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a stirring , funny and finally transporting re-imagining of beauty and the beast and 1930s horror films
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the entire movie is filled with deja vu moments .
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um , no. .
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béart and berling are both superb , while huppert ... is magnificent .
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this is a stunning film , a one-of-a-kind tour de force .
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as quiet , patient and tenacious as mr. lopez himself , who approaches his difficult , endless work with remarkable serenity and discipline .
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final verdict : you 've seen it all before .
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a slick , engrossing melodrama .
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eccentric enough to stave off doldrums , caruso 's self-conscious debut is also eminently forgettable .
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one of -lrb- jaglom 's -rrb- better efforts -- a wry and sometime bitter movie about love .
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lacks the inspiration of the original and has a bloated plot that stretches the running time about 10 minutes past a child 's interest and an adult 's patience .
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the film is moody , oozing , chilling and heart-warming all at once ... a twisting , unpredictable , cat-and-mouse thriller .
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a strong first act and absolutely , inescapably gorgeous , skyscraper-trapeze motion of the amazing spider-man .
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you end up simply admiring this bit or that , this performance or that .
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analyze that regurgitates and waters down many of the previous film 's successes , with a few new swings thrown in .
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there 's a neat twist , subtly rendered , that could have wrapped things up at 80 minutes , but kang tacks on three or four more endings .
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what with the incessant lounge music playing in the film 's background , you may mistake love liza for an adam sandler chanukah song .
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you might say tykwer has done all that heaven allows , if you wanted to make as anti-kieslowski a pun as possible .
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many shallower movies these days seem too long , but this one is egregiously short .
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a portrait of an artist .
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once again , the intelligence of gay audiences has been grossly underestimated , and a meaty plot and well-developed characters have been sacrificed for skin and flash that barely fizzle .
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with a confrontational stance , todd solondz takes aim on political correctness and suburban families .
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many of the effective horror elements are dampened through familiarity , -lrb- yet -rrb- are worthwhile .
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overall , cletis tout is a winning comedy that excites the imagination and tickles the funny bone .
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here polanski looks back on those places he saw at childhood , and captures them by freeing them from artefact , and by showing them heartbreakingly drably .
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unfolds with such a wallop of you-are-there immediacy that when the bullets start to fly , your first instinct is to duck .
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and it 's a lousy one at that .
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compellingly watchable .
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he may have meant the internet short saving ryan 's privates .
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not only does spider-man deliver , but i suspect it might deliver again and again .
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it 's worth taking the kids to .
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the movie plays up the cartoon 's more obvious strength of snazziness while neglecting its less conspicuous writing strength .
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without shakespeare 's eloquent language , the update is dreary and sluggish .
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... feels as if -lrb- there 's -rrb- a choke leash around your neck so director nick cassavetes can give it a good , hard yank whenever he wants you to feel something .
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a perfectly acceptable , perfectly bland , competently acted but by no means scary horror movie .
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methodical , measured , and gently tedious in its comedy , secret ballot is a purposefully reductive movie -- which may be why it 's so successful at lodging itself in the brain .
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this is amusing for about three minutes .
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superbly photographed and staged by mendes with a series of riveting set pieces the likes of which mainstream audiences have rarely seen .
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admirers of director abel ferrara may be relieved that his latest feature , r xmas , marks a modest if encouraging return to form .
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an ugly-duckling tale so hideously and clumsily told it feels accidental .
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becomes a bit of a mishmash : a tearjerker that does n't and a thriller that wo n't .
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at its worst , the movie is pretty diverting ; the pity is that it rarely achieves its best .
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could i have been more geeked when i heard that apollo 13 was going to be released in imax format ?
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cho 's timing is priceless .
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what elevates the movie above the run-of-the-mill singles blender is its surreal sense of humor and technological finish .
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greengrass -lrb- working from don mullan 's script -rrb- forgoes the larger socio-political picture of the situation in northern ireland in favour of an approach that throws one in the pulsating thick of a truly frightening situation .
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nicholson 's understated performance is wonderful .
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jackson tries to keep the plates spinning as best he can , but all the bouncing back and forth ca n't help but become a bit tedious -- even with the breathtaking landscapes and villainous varmints there to distract you from the ricocheting .
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nolan proves that he can cross swords with the best of them and helm a more traditionally plotted popcorn thriller while surrendering little of his intellectual rigor or creative composure .
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isabelle huppert excels as the enigmatic mika and anna mouglalis is a stunning new young talent in one of chabrol 's most intense psychological mysteries .
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but ` why ? '
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perhaps the best sports movie i 've ever seen .
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this pathetic junk is barely an hour long .
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this is a gorgeous film - vivid with color , music and life .
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igby goes down is one of those movies .
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a bit too derivative to stand on its own as the psychological thriller it purports to be .
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but the nerve-raked acting , the crackle of lines , the impressive stagings of hardware , make for some robust and scary entertainment .
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a witty , trenchant , wildly unsentimental but flawed look at the ins and outs of modern moviemaking .
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the name says it all .
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it 's been 20 years since 48 hrs .
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uplifting as only a document of the worst possibilities of mankind can be , and among the best films of the year .
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the irwins ' scenes are fascinating ; the movie as a whole is cheap junk and an insult to their death-defying efforts .
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it 's a frightful vanity film that , no doubt , pays off what debt miramax felt they owed to benigni .
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funny , though .
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unofficially , national lampoon 's van wilder is son of animal house .
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it never is , not fully .
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it 's just a little too self-satisfied .
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i 've never seen -lrb- a remake -rrb- do anything as stomach-turning as the way adam sandler 's new movie rapes , pillages and incinerates frank capra 's classic ...
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post 9\/11 the philosophical message of `` personal freedom first '' might not be as palatable as intended .
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mr. deeds is , as comedy goes , very silly -- and in the best way .
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my little eye is the best little `` horror '' movie i 've seen in years .
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the plot plummets into a comedy graveyard before janice comes racing to the rescue in the final reel .
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the master of disguise is awful .
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it 's an actor 's showcase that accomplishes its primary goal without the use of special effects , but rather by emphasizing the characters -- including the supporting ones .
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same song , second verse , coulda been better , but it coulda been worse .
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the film is one of the year 's best .
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that the chuck norris `` grenade gag '' occurs about 7 times during windtalkers is a good indication of how serious-minded the film is .
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frida is certainly no disaster , but neither is it the kahlo movie frida fans have been looking for .
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one of the year 's most weirdly engaging and unpredictable character pieces .
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the three leads produce adequate performances , but what 's missing from this material is any depth of feeling .
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the most surprising thing about this film is that they are actually releasing it into theaters .
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warmed-over hash .
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no , i hate it .
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the film is like sitting in a downtown café , overhearing a bunch of typical late-twenty-somethings natter on about nothing , and desperately wishing you could change tables .
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a rollicking ride , with jaw-dropping action sequences , striking villains , a gorgeous color palette , astounding technology , stirring music and a boffo last hour that leads up to a strangely sinister happy ending .
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an hour and a half of joyful solo performance .
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a triumph , a film that hews out a world and carries us effortlessly from darkness to light .
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kinnear 's performance is a career-defining revelation .
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if you 're over 25 , have an iq over 90 , and have a driver 's license , you should be able to find better entertainment .
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for devotees of french cinema , safe conduct is so rich with period minutiae it 's like dying and going to celluloid heaven .
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really dumb but occasionally really funny .
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... a plotline that 's as lumpy as two-day old porridge ... the filmmakers ' paws , sad to say , were all over this `` un-bear-able '' project !
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largely , this is a movie that also does it by the numbers .
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lots of effort and intelligence are on display but in execution it is all awkward , static , and lifeless rumblings .
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every moment crackles with tension , and by the end of the flick , you 're on the edge of your seat .
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the imax screen enhances the personal touch of manual animation .
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as pedestrian as they come .
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sunk by way too much indulgence of scene-chewing , teeth-gnashing actorliness .
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that 's fun for kids of any age .
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raimi and his team could n't have done any better in bringing the story of spider-man to the big screen .
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