ ŋ ˈɪ n ˈɪ t ə l i .
LJ001-0054	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0054.wav	Jenson, however, had many contemporaries who used beautiful type,	Jenson, however, had many contemporaries who used beautiful type,	d͡ʒ ˈɛ n s ə n , h ˌaʊ ˈɛ v ɚ , h ˈæ d m ˈɛ n i k ə n t ˈɛ m p ɚ ˌɛ ɹ i z h ˈu j ˈu s t b j ˈu t ɪ f ə l t ˈaɪ p ,
LJ001-0055	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0055.wav	some of which -- as, e.g., that of Jacobus Rubeus or Jacques le Rouge -- is scarcely distinguishable from his.	some of which -- as, e.g., that of Jacobus Rubeus or Jacques le Rouge -- is scarcely distinguishable from his.	s ˈʌ m ə v w ˈɪ t͡ʃ ˈæ z , ˈi d͡ʒ ˈi , ð ˈæ t ə v d͡ʒ ə k ˈoʊ b ə s ɹ ˈu b s ˈɔ ɹ ʒ ˈɑ k l ə ɹ ˈu ʒ ˈɪ z s k ˈɛ ɹ s l i d ɪ s t ˈɪ ŋ ɡ w ɪ ʃ ə b ə l f ɹ ˈʌ m h ˈɪ z .
LJ001-0056	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0056.wav	It was these great Venetian printers, together with their brethren of Rome, Milan,	It was these great Venetian printers, together with their brethren of Rome, Milan,	ˈɪ t w ə z ð ˈi z ɡ ɹ ˈeɪ t v ə n ˈi ʃ ə n p ɹ ˈɪ n t ɚ z , t ə ɡ ˈɛ ð ɚ w ˈɪ θ ð ˈɛ ɹ b ɹ ˈɛ ð ɹ ə n ə v ɹ ˈoʊ m , m ɪ l ˈɑ n ,
LJ001-0057	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0057.wav	Parma, and one or two other cities, who produced the splendid editions of the Classics, which are one of the great glories of the printer's art,	Parma, and one or two other cities, who produced the splendid editions of the Classics, which are one of the great glories of the printer's art,	p ˈɑ ɹ m ə , ˈæ n d w ˈʌ n ˈɔ ɹ t ˈu ˈʌ ð ɚ s ˈɪ t i z , h ˈu p ɹ ə d ˈu s t ð ə s p l ˈɛ n d ɪ d ɪ d ˈɪ ʃ ə n z ə v ð ə k l ˈæ s ɪ k s , w ˈɪ t͡ʃ ˈɑ ɹ w ˈʌ n ə v ð ə ɡ ɹ ˈeɪ t ɡ l ˈɔ ɹ i z ə v ð ə p ɹ ˈɪ n t ɚ z ˈɑ ɹ t ,
LJ001-0058	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0058.wav	and are worthy representatives of the eager enthusiasm for the revived learning of that epoch. By far,	and are worthy representatives of the eager enthusiasm for the revived learning of that epoch. By far,	ˈæ n d ˈɑ ɹ w ˈɚ ð i ɹ ˌɛ p ɹ ɪ z ˈɛ n t ɪ t ɪ v z ə v ð ə ˈi ɡ ɚ ɪ n θ ˈu z i ˌæ z ə m f ɚ ð ə ɹ ɪ v ˈaɪ v d l ˈɚ n ɪ ŋ ə v ð ˈæ t ˈɛ p ə k . b ˈaɪ f ˈɑ ɹ ,
LJ001-0059	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0059.wav	the greater part of these Italian printers, it should be mentioned, were Germans or Frenchmen, working under the influence of Italian opinion and aims.	the greater part of these Italian printers, it should be mentioned, were Germans or Frenchmen, working under the influence of Italian opinion and aims.	ð ə ɡ ɹ ˈeɪ t ɚ p ˈɑ ɹ t ə v ð ˈi z ɪ t ˈæ l i ə n p ɹ ˈɪ n t ɚ z , ˈɪ t ʃ ˈʊ d b ˈi m ˈɛ n ʃ ə n d , w ɚ d͡ʒ ˈɚ m ə n z ˈɔ ɹ f ɹ ˈɛ n t͡ʃ m ɛ n , w ˈɚ k ɪ ŋ ˈʌ n d ɚ ð ə ˈɪ n f l u ə n s ə v ɪ t ˈæ l i ə n ə p ˈɪ n j ə n ˈæ n d ˈeɪ m z .
LJ001-0060	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0060.wav	It must be understood that through the whole of the fifteenth and the first quarter of the sixteenth centuries	It must be understood that through the whole of the fifteenth and the first quarter of the sixteenth centuries	ˈɪ t m ˈʌ s t b ˈi ˌʌ n d ɚ s t ˈʊ d ð ˈæ t θ ɹ ˈu ð ə h ˈoʊ l ə v ð ə f ɪ f t ˈi n θ ˈæ n d ð ə f ˈɚ s t k w ˈɔ ɹ t ɚ ə v ð ə s ˈɪ k s t ˈi n θ s ˈɛ n t͡ʃ ɚ i z
LJ001-0061	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0061.wav	the Roman letter was used side by side with the Gothic.	the Roman letter was used side by side with the Gothic.	ð ə ɹ ˈoʊ m ə n l ˈɛ t ɚ w ə z j ˈu s t s ˈaɪ d b ˈaɪ s ˈaɪ d w ˈɪ θ ð ə ɡ ˈɑ θ ɪ k .
LJ001-0062	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0062.wav	Even in Italy most of the theological and law books were printed in Gothic letter,	Even in Italy most of the theological and law books were printed in Gothic letter,	ˈi v ə n ˈɪ n ˈɪ t ə l i m ˈoʊ s t ə v ð ə θ ˌi ə l ˈɑ d͡ʒ ɪ k ə l ˈæ n d l ˈɔ b ˈʊ k s w ɚ p ɹ ˈɪ n t ɪ d ˈɪ n ɡ ˈɑ θ ɪ k l ˈɛ t ɚ ,
LJ001-0063	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0063.wav	which was generally more formally Gothic than the printing of the German workmen,	which was generally more formally Gothic than the printing of the German workmen,	w ˈɪ t͡ʃ w ə z d͡ʒ ˈɛ n ɚ ə l i m ˈɔ ɹ f ˈɔ ɹ m ə l i ɡ ˈɑ θ ɪ k ð ə n ð ə p ɹ ˈɪ n t ɪ ŋ ə v ð ə d͡ʒ ˈɚ m ə n w ˈɚ k m ɪ n ,
LJ001-0064	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0064.wav	many of whose types, indeed, like that of the Subiaco works, are of a transitional character.	many of whose types, indeed, like that of the Subiaco works, are of a transitional character.	m ˈɛ n i ə v h ˈu z t ˈaɪ p s , ɪ n d ˈi d , l ˈaɪ k ð ˈæ t ə v ð ə s ˈu b i ə k oʊ w ˈɚ k s , ˈɑ ɹ ə v ə t ɹ æ n z ˈɪ ʃ ə n ə l k ˈɛ ɹ ɪ k t ɚ .
LJ001-0065	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0065.wav	This was notably the case with the early works printed at Ulm, and in a somewhat lesser degree at Augsburg.	This was notably the case with the early works printed at Ulm, and in a somewhat lesser degree at Augsburg.	ð ˈɪ s w ə z n ˈoʊ t ə b l i ð ə k ˈeɪ s w ˈɪ θ ð ə ˈɚ l i w ˈɚ k s p ɹ ˈɪ n t ɪ d ˈæ t ˈʌ l m , ˈæ n d ˈɪ n ə s ˈʌ m w ˈʌ t l ˈɛ s ɚ d ɪ ɡ ɹ ˈi ˈæ t ˈɔ ɡ z b ɚ ɡ .
LJ001-0066	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0066.wav	In fact Gunther Zeiner's first type (afterwards used by Schussler) is remarkably like the type of the before-mentioned Subiaco books.	In fact Gunther Zeiner's first type (afterwards used by Schussler) is remarkably like the type of the before-mentioned Subiaco books.	ˈɪ n f ˈæ k t ɡ ˈʌ n θ ɚ z ˈaɪ n ɚ z f ˈɚ s t t ˈaɪ p ˈæ f t ɚ w ɚ d z j ˈu s t b ˈaɪ ʃ ˈʌ s l ɚ ˈɪ z ɹ ɪ m ˈɑ ɹ k ə b l i l ˈaɪ k ð ə t ˈaɪ p ə v ð ə b ɪ f ˈɔ ɹ m ˈɛ n ʃ ə n d s ˈu b i ə k oʊ b ˈʊ k s .
LJ001-0067	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0067.wav	In the Low Countries and Cologne, which were very fertile of printed books, Gothic was the favorite.	In the Low Countries and Cologne, which were very fertile of printed books, Gothic was the favorite.	ˈɪ n ð ə l ˈoʊ k ˈʌ n t ɹ i z ˈæ n d k ə l ˈoʊ n , w ˈɪ t͡ʃ w ɚ v ˈɛ ɹ i f ˈɚ t ə l ə v p ɹ ˈɪ n t ɪ d b ˈʊ k s , ɡ ˈɑ θ ɪ k w ə z ð ə f ˈeɪ v ɚ ɪ t .
LJ001-0068	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0068.wav	The characteristic Dutch type, as represented by the excellent printer Gerard Leew, is very pronounced and uncompromising Gothic.	The characteristic Dutch type, as represented by the excellent printer Gerard Leew, is very pronounced and uncompromising Gothic.	ð ə k ˌɛ ɹ ɪ k t ɚ ˈɪ s t ɪ k d ˈʌ t͡ʃ t ˈaɪ p , ˈæ z ɹ ˌɛ p ɹ ɪ z ˈɛ n t ɪ d b ˈaɪ ð ə ˈɛ k s ə l ə n t p ɹ ˈɪ n t ɚ d͡ʒ ɚ ˈɑ ɹ d l ˈi , ˈɪ z v ˈɛ ɹ i p ɹ ə n ˈaʊ n s t ˈæ n d ʌ ŋ k ˈɑ m p ɹ ə m aɪ z ɪ ŋ ɡ ˈɑ θ ɪ k .
LJ001-0069	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0069.wav	This type was introduced into England by Wynkyn de Worde, Caxton's successor,	This type was introduced into England by Wynkyn de Worde, Caxton's successor,	ð ˈɪ s t ˈaɪ p w ə z ˌɪ n t ɹ oʊ d ˈu s t ˈɪ n t u ˈɪ ŋ ɡ l ə n d b ˈaɪ w ˈɪ ŋ k i n d ə w ˈɔ ɹ d , k ˈæ k s t ə n z s ə k s ˈɛ s ɚ ,
LJ001-0070	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0070.wav	and was used there with very little variation all through the sixteenth and seventeenth centuries, and indeed into the eighteenth.	and was used there with very little variation all through the sixteenth and seventeenth centuries, and indeed into the eighteenth.	ˈæ n d w ə z j ˈu s t ð ˈɛ ɹ w ˈɪ θ v ˈɛ ɹ i l ˈɪ t ə l v ˌɛ ɹ i ˈeɪ ʃ ə n ˈɔ l θ ɹ ˈu ð ə s ˈɪ k s t ˈi n θ ˈæ n d s ˈɛ v ə n t ˈi n θ s ˈɛ n t͡ʃ ɚ i z , ˈæ n d ɪ n d ˈi d ˈɪ n t u ð ə eɪ t ˈi n θ .
LJ001-0071	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0071.wav	Most of Caxton's own types are of an earlier character, though they also much resemble Flemish or Cologne letter.	Most of Caxton's own types are of an earlier character, though they also much resemble Flemish or Cologne letter.	m ˈoʊ s t ə v k ˈæ k s t ə n z ˈoʊ n t ˈaɪ p s ˈɑ ɹ ə v ə n ˈɚ l i ɚ k ˈɛ ɹ ɪ k t ɚ , ð ˈoʊ ð ˈeɪ ˈɔ l s oʊ m ˈʌ t͡ʃ ɹ ɪ z ˈɛ m b ə l f l ˈɛ m ɪ ʃ ˈɔ ɹ k ə l ˈoʊ n l ˈɛ t ɚ .
LJ001-0072	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0072.wav	After the end of the fifteenth century the degradation of printing, especially in Germany and Italy,	After the end of the fifteenth century the degradation of printing, especially in Germany and Italy,	ˈæ f t ɚ ð ə ˈɛ n d ə v ð ə f ɪ f t ˈi n θ s ˈɛ n t͡ʃ ɚ i ð ə d ˌɛ ɡ ɹ ə d ˈeɪ ʃ ə n ə v p ɹ ˈɪ n t ɪ ŋ , ɪ s p ˈɛ ʃ l i ˈɪ n d͡ʒ ˈɚ m ə n i ˈæ n d ˈɪ t ə l i ,
LJ001-0073	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0073.wav	went on apace; and by the end of the sixteenth century there was no really beautiful printing done:	went on apace; and by the end of the sixteenth century there was no really beautiful printing done:	w ˈɛ n t ˈɔ n ə p ˈeɪ s ; ˈæ n d b ˈaɪ ð ə ˈɛ n d ə v ð ə s ˈɪ k s t ˈi n θ s ˈɛ n t͡ʃ ɚ i ð ˈɛ ɹ w ə z n ˈoʊ ɹ ˈɪ l i b j ˈu t ɪ f ə l p ɹ ˈɪ n t ɪ ŋ d ˈʌ n :
LJ001-0074	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0074.wav	the best, mostly French or Low-Country, was neat and clear, but without any distinction;	the best, mostly French or Low-Country, was neat and clear, but without any distinction;	ð ə b ˈɛ s t , m ˈoʊ s t l i f ɹ ˈɛ n t͡ʃ ˈɔ ɹ l ˈoʊ k ˈʌ n t ɹ i , w ə z n ˈi t ˈæ n d k l ˈɪ ɹ , b ˈʌ t w ɪ ð ˈaʊ t ˈɛ n i d ɪ s t ˈɪ ŋ k ʃ ə n ;
LJ001-0075	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0075.wav	the worst, which perhaps was the English, was a terrible falling-off from the work of the earlier presses;	the worst, which perhaps was the English, was a terrible falling-off from the work of the earlier presses;	ð ə w ˈɚ s t , w ˈɪ t͡ʃ p ɚ h ˈæ p s w ə z ð ə ˈɪ ŋ ɡ l ɪ ʃ , w ə z ə t ˈɛ ɹ ɪ b ə l f ˈɔ l ɪ ŋ ˈɔ f f ɹ ˈʌ m ð ə w ˈɚ k ə v ð ə ˈɚ l i ɚ p ɹ ˈɛ s ɪ z ;
LJ001-0076	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0076.wav	and things got worse and worse through the whole of the seventeenth century, so that in the eighteenth printing was very miserably performed.	and things got worse and worse through the whole of the seventeenth century, so that in the eighteenth printing was very miserably performed.	ˈæ n d θ ˈɪ ŋ z ɡ ˈɑ t w ˈɚ s ˈæ n d w ˈɚ s θ ɹ ˈu ð ə h ˈoʊ l ə v ð ə s ˈɛ v ə n t ˈi n θ s ˈɛ n t͡ʃ ɚ i , s ˈoʊ ð ˈæ t ˈɪ n ð ə eɪ t ˈi n θ p ɹ ˈɪ n t ɪ ŋ w ə z v ˈɛ ɹ i m ˈɪ z ɚ ə b l i p ɚ f ˈɔ ɹ m d .
LJ001-0077	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0077.wav	In England about this time, an attempt was made (notably by Caslon, who started business in London as a type-founder in 1720)	In England about this time, an attempt was made (notably by Caslon, who started business in London as a type-founder in seventeen twenty)	ˈɪ n ˈɪ ŋ ɡ l ə n d ə b ˈaʊ t ð ˈɪ s t ˈaɪ m , ə n ə t ˈɛ m p t w ə z m ˈeɪ d n ˈoʊ t ə b l i b ˈaɪ k ˈæ s l ə n , h ˈu s t ˈɑ ɹ t ɪ d b ˈɪ z n ɪ s ˈɪ n l ˈʌ n d ə n ˈæ z ə t ˈaɪ p f ˈaʊ n d ɚ ˈɪ n s ˈɛ v ə n t ˈi n t w ˈɛ n t i
LJ001-0078	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0078.wav	to improve the letter in form.	to improve the letter in form.	t ə ɪ m p ɹ ˈu v ð ə l ˈɛ t ɚ ˈɪ n f ˈɔ ɹ m .
LJ001-0079	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0079.wav	Caslon's type is clear and neat, and fairly well designed;	Caslon's type is clear and neat, and fairly well designed;	k ˈæ s l ə n z t ˈaɪ p ˈɪ z k l ˈɪ ɹ ˈæ n d n ˈi t , ˈæ n d f ˈɛ ɹ l i w ˈɛ l d ɪ z ˈaɪ n d ;
LJ001-0080	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0080.wav	he seems to have taken the letter of the Elzevirs of the seventeenth century for his model:	he seems to have taken the letter of the Elzevirs of the seventeenth century for his model:	h ˈi s ˈi m z t ə h ˈæ v t ˈeɪ k ə n ð ə l ˈɛ t ɚ ə v ð ə ˈɛ l z ɪ v ˈɚ z ə v ð ə s ˈɛ v ə n t ˈi n θ s ˈɛ n t͡ʃ ɚ i f ɚ h ˈɪ z m ˈɑ d ə l :
LJ001-0081	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0081.wav	type cast from his matrices is still in everyday use.	type cast from his matrices is still in everyday use.	t ˈaɪ p k ˈæ s t f ɹ ˈʌ m h ˈɪ z m ˈeɪ t ɹ ɪ s ˌi z ˈɪ z s t ˈɪ l ˈɪ n ˈɛ v ɹ i d ˈeɪ j ˈu s .
LJ001-0082	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0082.wav	In spite, however, of his praiseworthy efforts, printing had still one last degradation to undergo.	In spite, however, of his praiseworthy efforts, printing had still one last degradation to undergo.	ˈɪ n s p ˈaɪ t , h ˌaʊ ˈɛ v ɚ , ə v h ˈɪ z p ɹ ˈeɪ z w ˌɚ ð i ˈɛ f ɚ t s , p ɹ ˈɪ n t ɪ ŋ h ˈæ d s t ˈɪ l w ˈʌ n l ˈæ s t d ˌɛ ɡ ɹ ə d ˈeɪ ʃ ə n t ə ˌʌ n d ɚ ɡ ˈoʊ .
LJ001-0083	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0083.wav	The seventeenth century founts were bad rather negatively than positively.	The seventeenth century founts were bad rather negatively than positively.	ð ə s ˈɛ v ə n t ˈi n θ s ˈɛ n t͡ʃ ɚ i f ˈaʊ n t s w ɚ b ˈæ d ɹ ˈæ ð ɚ n ˈɛ ɡ ɪ t ɪ v l i ð ə n p ˈɑ z ɪ t ɪ v l i .
LJ001-0084	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0084.wav	But for the beauty of the earlier work they might have seemed tolerable.	But for the beauty of the earlier work they might have seemed tolerable.	b ˈʌ t f ɚ ð ə b j ˈu t i ə v ð ə ˈɚ l i ɚ w ˈɚ k ð ˈeɪ m ˈaɪ t h ˈæ v s ˈi m d t ˈɑ l ɚ ə b ə l .
LJ001-0085	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0085.wav	It was reserved for the founders of the later eighteenth century to produce letters which are positively ugly, and which, it may be added,	It was reserved for the founders of the later eighteenth century to produce letters which are positively ugly, and which, it may be added,	ˈɪ t w ə z ɹ ɪ z ˈɚ v d f ɚ ð ə f ˈaʊ n d ɚ z ə v ð ə l ˈeɪ t ɚ eɪ t ˈi n θ s ˈɛ n t͡ʃ ɚ i t ə p ɹ ə d ˈu s l ˈɛ t ɚ z w ˈɪ t͡ʃ ˈɑ ɹ p ˈɑ z ɪ t ɪ v l i ˈʌ ɡ l i , ˈæ n d w ˈɪ t͡ʃ , ˈɪ t m ˈeɪ b ˈi ˈæ d ɪ d ,
LJ001-0086	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0086.wav	are dazzling and unpleasant to the eye owing to the clumsy thickening and vulgar thinning of the lines:	are dazzling and unpleasant to the eye owing to the clumsy thickening and vulgar thinning of the lines:	ˈɑ ɹ d ˈæ z l ɪ ŋ ˈæ n d ʌ n p l ˈɛ z ə n t t ə ð ə ˈaɪ ˈoʊ ɪ ŋ t ə ð ə k l ˈʌ m z i θ ˈɪ k ə n ɪ ŋ ˈæ n d v ˈʌ l ɡ ɚ θ ˈɪ n ɪ ŋ ə v ð ə l ˈaɪ n z :
LJ001-0087	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0087.wav	for the seventeenth-century letters are at least pure and simple in line. The Italian, Bodoni, and the Frenchman, Didot,	for the seventeenth-century letters are at least pure and simple in line. The Italian, Bodoni, and the Frenchman, Didot,	f ɚ ð ə s ˈɛ v ə n t ˈi n θ s ˈɛ n t͡ʃ ɚ i l ˈɛ t ɚ z ˈɑ ɹ ˈæ t l ˈi s t p j ˈʊ ɹ ˈæ n d s ˈɪ m p ə l ˈɪ n l ˈaɪ n . ð ə ɪ t ˈæ l i ə n , b ˈoʊ d ə n i , ˈæ n d ð ə f ɹ ˈɛ n t͡ʃ m æ n , d ɪ d ə t ,
LJ001-0088	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0088.wav	were the leaders in this luckless change, though our own Baskerville, who was at work some years before them, went much on the same lines;	were the leaders in this luckless change, though our own Baskerville, who was at work some years before them, went much on the same lines;	w ɚ ð ə l ˈi d ɚ z ˈɪ n ð ˈɪ s l ˈʌ k l ə s t͡ʃ ˈeɪ n d͡ʒ , ð ˈoʊ ˈaʊ ɚ ˈoʊ n b ˈæ s k ɚ v ˌɪ l , h ˈu w ə z ˈæ t w ˈɚ k s ˈʌ m j ˈɪ ɹ z b ɪ f ˈɔ ɹ ð ˈɛ m , w ˈɛ n t m ˈʌ t͡ʃ ˈɔ n ð ə s ˈeɪ m l ˈaɪ n z ;
LJ001-0089	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0089.wav	but his letters, though uninteresting and poor, are not nearly so gross and vulgar as those of either the Italian or the Frenchman.	but his letters, though uninteresting and poor, are not nearly so gross and vulgar as those of either the Italian or the Frenchman.	b ˈʌ t h ˈɪ z l ˈɛ t ɚ z , ð ˈoʊ ʌ n ˈɪ n t ɹ ə s t ɪ ŋ ˈæ n d p ˈʊ ɹ , ˈɑ ɹ n ˈɑ t n ˈɪ ɹ l i s ˈoʊ ɡ ɹ ˈoʊ s ˈæ n d v ˈʌ l ɡ ɚ ˈæ z ð ˈoʊ z ə v ˈi ð ɚ ð ə ɪ t ˈæ l i ə n ˈɔ ɹ ð ə f ɹ ˈɛ n t͡ʃ m æ n .
LJ001-0090	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0090.wav	With this change the art of printing touched bottom,	With this change the art of printing touched bottom,	w ˈɪ θ ð ˈɪ s t͡ʃ ˈeɪ n d͡ʒ ð ə ˈɑ ɹ t ə v p ɹ ˈɪ n t ɪ ŋ t ˈʌ t͡ʃ t b ˈɑ t ə m ,
LJ001-0091	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0091.wav	so far as fine printing is concerned, though paper did not get to its worst till about 1840.	so far as fine printing is concerned, though paper did not get to its worst till about eighteen forty.	s ˈoʊ f ˈɑ ɹ ˈæ z f ˈaɪ n p ɹ ˈɪ n t ɪ ŋ ˈɪ z k ə n s ˈɚ n d , ð ˈoʊ p ˈeɪ p ɚ d ˈɪ d n ˈɑ t ɡ ˈɛ t t ə ˈɪ t s w ˈɚ s t t ˈɪ l ə b ˈaʊ t eɪ t ˈi n f ˈɔ ɹ t i .
LJ001-0092	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0092.wav	The Chiswick press in 1844 revived Caslon's founts, printing for Messrs. Longman the Diary of Lady Willoughby.	The Chiswick press in eighteen forty-four revived Caslon's founts, printing for Messrs. Longman the Diary of Lady Willoughby.	ð ə t͡ʃ ˈɪ z w ɪ k p ɹ ˈɛ s ˈɪ n eɪ t ˈi n f ˈɔ ɹ t i f ˈɔ ɹ ɹ ɪ v ˈaɪ v d k ˈæ s l ə n z f ˈaʊ n t s , p ɹ ˈɪ n t ɪ ŋ f ɚ m ˈɛ s ɚ z . l ˈɔ ŋ m ə n ð ə d ˈaɪ ɚ i ə v l ˈeɪ d i w ˈɪ l ə b i .
LJ001-0093	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0093.wav	This experiment was so far successful that about 1850 Messrs. Miller and Richard of Edinburgh	This experiment was so far successful that about eighteen fifty Messrs. Miller and Richard of Edinburgh	ð ˈɪ s ɪ k s p ˈɛ ɹ ɪ m ə n t w ə z s ˈoʊ f ˈɑ ɹ s ə k s ˈɛ s f ə l ð ˈæ t ə b ˈaʊ t eɪ t ˈi n f ˈɪ f t i m ˈɛ s ɚ z . m ˈɪ l ɚ ˈæ n d ɹ ˈɪ t͡ʃ ɚ d ə v ˈɛ d ə n b ɚ oʊ
LJ001-0094	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0094.wav	were induced to cut punches for a series of "old style" letters.	were induced to cut punches for a series of "old style" letters.	w ɚ ɪ n d ˈu s t t ə k ˈʌ t p ˈʌ n t͡ʃ ɪ z f ɚ ə s ˈɪ ɹ i z ə v ˈoʊ l d s t ˈaɪ l l ˈɛ t ɚ z .
LJ001-0095	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0095.wav	These and similar founts, cast by the above firm and others,	These and similar founts, cast by the above firm and others,	ð ˈi z ˈæ n d s ˈɪ m ɪ l ɚ f ˈaʊ n t s , k ˈæ s t b ˈaɪ ð ə ə b ˈʌ v f ˈɚ m ˈæ n d ˈʌ ð ɚ z ,
LJ001-0096	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0096.wav	have now come into general use and are obviously a great improvement on the ordinary "modern style" in use in England, which is in fact the Bodoni type	have now come into general use and are obviously a great improvement on the ordinary "modern style" in use in England, which is in fact the Bodoni type	h ˈæ v n ˈaʊ k ˈʌ m ˈɪ n t u d͡ʒ ˈɛ n ɚ ə l j ˈu s ˈæ n d ˈɑ ɹ ˈɑ b v i ə s l i ə ɡ ɹ ˈeɪ t ɪ m p ɹ ˈu v m ə n t ˈɔ n ð ə ˈɔ ɹ d ɪ n ˌɛ ɹ i m ˈɑ d ɚ n s t ˈaɪ l ˈɪ n j ˈu s ˈɪ n ˈɪ ŋ ɡ l ə n d , w ˈɪ t͡ʃ ˈɪ z ˈɪ n f ˈæ k t ð ə b ˈoʊ d ə n i t ˈaɪ p
LJ001-0097	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0097.wav	a little reduced in ugliness. The design of the letters of this modern "old style" leaves a good deal to be desired,	a little reduced in ugliness. The design of the letters of this modern "old style" leaves a good deal to be desired,	ə l ˈɪ t ə l ɹ ɪ d ˈu s t ˈɪ n ˈʌ ɡ l i n ə s . ð ə d ɪ z ˈaɪ n ə v ð ə l ˈɛ t ɚ z ə v ð ˈɪ s m ˈɑ d ɚ n ˈoʊ l d s t ˈaɪ l l ˈi v z ə ɡ ˈʊ d d ˈi l t ə b ˈi d ɪ z ˈaɪ ɚ d ,
LJ001-0098	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0098.wav	and the whole effect is a little too gray, owing to the thinness of the letters.	and the whole effect is a little too gray, owing to the thinness of the letters.	ˈæ n d ð ə h ˈoʊ l ɪ f ˈɛ k t ˈɪ z ə l ˈɪ t ə l t ˈu ɡ ɹ ˈeɪ , ˈoʊ ɪ ŋ t ə ð ə θ ˈɪ n n ə s ə v ð ə l ˈɛ t ɚ z .
LJ001-0099	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0099.wav	It must be remembered, however, that most modern printing is done by machinery on soft paper, and not by the hand press,	It must be remembered, however, that most modern printing is done by machinery on soft paper, and not by the hand press,	ˈɪ t m ˈʌ s t b ˈi ɹ ɪ m ˈɛ m b ɚ d , h ˌaʊ ˈɛ v ɚ , ð ˈæ t m ˈoʊ s t m ˈɑ d ɚ n p ɹ ˈɪ n t ɪ ŋ ˈɪ z d ˈʌ n b ˈaɪ m ə ʃ ˈi n ɚ i ˈɔ n s ˈɔ f t p ˈeɪ p ɚ , ˈæ n d n ˈɑ t b ˈaɪ ð ə h ˈæ n d p ɹ ˈɛ s ,
LJ001-0100	/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0100.wav	and these somewhat wiry letters are suitable for the machine process, which would not do justice to letters of more generous design.	and these somewhat wiry letters are suitable for the machine process, which would not do justice to letters of more generous design.	ˈæ n d ð ˈi z s ˈʌ m w ˈʌ t w ˈɪ ɹ i l ˈɛ t ɚ z ˈɑ ɹ s ˈu t ə b ə l f ɚ ð ə m ə ʃ ˈi n p ɹ ˈɑ s ˌɛ s , w ˈɪ t͡ʃ w ˈʊ d n ˈɑ t d ˈu d͡ʒ ˈʌ s t ɪ s t ə l ˈɛ t ɚ z ə v m ˈɔ ɹ d͡ʒ ˈɛ n ɚ ə s d ɪ z ˈaɪ n .

LJ001-0001

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0001.wav

Printing, in the only sense with which we are at present concerned, differs from most if not from all the arts and crafts represented in the Exhibition

p ɹ ˈɪ n t ɪ ŋ , ˈɪ n ð ə ˈoʊ n l i s ˈɛ n s w ˈɪ θ w ˈɪ t͡ʃ w ˈi ˈɑ ɹ ˈæ t p ɹ ˈɛ z ə n t k ə n s ˈɚ n d , d ˈɪ f ɚ z f ɹ ˈʌ m m ˈoʊ s t ˈɪ f n ˈɑ t f ɹ ˈʌ m ˈɔ l ð ə ˈɑ ɹ t s ˈæ n d k ɹ ˈæ f t s ɹ ˌɛ p ɹ ɪ z ˈɛ n t ɪ d ˈɪ n ð ə ˌɛ k s ɪ b ˈɪ ʃ ə n

LJ001-0002

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0002.wav

in being comparatively modern.

ˈɪ n b ˈi ɪ ŋ k ə m p ˈɛ ɹ ɪ t ɪ v l i m ˈɑ d ɚ n .

LJ001-0003

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0003.wav

For although the Chinese took impressions from wood blocks engraved in relief for centuries before the woodcutters of the Netherlands, by a similar process

f ɚ ɔ l ð ˈoʊ ð ə t͡ʃ aɪ n ˈi z t ˈʊ k ɪ m p ɹ ˈɛ ʃ ə n z f ɹ ˈʌ m w ˈʊ d b l ˈɑ k s ɪ ŋ ɡ ɹ ˈeɪ v d ˈɪ n ɹ ɪ l ˈi f f ɚ s ˈɛ n t͡ʃ ɚ i z b ɪ f ˈɔ ɹ ð ə w ˈʊ d k ˌʌ t ɚ z ə v ð ə n ˈɛ ð ɚ l ə n d z , b ˈaɪ ə s ˈɪ m ɪ l ɚ p ɹ ˈɑ s ˌɛ s

LJ001-0004

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0004.wav

produced the block books, which were the immediate predecessors of the true printed book,

p ɹ ə d ˈu s t ð ə b l ˈɑ k b ˈʊ k s , w ˈɪ t͡ʃ w ɚ ð ə ɪ m ˈi d i ɪ t p ɹ ˈɛ d ə s ˌɛ s ɚ z ə v ð ə t ɹ ˈu p ɹ ˈɪ n t ɪ d b ˈʊ k ,

LJ001-0005

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0005.wav

the invention of movable metal letters in the middle of the fifteenth century may justly be considered as the invention of the art of printing.

ð ə ɪ n v ˈɛ n ʃ ə n ə v m ˈu v ə b ə l m ˈɛ t ə l l ˈɛ t ɚ z ˈɪ n ð ə m ˈɪ d ə l ə v ð ə f ɪ f t ˈi n θ s ˈɛ n t͡ʃ ɚ i m ˈeɪ d͡ʒ ˈʌ s t l i b ˈi k ə n s ˈɪ d ɚ d ˈæ z ð ə ɪ n v ˈɛ n ʃ ə n ə v ð ə ˈɑ ɹ t ə v p ɹ ˈɪ n t ɪ ŋ .

LJ001-0006

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0006.wav

And it is worth mention in passing that, as an example of fine typography,

ˈæ n d ˈɪ t ˈɪ z w ˈɚ θ m ˈɛ n ʃ ə n ˈɪ n p ˈæ s ɪ ŋ ð ˈæ t , ˈæ z ə n ɪ ɡ z ˈæ m p ə l ə v f ˈaɪ n t ə p ˈɑ ɡ ɹ ə f i ,

LJ001-0007

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0007.wav

the earliest book printed with movable types, the Gutenberg, or "forty-two line Bible" of about 1455,

the earliest book printed with movable types, the Gutenberg, or "forty-two line Bible" of about fourteen fifty-five,

ð ə ˈɚ l i ɪ s t b ˈʊ k p ɹ ˈɪ n t ɪ d w ˈɪ θ m ˈu v ə b ə l t ˈaɪ p s , ð ə ɡ ˈu t ə n b ɚ ɡ , ˈɔ ɹ f ˈɔ ɹ t i t ˈu l ˈaɪ n b ˈaɪ b ə l ə v ə b ˈaʊ t f ˌɔ ɹ t ˈi n f ˈɪ f t i f ˈaɪ v ,

LJ001-0008

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0008.wav

has never been surpassed.

h ˈæ z n ˈɛ v ɚ b ˈɪ n s ɚ p ˈæ s t .

LJ001-0009

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0009.wav

Printing, then, for our purpose, may be considered as the art of making books by means of movable types.

p ɹ ˈɪ n t ɪ ŋ , ð ˈɛ n , f ɚ ˈaʊ ɚ p ˈɚ p ə s , m ˈeɪ b ˈi k ə n s ˈɪ d ɚ d ˈæ z ð ə ˈɑ ɹ t ə v m ˈeɪ k ɪ ŋ b ˈʊ k s b ˈaɪ m ˈi n z ə v m ˈu v ə b ə l t ˈaɪ p s .

LJ001-0010

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0010.wav

Now, as all books not primarily intended as picture-books consist principally of types composed to form letterpress,

n ˈaʊ , ˈæ z ˈɔ l b ˈʊ k s n ˈɑ t p ɹ aɪ m ˈɛ ɹ ə l i ɪ n t ˈɛ n d ɪ d ˈæ z p ˈɪ k t͡ʃ ɚ b ˈʊ k s k ə n s ˈɪ s t p ɹ ˈɪ n s ɪ p l i ə v t ˈaɪ p s k ə m p ˈoʊ z d t ə f ˈɔ ɹ m l ˈɛ t ɚ p ɹ ˌɛ s ,

LJ001-0011

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0011.wav

it is of the first importance that the letter used should be fine in form;

ˈɪ t ˈɪ z ə v ð ə f ˈɚ s t ɪ m p ˈɔ ɹ t ə n s ð ˈæ t ð ə l ˈɛ t ɚ j ˈu s t ʃ ˈʊ d b ˈi f ˈaɪ n ˈɪ n f ˈɔ ɹ m ;

LJ001-0012

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0012.wav

especially as no more time is occupied, or cost incurred, in casting, setting, or printing beautiful letters

ɪ s p ˈɛ ʃ l i ˈæ z n ˈoʊ m ˈɔ ɹ t ˈaɪ m ˈɪ z ˈɑ k j ə p ˌaɪ d , ˈɔ ɹ k ˈɔ s t ɪ ŋ k ˈɚ d , ˈɪ n k ˈæ s t ɪ ŋ , s ˈɛ t ɪ ŋ , ˈɔ ɹ p ɹ ˈɪ n t ɪ ŋ b j ˈu t ɪ f ə l l ˈɛ t ɚ z

LJ001-0013

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0013.wav

than in the same operations with ugly ones.

ð ə n ˈɪ n ð ə s ˈeɪ m ˌɑ p ɚ ˈeɪ ʃ ə n z w ˈɪ θ ˈʌ ɡ l i w ˈʌ n z .

LJ001-0014

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0014.wav

And it was a matter of course that in the Middle Ages, when the craftsmen took care that beautiful form should always be a part of their productions whatever they were,

ˈæ n d ˈɪ t w ə z ə m ˈæ t ɚ ə v k ˈɔ ɹ s ð ˈæ t ˈɪ n ð ə m ˈɪ d ə l ˈeɪ d͡ʒ ɪ z , w ˈɛ n ð ə k ɹ ˈæ f t s m ɛ n t ˈʊ k k ˈɛ ɹ ð ˈæ t b j ˈu t ɪ f ə l f ˈɔ ɹ m ʃ ˈʊ d ˈɔ l w ˌeɪ z b ˈi ə p ˈɑ ɹ t ə v ð ˈɛ ɹ p ɹ ə d ˈʌ k ʃ ə n z w ˌʌ t ˈɛ v ɚ ð ˈeɪ w ɚ ,

LJ001-0015

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0015.wav

the forms of printed letters should be beautiful, and that their arrangement on the page should be reasonable and a help to the shapeliness of the letters themselves.

ð ə f ˈɔ ɹ m z ə v p ɹ ˈɪ n t ɪ d l ˈɛ t ɚ z ʃ ˈʊ d b ˈi b j ˈu t ɪ f ə l , ˈæ n d ð ˈæ t ð ˈɛ ɹ ɚ ˈeɪ n d͡ʒ m ə n t ˈɔ n ð ə p ˈeɪ d͡ʒ ʃ ˈʊ d b ˈi ɹ ˈi z n ə b ə l ˈæ n d ə h ˈɛ l p t ə ð ə ʃ ˈæ p l ɪ n s ə v ð ə l ˈɛ t ɚ z ð ə m s ˈɛ l v z .

LJ001-0016

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0016.wav

The Middle Ages brought calligraphy to perfection, and it was natural therefore

ð ə m ˈɪ d ə l ˈeɪ d͡ʒ ɪ z b ɹ ˈɔ t k ə l ˈɪ ɡ ɹ ə f i t ə p ɚ f ˈɛ k ʃ ə n , ˈæ n d ˈɪ t w ə z n ˈæ t͡ʃ ɚ ə l ð ˈɛ ɹ f ˌɔ ɹ

LJ001-0017

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0017.wav

that the forms of printed letters should follow more or less closely those of the written character, and they followed them very closely.

ð ˈæ t ð ə f ˈɔ ɹ m z ə v p ɹ ˈɪ n t ɪ d l ˈɛ t ɚ z ʃ ˈʊ d f ˈɑ l oʊ m ˈɔ ɹ ˈɔ ɹ l ˈɛ s k l ˈoʊ s l i ð ˈoʊ z ə v ð ə ɹ ˈɪ t ə n k ˈɛ ɹ ɪ k t ɚ , ˈæ n d ð ˈeɪ f ˈɑ l oʊ d ð ˈɛ m v ˈɛ ɹ i k l ˈoʊ s l i .

LJ001-0018

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0018.wav

The first books were printed in black letter, i.e. the letter which was a Gothic development of the ancient Roman character,

ð ə f ˈɚ s t b ˈʊ k s w ɚ p ɹ ˈɪ n t ɪ d ˈɪ n b l ˈæ k l ˈɛ t ɚ , ˈaɪ ˈi ð ə l ˈɛ t ɚ w ˈɪ t͡ʃ w ə z ə ɡ ˈɑ θ ɪ k d ɪ v ˈɛ l ə p m ə n t ə v ð ə ˈeɪ n ʃ ə n t ɹ ˈoʊ m ə n k ˈɛ ɹ ɪ k t ɚ ,

LJ001-0019

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0019.wav

and which developed more completely and satisfactorily on the side of the "lower-case" than the capital letters;

ˈæ n d w ˈɪ t͡ʃ d ɪ v ˈɛ l ə p t m ˈɔ ɹ k ə m p l ˈi t l i ˈæ n d s ˌæ t ɪ s f ˈæ k t ɚ ə l i ˈɔ n ð ə s ˈaɪ d ə v ð ə l ˈoʊ ɚ k ˈeɪ s ð ə n ð ə k ˈæ p ɪ t ə l l ˈɛ t ɚ z ;

LJ001-0020

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0020.wav

the "lower-case" being in fact invented in the early Middle Ages.

ð ə l ˈoʊ ɚ k ˈeɪ s b ˈi ɪ ŋ ˈɪ n f ˈæ k t ɪ n v ˈɛ n t ɪ d ˈɪ n ð ə ˈɚ l i m ˈɪ d ə l ˈeɪ d͡ʒ ɪ z .

LJ001-0021

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0021.wav

The earliest book printed with movable type, the aforesaid Gutenberg Bible, is printed in letters which are an exact imitation

ð ə ˈɚ l i ɪ s t b ˈʊ k p ɹ ˈɪ n t ɪ d w ˈɪ θ m ˈu v ə b ə l t ˈaɪ p , ð ə ə f ˈɔ ɹ s ˌɛ d ɡ ˈu t ə n b ɚ ɡ b ˈaɪ b ə l , ˈɪ z p ɹ ˈɪ n t ɪ d ˈɪ n l ˈɛ t ɚ z w ˈɪ t͡ʃ ˈɑ ɹ ə n ɪ ɡ z ˈæ k t ˌɪ m ə t ˈeɪ ʃ ə n

LJ001-0022

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0022.wav

of the more formal ecclesiastical writing which obtained at that time; this has since been called "missal type,"

ə v ð ə m ˈɔ ɹ f ˈɔ ɹ m ə l ɪ k l ˌi z i ˈæ s t ɪ k ə l ɹ ˈaɪ t ɪ ŋ w ˈɪ t͡ʃ ə b t ˈeɪ n d ˈæ t ð ˈæ t t ˈaɪ m ; ð ˈɪ s h ˈæ z s ˈɪ n s b ˈɪ n k ˈɔ l d m ˈɪ s ə l t ˈaɪ p ,

LJ001-0023

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0023.wav

and was in fact the kind of letter used in the many splendid missals, psalters, etc., produced by printing in the fifteenth century.

ˈæ n d w ə z ˈɪ n f ˈæ k t ð ə k ˈaɪ n d ə v l ˈɛ t ɚ j ˈu s t ˈɪ n ð ə m ˈɛ n i s p l ˈɛ n d ɪ d m ˈɪ s ə l z , s ˈɔ l t ɚ z , ˌɛ t s ˈɛ t ɚ ə . , p ɹ ə d ˈu s t b ˈaɪ p ɹ ˈɪ n t ɪ ŋ ˈɪ n ð ə f ɪ f t ˈi n θ s ˈɛ n t͡ʃ ɚ i .

LJ001-0024

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0024.wav

But the first Bible actually dated (which also was printed at Maintz by Peter Schoeffer in the year 1462)

But the first Bible actually dated (which also was printed at Maintz by Peter Schoeffer in the year fourteen sixty-two)

b ˈʌ t ð ə f ˈɚ s t b ˈaɪ b ə l ˈæ k t͡ʃ ə l i d ˈeɪ t ɪ d w ˈɪ t͡ʃ ˈɔ l s oʊ w ə z p ɹ ˈɪ n t ɪ d ˈæ t m ˈeɪ n t s b ˈaɪ p ˈi t ɚ ʃ ˈoʊ f ɚ ˈɪ n ð ə j ˈɪ ɹ f ˌɔ ɹ t ˈi n s ˈɪ k s t i t ˈu

LJ001-0025

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0025.wav

imitates a much freer hand, simpler, rounder, and less spiky, and therefore far pleasanter and easier to read.

ˈɪ m ə t ˌeɪ t s ə m ˈʌ t͡ʃ f ɹ ˈi ɚ h ˈæ n d , s ˈɪ m p l ɚ , ɹ ˈaʊ n d ɚ , ˈæ n d l ˈɛ s s p ˈaɪ k i , ˈæ n d ð ˈɛ ɹ f ˌɔ ɹ f ˈɑ ɹ p l ˈi s ə n t ɚ ˈæ n d ˈi z i ɚ t ə ɹ ˈi d .

LJ001-0026

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0026.wav

On the whole the type of this book may be considered the ne-plus-ultra of Gothic type,

ˈɔ n ð ə h ˈoʊ l ð ə t ˈaɪ p ə v ð ˈɪ s b ˈʊ k m ˈeɪ b ˈi k ə n s ˈɪ d ɚ d ð ə n ˈeɪ p l ˈʌ s ˈʌ l t ɹ ə ə v ɡ ˈɑ θ ɪ k t ˈaɪ p ,

LJ001-0027

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0027.wav

especially as regards the lower-case letters; and type very similar was used during the next fifteen or twenty years not only by Schoeffer,

ɪ s p ˈɛ ʃ l i ˈæ z ɹ ɪ ɡ ˈɑ ɹ d z ð ə l ˈoʊ ɚ k ˈeɪ s l ˈɛ t ɚ z ; ˈæ n d t ˈaɪ p v ˈɛ ɹ i s ˈɪ m ɪ l ɚ w ə z j ˈu s t d ˈʊ ɹ ɪ ŋ ð ə n ˈɛ k s t f ɪ f t ˈi n ˈɔ ɹ t w ˈɛ n t i j ˈɪ ɹ z n ˈɑ t ˈoʊ n l i b ˈaɪ ʃ ˈoʊ f ɚ ,

LJ001-0028

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0028.wav

but by printers in Strasburg, Basle, Paris, Lubeck, and other cities.

b ˈʌ t b ˈaɪ p ɹ ˈɪ n t ɚ z ˈɪ n s t ɹ ˈæ s b ɚ ɡ , b ˈæ s ə l , p ˈɛ ɹ ɪ s , l ˈu b ˌɛ k , ˈæ n d ˈʌ ð ɚ s ˈɪ t i z .

LJ001-0029

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0029.wav

But though on the whole, except in Italy, Gothic letter was most often used

b ˈʌ t ð ˈoʊ ˈɔ n ð ə h ˈoʊ l , ɪ k s ˈɛ p t ˈɪ n ˈɪ t ə l i , ɡ ˈɑ θ ɪ k l ˈɛ t ɚ w ə z m ˈoʊ s t ˈɔ f t ə n j ˈu s t

LJ001-0030

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0030.wav

a very few years saw the birth of Roman character not only in Italy, but in Germany and France.

ə v ˈɛ ɹ i f j ˈu j ˈɪ ɹ z s ˈɔ ð ə b ˈɚ θ ə v ɹ ˈoʊ m ə n k ˈɛ ɹ ɪ k t ɚ n ˈɑ t ˈoʊ n l i ˈɪ n ˈɪ t ə l i , b ˈʌ t ˈɪ n d͡ʒ ˈɚ m ə n i ˈæ n d f ɹ ˈæ n s .

LJ001-0031

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0031.wav

In 1465 Sweynheim and Pannartz began printing in the monastery of Subiaco near Rome,

In fourteen sixty-five Sweynheim and Pannartz began printing in the monastery of Subiaco near Rome,

ˈɪ n f ˌɔ ɹ t ˈi n s ˈɪ k s t i f ˈaɪ v s w ˈaɪ n h ˌaɪ m ˈæ n d p ˈæ n ɚ t s b ɪ ɡ ˈæ n p ɹ ˈɪ n t ɪ ŋ ˈɪ n ð ə m ˈɑ n ə s t ˌɛ ɹ i ə v s ˈu b i ə k oʊ n ˈɪ ɹ ɹ ˈoʊ m ,

LJ001-0032

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0032.wav

and used an exceedingly beautiful type, which is indeed to look at a transition between Gothic and Roman,

ˈæ n d j ˈu s t ə n ɪ k s ˈi d ɪ ŋ l i b j ˈu t ɪ f ə l t ˈaɪ p , w ˈɪ t͡ʃ ˈɪ z ɪ n d ˈi d t ə l ˈʊ k ˈæ t ə t ɹ æ n z ˈɪ ʃ ə n b ɪ t w ˈi n ɡ ˈɑ θ ɪ k ˈæ n d ɹ ˈoʊ m ə n ,

LJ001-0033

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0033.wav

but which must certainly have come from the study of the twelfth or even the eleventh century MSS.

b ˈʌ t w ˈɪ t͡ʃ m ˈʌ s t s ˈɚ t ə n l i h ˈæ v k ˈʌ m f ɹ ˈʌ m ð ə s t ˈʌ d i ə v ð ə t w ˈɛ l f θ ˈɔ ɹ ˈi v ə n ð ə ɪ l ˈɛ v ə n θ s ˈɛ n t͡ʃ ɚ i ˈɛ m ˈɛ s ˈɛ s .

LJ001-0034

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0034.wav

They printed very few books in this type, three only; but in their very first books in Rome, beginning with the year 1468,

They printed very few books in this type, three only; but in their very first books in Rome, beginning with the year fourteen sixty-eight,

ð ˈeɪ p ɹ ˈɪ n t ɪ d v ˈɛ ɹ i f j ˈu b ˈʊ k s ˈɪ n ð ˈɪ s t ˈaɪ p , θ ɹ ˈi ˈoʊ n l i ; b ˈʌ t ˈɪ n ð ˈɛ ɹ v ˈɛ ɹ i f ˈɚ s t b ˈʊ k s ˈɪ n ɹ ˈoʊ m , b ɪ ɡ ˈɪ n ɪ ŋ w ˈɪ θ ð ə j ˈɪ ɹ f ˌɔ ɹ t ˈi n s ˈɪ k s t i ˈeɪ t ,

LJ001-0035

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0035.wav

they discarded this for a more completely Roman and far less beautiful letter.

ð ˈeɪ d ɪ s k ˈɑ ɹ d ɪ d ð ˈɪ s f ɚ ə m ˈɔ ɹ k ə m p l ˈi t l i ɹ ˈoʊ m ə n ˈæ n d f ˈɑ ɹ l ˈɛ s b j ˈu t ɪ f ə l l ˈɛ t ɚ .

LJ001-0036

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0036.wav

But about the same year Mentelin at Strasburg began to print in a type which is distinctly Roman;

b ˈʌ t ə b ˈaʊ t ð ə s ˈeɪ m j ˈɪ ɹ m ˈɛ n t ə l ə n ˈæ t s t ɹ ˈæ s b ɚ ɡ b ɪ ɡ ˈæ n t ə p ɹ ˈɪ n t ˈɪ n ə t ˈaɪ p w ˈɪ t͡ʃ ˈɪ z d ɪ s t ˈɪ ŋ k t l i ɹ ˈoʊ m ə n ;

LJ001-0037

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0037.wav

and the next year Gunther Zeiner at Augsburg followed suit;

ˈæ n d ð ə n ˈɛ k s t j ˈɪ ɹ ɡ ˈʌ n θ ɚ z ˈaɪ n ɚ ˈæ t ˈɔ ɡ z b ɚ ɡ f ˈɑ l oʊ d s ˈu t ;

LJ001-0038

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0038.wav

while in 1470 at Paris Udalric Gering and his associates turned out the first books printed in France, also in Roman character.

while in fourteen seventy at Paris Udalric Gering and his associates turned out the first books printed in France, also in Roman character.

w ˈaɪ l ˈɪ n f ˌɔ ɹ t ˈi n s ˈɛ v ə n t i ˈæ t p ˈɛ ɹ ɪ s j ˈu d ə l ɹ ɪ k ɡ ˈɪ ɹ ɪ ŋ ˈæ n d h ˈɪ z ə s ˈoʊ ʃ i ɪ t s t ˈɚ n d ˈaʊ t ð ə f ˈɚ s t b ˈʊ k s p ɹ ˈɪ n t ɪ d ˈɪ n f ɹ ˈæ n s , ˈɔ l s oʊ ˈɪ n ɹ ˈoʊ m ə n k ˈɛ ɹ ɪ k t ɚ .

LJ001-0039

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0039.wav

The Roman type of all these printers is similar in character,

ð ə ɹ ˈoʊ m ə n t ˈaɪ p ə v ˈɔ l ð ˈi z p ɹ ˈɪ n t ɚ z ˈɪ z s ˈɪ m ɪ l ɚ ˈɪ n k ˈɛ ɹ ɪ k t ɚ ,

LJ001-0040

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0040.wav

and is very simple and legible, and unaffectedly designed for use; but it is by no means without beauty.

ˈæ n d ˈɪ z v ˈɛ ɹ i s ˈɪ m p ə l ˈæ n d l ˈɛ d͡ʒ ə b ə l , ˈæ n d ʌ n ˈæ f ˈɛ k t ˈɛ d l i d ɪ z ˈaɪ n d f ɚ j ˈu s ; b ˈʌ t ˈɪ t ˈɪ z b ˈaɪ n ˈoʊ m ˈi n z w ɪ ð ˈaʊ t b j ˈu t i .

LJ001-0041

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0041.wav

It must be said that it is in no way like the transition type of Subiaco,

ˈɪ t m ˈʌ s t b ˈi s ˈɛ d ð ˈæ t ˈɪ t ˈɪ z ˈɪ n n ˈoʊ w ˈeɪ l ˈaɪ k ð ə t ɹ æ n z ˈɪ ʃ ə n t ˈaɪ p ə v s ˈu b i ə k oʊ ,

LJ001-0042

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0042.wav

and though more Roman than that, yet scarcely more like the complete Roman type of the earliest printers of Rome.

ˈæ n d ð ˈoʊ m ˈɔ ɹ ɹ ˈoʊ m ə n ð ə n ð ˈæ t , j ˈɛ t s k ˈɛ ɹ s l i m ˈɔ ɹ l ˈaɪ k ð ə k ə m p l ˈi t ɹ ˈoʊ m ə n t ˈaɪ p ə v ð ə ˈɚ l i ɪ s t p ɹ ˈɪ n t ɚ z ə v ɹ ˈoʊ m .

LJ001-0043

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0043.wav

A further development of the Roman letter took place at Venice.

ə f ˈɚ ð ɚ d ɪ v ˈɛ l ə p m ə n t ə v ð ə ɹ ˈoʊ m ə n l ˈɛ t ɚ t ˈʊ k p l ˈeɪ s ˈæ t v ˈɛ n ɪ s .

LJ001-0044

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0044.wav

John of Spires and his brother Vindelin, followed by Nicholas Jenson, began to print in that city,

d͡ʒ ˈɑ n ə v s p ˈaɪ ɚ z ˈæ n d h ˈɪ z b ɹ ˈʌ ð ɚ v ˈɪ n d ə l ɪ n , f ˈɑ l oʊ d b ˈaɪ n ˈɪ k ə l ə s d͡ʒ ˈɛ n s ə n , b ɪ ɡ ˈæ n t ə p ɹ ˈɪ n t ˈɪ n ð ˈæ t s ˈɪ t i ,

LJ001-0045

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0045.wav

1469, 1470;

fourteen sixty-nine, fourteen seventy;

f ˌɔ ɹ t ˈi n s ˈɪ k s t i n ˈaɪ n , f ˌɔ ɹ t ˈi n s ˈɛ v ə n t i ;

LJ001-0046

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0046.wav

their type is on the lines of the German and French rather than of the Roman printers.

ð ˈɛ ɹ t ˈaɪ p ˈɪ z ˈɔ n ð ə l ˈaɪ n z ə v ð ə d͡ʒ ˈɚ m ə n ˈæ n d f ɹ ˈɛ n t͡ʃ ɹ ˈæ ð ɚ ð ə n ə v ð ə ɹ ˈoʊ m ə n p ɹ ˈɪ n t ɚ z .

LJ001-0047

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0047.wav

Of Jenson it must be said that he carried the development of Roman type as far as it can go:

ə v d͡ʒ ˈɛ n s ə n ˈɪ t m ˈʌ s t b ˈi s ˈɛ d ð ˈæ t h ˈi k ˈɛ ɹ i d ð ə d ɪ v ˈɛ l ə p m ə n t ə v ɹ ˈoʊ m ə n t ˈaɪ p ˈæ z f ˈɑ ɹ ˈæ z ˈɪ t k ə n ɡ ˈoʊ :

LJ001-0048

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0048.wav

his letter is admirably clear and regular, but at least as beautiful as any other Roman type.

h ˈɪ z l ˈɛ t ɚ ˈɪ z ˈæ d m ɚ ə b l i k l ˈɪ ɹ ˈæ n d ɹ ˈɛ ɡ j ə l ɚ , b ˈʌ t ˈæ t l ˈi s t ˈæ z b j ˈu t ɪ f ə l ˈæ z ˈɛ n i ˈʌ ð ɚ ɹ ˈoʊ m ə n t ˈaɪ p .

LJ001-0049

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0049.wav

After his death in the "fourteen eighties," or at least by 1490, printing in Venice had declined very much;

After his death in the "fourteen eighties," or at least by fourteen ninety, printing in Venice had declined very much;

ˈæ f t ɚ h ˈɪ z d ˈɛ θ ˈɪ n ð ə f ˌɔ ɹ t ˈi n ˈeɪ t i z , ˈɔ ɹ ˈæ t l ˈi s t b ˈaɪ f ˌɔ ɹ t ˈi n n ˈaɪ n t i , p ɹ ˈɪ n t ɪ ŋ ˈɪ n v ˈɛ n ɪ s h ˈæ d d ɪ k l ˈaɪ n d v ˈɛ ɹ i m ˈʌ t͡ʃ ;

LJ001-0050

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0050.wav

and though the famous family of Aldus restored its technical excellence, rejecting battered letters,

ˈæ n d ð ˈoʊ ð ə f ˈeɪ m ə s f ˈæ m ɪ l i ə v ˈɑ l d ʌ s ɹ ɪ s t ˈɔ ɹ d ˈɪ t s t ˈɛ k n ɪ k ə l ˈɛ k s ə l ə n s , ɹ ɪ d͡ʒ ˈɛ k t ɪ ŋ b ˈæ t ɚ d l ˈɛ t ɚ z ,

LJ001-0051

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0051.wav

and paying great attention to the "press work" or actual process of printing,

ˈæ n d p ˈeɪ ɪ ŋ ɡ ɹ ˈeɪ t ə t ˈɛ n ʃ ə n t ə ð ə p ɹ ˈɛ s w ˈɚ k ˈɔ ɹ ˈæ k t͡ʃ u ə l p ɹ ˈɑ s ˌɛ s ə v p ɹ ˈɪ n t ɪ ŋ ,

LJ001-0052

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0052.wav

yet their type is artistically on a much lower level than Jenson's, and in fact

j ˈɛ t ð ˈɛ ɹ t ˈaɪ p ˈɪ z ɑ ɹ t ˈɪ s t ɪ k l i ˈɔ n ə m ˈʌ t͡ʃ l ˈoʊ ɚ l ˈɛ v ə l ð ə n d͡ʒ ˈɛ n s ə n z , ˈæ n d ˈɪ n f ˈæ k t

LJ001-0053

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0053.wav

they must be considered to have ended the age of fine printing in Italy.

ð ˈeɪ m ˈʌ s t b ˈi k ə n s ˈɪ d ɚ d t ə h ˈæ v ˈɛ n d ɪ d ð ə ˈeɪ d͡ʒ ə v f ˈaɪ n p ɹ ˈɪ n t ɪ ŋ ˈɪ n ˈɪ t ə l i .

LJ001-0054

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0054.wav

Jenson, however, had many contemporaries who used beautiful type,

d͡ʒ ˈɛ n s ə n , h ˌaʊ ˈɛ v ɚ , h ˈæ d m ˈɛ n i k ə n t ˈɛ m p ɚ ˌɛ ɹ i z h ˈu j ˈu s t b j ˈu t ɪ f ə l t ˈaɪ p ,

LJ001-0055

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0055.wav

some of which -- as, e.g., that of Jacobus Rubeus or Jacques le Rouge -- is scarcely distinguishable from his.

s ˈʌ m ə v w ˈɪ t͡ʃ ˈæ z , ˈi d͡ʒ ˈi , ð ˈæ t ə v d͡ʒ ə k ˈoʊ b ə s ɹ ˈu b s ˈɔ ɹ ʒ ˈɑ k l ə ɹ ˈu ʒ ˈɪ z s k ˈɛ ɹ s l i d ɪ s t ˈɪ ŋ ɡ w ɪ ʃ ə b ə l f ɹ ˈʌ m h ˈɪ z .

LJ001-0056

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0056.wav

It was these great Venetian printers, together with their brethren of Rome, Milan,

ˈɪ t w ə z ð ˈi z ɡ ɹ ˈeɪ t v ə n ˈi ʃ ə n p ɹ ˈɪ n t ɚ z , t ə ɡ ˈɛ ð ɚ w ˈɪ θ ð ˈɛ ɹ b ɹ ˈɛ ð ɹ ə n ə v ɹ ˈoʊ m , m ɪ l ˈɑ n ,

LJ001-0057

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0057.wav

Parma, and one or two other cities, who produced the splendid editions of the Classics, which are one of the great glories of the printer's art,

p ˈɑ ɹ m ə , ˈæ n d w ˈʌ n ˈɔ ɹ t ˈu ˈʌ ð ɚ s ˈɪ t i z , h ˈu p ɹ ə d ˈu s t ð ə s p l ˈɛ n d ɪ d ɪ d ˈɪ ʃ ə n z ə v ð ə k l ˈæ s ɪ k s , w ˈɪ t͡ʃ ˈɑ ɹ w ˈʌ n ə v ð ə ɡ ɹ ˈeɪ t ɡ l ˈɔ ɹ i z ə v ð ə p ɹ ˈɪ n t ɚ z ˈɑ ɹ t ,

LJ001-0058

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0058.wav

and are worthy representatives of the eager enthusiasm for the revived learning of that epoch. By far,

ˈæ n d ˈɑ ɹ w ˈɚ ð i ɹ ˌɛ p ɹ ɪ z ˈɛ n t ɪ t ɪ v z ə v ð ə ˈi ɡ ɚ ɪ n θ ˈu z i ˌæ z ə m f ɚ ð ə ɹ ɪ v ˈaɪ v d l ˈɚ n ɪ ŋ ə v ð ˈæ t ˈɛ p ə k . b ˈaɪ f ˈɑ ɹ ,

LJ001-0059

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0059.wav

the greater part of these Italian printers, it should be mentioned, were Germans or Frenchmen, working under the influence of Italian opinion and aims.

ð ə ɡ ɹ ˈeɪ t ɚ p ˈɑ ɹ t ə v ð ˈi z ɪ t ˈæ l i ə n p ɹ ˈɪ n t ɚ z , ˈɪ t ʃ ˈʊ d b ˈi m ˈɛ n ʃ ə n d , w ɚ d͡ʒ ˈɚ m ə n z ˈɔ ɹ f ɹ ˈɛ n t͡ʃ m ɛ n , w ˈɚ k ɪ ŋ ˈʌ n d ɚ ð ə ˈɪ n f l u ə n s ə v ɪ t ˈæ l i ə n ə p ˈɪ n j ə n ˈæ n d ˈeɪ m z .

LJ001-0060

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0060.wav

It must be understood that through the whole of the fifteenth and the first quarter of the sixteenth centuries

ˈɪ t m ˈʌ s t b ˈi ˌʌ n d ɚ s t ˈʊ d ð ˈæ t θ ɹ ˈu ð ə h ˈoʊ l ə v ð ə f ɪ f t ˈi n θ ˈæ n d ð ə f ˈɚ s t k w ˈɔ ɹ t ɚ ə v ð ə s ˈɪ k s t ˈi n θ s ˈɛ n t͡ʃ ɚ i z

LJ001-0061

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0061.wav

the Roman letter was used side by side with the Gothic.

ð ə ɹ ˈoʊ m ə n l ˈɛ t ɚ w ə z j ˈu s t s ˈaɪ d b ˈaɪ s ˈaɪ d w ˈɪ θ ð ə ɡ ˈɑ θ ɪ k .

LJ001-0062

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0062.wav

Even in Italy most of the theological and law books were printed in Gothic letter,

ˈi v ə n ˈɪ n ˈɪ t ə l i m ˈoʊ s t ə v ð ə θ ˌi ə l ˈɑ d͡ʒ ɪ k ə l ˈæ n d l ˈɔ b ˈʊ k s w ɚ p ɹ ˈɪ n t ɪ d ˈɪ n ɡ ˈɑ θ ɪ k l ˈɛ t ɚ ,

LJ001-0063

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0063.wav

which was generally more formally Gothic than the printing of the German workmen,

w ˈɪ t͡ʃ w ə z d͡ʒ ˈɛ n ɚ ə l i m ˈɔ ɹ f ˈɔ ɹ m ə l i ɡ ˈɑ θ ɪ k ð ə n ð ə p ɹ ˈɪ n t ɪ ŋ ə v ð ə d͡ʒ ˈɚ m ə n w ˈɚ k m ɪ n ,

LJ001-0064

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0064.wav

many of whose types, indeed, like that of the Subiaco works, are of a transitional character.

m ˈɛ n i ə v h ˈu z t ˈaɪ p s , ɪ n d ˈi d , l ˈaɪ k ð ˈæ t ə v ð ə s ˈu b i ə k oʊ w ˈɚ k s , ˈɑ ɹ ə v ə t ɹ æ n z ˈɪ ʃ ə n ə l k ˈɛ ɹ ɪ k t ɚ .

LJ001-0065

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0065.wav

This was notably the case with the early works printed at Ulm, and in a somewhat lesser degree at Augsburg.

ð ˈɪ s w ə z n ˈoʊ t ə b l i ð ə k ˈeɪ s w ˈɪ θ ð ə ˈɚ l i w ˈɚ k s p ɹ ˈɪ n t ɪ d ˈæ t ˈʌ l m , ˈæ n d ˈɪ n ə s ˈʌ m w ˈʌ t l ˈɛ s ɚ d ɪ ɡ ɹ ˈi ˈæ t ˈɔ ɡ z b ɚ ɡ .

LJ001-0066

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0066.wav

In fact Gunther Zeiner's first type (afterwards used by Schussler) is remarkably like the type of the before-mentioned Subiaco books.

ˈɪ n f ˈæ k t ɡ ˈʌ n θ ɚ z ˈaɪ n ɚ z f ˈɚ s t t ˈaɪ p ˈæ f t ɚ w ɚ d z j ˈu s t b ˈaɪ ʃ ˈʌ s l ɚ ˈɪ z ɹ ɪ m ˈɑ ɹ k ə b l i l ˈaɪ k ð ə t ˈaɪ p ə v ð ə b ɪ f ˈɔ ɹ m ˈɛ n ʃ ə n d s ˈu b i ə k oʊ b ˈʊ k s .

LJ001-0067

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0067.wav

In the Low Countries and Cologne, which were very fertile of printed books, Gothic was the favorite.

ˈɪ n ð ə l ˈoʊ k ˈʌ n t ɹ i z ˈæ n d k ə l ˈoʊ n , w ˈɪ t͡ʃ w ɚ v ˈɛ ɹ i f ˈɚ t ə l ə v p ɹ ˈɪ n t ɪ d b ˈʊ k s , ɡ ˈɑ θ ɪ k w ə z ð ə f ˈeɪ v ɚ ɪ t .

LJ001-0068

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0068.wav

The characteristic Dutch type, as represented by the excellent printer Gerard Leew, is very pronounced and uncompromising Gothic.

ð ə k ˌɛ ɹ ɪ k t ɚ ˈɪ s t ɪ k d ˈʌ t͡ʃ t ˈaɪ p , ˈæ z ɹ ˌɛ p ɹ ɪ z ˈɛ n t ɪ d b ˈaɪ ð ə ˈɛ k s ə l ə n t p ɹ ˈɪ n t ɚ d͡ʒ ɚ ˈɑ ɹ d l ˈi , ˈɪ z v ˈɛ ɹ i p ɹ ə n ˈaʊ n s t ˈæ n d ʌ ŋ k ˈɑ m p ɹ ə m aɪ z ɪ ŋ ɡ ˈɑ θ ɪ k .

LJ001-0069

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0069.wav

This type was introduced into England by Wynkyn de Worde, Caxton's successor,

ð ˈɪ s t ˈaɪ p w ə z ˌɪ n t ɹ oʊ d ˈu s t ˈɪ n t u ˈɪ ŋ ɡ l ə n d b ˈaɪ w ˈɪ ŋ k i n d ə w ˈɔ ɹ d , k ˈæ k s t ə n z s ə k s ˈɛ s ɚ ,

LJ001-0070

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0070.wav

and was used there with very little variation all through the sixteenth and seventeenth centuries, and indeed into the eighteenth.

ˈæ n d w ə z j ˈu s t ð ˈɛ ɹ w ˈɪ θ v ˈɛ ɹ i l ˈɪ t ə l v ˌɛ ɹ i ˈeɪ ʃ ə n ˈɔ l θ ɹ ˈu ð ə s ˈɪ k s t ˈi n θ ˈæ n d s ˈɛ v ə n t ˈi n θ s ˈɛ n t͡ʃ ɚ i z , ˈæ n d ɪ n d ˈi d ˈɪ n t u ð ə eɪ t ˈi n θ .

LJ001-0071

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0071.wav

Most of Caxton's own types are of an earlier character, though they also much resemble Flemish or Cologne letter.

m ˈoʊ s t ə v k ˈæ k s t ə n z ˈoʊ n t ˈaɪ p s ˈɑ ɹ ə v ə n ˈɚ l i ɚ k ˈɛ ɹ ɪ k t ɚ , ð ˈoʊ ð ˈeɪ ˈɔ l s oʊ m ˈʌ t͡ʃ ɹ ɪ z ˈɛ m b ə l f l ˈɛ m ɪ ʃ ˈɔ ɹ k ə l ˈoʊ n l ˈɛ t ɚ .

LJ001-0072

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0072.wav

After the end of the fifteenth century the degradation of printing, especially in Germany and Italy,

ˈæ f t ɚ ð ə ˈɛ n d ə v ð ə f ɪ f t ˈi n θ s ˈɛ n t͡ʃ ɚ i ð ə d ˌɛ ɡ ɹ ə d ˈeɪ ʃ ə n ə v p ɹ ˈɪ n t ɪ ŋ , ɪ s p ˈɛ ʃ l i ˈɪ n d͡ʒ ˈɚ m ə n i ˈæ n d ˈɪ t ə l i ,

LJ001-0073

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0073.wav

went on apace; and by the end of the sixteenth century there was no really beautiful printing done:

w ˈɛ n t ˈɔ n ə p ˈeɪ s ; ˈæ n d b ˈaɪ ð ə ˈɛ n d ə v ð ə s ˈɪ k s t ˈi n θ s ˈɛ n t͡ʃ ɚ i ð ˈɛ ɹ w ə z n ˈoʊ ɹ ˈɪ l i b j ˈu t ɪ f ə l p ɹ ˈɪ n t ɪ ŋ d ˈʌ n :

LJ001-0074

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0074.wav

the best, mostly French or Low-Country, was neat and clear, but without any distinction;

ð ə b ˈɛ s t , m ˈoʊ s t l i f ɹ ˈɛ n t͡ʃ ˈɔ ɹ l ˈoʊ k ˈʌ n t ɹ i , w ə z n ˈi t ˈæ n d k l ˈɪ ɹ , b ˈʌ t w ɪ ð ˈaʊ t ˈɛ n i d ɪ s t ˈɪ ŋ k ʃ ə n ;

LJ001-0075

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0075.wav

the worst, which perhaps was the English, was a terrible falling-off from the work of the earlier presses;

ð ə w ˈɚ s t , w ˈɪ t͡ʃ p ɚ h ˈæ p s w ə z ð ə ˈɪ ŋ ɡ l ɪ ʃ , w ə z ə t ˈɛ ɹ ɪ b ə l f ˈɔ l ɪ ŋ ˈɔ f f ɹ ˈʌ m ð ə w ˈɚ k ə v ð ə ˈɚ l i ɚ p ɹ ˈɛ s ɪ z ;

LJ001-0076

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0076.wav

and things got worse and worse through the whole of the seventeenth century, so that in the eighteenth printing was very miserably performed.

ˈæ n d θ ˈɪ ŋ z ɡ ˈɑ t w ˈɚ s ˈæ n d w ˈɚ s θ ɹ ˈu ð ə h ˈoʊ l ə v ð ə s ˈɛ v ə n t ˈi n θ s ˈɛ n t͡ʃ ɚ i , s ˈoʊ ð ˈæ t ˈɪ n ð ə eɪ t ˈi n θ p ɹ ˈɪ n t ɪ ŋ w ə z v ˈɛ ɹ i m ˈɪ z ɚ ə b l i p ɚ f ˈɔ ɹ m d .

LJ001-0077

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0077.wav

In England about this time, an attempt was made (notably by Caslon, who started business in London as a type-founder in 1720)

In England about this time, an attempt was made (notably by Caslon, who started business in London as a type-founder in seventeen twenty)

ˈɪ n ˈɪ ŋ ɡ l ə n d ə b ˈaʊ t ð ˈɪ s t ˈaɪ m , ə n ə t ˈɛ m p t w ə z m ˈeɪ d n ˈoʊ t ə b l i b ˈaɪ k ˈæ s l ə n , h ˈu s t ˈɑ ɹ t ɪ d b ˈɪ z n ɪ s ˈɪ n l ˈʌ n d ə n ˈæ z ə t ˈaɪ p f ˈaʊ n d ɚ ˈɪ n s ˈɛ v ə n t ˈi n t w ˈɛ n t i

LJ001-0078

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0078.wav

to improve the letter in form.

t ə ɪ m p ɹ ˈu v ð ə l ˈɛ t ɚ ˈɪ n f ˈɔ ɹ m .

LJ001-0079

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0079.wav

Caslon's type is clear and neat, and fairly well designed;

k ˈæ s l ə n z t ˈaɪ p ˈɪ z k l ˈɪ ɹ ˈæ n d n ˈi t , ˈæ n d f ˈɛ ɹ l i w ˈɛ l d ɪ z ˈaɪ n d ;

LJ001-0080

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0080.wav

he seems to have taken the letter of the Elzevirs of the seventeenth century for his model:

h ˈi s ˈi m z t ə h ˈæ v t ˈeɪ k ə n ð ə l ˈɛ t ɚ ə v ð ə ˈɛ l z ɪ v ˈɚ z ə v ð ə s ˈɛ v ə n t ˈi n θ s ˈɛ n t͡ʃ ɚ i f ɚ h ˈɪ z m ˈɑ d ə l :

LJ001-0081

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0081.wav

type cast from his matrices is still in everyday use.

t ˈaɪ p k ˈæ s t f ɹ ˈʌ m h ˈɪ z m ˈeɪ t ɹ ɪ s ˌi z ˈɪ z s t ˈɪ l ˈɪ n ˈɛ v ɹ i d ˈeɪ j ˈu s .

LJ001-0082

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0082.wav

In spite, however, of his praiseworthy efforts, printing had still one last degradation to undergo.

ˈɪ n s p ˈaɪ t , h ˌaʊ ˈɛ v ɚ , ə v h ˈɪ z p ɹ ˈeɪ z w ˌɚ ð i ˈɛ f ɚ t s , p ɹ ˈɪ n t ɪ ŋ h ˈæ d s t ˈɪ l w ˈʌ n l ˈæ s t d ˌɛ ɡ ɹ ə d ˈeɪ ʃ ə n t ə ˌʌ n d ɚ ɡ ˈoʊ .

LJ001-0083

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0083.wav

The seventeenth century founts were bad rather negatively than positively.

ð ə s ˈɛ v ə n t ˈi n θ s ˈɛ n t͡ʃ ɚ i f ˈaʊ n t s w ɚ b ˈæ d ɹ ˈæ ð ɚ n ˈɛ ɡ ɪ t ɪ v l i ð ə n p ˈɑ z ɪ t ɪ v l i .

LJ001-0084

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0084.wav

But for the beauty of the earlier work they might have seemed tolerable.

b ˈʌ t f ɚ ð ə b j ˈu t i ə v ð ə ˈɚ l i ɚ w ˈɚ k ð ˈeɪ m ˈaɪ t h ˈæ v s ˈi m d t ˈɑ l ɚ ə b ə l .

LJ001-0085

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0085.wav

It was reserved for the founders of the later eighteenth century to produce letters which are positively ugly, and which, it may be added,

ˈɪ t w ə z ɹ ɪ z ˈɚ v d f ɚ ð ə f ˈaʊ n d ɚ z ə v ð ə l ˈeɪ t ɚ eɪ t ˈi n θ s ˈɛ n t͡ʃ ɚ i t ə p ɹ ə d ˈu s l ˈɛ t ɚ z w ˈɪ t͡ʃ ˈɑ ɹ p ˈɑ z ɪ t ɪ v l i ˈʌ ɡ l i , ˈæ n d w ˈɪ t͡ʃ , ˈɪ t m ˈeɪ b ˈi ˈæ d ɪ d ,

LJ001-0086

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0086.wav

are dazzling and unpleasant to the eye owing to the clumsy thickening and vulgar thinning of the lines:

ˈɑ ɹ d ˈæ z l ɪ ŋ ˈæ n d ʌ n p l ˈɛ z ə n t t ə ð ə ˈaɪ ˈoʊ ɪ ŋ t ə ð ə k l ˈʌ m z i θ ˈɪ k ə n ɪ ŋ ˈæ n d v ˈʌ l ɡ ɚ θ ˈɪ n ɪ ŋ ə v ð ə l ˈaɪ n z :

LJ001-0087

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0087.wav

for the seventeenth-century letters are at least pure and simple in line. The Italian, Bodoni, and the Frenchman, Didot,

f ɚ ð ə s ˈɛ v ə n t ˈi n θ s ˈɛ n t͡ʃ ɚ i l ˈɛ t ɚ z ˈɑ ɹ ˈæ t l ˈi s t p j ˈʊ ɹ ˈæ n d s ˈɪ m p ə l ˈɪ n l ˈaɪ n . ð ə ɪ t ˈæ l i ə n , b ˈoʊ d ə n i , ˈæ n d ð ə f ɹ ˈɛ n t͡ʃ m æ n , d ɪ d ə t ,

LJ001-0088

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0088.wav

were the leaders in this luckless change, though our own Baskerville, who was at work some years before them, went much on the same lines;

w ɚ ð ə l ˈi d ɚ z ˈɪ n ð ˈɪ s l ˈʌ k l ə s t͡ʃ ˈeɪ n d͡ʒ , ð ˈoʊ ˈaʊ ɚ ˈoʊ n b ˈæ s k ɚ v ˌɪ l , h ˈu w ə z ˈæ t w ˈɚ k s ˈʌ m j ˈɪ ɹ z b ɪ f ˈɔ ɹ ð ˈɛ m , w ˈɛ n t m ˈʌ t͡ʃ ˈɔ n ð ə s ˈeɪ m l ˈaɪ n z ;

LJ001-0089

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0089.wav

but his letters, though uninteresting and poor, are not nearly so gross and vulgar as those of either the Italian or the Frenchman.

b ˈʌ t h ˈɪ z l ˈɛ t ɚ z , ð ˈoʊ ʌ n ˈɪ n t ɹ ə s t ɪ ŋ ˈæ n d p ˈʊ ɹ , ˈɑ ɹ n ˈɑ t n ˈɪ ɹ l i s ˈoʊ ɡ ɹ ˈoʊ s ˈæ n d v ˈʌ l ɡ ɚ ˈæ z ð ˈoʊ z ə v ˈi ð ɚ ð ə ɪ t ˈæ l i ə n ˈɔ ɹ ð ə f ɹ ˈɛ n t͡ʃ m æ n .

LJ001-0090

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0090.wav

With this change the art of printing touched bottom,

w ˈɪ θ ð ˈɪ s t͡ʃ ˈeɪ n d͡ʒ ð ə ˈɑ ɹ t ə v p ɹ ˈɪ n t ɪ ŋ t ˈʌ t͡ʃ t b ˈɑ t ə m ,

LJ001-0091

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0091.wav

so far as fine printing is concerned, though paper did not get to its worst till about 1840.

so far as fine printing is concerned, though paper did not get to its worst till about eighteen forty.

s ˈoʊ f ˈɑ ɹ ˈæ z f ˈaɪ n p ɹ ˈɪ n t ɪ ŋ ˈɪ z k ə n s ˈɚ n d , ð ˈoʊ p ˈeɪ p ɚ d ˈɪ d n ˈɑ t ɡ ˈɛ t t ə ˈɪ t s w ˈɚ s t t ˈɪ l ə b ˈaʊ t eɪ t ˈi n f ˈɔ ɹ t i .

LJ001-0092

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0092.wav

The Chiswick press in 1844 revived Caslon's founts, printing for Messrs. Longman the Diary of Lady Willoughby.

The Chiswick press in eighteen forty-four revived Caslon's founts, printing for Messrs. Longman the Diary of Lady Willoughby.

ð ə t͡ʃ ˈɪ z w ɪ k p ɹ ˈɛ s ˈɪ n eɪ t ˈi n f ˈɔ ɹ t i f ˈɔ ɹ ɹ ɪ v ˈaɪ v d k ˈæ s l ə n z f ˈaʊ n t s , p ɹ ˈɪ n t ɪ ŋ f ɚ m ˈɛ s ɚ z . l ˈɔ ŋ m ə n ð ə d ˈaɪ ɚ i ə v l ˈeɪ d i w ˈɪ l ə b i .

LJ001-0093

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0093.wav

This experiment was so far successful that about 1850 Messrs. Miller and Richard of Edinburgh

This experiment was so far successful that about eighteen fifty Messrs. Miller and Richard of Edinburgh

ð ˈɪ s ɪ k s p ˈɛ ɹ ɪ m ə n t w ə z s ˈoʊ f ˈɑ ɹ s ə k s ˈɛ s f ə l ð ˈæ t ə b ˈaʊ t eɪ t ˈi n f ˈɪ f t i m ˈɛ s ɚ z . m ˈɪ l ɚ ˈæ n d ɹ ˈɪ t͡ʃ ɚ d ə v ˈɛ d ə n b ɚ oʊ

LJ001-0094

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0094.wav

were induced to cut punches for a series of "old style" letters.

w ɚ ɪ n d ˈu s t t ə k ˈʌ t p ˈʌ n t͡ʃ ɪ z f ɚ ə s ˈɪ ɹ i z ə v ˈoʊ l d s t ˈaɪ l l ˈɛ t ɚ z .

LJ001-0095

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0095.wav

These and similar founts, cast by the above firm and others,

ð ˈi z ˈæ n d s ˈɪ m ɪ l ɚ f ˈaʊ n t s , k ˈæ s t b ˈaɪ ð ə ə b ˈʌ v f ˈɚ m ˈæ n d ˈʌ ð ɚ z ,

LJ001-0096

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0096.wav

have now come into general use and are obviously a great improvement on the ordinary "modern style" in use in England, which is in fact the Bodoni type

h ˈæ v n ˈaʊ k ˈʌ m ˈɪ n t u d͡ʒ ˈɛ n ɚ ə l j ˈu s ˈæ n d ˈɑ ɹ ˈɑ b v i ə s l i ə ɡ ɹ ˈeɪ t ɪ m p ɹ ˈu v m ə n t ˈɔ n ð ə ˈɔ ɹ d ɪ n ˌɛ ɹ i m ˈɑ d ɚ n s t ˈaɪ l ˈɪ n j ˈu s ˈɪ n ˈɪ ŋ ɡ l ə n d , w ˈɪ t͡ʃ ˈɪ z ˈɪ n f ˈæ k t ð ə b ˈoʊ d ə n i t ˈaɪ p

LJ001-0097

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0097.wav

a little reduced in ugliness. The design of the letters of this modern "old style" leaves a good deal to be desired,

ə l ˈɪ t ə l ɹ ɪ d ˈu s t ˈɪ n ˈʌ ɡ l i n ə s . ð ə d ɪ z ˈaɪ n ə v ð ə l ˈɛ t ɚ z ə v ð ˈɪ s m ˈɑ d ɚ n ˈoʊ l d s t ˈaɪ l l ˈi v z ə ɡ ˈʊ d d ˈi l t ə b ˈi d ɪ z ˈaɪ ɚ d ,

LJ001-0098

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0098.wav

and the whole effect is a little too gray, owing to the thinness of the letters.

ˈæ n d ð ə h ˈoʊ l ɪ f ˈɛ k t ˈɪ z ə l ˈɪ t ə l t ˈu ɡ ɹ ˈeɪ , ˈoʊ ɪ ŋ t ə ð ə θ ˈɪ n n ə s ə v ð ə l ˈɛ t ɚ z .

LJ001-0099

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0099.wav

It must be remembered, however, that most modern printing is done by machinery on soft paper, and not by the hand press,

ˈɪ t m ˈʌ s t b ˈi ɹ ɪ m ˈɛ m b ɚ d , h ˌaʊ ˈɛ v ɚ , ð ˈæ t m ˈoʊ s t m ˈɑ d ɚ n p ɹ ˈɪ n t ɪ ŋ ˈɪ z d ˈʌ n b ˈaɪ m ə ʃ ˈi n ɚ i ˈɔ n s ˈɔ f t p ˈeɪ p ɚ , ˈæ n d n ˈɑ t b ˈaɪ ð ə h ˈæ n d p ɹ ˈɛ s ,

LJ001-0100

/home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0100.wav

and these somewhat wiry letters are suitable for the machine process, which would not do justice to letters of more generous design.

ˈæ n d ð ˈi z s ˈʌ m w ˈʌ t w ˈɪ ɹ i l ˈɛ t ɚ z ˈɑ ɹ s ˈu t ə b ə l f ɚ ð ə m ə ʃ ˈi n p ɹ ˈɑ s ˌɛ s , w ˈɪ t͡ʃ w ˈʊ d n ˈɑ t d ˈu d͡ʒ ˈʌ s t ɪ s t ə l ˈɛ t ɚ z ə v m ˈɔ ɹ d͡ʒ ˈɛ n ɚ ə s d ɪ z ˈaɪ n .

Datasets:

bookbot
/

ljspeech_phonemes

Dataset Card for "ljspeech_phonemes"

Models trained or fine-tuned on bookbot/ljspeech_phonemes

bookbot/wav2vec2-ljspeech-gruut

ct-vikramanantha/phoneme-scorer-v2-wav2vec2