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James Stephens | Grafton Street (The Rocky Road To Dublin) | At four o'clock, in dainty talk,
Lords and lovely ladies walk,
With a gentle dignity,
From the Green to Trinity.
And at five o'clock they take,
In a Caf', tea and cake,
Then they call a carriage, and
Drive back into fairyland.
| At four o'clock, in dainty talk,
Lords and lovely ladies walk, | With a gentle dignity,
From the Green to Trinity.
And at five o'clock they take,
In a Caf', tea and cake,
Then they call a carriage, and
Drive back into fairyland. | octave |
George MacDonald | Translations. - Hymns To The Night. (From Novalis.) | I.
Before all the wondrous shows of the widespread space around him, what living, sentient thing loves not the all-joyous light, with its colours, its rays and undulations, its gentle omnipresence in the form of the wakening Day? The giant world of the unresting constellations inhales it as the innermost soul of life, and floats dancing in its azure flood; the sparkling, ever-tranquil stone, the thoughtful, imbibing plant, and the wild, burning, multiform beast-world inhales it; but more than all, the lordly stranger with the meaning eyes, the swaying walk, and the sweetly closed, melodious lips. Like a king over earthly nature, it rouses every force to countless transformations, binds and unbinds innumerable alliances, hangs its heavenly form around every earthly substance. Its presence alone reveals the marvellous splendour of the kingdoms of the world.
Aside I turn to the holy, unspeakable, mysterious Night. Afar lies the world, sunk in a deep grave; waste and lonely is its place. In the chords of the bosom blows a deep sadness. I am ready to sink away in drops of dew, and mingle with the ashes.--The distances of memory, the wishes of youth, the dreams of childhood, the brief joys and vain hopes of a whole long life, arise in gray garments, like an evening vapour after the sunset. In other regions the light has pitched its joyous tents: what if it should never return to its children, who wait for it with the faith of innocence?
What springs up all at once so sweetly boding in my heart, and stills the soft air of sadness? Dost thou also take a pleasure in us, dusky Night? What holdest thou under thy mantle, that with hidden power affects my soul? Precious balm drips from thy hand out of its bundle of poppies. Thou upliftest the heavy-laden pinions of the soul. Darkly and inexpressibly are we moved: joy-startled, I see a grave countenance that, tender and worshipful, inclines toward me, and, amid manifold entangled locks, reveals the youthful loveliness of the Mother. How poor and childish a thing seems to me now the light! how joyous and welcome the departure of the day!--Didst thou not only therefore, because the Night turns away from thee thy servants, strew in the gulfs of space those flashing globes, to proclaim, in seasons of thy absence, thy omnipotence, and thy return?
More heavenly than those glittering stars we hold the eternal eyes which the Night hath opened within us. Farther they see than the palest of those countless hosts. Needing no aid from the light, they penetrate the depths of a loving soul that fills a loftier region with bliss ineffable. Glory to the queen of the world, to the great prophetess of holier worlds, to the foster-mother of blissful love! she sends thee to me, thou tenderly beloved, the gracious sun of the Night. Now am I awake, for now am I thine and mine. Thou hast made me know the Night, and brought her to me to be my life; thou hast made of me a man. Consume my body with the ardour of my soul, that I, turned to finer air, may mingle more closely with thee, and then our bridal night endure for ever.
II.
Must the morning always return? Will the despotism of the earthly never cease? Unholy activity consumes the angel-visit of the Night. Will the time never come when Love's hidden sacrifice shall burn eternally? To the Light a season was set; but everlasting and boundless is the dominion of the Night. Endless is the duration of sleep. Holy Sleep, gladden not too seldom in this earthly day-labour, the devoted servant of the Night. Fools alone mistake thee, knowing nought of sleep but the shadow which, in the gloaming of the real night, thou pitifully castest over us. They feel thee not in the golden flood of the grapes, in the magic oil of the almond tree, and the brown juice of the poppy. They know not that it is thou who hauntest the bosom of the tender maiden, and makest a heaven of her lap; never suspect it is thou, the portress of heaven, that steppest to meet them out of ancient stories, bearing the key to the dwellings of the blessed, silent messenger of secrets infinite.
III.
Once when I was shedding bitter tears, when, dissolved in pain, my hope was melting away, and I stood alone by the barren hillock which in its narrow dark bosom hid the vanished form of my Life, lonely as never yet was lonely man, driven by anguish unspeakable, powerless, and no longer aught but a conscious misery;--as there I looked about me for help, unable to go on or to turn back, and clung to the fleeting, extinguished life with an endless longing: then, out of the blue distances, from the hills of my ancient bliss, came a shiver of twilight, and at once snapped the bond of birth, the fetter of the Light. Away fled the glory of the world, and with it my mourning; the sadness flowed together into a new, unfathomable world. Thou, soul of the Night, heavenly Slumber, didst come upon me; the region gently upheaved itself, and over it hovered my unbound, new-born spirit. The hillock became a cloud of dust, and through the cloud I saw the glorified face of my beloved. In her eyes eternity reposed. I laid hold of her hands, and the tears became a sparkling chain that could not be broken. Into the distance swept by, like a tempest, thousands of years. On her neck I welcomed the new life with ecstatic tears. Never was such another dream; then first and ever since I hold fast an eternal, unchangeable faith in the heaven of the Night, and its sun, the Beloved.
IV.
Now I know when will come the last morning: when the light no more scares away the Night and Love, when sleep shall be without waking, and but one continuous dream. I feel in me a celestial exhaustion. Long and weariful was my pilgrimage to the holy grave, and crushing was the cross. The crystal wave, which, imperceptible to the ordinary sense, springs in the dark bosom of the hillock against whoose foot breaks the flood of the world, he who has tasted it, he who has stood on the mountain frontier of the world, and looked across into the new land, into the abode of the Night, verily he turns not again into the tumult of the world, into the land where dwells the Light in ceaseless unrest.
On those heights he builds for himself tabernacles--tabernacles of peace; there longs and loves and gazes across, until the welcomest of all hours draws him down into the waters of the spring. Afloat above remains what is earthly, and is swept back in storms; but what became holy by the touch of Love, runs free through hidden ways to the region beyond, where, like odours, it mingles with love asleep. Still wakest thou, cheerful Light, the weary man to his labour, and into me pourest gladsome life; but thou wilest me not away from Memory's mossgrown monument. Gladly will I bestir the deedy hands, everywhere behold where thou hast need of me; bepraise the rich pomp of thy splendour; pursue unwearied the lovely harmonies of thy skilled handicraft; gladly contemplate the thoughtful pace of thy mighty, radiant clock; explore the balance of the forces and the laws of the wondrous play of countless worlds and their seasons; but true to the Night remains my secret heart, and to creative Love, her daughter. Canst thou show me a heart eternally true? Has thy sun friendly eyes that know me? Do thy stars lay hold of my longing hand? Do they return me the tender pressure and the caressing word? Was it thou didst bedeck them with colours and a flickering outline? Or was it she who gave to thy jewels a higher, a dearer significance? What delight, what pleasure offers thy life, to outweigh the transports of Death? Wears not everything that inspirits us the livery of the Night? Thy mother, it is she who brings thee forth, and to her thou owest all thy glory. Thou wouldst vanish into thyself, thou wouldst dissipate in boundless space, if she did not hold thee fast, if she swaddled thee not, so that thou grewest warm, and, flaming, gavest birth to the universe. Verily I was before thou wast; the mother sent me with my sisters to inhabit thy world, to sanctify it with love that it might be an ever present memorial, to plant it with flowers unfading. As yet they have not ripened, these thoughts divine; as yet is there small trace of our coming apocalypse. One day thy clock will point to the end of Time, and then thou shalt be as one of us, and shalt, full of ardent longing, be extinguished and die. I feel in me the close of thy activity, I taste heavenly freedom, and happy restoration. With wild pangs I recognize thy distance from our home, thy feud with the ancient lordly Heaven. Thy rage and thy raving are in vain. Inconsumable stands the cross, victory-flag of our race.
Over I pilgrim
Where every pain
Zest only of pleasure
Shall one day remain.
Yet a few moments
Then free am I,
And intoxicated
In Love's lap lie.
Life everlasting
Lifts, wave-like, at me:
I gaze from its summit
Down after thee.
Oh Sun, thou must vanish
Yon hillock beneath;
A shadow will bring thee
Thy cooling wreath.
Oh draw at my heart, love,
Draw till I'm gone;
That, fallen asleep, I
Still may love on!
I feel the flow of
Death's youth-giving flood;
To balsam and aether, it
Changes my blood!
I live all the daytime
In faith and in might:
In holy rapture
I die every night.
V.
In ancient times an iron Fate lorded it, with dumb force, over the widespread families of men. A gloomy oppression swathed their anxious souls: the Earth was boundless, the abode of the gods and their home. From eternal ages stood its mysterious structure. Beyond the red hills of the morning, in the sacred bosom of the sea, dwelt the sun, the all-enkindling, live luminary. An aged giant upbore the happy world. Prisoned beneath mountains lay the first-born sons of mother Earth, helpless in their destroying fury against the new, glorious race of gods, and their kindred, glad-hearted men. Ocean's dusky, green abyss was the lap of a goddess. In the crystal grottoes revelled a wanton folk. Rivers, trees, flowers, and beasts had human wits. Sweeter tasted the wine, poured out by youth impersonated; a god was in the grape-clusters; a loving, motherly goddess upgrew in the full golden sheaves; love's sacred carousal was a sweet worship of the fairest of the goddesses. Life revelled through the centuries like one spring-time, an ever-variegated festival of the children of heaven and the dwellers on the earth. All races childlike adored the ethereal, thousandfold flame, as the one sublimest thing in the world.
It was but a fancy, a horrible dream-shape--
That fearsome to the merry tables strode,
And wrapt the spirit in wild consternation.
The gods themselves here counsel knew nor showed
To fill the stifling heart with consolation.
Mysterious was the monster's pathless road,
Whoose rage would heed no prayer and no oblation;
Twas Death who broke the banquet up with fears,
With anguish, with dire pain, and bitter tears.
Eternally from all things here disparted
That sway the heart with pleasure's joyous flow,
Divided from the loved, whom, broken-hearted,
Vain longing tosses and unceasing woe--
In a dull dream to struggle, faint and thwarted,
Smeemed all was granted to the dead below!
Broke lay the merry wave of human glory
On Death's inevitable promontory.
With daring flight, aloft Thought's pinions sweep;
The horrid thing with beauty's robe men cover:
A gentle youth puts out his torch, to sleep;
Sweet comes the end, like moaning lute of lover.
Cool shadow-floods o'er melting memory creep:
So sang the song, for Misery was the mover.
Still undeciphered lay the endless Night--
The solemn symbol of a far-off Might.
The old world began to decline. The pleasure-garden of the young race withered away; up into opener regions and desolate, forsaking his childhood, struggled the growing man. The gods vanished with their retinue. Nature stood alone and lifeless. Dry Number and rigid Measure bound her with iron chains. As into dust and air the priceless blossoms of life fell away in words obscure. Gone was wonder-working Faith, and the all-transforming, all-uniting angel-comrade, the Imagination. A cold north wind blew unkindly over the torpid plain, and the wonderland first froze, then evaporated into aether. The far depths of heaven filled with flashing worlds. Into the deeper sanctuary, into the more exalted region of the mind, the soul of the world retired with all her powers, there to rule until the dawn should break of the glory universal. No longer was the Light the abode of the gods, and the heavenly token of their presence: they cast over them the veil of the Night. The Night became the mighty womb of revelations; into it the gods went back, and fell asleep, to go abroad in new and more glorious shapes over the transfigured world. Among the people which, untimely ripe, was become of all the most scornful and insolently hostile to the blessed innocence of youth, appeared the New World, in guise never seen before, in the song-favouring hut of poverty, a son of the first maid and mother, the eternal fruit of mysterious embrace. The forseeing, rich-blossoming wisdom of the East at once recognized the beginning of the new age; a star showed it the way to the lowly cradle of the king. In the name of the far-reaching future, they did him homage with lustre ond odour, the highest wonders of Nature. In solitude the heavenly heart unfolded itself to a flower-chalice of almighty love, upturned to the supreme face of the father, and resting on the bliss-boding bosom of the sweetly solemn mother. With deifying fervour the prophetic eye of the blooming child beheld the years to come, foresaw, untroubled over the earthly lot of his own days, the beloved offspring of his divine stem. Ere long the most childlike souls, by true love marvellously possessed, gathered about him. Like flowers sprang up a new strange life in his presence. Words inexhaustible and tidings the most joyful fell like sparks of a divine spirit from his friendly lips. From a far shore came a singer, born under the clear sky of Hellas, to Palestine, and gave up his whole heart to the marvellous child:--
The youth art thou who ages long hast stood
Upon our graves, lost in a maze of weening;
Sign in the darkness of God's tidings good,
Whence hints of growth humanity is gleaning;
For that we long, on that we sweetly brood
Which erst in woe had lost all life and meaning;
In everlasting life death found its goal,
For thou art Death, and thou first mak'st us whole.
Filled with joy, the singer went on to Indostan, his heart intoxicated with sweetest love, and poured it out in fiery songs under that tender sky, so that a thousand hearts bowed to him, and the good news sprang up with a thousand branches. Soon after the singer's departure, his precious life was made a sacrifice for the deep fall of man. He died in his youth, torn away from his loved world, from his weeping mother, and his trembling friends. His lovely mouth emptied the dark cup of unspeakable wrongs. In horrible anguish the birth of the new world drew near. Hard he wrestled with the terrors of old Death; heavy lay the weight of the old world upon him. Yet once more he looked kindly at his mother; then came the releasing hand of the Love eternal, and he fell asleep. Only a few days hung a deep veil over the roaring sea, over the quaking land; countless tears wept his loved ones; the mystery was unsealed: heavenely spirits heaved the ancient stone from the gloomy grave. Angels sat by the sleeper, sweetly outbodied from his dreams; awaked in new Godlike glory, he clomb the apex of the new-born world, buried with his own hand the old corpse in the forsaken cavity, and with hand almighty laid upon it the stone which no power shall again upheave.
Yet weep thy loved ones over thy grave tears of joy, tears of emotion, tears of endless thanksgiving; ever afresh, with joyous start, see thee rise again, and themselves with thee; behold thee weep with soft fervour on the blessed bosom of thy mother, walk in thoughtful communion with thy friends, uttering words plucked as from the tree of life; see thee hasten, full of longing, into thy father's arms, bearing with thee youthful Humanity, and the inexhaustible cup of the golden Future. Soon the mother hastened after thee in heavenly triumph; she was the first with thee in the new home. Since then, long ages have flowed past, and in splendour ever increasing hath bestirred itself thy new creation, and thousands have, out of pangs and tortures, followed thee, filled with faith and longing and truth, and are walking about with thee and the heavenly virgin in the kingdom of Love, minister in the temple of heavenly Death, and are for ever thine.
Uplifted is the stone,
And all mankind is risen;
We all remain thine own,
And vanished is our prison.
All troubles flee away
Before thy golden cup;
For Earth nor Life can stay
When with our Lord we sup.
To the marriage Death doth call;
No virgin holdeth back;
The lamps burn lustrous all;
Of oil there is no lack.
Would thy far feet were waking
The echoes of our street!
And that the stars were making
Signal with voices sweet!
To thee, O mother maiden,
Ten thousand hearts aspire;
In this life, sorrow-laden,
Thee only they desire;
In thee they hope for healing;
In thee expect true rest,
When thou, their safety sealing,
Shalt clasp them to thy breast.
With disappointment burning
Who made in hell their bed,
At last from this world turning
To thee have looked and fled:
Helpful thou hast appeared
To us in many a pain:
Now to thy home we're neared,
Not to go out again!
Now at no grave are weeping
Such as do love and pray;
The gift that Love is keeping
From none is taken away.
To soothe and quiet our longing
Night comes, and stills the smart;
Heaven's children round us thronging
Now watch and ward our heart.
Courage! for life is striding
To endless life along;
The Sense, in love abiding,
Grows clearer and more strong.
One day the stars, down dripping,
Shall flow in golden wine:
We, of that nectar sipping,
As living stars shall shine!
Free, from the tomb emerges
Love, to die never more;
Fulfilled, life heaves and surges
A sea without a shore!
All night! all blissful leisure!
One jubilating ode!
And the sun of all our pleasure
The countenance of God!
VI.
LONGING AFTER DEATH.
Into the bosom of the earth!
Out of the Light's dominions!
Death's pains are but the bursting forth
Of glad Departure's pinions!
Swift in the narrow little boat,
Swift to the heavenly shore we float!
Blest be the everlasting Night,
And blest the endless Slumber!
We are heated with the day too bright,
And withered up with cumber!
We're weary of that life abroad:
Come, we will now go home to God!
Why longer in this world abide?
Why love and truth here cherish?
That which is old is set aside--For
us the new may perish!
Alone he stands and sore downcast
Who loves with pious warmth the Past.
The Past where yet the human spirit
In lofty flames did rise;
Where men the Father did inherit,
His countenance recognize;
And, in simplicity made ripe,
Many grew like their archetype.
The Past wherin, still rich in bloom,
Old stems did burgeon glorious;
And children, for the world to come,
Sought pain and death victorious;
And, though both life and pleasure spake,
Yet many a heart for love did break.
The Past, where to the glow of youth
God yet himself declared;
And early death, in loving truth
The young beheld, and dared--
Anguish and torture patient bore
To prove they loved him as of yore.
With anxious yearning now we see
That Past in darkness drenched;
With this world's water never we
Shall find our hot thirst quenched:
To our old home we have to go
That blessed time again to know.
What yet doth hinder our return?
Long since repose our precious!
Their grave is of our life the bourn;
We shrink from times ungracious!
By not a hope are we decoyed:
The heart is full; the world is void!
Infinite and mysterious,
Thrills through me a sweet trembling,
As if from far there echoed thus
A sigh, our grief resembling:
The dear ones long as well as I,
And send to me their waiting sigh.
Down to the sweet bride, and away
To the beloved Jesus!
Courage! the evening shades grow gray,
Of all our griefs to ease us!
A dream will dash our chains apart,
And lay us on the Father's heart.
| I.
Before all the wondrous shows of the widespread space around him, what living, sentient thing loves not the all-joyous light, with its colours, its rays and undulations, its gentle omnipresence in the form of the wakening Day? The giant world of the unresting constellations inhales it as the innermost soul of life, and floats dancing in its azure flood; the sparkling, ever-tranquil stone, the thoughtful, imbibing plant, and the wild, burning, multiform beast-world inhales it; but more than all, the lordly stranger with the meaning eyes, the swaying walk, and the sweetly closed, melodious lips. Like a king over earthly nature, it rouses every force to countless transformations, binds and unbinds innumerable alliances, hangs its heavenly form around every earthly substance. Its presence alone reveals the marvellous splendour of the kingdoms of the world.
Aside I turn to the holy, unspeakable, mysterious Night. Afar lies the world, sunk in a deep grave; waste and lonely is its place. In the chords of the bosom blows a deep sadness. I am ready to sink away in drops of dew, and mingle with the ashes.--The distances of memory, the wishes of youth, the dreams of childhood, the brief joys and vain hopes of a whole long life, arise in gray garments, like an evening vapour after the sunset. In other regions the light has pitched its joyous tents: what if it should never return to its children, who wait for it with the faith of innocence?
What springs up all at once so sweetly boding in my heart, and stills the soft air of sadness? Dost thou also take a pleasure in us, dusky Night? What holdest thou under thy mantle, that with hidden power affects my soul? Precious balm drips from thy hand out of its bundle of poppies. Thou upliftest the heavy-laden pinions of the soul. Darkly and inexpressibly are we moved: joy-startled, I see a grave countenance that, tender and worshipful, inclines toward me, and, amid manifold entangled locks, reveals the youthful loveliness of the Mother. How poor and childish a thing seems to me now the light! how joyous and welcome the departure of the day!--Didst thou not only therefore, because the Night turns away from thee thy servants, strew in the gulfs of space those flashing globes, to proclaim, in seasons of thy absence, thy omnipotence, and thy return?
More heavenly than those glittering stars we hold the eternal eyes which the Night hath opened within us. Farther they see than the palest of those countless hosts. Needing no aid from the light, they penetrate the depths of a loving soul that fills a loftier region with bliss ineffable. Glory to the queen of the world, to the great prophetess of holier worlds, to the foster-mother of blissful love! she sends thee to me, thou tenderly beloved, the gracious sun of the Night. Now am I awake, for now am I thine and mine. Thou hast made me know the Night, and brought her to me to be my life; thou hast made of me a man. Consume my body with the ardour of my soul, that I, turned to finer air, may mingle more closely with thee, and then our bridal night endure for ever.
II.
Must the morning always return? Will the despotism of the earthly never cease? Unholy activity consumes the angel-visit of the Night. Will the time never come when Love's hidden sacrifice shall burn eternally? To the Light a season was set; but everlasting and boundless is the dominion of the Night. Endless is the duration of sleep. Holy Sleep, gladden not too seldom in this earthly day-labour, the devoted servant of the Night. Fools alone mistake thee, knowing nought of sleep but the shadow which, in the gloaming of the real night, thou pitifully castest over us. They feel thee not in the golden flood of the grapes, in the magic oil of the almond tree, and the brown juice of the poppy. They know not that it is thou who hauntest the bosom of the tender maiden, and makest a heaven of her lap; never suspect it is thou, the portress of heaven, that steppest to meet them out of ancient stories, bearing the key to the dwellings of the blessed, silent messenger of secrets infinite.
III.
Once when I was shedding bitter tears, when, dissolved in pain, my hope was melting away, and I stood alone by the barren hillock which in its narrow dark bosom hid the vanished form of my Life, lonely as never yet was lonely man, driven by anguish unspeakable, powerless, and no longer aught but a conscious misery;--as there I looked about me for help, unable to go on or to turn back, and clung to the fleeting, extinguished life with an endless longing: then, out of the blue distances, from the hills of my ancient bliss, came a shiver of twilight, and at once snapped the bond of birth, the fetter of the Light. Away fled the glory of the world, and with it my mourning; the sadness flowed together into a new, unfathomable world. Thou, soul of the Night, heavenly Slumber, didst come upon me; the region gently upheaved itself, and over it hovered my unbound, new-born spirit. The hillock became a cloud of dust, and through the cloud I saw the glorified face of my beloved. In her eyes eternity reposed. I laid hold of her hands, and the tears became a sparkling chain that could not be broken. Into the distance swept by, like a tempest, thousands of years. On her neck I welcomed the new life with ecstatic tears. Never was such another dream; then first and ever since I hold fast an eternal, unchangeable faith in the heaven of the Night, and its sun, the Beloved.
IV.
Now I know when will come the last morning: when the light no more scares away the Night and Love, when sleep shall be without waking, and but one continuous dream. I feel in me a celestial exhaustion. Long and weariful was my pilgrimage to the holy grave, and crushing was the cross. The crystal wave, which, imperceptible to the ordinary sense, springs in the dark bosom of the hillock against whoose foot breaks the flood of the world, he who has tasted it, he who has stood on the mountain frontier of the world, and looked across into the new land, into the abode of the Night, verily he turns not again into the tumult of the world, into the land where dwells the Light in ceaseless unrest.
On those heights he builds for himself tabernacles--tabernacles of peace; there longs and loves and gazes across, until the welcomest of all hours draws him down into the waters of the spring. Afloat above remains what is earthly, and is swept back in storms; but what became holy by the touch of Love, runs free through hidden ways to the region beyond, where, like odours, it mingles with love asleep. Still wakest thou, cheerful Light, the weary man to his labour, and into me pourest gladsome life; but thou wilest me not away from Memory's mossgrown monument. Gladly will I bestir the deedy hands, everywhere behold where thou hast need of me; bepraise the rich pomp of thy splendour; pursue unwearied the lovely harmonies of thy skilled handicraft; gladly contemplate the thoughtful pace of thy mighty, radiant clock; explore the balance of the forces and the laws of the wondrous play of countless worlds and their seasons; but true to the Night remains my secret heart, and to creative Love, her daughter. Canst thou show me a heart eternally true? Has thy sun friendly eyes that know me? Do thy stars lay hold of my longing hand? Do they return me the tender pressure and the caressing word? Was it thou didst bedeck them with colours and a flickering outline? Or was it she who gave to thy jewels a higher, a dearer significance? What delight, what pleasure offers thy life, to outweigh the transports of Death? Wears not everything that inspirits us the livery of the Night? Thy mother, it is she who brings thee forth, and to her thou owest all thy glory. Thou wouldst vanish into thyself, thou wouldst dissipate in boundless space, if she did not hold thee fast, if she swaddled thee not, so that thou grewest warm, and, flaming, gavest birth to the universe. Verily I was before thou wast; the mother sent me with my sisters to inhabit thy world, to sanctify it with love that it might be an ever present memorial, to plant it with flowers unfading. As yet they have not ripened, these thoughts divine; as yet is there small trace of our coming apocalypse. One day thy clock will point to the end of Time, and then thou shalt be as one of us, and shalt, full of ardent longing, be extinguished and die. I feel in me the close of thy activity, I taste heavenly freedom, and happy restoration. With wild pangs I recognize thy distance from our home, thy feud with the ancient lordly Heaven. Thy rage and thy raving are in vain. Inconsumable stands the cross, victory-flag of our race.
Over I pilgrim
Where every pain
Zest only of pleasure
Shall one day remain.
Yet a few moments
Then free am I,
And intoxicated
In Love's lap lie.
Life everlasting
Lifts, wave-like, at me:
I gaze from its summit
Down after thee.
Oh Sun, thou must vanish
Yon hillock beneath;
A shadow will bring thee
Thy cooling wreath.
Oh draw at my heart, love,
Draw till I'm gone;
That, fallen asleep, I
Still may love on!
I feel the flow of
Death's youth-giving flood;
To balsam and aether, it
Changes my blood!
I live all the daytime
In faith and in might:
In holy rapture
I die every night.
V.
In ancient times an iron Fate lorded it, with dumb force, over the widespread families of men. A gloomy oppression swathed their anxious souls: the Earth was boundless, the abode of the gods and their home. From eternal ages stood its mysterious structure. Beyond the red hills of the morning, in the sacred bosom of the sea, dwelt the sun, the all-enkindling, live luminary. An aged giant upbore the happy world. Prisoned beneath mountains lay the first-born sons of mother Earth, helpless in their destroying fury against the new, glorious race of gods, and their kindred, glad-hearted men. Ocean's dusky, green abyss was the lap of a goddess. In the crystal grottoes revelled a wanton folk. Rivers, trees, flowers, and beasts had human wits. Sweeter tasted the wine, poured out by youth impersonated; a god was in the grape-clusters; a loving, motherly goddess upgrew in the full golden sheaves; love's sacred carousal was a sweet worship of the fairest of the goddesses. Life revelled through the centuries like one spring-time, an ever-variegated festival of the children of heaven and the dwellers on the earth. All races childlike adored the ethereal, thousandfold flame, as the one sublimest thing in the world.
It was but a fancy, a horrible dream-shape--
That fearsome to the merry tables strode,
And wrapt the spirit in wild consternation.
The gods themselves here counsel knew nor showed
To fill the stifling heart with consolation.
Mysterious was the monster's pathless road,
Whoose rage would heed no prayer and no oblation;
Twas Death who broke the banquet up with fears,
With anguish, with dire pain, and bitter tears.
Eternally from all things here disparted
That sway the heart with pleasure's joyous flow,
Divided from the loved, whom, broken-hearted,
Vain longing tosses and unceasing woe--
In a dull dream to struggle, faint and thwarted,
Smeemed all was granted to the dead below!
Broke lay the merry wave of human glory
On Death's inevitable promontory.
With daring flight, aloft Thought's pinions sweep;
The horrid thing with beauty's robe men cover:
A gentle youth puts out his torch, to sleep;
Sweet comes the end, like moaning lute of lover.
Cool shadow-floods o'er melting memory creep:
So sang the song, for Misery was the mover. | Still undeciphered lay the endless Night--
The solemn symbol of a far-off Might.
The old world began to decline. The pleasure-garden of the young race withered away; up into opener regions and desolate, forsaking his childhood, struggled the growing man. The gods vanished with their retinue. Nature stood alone and lifeless. Dry Number and rigid Measure bound her with iron chains. As into dust and air the priceless blossoms of life fell away in words obscure. Gone was wonder-working Faith, and the all-transforming, all-uniting angel-comrade, the Imagination. A cold north wind blew unkindly over the torpid plain, and the wonderland first froze, then evaporated into aether. The far depths of heaven filled with flashing worlds. Into the deeper sanctuary, into the more exalted region of the mind, the soul of the world retired with all her powers, there to rule until the dawn should break of the glory universal. No longer was the Light the abode of the gods, and the heavenly token of their presence: they cast over them the veil of the Night. The Night became the mighty womb of revelations; into it the gods went back, and fell asleep, to go abroad in new and more glorious shapes over the transfigured world. Among the people which, untimely ripe, was become of all the most scornful and insolently hostile to the blessed innocence of youth, appeared the New World, in guise never seen before, in the song-favouring hut of poverty, a son of the first maid and mother, the eternal fruit of mysterious embrace. The forseeing, rich-blossoming wisdom of the East at once recognized the beginning of the new age; a star showed it the way to the lowly cradle of the king. In the name of the far-reaching future, they did him homage with lustre ond odour, the highest wonders of Nature. In solitude the heavenly heart unfolded itself to a flower-chalice of almighty love, upturned to the supreme face of the father, and resting on the bliss-boding bosom of the sweetly solemn mother. With deifying fervour the prophetic eye of the blooming child beheld the years to come, foresaw, untroubled over the earthly lot of his own days, the beloved offspring of his divine stem. Ere long the most childlike souls, by true love marvellously possessed, gathered about him. Like flowers sprang up a new strange life in his presence. Words inexhaustible and tidings the most joyful fell like sparks of a divine spirit from his friendly lips. From a far shore came a singer, born under the clear sky of Hellas, to Palestine, and gave up his whole heart to the marvellous child:--
The youth art thou who ages long hast stood
Upon our graves, lost in a maze of weening;
Sign in the darkness of God's tidings good,
Whence hints of growth humanity is gleaning;
For that we long, on that we sweetly brood
Which erst in woe had lost all life and meaning;
In everlasting life death found its goal,
For thou art Death, and thou first mak'st us whole.
Filled with joy, the singer went on to Indostan, his heart intoxicated with sweetest love, and poured it out in fiery songs under that tender sky, so that a thousand hearts bowed to him, and the good news sprang up with a thousand branches. Soon after the singer's departure, his precious life was made a sacrifice for the deep fall of man. He died in his youth, torn away from his loved world, from his weeping mother, and his trembling friends. His lovely mouth emptied the dark cup of unspeakable wrongs. In horrible anguish the birth of the new world drew near. Hard he wrestled with the terrors of old Death; heavy lay the weight of the old world upon him. Yet once more he looked kindly at his mother; then came the releasing hand of the Love eternal, and he fell asleep. Only a few days hung a deep veil over the roaring sea, over the quaking land; countless tears wept his loved ones; the mystery was unsealed: heavenely spirits heaved the ancient stone from the gloomy grave. Angels sat by the sleeper, sweetly outbodied from his dreams; awaked in new Godlike glory, he clomb the apex of the new-born world, buried with his own hand the old corpse in the forsaken cavity, and with hand almighty laid upon it the stone which no power shall again upheave.
Yet weep thy loved ones over thy grave tears of joy, tears of emotion, tears of endless thanksgiving; ever afresh, with joyous start, see thee rise again, and themselves with thee; behold thee weep with soft fervour on the blessed bosom of thy mother, walk in thoughtful communion with thy friends, uttering words plucked as from the tree of life; see thee hasten, full of longing, into thy father's arms, bearing with thee youthful Humanity, and the inexhaustible cup of the golden Future. Soon the mother hastened after thee in heavenly triumph; she was the first with thee in the new home. Since then, long ages have flowed past, and in splendour ever increasing hath bestirred itself thy new creation, and thousands have, out of pangs and tortures, followed thee, filled with faith and longing and truth, and are walking about with thee and the heavenly virgin in the kingdom of Love, minister in the temple of heavenly Death, and are for ever thine.
Uplifted is the stone,
And all mankind is risen;
We all remain thine own,
And vanished is our prison.
All troubles flee away
Before thy golden cup;
For Earth nor Life can stay
When with our Lord we sup.
To the marriage Death doth call;
No virgin holdeth back;
The lamps burn lustrous all;
Of oil there is no lack.
Would thy far feet were waking
The echoes of our street!
And that the stars were making
Signal with voices sweet!
To thee, O mother maiden,
Ten thousand hearts aspire;
In this life, sorrow-laden,
Thee only they desire;
In thee they hope for healing;
In thee expect true rest,
When thou, their safety sealing,
Shalt clasp them to thy breast.
With disappointment burning
Who made in hell their bed,
At last from this world turning
To thee have looked and fled:
Helpful thou hast appeared
To us in many a pain:
Now to thy home we're neared,
Not to go out again!
Now at no grave are weeping
Such as do love and pray;
The gift that Love is keeping
From none is taken away.
To soothe and quiet our longing
Night comes, and stills the smart;
Heaven's children round us thronging
Now watch and ward our heart.
Courage! for life is striding
To endless life along;
The Sense, in love abiding,
Grows clearer and more strong.
One day the stars, down dripping,
Shall flow in golden wine:
We, of that nectar sipping,
As living stars shall shine!
Free, from the tomb emerges
Love, to die never more;
Fulfilled, life heaves and surges
A sea without a shore!
All night! all blissful leisure!
One jubilating ode!
And the sun of all our pleasure
The countenance of God!
VI.
LONGING AFTER DEATH.
Into the bosom of the earth!
Out of the Light's dominions!
Death's pains are but the bursting forth
Of glad Departure's pinions!
Swift in the narrow little boat,
Swift to the heavenly shore we float!
Blest be the everlasting Night,
And blest the endless Slumber!
We are heated with the day too bright,
And withered up with cumber!
We're weary of that life abroad:
Come, we will now go home to God!
Why longer in this world abide?
Why love and truth here cherish?
That which is old is set aside--For
us the new may perish!
Alone he stands and sore downcast
Who loves with pious warmth the Past.
The Past where yet the human spirit
In lofty flames did rise;
Where men the Father did inherit,
His countenance recognize;
And, in simplicity made ripe,
Many grew like their archetype.
The Past wherin, still rich in bloom,
Old stems did burgeon glorious;
And children, for the world to come,
Sought pain and death victorious;
And, though both life and pleasure spake,
Yet many a heart for love did break.
The Past, where to the glow of youth
God yet himself declared;
And early death, in loving truth
The young beheld, and dared--
Anguish and torture patient bore
To prove they loved him as of yore.
With anxious yearning now we see
That Past in darkness drenched;
With this world's water never we
Shall find our hot thirst quenched:
To our old home we have to go
That blessed time again to know.
What yet doth hinder our return?
Long since repose our precious!
Their grave is of our life the bourn;
We shrink from times ungracious!
By not a hope are we decoyed:
The heart is full; the world is void!
Infinite and mysterious,
Thrills through me a sweet trembling,
As if from far there echoed thus
A sigh, our grief resembling:
The dear ones long as well as I,
And send to me their waiting sigh.
Down to the sweet bride, and away
To the beloved Jesus!
Courage! the evening shades grow gray,
Of all our griefs to ease us!
A dream will dash our chains apart,
And lay us on the Father's heart. | free_verse |
Robert Herrick | Upon A Gentlewoman With A Sweet Voice. | So long you did not sing or touch your lute,
We knew 'twas flesh and blood that there sat mute.
But when your playing and your voice came in,
'Twas no more you then, but a cherubin. | So long you did not sing or touch your lute, | We knew 'twas flesh and blood that there sat mute.
But when your playing and your voice came in,
'Twas no more you then, but a cherubin. | quatrain |
Alfred Castner King | The Spirit of freedom is Born of the Mountains. | The spirit of freedom is born of the mountains,
In gorge and in ca'on it hovers and dwells;
Pervading the torrents and crystalline fountains,
Which dash through the valleys and forest clad dells.
The spirit of freedom, so firm and impliant,
Is borne on the breeze, whose invisible waves
Descend from the mountain peaks, stern and defiant--
Created for freemen, but never for slaves. | The spirit of freedom is born of the mountains,
In gorge and in ca'on it hovers and dwells; | Pervading the torrents and crystalline fountains,
Which dash through the valleys and forest clad dells.
The spirit of freedom, so firm and impliant,
Is borne on the breeze, whose invisible waves
Descend from the mountain peaks, stern and defiant--
Created for freemen, but never for slaves. | octave |
William Wordsworth | Sonnets Upon The Punishment Of Death - In Series, 1839 ' II - Tenderly Do We Feel By Nature's Law | Tenderly do we feel by Nature's law
For worst offenders: though the heart will heave
With indignation, deeply moved we grieve,
In after thought, for Him who stood in awe
Neither of God nor man, and only saw,
Lost wretch, a horrible device enthroned
On proud temptations, till the victim groaned
Under the steel his hand had dared to draw.
But oh, restrain compassion, if its course,
As oft befalls, prevent or turn aside
Judgments and aims and acts whose higher source
Is sympathy with the unforewarned, who died
Blameless, with them that shuddered o'er his grave,
And all who from the law firm safety crave. | Tenderly do we feel by Nature's law
For worst offenders: though the heart will heave
With indignation, deeply moved we grieve,
In after thought, for Him who stood in awe | Neither of God nor man, and only saw,
Lost wretch, a horrible device enthroned
On proud temptations, till the victim groaned
Under the steel his hand had dared to draw.
But oh, restrain compassion, if its course,
As oft befalls, prevent or turn aside
Judgments and aims and acts whose higher source
Is sympathy with the unforewarned, who died
Blameless, with them that shuddered o'er his grave,
And all who from the law firm safety crave. | sonnet |
Jonathan Swift | Oranges | Come buy my fine oranges, sauce for your veal,
And charming, when squeezed in a pot of brown ale;
Well roasted, with sugar and wine in a cup,
They'll make a sweet bishop when gentlefolks sup. | Come buy my fine oranges, sauce for your veal, | And charming, when squeezed in a pot of brown ale;
Well roasted, with sugar and wine in a cup,
They'll make a sweet bishop when gentlefolks sup. | quatrain |
Arthur Hugh Clough | The Clergyman's Second Tale | Edward and Jane a married couple were,
And fonder she of him or he of her
Was hard to say; their wedlock had begun
When in one year they both were twenty-one;
And friends, who would not sanction, left them free.
He gentle-born, nor his inferior she,
And neither rich; to the newly-wedded boy,
A great Insurance Office found employ.
Strong in their loves and hopes, with joy they took
This narrow lot and the world's altered look;
Beyond their home they nothing sought or craved,
And even from the narrow income saved;
Their busy days for no ennui had place,
Neither grew weary of the other's face.
Nine happy years had crowned their married state
With children, one a little girl of eight;
With nine industrious years his income grew,
With his employers rose his favour too;
Nine years complete had passed when something ailed,
Friends and the doctors said his health had failed,
He must recruit, or worse would come to pass;
And though to rest was hard for him, alas!
Three months of leave he found he could obtain,
And go, they said, get well and work again.
Just at this juncture of their married life,
Her mother, sickening, begged to have his wife.
Her house among the hills in Surrey stood,
And to be there, said Jane, would do the children good.
They let their house, and with the children she
Went to her mother, he beyond the sea;
Far to the south his orders were to go.
A watering-place, whose name we need not know,
For climate and for change of scene was best:
There he was bid, laborious task, to rest.
A dismal thing in foreign lands to roam
To one accustomed to an English home,
Dismal yet more, in health if feeble grown,
To live a boarder, helpless and alone
In foreign town, and worse yet worse is made,
If 'tis a town of pleasure and parade.
Dispiriting the public walks and seats,
The alien faces that an alien meets;
Drearily every day this old routine repeats.
Yet here this alien prospered, change of air
Or change of scene did more than tenderest care:
Three weeks were scarce completed, to his home,
He wrote to say, he thought he now could come,
His usual work was sure he could resume,
And something said about the place's gloom,
And how he loathed idling his time away.
O, but they wrote, his wife and all, to say
He must not think of it, 'twas quite too quick;
Let was their house, her mother still was sick,
Three months were given, and three he ought to take;
For his and her's and for his children's sake.
He wrote again, 'twas weariness to wait,
This doing nothing was a thing to hate;
He'd cast his nine laborious years away,
And was as fresh as on his wedding-day;
At last he yielded, feared he must obey.
And now, his health repaired, his spirits grown
Less feeble, less he cared to live alone.
'Twas easier now to face the crowded shore,
And table d'h'te less tedious than before;
His ancient silence sometimes he would break,
And the mute Englishman was heard to speak.
His youthful colour soon, his youthful air
Came back; amongst the crowd of idlers there,
With whom good looks entitle to good name,
For his good looks he gained a sort of fame,
People would watch him as he went and came.
Explain the tragic mystery who can,
Something there is, we know not what, in man,
With all established happiness at strife,
And bent on revolution in his life.
Explain the plan of Providence who dare,
And tell us wherefore in this world there are
Beings who seem for this alone to live,
Temptation to another soul to give.
A beauteous woman at the table d'h'te,
To try this English heart, at least to note
This English countenance, conceived the whim.
She sat exactly opposite to him.
Ere long he noticed with a vague surprise
How every day on him she bent her eyes;
Soft and inquiring now they looked, and then
Wholly withdrawn, unnoticed came again;
His shrunk aside: and yet there came a day,
Alas! they did not wholly turn away.
So beautiful her beauty was, so strange,
And to his northern feeling such a change;
Her throat and neck Junonian in their grace;
The blood just mantled in her southern face:
Dark hair, dark eyes; and all the arts she had
With which some dreadful power adorns the bad,
Bad women in their youth, and young was she,
Twenty perhaps, at the utmost twenty-three,
And timid seemed, and innocent of ill,;
Her feelings went and came without her will.
You will not wish minutely to know all
His efforts in the prospect of the fall.
He oscillated to and fro, he took
High courage oft, temptation from him shook,
Compelled himself to virtuous thoughts and just,
And as it were in ashes and in dust
Abhorred his thought. But living thus alone,
Of solitary tedium weary grown;
From sweet society so long debarred,
And fearing in his judgment to be hard
On her that he was sometimes off his guard
What wonder? She relentless still pursued
Unmarked, and tracked him in his solitude.
And not in vain, alas!
The days went by and found him in the snare.
But soon a letter full of tenderest care
Came from his wife, the little daughter too
In a large hand the exercise was new
To her papa her love and kisses sent.
Into his very heart and soul it went.
Forth on the high and dusty road he sought
Some issue for the vortex of his thought,
Returned, packed up his things, and ere the day
Descended, was a hundred miles away.
There are, I know of course, who lightly treat
Such slips; we stumble, we regain our feet;
What can we do, they say, but hasten on
And disregard it as a thing that's gone?
Many there are who in a case like this
Would calm re-seek their sweet domestic bliss;
Accept unshamed the wifely tender kiss,
And lift their little children on their knees,
And take their kisses too; with hearts at ease
Will read the household prayers, to church will go,
And sacrament, nor care if people know.
Such men so minded do exist, God knows,
And, God be thanked, this was not one of those.
Late in the night, at a provincial town
In France, a passing traveller was put down;
Haggard he looked, his hair was turning grey,
His hair, his clothes, were much in disarray:
In a bedchamber here one day he stayed,
Wrote letters, posted them, his reckoning paid
And went. 'Twas Edward rushing from his fall;
Here to his wife he wrote and told her all.
Forgiveness yes, perhaps she might forgive
For her, and for the children, he must live
At any rate; but their old home to share
As yet was something that he could not bear.
She with her mother still her home should make,
A lodging-near the office he should take
And once a quarter he would bring his pay,
And he would see her on the quarter-day,
But her alone; e'en this would dreadful be,
The children 'twas not possible to see.
Back to the office at this early day
To see him come, old-looking thus and grey,
His comrades wondered, wondered too to see,
How dire a passion for his work had he,
How in a garret too he lived alone;
So cold a husband, cold a father grown.
In a green lane beside her mother's home,
Where in old days they had been used to roam,
His wife had met him on the appointed day,
Fell on his neck, said all that love could say,
And wept; he put the loving arms away.
At dusk they met, for so was his desire;
She felt his cheeks and forehead all on fire;
The kisses which she gave he could not brook;
Once in her face he gave a sidelong look,
Said, but for them he wished that he were dead,
And put the money in her hand and fled.
Sometimes in easy and familiar tone,
Of sins resembling more or less his own
He heard his comrades in the office speak,
And felt the colour tingling in his cheek;
Lightly they spoke as of a thing of nought;
He of their judgment ne'er so much as thought.
I know not, in his solitary pains,
Whether he seemed to feel as in his veins
The moral mischief circulating still,
Racked with the torture of the double will;
And like some frontier-land where armies wage
The mighty wars, engage and yet engage
All through the summer in the fierce campaign;
March, counter-march, gain, lose, and yet regain;
With battle reeks the desolated plain;
So felt his nature yielded to the strife
Of the contending good and ill of life.
But a whole year this penance he endured,
Nor even then would think that he was cured.
Once in a quarter, in the country lane,
He met his wife and paid his quarter's gain;
To bring the children she besought in vain.
He has a life small happiness that gives,
Who friendless in a London lodging lives,
Dines in a dingy chop-house, and returns
To a lone room while all within him yearns
For sympathy, and his whole nature burns
With a fierce thirst for some one, is there none?
To expend his human tenderness upon.
So blank, and hard, and stony is the way
To walk, I wonder not men go astray.
Edward, whom still a sense that never slept
On the strict path undeviating kept,
One winter-evening found himself pursued
Amidst the dusky thronging multitude.
Quickly he walked, but strangely swift was she,
And pertinacious, and would make him see.
He saw at last, and recognising slow,
Discovered in this hapless thing of woe
The occasion of his shame twelve wretched months ago.
She gaily laughed, she cried, and sought his hand,
And spoke sweet phrases of her native land;
Exiled, she said, her lovely home had left,
Not to forsake a friend of all but her bereft;
Exiled, she cried, for liberty, for love,
She was; still limpid eyes she turned above.
So beauteous once, and now such misery in,
Pity had all but softened him to sin;
But while she talked, and wildly laughed, and cried,
And plucked the hand which sadly he denied,
A stranger came and swept her from his side.
He watched them in the gas-lit darkness go,
And a voice said within him, Even so,
So midst the gloomy mansions where they dwell
The lost souls walk the flaming streets of hell!
The lamps appeared to fling a baleful glare,
A brazen heat was heavy in the air;
And it was hell, and he some unblest wanderer there.
For a long hour he stayed the streets to roam,
Late gathering sense, he gained his garret home;
There found a telegraph that bade him come
Straight to the country, where his daughter, still
His darling child, lay dangerously ill.
The doctor would he bring? Away he went
And found the doctor; to the office sent
A letter, asking leave, and went again,
And with a wild confusion in his brain,
Joining the doctor caught the latest train.
The train swift whirled them from the city light
Into the shadows of the natural night.
'Twas silent starry midnight on the down,
Silent and chill, when they, straight come from town,
Leaving the station, walked a mile to gain
The lonely house amid the hills where Jane,
Her mother, and her children should be found.
Waked by their entrance, but of sleep unsound,
The child not yet her altered father knew;
Yet talked of her papa in her delirium too.
Danger there was, yet hope there was; and he,
To attend the crisis, and the changes see,
And take the steps, at hand should surely be.
Said Jane the following day, 'Edward, you know,
Over and over I have told you so,
As in a better world I seek to live,
As I desire forgiveness, I forgive.
Forgiveness does not feel the word to say,
As I believe in One who takes away
Our sin and gives us righteousness instead,
You to this sin, I do believe, are dead.
'Twas I, you know, who let you leave your home
And bade you stay when you so wished to come;
My fault was that: I've told you so before,
And vainly told; but now 'tis something more.
Say, is it right, without a single friend,
Without advice, to leave me to attend
Children and mother both? Indeed, I've thought
Through want of you the child her fever caught.
Chances of mischief come with every hour.
It is not in a single woman's power
Alone, and ever haunted more or less
With anxious thoughts of you and your distress,
'Tis not indeed, I'm sure of it, in me,
All things with perfect judgment to foresee.
This weight has grown too heavy to endure;
And you, I tell you now, and I am sure,
Neglect your duty both to God and man
Persisting thus in your unnatural plan.
This feeling you must conquer, for you can.
And after all, you know we are but dust,
What are we, in ourselves that we should trust?'
He scarcely answered her; but he obtained
A longer leave, and quietly remained.
Slowly the child recovered, long was ill,
Long delicate, and he must watch her still
To give up seeing her he could not near,
To leave her less attended, did not dare.
The child recovered slowly, slowly too
Recovered he, and more familiar drew
Home's happy breath; and apprehension o'er,
Their former life he yielded to restore,
And to his mournful garret went no more.
Midnight was dim and hazy overhead.
When the tale ended and we turned to bed.
On the companion-way, descending slow,
The artillery captain, as we went below,
Said to the lawyer, life could not be meant
To be so altogether innocent.
What did the atonement show? he, for the rest,
Could not, he thought, have written and confessed.
Weakness it was, and adding crime to crime
To leave his family that length of time,
The lawyer said; the American was sure
Each nature knows instinctively its cure.
Midnight was in the cabin still and dead,
Our fellow-passengers were all in bed,
We followed them, and nothing further spoke.
Out of the sweetest of my sleep I woke
At two, and felt we stopped; amid a dream
Of England knew the letting-off of steam
And rose. 'Twas fog, and were we off Cape Race?
The captain would be certain of his place.
Wild in white vapour flew away the force,
And self-arrested was the eager course
That had not ceased before. But shortly now
Cape Race was made to starboard on the bow.
The paddles plied. I slept. The following night
In the mid seas we saw a quay and light,
And peered through mist into an unseen town,
And on scarce-seeming land set one companion down,
And went. With morning and a shining sun,
Under the bright New Brunswick coast we run,
And visible discern to every eye
Rocks, pines, and little ports, and passing by
The boats and coasting craft. When sunk the night,
Early now sunk, the northern streamers bright
Floated and flashed, the cliffs and clouds behind,
With phosphorus the billows all were lined.
That evening, while the arctic streamers bright
Rolled from the clouds in waves of airy light,
The lawyer said, 'I laid by for to night
A story that I would not tell before;
For the last time, a confidential four,
We meet. Receive in your elected ears
A tale of human suffering and tears.' | Edward and Jane a married couple were,
And fonder she of him or he of her
Was hard to say; their wedlock had begun
When in one year they both were twenty-one;
And friends, who would not sanction, left them free.
He gentle-born, nor his inferior she,
And neither rich; to the newly-wedded boy,
A great Insurance Office found employ.
Strong in their loves and hopes, with joy they took
This narrow lot and the world's altered look;
Beyond their home they nothing sought or craved,
And even from the narrow income saved;
Their busy days for no ennui had place,
Neither grew weary of the other's face.
Nine happy years had crowned their married state
With children, one a little girl of eight;
With nine industrious years his income grew,
With his employers rose his favour too;
Nine years complete had passed when something ailed,
Friends and the doctors said his health had failed,
He must recruit, or worse would come to pass;
And though to rest was hard for him, alas!
Three months of leave he found he could obtain,
And go, they said, get well and work again.
Just at this juncture of their married life,
Her mother, sickening, begged to have his wife.
Her house among the hills in Surrey stood,
And to be there, said Jane, would do the children good.
They let their house, and with the children she
Went to her mother, he beyond the sea;
Far to the south his orders were to go.
A watering-place, whose name we need not know,
For climate and for change of scene was best:
There he was bid, laborious task, to rest.
A dismal thing in foreign lands to roam
To one accustomed to an English home,
Dismal yet more, in health if feeble grown,
To live a boarder, helpless and alone
In foreign town, and worse yet worse is made,
If 'tis a town of pleasure and parade.
Dispiriting the public walks and seats,
The alien faces that an alien meets;
Drearily every day this old routine repeats.
Yet here this alien prospered, change of air
Or change of scene did more than tenderest care:
Three weeks were scarce completed, to his home,
He wrote to say, he thought he now could come,
His usual work was sure he could resume,
And something said about the place's gloom,
And how he loathed idling his time away.
O, but they wrote, his wife and all, to say
He must not think of it, 'twas quite too quick;
Let was their house, her mother still was sick,
Three months were given, and three he ought to take;
For his and her's and for his children's sake.
He wrote again, 'twas weariness to wait,
This doing nothing was a thing to hate;
He'd cast his nine laborious years away,
And was as fresh as on his wedding-day;
At last he yielded, feared he must obey.
And now, his health repaired, his spirits grown
Less feeble, less he cared to live alone.
'Twas easier now to face the crowded shore,
And table d'h'te less tedious than before;
His ancient silence sometimes he would break,
And the mute Englishman was heard to speak.
His youthful colour soon, his youthful air
Came back; amongst the crowd of idlers there,
With whom good looks entitle to good name,
For his good looks he gained a sort of fame,
People would watch him as he went and came.
Explain the tragic mystery who can,
Something there is, we know not what, in man,
With all established happiness at strife,
And bent on revolution in his life.
Explain the plan of Providence who dare,
And tell us wherefore in this world there are
Beings who seem for this alone to live,
Temptation to another soul to give.
A beauteous woman at the table d'h'te,
To try this English heart, at least to note
This English countenance, conceived the whim.
She sat exactly opposite to him.
Ere long he noticed with a vague surprise
How every day on him she bent her eyes;
Soft and inquiring now they looked, and then
Wholly withdrawn, unnoticed came again;
His shrunk aside: and yet there came a day,
Alas! they did not wholly turn away.
So beautiful her beauty was, so strange,
And to his northern feeling such a change;
Her throat and neck Junonian in their grace;
The blood just mantled in her southern face:
Dark hair, dark eyes; and all the arts she had
With which some dreadful power adorns the bad,
Bad women in their youth, and young was she,
Twenty perhaps, at the utmost twenty-three,
And timid seemed, and innocent of ill,;
Her feelings went and came without her will.
You will not wish minutely to know all
His efforts in the prospect of the fall.
He oscillated to and fro, he took
High courage oft, temptation from him shook,
Compelled himself to virtuous thoughts and just,
And as it were in ashes and in dust
Abhorred his thought. But living thus alone,
Of solitary tedium weary grown;
From sweet society so long debarred,
And fearing in his judgment to be hard
On her that he was sometimes off his guard
What wonder? She relentless still pursued | Unmarked, and tracked him in his solitude.
And not in vain, alas!
The days went by and found him in the snare.
But soon a letter full of tenderest care
Came from his wife, the little daughter too
In a large hand the exercise was new
To her papa her love and kisses sent.
Into his very heart and soul it went.
Forth on the high and dusty road he sought
Some issue for the vortex of his thought,
Returned, packed up his things, and ere the day
Descended, was a hundred miles away.
There are, I know of course, who lightly treat
Such slips; we stumble, we regain our feet;
What can we do, they say, but hasten on
And disregard it as a thing that's gone?
Many there are who in a case like this
Would calm re-seek their sweet domestic bliss;
Accept unshamed the wifely tender kiss,
And lift their little children on their knees,
And take their kisses too; with hearts at ease
Will read the household prayers, to church will go,
And sacrament, nor care if people know.
Such men so minded do exist, God knows,
And, God be thanked, this was not one of those.
Late in the night, at a provincial town
In France, a passing traveller was put down;
Haggard he looked, his hair was turning grey,
His hair, his clothes, were much in disarray:
In a bedchamber here one day he stayed,
Wrote letters, posted them, his reckoning paid
And went. 'Twas Edward rushing from his fall;
Here to his wife he wrote and told her all.
Forgiveness yes, perhaps she might forgive
For her, and for the children, he must live
At any rate; but their old home to share
As yet was something that he could not bear.
She with her mother still her home should make,
A lodging-near the office he should take
And once a quarter he would bring his pay,
And he would see her on the quarter-day,
But her alone; e'en this would dreadful be,
The children 'twas not possible to see.
Back to the office at this early day
To see him come, old-looking thus and grey,
His comrades wondered, wondered too to see,
How dire a passion for his work had he,
How in a garret too he lived alone;
So cold a husband, cold a father grown.
In a green lane beside her mother's home,
Where in old days they had been used to roam,
His wife had met him on the appointed day,
Fell on his neck, said all that love could say,
And wept; he put the loving arms away.
At dusk they met, for so was his desire;
She felt his cheeks and forehead all on fire;
The kisses which she gave he could not brook;
Once in her face he gave a sidelong look,
Said, but for them he wished that he were dead,
And put the money in her hand and fled.
Sometimes in easy and familiar tone,
Of sins resembling more or less his own
He heard his comrades in the office speak,
And felt the colour tingling in his cheek;
Lightly they spoke as of a thing of nought;
He of their judgment ne'er so much as thought.
I know not, in his solitary pains,
Whether he seemed to feel as in his veins
The moral mischief circulating still,
Racked with the torture of the double will;
And like some frontier-land where armies wage
The mighty wars, engage and yet engage
All through the summer in the fierce campaign;
March, counter-march, gain, lose, and yet regain;
With battle reeks the desolated plain;
So felt his nature yielded to the strife
Of the contending good and ill of life.
But a whole year this penance he endured,
Nor even then would think that he was cured.
Once in a quarter, in the country lane,
He met his wife and paid his quarter's gain;
To bring the children she besought in vain.
He has a life small happiness that gives,
Who friendless in a London lodging lives,
Dines in a dingy chop-house, and returns
To a lone room while all within him yearns
For sympathy, and his whole nature burns
With a fierce thirst for some one, is there none?
To expend his human tenderness upon.
So blank, and hard, and stony is the way
To walk, I wonder not men go astray.
Edward, whom still a sense that never slept
On the strict path undeviating kept,
One winter-evening found himself pursued
Amidst the dusky thronging multitude.
Quickly he walked, but strangely swift was she,
And pertinacious, and would make him see.
He saw at last, and recognising slow,
Discovered in this hapless thing of woe
The occasion of his shame twelve wretched months ago.
She gaily laughed, she cried, and sought his hand,
And spoke sweet phrases of her native land;
Exiled, she said, her lovely home had left,
Not to forsake a friend of all but her bereft;
Exiled, she cried, for liberty, for love,
She was; still limpid eyes she turned above.
So beauteous once, and now such misery in,
Pity had all but softened him to sin;
But while she talked, and wildly laughed, and cried,
And plucked the hand which sadly he denied,
A stranger came and swept her from his side.
He watched them in the gas-lit darkness go,
And a voice said within him, Even so,
So midst the gloomy mansions where they dwell
The lost souls walk the flaming streets of hell!
The lamps appeared to fling a baleful glare,
A brazen heat was heavy in the air;
And it was hell, and he some unblest wanderer there.
For a long hour he stayed the streets to roam,
Late gathering sense, he gained his garret home;
There found a telegraph that bade him come
Straight to the country, where his daughter, still
His darling child, lay dangerously ill.
The doctor would he bring? Away he went
And found the doctor; to the office sent
A letter, asking leave, and went again,
And with a wild confusion in his brain,
Joining the doctor caught the latest train.
The train swift whirled them from the city light
Into the shadows of the natural night.
'Twas silent starry midnight on the down,
Silent and chill, when they, straight come from town,
Leaving the station, walked a mile to gain
The lonely house amid the hills where Jane,
Her mother, and her children should be found.
Waked by their entrance, but of sleep unsound,
The child not yet her altered father knew;
Yet talked of her papa in her delirium too.
Danger there was, yet hope there was; and he,
To attend the crisis, and the changes see,
And take the steps, at hand should surely be.
Said Jane the following day, 'Edward, you know,
Over and over I have told you so,
As in a better world I seek to live,
As I desire forgiveness, I forgive.
Forgiveness does not feel the word to say,
As I believe in One who takes away
Our sin and gives us righteousness instead,
You to this sin, I do believe, are dead.
'Twas I, you know, who let you leave your home
And bade you stay when you so wished to come;
My fault was that: I've told you so before,
And vainly told; but now 'tis something more.
Say, is it right, without a single friend,
Without advice, to leave me to attend
Children and mother both? Indeed, I've thought
Through want of you the child her fever caught.
Chances of mischief come with every hour.
It is not in a single woman's power
Alone, and ever haunted more or less
With anxious thoughts of you and your distress,
'Tis not indeed, I'm sure of it, in me,
All things with perfect judgment to foresee.
This weight has grown too heavy to endure;
And you, I tell you now, and I am sure,
Neglect your duty both to God and man
Persisting thus in your unnatural plan.
This feeling you must conquer, for you can.
And after all, you know we are but dust,
What are we, in ourselves that we should trust?'
He scarcely answered her; but he obtained
A longer leave, and quietly remained.
Slowly the child recovered, long was ill,
Long delicate, and he must watch her still
To give up seeing her he could not near,
To leave her less attended, did not dare.
The child recovered slowly, slowly too
Recovered he, and more familiar drew
Home's happy breath; and apprehension o'er,
Their former life he yielded to restore,
And to his mournful garret went no more.
Midnight was dim and hazy overhead.
When the tale ended and we turned to bed.
On the companion-way, descending slow,
The artillery captain, as we went below,
Said to the lawyer, life could not be meant
To be so altogether innocent.
What did the atonement show? he, for the rest,
Could not, he thought, have written and confessed.
Weakness it was, and adding crime to crime
To leave his family that length of time,
The lawyer said; the American was sure
Each nature knows instinctively its cure.
Midnight was in the cabin still and dead,
Our fellow-passengers were all in bed,
We followed them, and nothing further spoke.
Out of the sweetest of my sleep I woke
At two, and felt we stopped; amid a dream
Of England knew the letting-off of steam
And rose. 'Twas fog, and were we off Cape Race?
The captain would be certain of his place.
Wild in white vapour flew away the force,
And self-arrested was the eager course
That had not ceased before. But shortly now
Cape Race was made to starboard on the bow.
The paddles plied. I slept. The following night
In the mid seas we saw a quay and light,
And peered through mist into an unseen town,
And on scarce-seeming land set one companion down,
And went. With morning and a shining sun,
Under the bright New Brunswick coast we run,
And visible discern to every eye
Rocks, pines, and little ports, and passing by
The boats and coasting craft. When sunk the night,
Early now sunk, the northern streamers bright
Floated and flashed, the cliffs and clouds behind,
With phosphorus the billows all were lined.
That evening, while the arctic streamers bright
Rolled from the clouds in waves of airy light,
The lawyer said, 'I laid by for to night
A story that I would not tell before;
For the last time, a confidential four,
We meet. Receive in your elected ears
A tale of human suffering and tears.' | free_verse |
Richard Le Gallienne | On The Morals Of Poets | One says he is immoral, and points out
Warm sin in ruddy specks upon his soul:
Bigot, one folly of the man you flout
Is more to God than thy lean life is whole. | One says he is immoral, and points out | Warm sin in ruddy specks upon his soul:
Bigot, one folly of the man you flout
Is more to God than thy lean life is whole. | quatrain |
Theodosia Garrison | The Days | I call my years back, I, grown old,
Recall them day by day;
And some are dressed in cloth o' gold
And some in humble grey.
And those in gold glance scornfully
Or pass me unawares;
But those in grey come close to me
And take my hands in theirs. | I call my years back, I, grown old,
Recall them day by day; | And some are dressed in cloth o' gold
And some in humble grey.
And those in gold glance scornfully
Or pass me unawares;
But those in grey come close to me
And take my hands in theirs. | octave |
Edwin C. Ranck | Alas. | He led her out across the sand,
And by her side did sit:
He asked to hold her little hand,
She sweetly answered, "Nit." | He led her out across the sand, | And by her side did sit:
He asked to hold her little hand,
She sweetly answered, "Nit." | quatrain |
William Wordsworth | Ecclesiastical Sonnets - Part II. - III - Cistertian Monastery | "Here Man more purely lives, less oft doth fall,
"More promptly rises, walks with stricter heed,
"More safely rests, dies happier, is freed
"Earlier from cleansing fires, and gains withal
"A brighter crown." On yon Cistertian wall
'That' confident assurance may be read;
And, to like shelter, from the world have fled
Increasing multitudes. The potent call
Doubtless shall cheat full oft the heart's desires;
Yet, while the rugged Age on pliant knee
Vows to rapt Fancy humble fealty,
A gentler life spreads round the holy spires;
Where'er they rise, the sylvan waste retires,
And aery harvests crown the fertile lea. | "Here Man more purely lives, less oft doth fall,
"More promptly rises, walks with stricter heed,
"More safely rests, dies happier, is freed
"Earlier from cleansing fires, and gains withal | "A brighter crown." On yon Cistertian wall
'That' confident assurance may be read;
And, to like shelter, from the world have fled
Increasing multitudes. The potent call
Doubtless shall cheat full oft the heart's desires;
Yet, while the rugged Age on pliant knee
Vows to rapt Fancy humble fealty,
A gentler life spreads round the holy spires;
Where'er they rise, the sylvan waste retires,
And aery harvests crown the fertile lea. | sonnet |
Charles Stuart Calverley | Laura Matilda's Dirge. | FROM 'REJECTED ADDRESSES.'
Balmy Zephyrs, lightly flitting,
Shade me with your azure wing;
On Parnassus' summit sitting,
Aid me, Clio, while I sing.
Softly slept the dome of Drury
O'er the empyreal crest,
When Alecto's sister-fury
Softly slumb'ring sunk to rest.
Lo! from Lemnos limping lamely,
Lags the lowly Lord of Fire,
Cytherea yielding tamely
To the Cyclops dark and dire.
Clouds of amber, dreams of gladness,
Dulcet joys and sports of youth,
Soon must yield to haughty sadness;
Mercy holds the veil to Truth.
See Erostratas the second
Fires again Diana's fane;
By the Fates from Orcus beckon'd,
Clouds envelop Drury Lane.
Where is Cupid's crimson motion?
Billowy ecstasy of woe,
Bear me straight, meandering ocean,
Where the stagnant torrents flow.
Blood in every vein is gushing,
Vixen vengeance lulls my heart;
See, the Gorgon gang is rushing!
Never, never let us part.
NAENIA.
O quot odoriferi voitatis in aere venti,
Caeruleum tegmen vestra sit ala mihi:
Tuque sedens Parnassus ubi caput erigit ingens,
Dextra veni, Clio: teque docente canam.
Jam suaves somnos Tholus affectare Theatri
Coeperat, igniflui trans laqueare poli:
Alectus consanguineam quo tempore Erinnyn,
Suave soporatam, coepit adire quies.
Lustra sed ecce labans claudo pede Lemnia linquit
Luridus (at lente lugubriterque) Deus:
Amisit veteres, amisit inultus, amores;
Teter habet Venerem terribilisque Cyclops.
Electri nebulas, potioraque somnia vero;
Quotque placent pueris gaudia, quotque joci;
Omnia tristiae fas concessisse superbae:
Admissum Pietas scitque premitque nefas.
Respice! Nonne vides ut Erostratus alter ad aedem
Rursus agat flammas, spreta Diana, tuam?
Mox, Acheronteis quas Parca eduxit ab antris,
Druriacam nubes corripuere domum.
O ubi purpurei motus pueri alitis? o qui
Me mihi turbineis surripis, angor, aquis!
Duc, labyrintheum, duc me, mare, tramite recto
Quo rapidi fontes, pigra caterva, ruunt!
Jamque - soporat enim pectus Vindicta Virago;
Omnibus a venis sanguinis unda salit;
Gorgoneique greges praeceps (adverte!) feruntur -
Sim, precor, o! semper sim tibi junctus ego.
| FROM 'REJECTED ADDRESSES.'
Balmy Zephyrs, lightly flitting,
Shade me with your azure wing;
On Parnassus' summit sitting,
Aid me, Clio, while I sing.
Softly slept the dome of Drury
O'er the empyreal crest,
When Alecto's sister-fury
Softly slumb'ring sunk to rest.
Lo! from Lemnos limping lamely,
Lags the lowly Lord of Fire,
Cytherea yielding tamely
To the Cyclops dark and dire.
Clouds of amber, dreams of gladness,
Dulcet joys and sports of youth,
Soon must yield to haughty sadness;
Mercy holds the veil to Truth.
See Erostratas the second
Fires again Diana's fane; | By the Fates from Orcus beckon'd,
Clouds envelop Drury Lane.
Where is Cupid's crimson motion?
Billowy ecstasy of woe,
Bear me straight, meandering ocean,
Where the stagnant torrents flow.
Blood in every vein is gushing,
Vixen vengeance lulls my heart;
See, the Gorgon gang is rushing!
Never, never let us part.
NAENIA.
O quot odoriferi voitatis in aere venti,
Caeruleum tegmen vestra sit ala mihi:
Tuque sedens Parnassus ubi caput erigit ingens,
Dextra veni, Clio: teque docente canam.
Jam suaves somnos Tholus affectare Theatri
Coeperat, igniflui trans laqueare poli:
Alectus consanguineam quo tempore Erinnyn,
Suave soporatam, coepit adire quies.
Lustra sed ecce labans claudo pede Lemnia linquit
Luridus (at lente lugubriterque) Deus:
Amisit veteres, amisit inultus, amores;
Teter habet Venerem terribilisque Cyclops.
Electri nebulas, potioraque somnia vero;
Quotque placent pueris gaudia, quotque joci;
Omnia tristiae fas concessisse superbae:
Admissum Pietas scitque premitque nefas.
Respice! Nonne vides ut Erostratus alter ad aedem
Rursus agat flammas, spreta Diana, tuam?
Mox, Acheronteis quas Parca eduxit ab antris,
Druriacam nubes corripuere domum.
O ubi purpurei motus pueri alitis? o qui
Me mihi turbineis surripis, angor, aquis!
Duc, labyrintheum, duc me, mare, tramite recto
Quo rapidi fontes, pigra caterva, ruunt!
Jamque - soporat enim pectus Vindicta Virago;
Omnibus a venis sanguinis unda salit;
Gorgoneique greges praeceps (adverte!) feruntur -
Sim, precor, o! semper sim tibi junctus ego. | free_verse |
Robert Herrick | All Things Run Well For The Righteous. | Adverse and prosperous fortunes both work on
Here, for the righteous man's salvation;
Be he oppos'd, or be he not withstood,
All serve to th' augmentation of his good. | Adverse and prosperous fortunes both work on | Here, for the righteous man's salvation;
Be he oppos'd, or be he not withstood,
All serve to th' augmentation of his good. | quatrain |
Unknown | Nursery Rhyme. CXIV. Scholastic. | Birch and green holly, boys,
Birch and green holly.
If you get beaten, boys,
'Twill be your own folly. | Birch and green holly, boys, | Birch and green holly.
If you get beaten, boys,
'Twill be your own folly. | quatrain |
Thomas Hood | Midnight. | Unfathomable Night! how dost thou sweep
Over the flooded earth, and darkly hide
The mighty city under thy full tide;
Making a silent palace for old Sleep,
Like his own temple under the hush'd deep,
Where all the busy day he doth abide,
And forth at the late dark, outspreadeth wide
His dusky wings, whence the cold waters sweep!
How peacefully the living millions lie!
Lull'd unto death beneath his poppy spells;
There is no breath - no living stir - no cry
No tread of foot - no song - no music-call -
Only the sound of melancholy bells -
The voice of Time - survivor of them all! | Unfathomable Night! how dost thou sweep
Over the flooded earth, and darkly hide
The mighty city under thy full tide;
Making a silent palace for old Sleep, | Like his own temple under the hush'd deep,
Where all the busy day he doth abide,
And forth at the late dark, outspreadeth wide
His dusky wings, whence the cold waters sweep!
How peacefully the living millions lie!
Lull'd unto death beneath his poppy spells;
There is no breath - no living stir - no cry
No tread of foot - no song - no music-call -
Only the sound of melancholy bells -
The voice of Time - survivor of them all! | sonnet |
James McIntyre | Will Carleton. | In homely apparel one
Clothes farming songs Will Carleton,
But they have a manly ring
And we his praises hearty sing. | In homely apparel one | Clothes farming songs Will Carleton,
But they have a manly ring
And we his praises hearty sing. | quatrain |
Henry Lawson | The Stranded Ship (The 'Vincennes') | 'Twas the glowing log of a picnic fire where a red light should not be,
Or the curtained glow of a sick room light in a window that faced the sea.
But the Manly lights seemed the Sydney lights, and the bluffs as the 'Heads' were seen;
And the Manly beach was the channel then'and the captain steered between.
The croakers said with a shoulder shrug, and a careless, know-all glance:
'You might pull out her stem, or pull out her stern'but she'll sail no more for France!'
Her stem was dry when the tide was out, and behind her banked the sand,
Where strong gales come from the Hurricane east and the sun sets on the land.
When the tide was high and the rollers struck she shuddered as if in pain,
She had no hope for the open sea and the fair full breeze again.
She turned her side to the pounding seas and the foam glared over the rails,
It seemed her fate to be sold and stripped, and broken by winter gales.
But they sent strong gear, and they sent the gangs, and they sent her a man who knew,
And the tugs came nosing round from the Heads to see what a tug could do;
The four-ton anchors they laid to sea in the waves and the wind and rain,
And the great steel hawser they hove aboard made fast to her cable chain.
And then, while the gaping townsfolk stared from the shining beach in doubt,
The crew and the shore-gangs lowered her yards and they hove the ballast out.
(To lie like a strange sea-grave upheaved on the smooth sand by her side)
And they made all ready and clear for the tugs to come on the rising tide.
And so, in the night when the tide was in and a black sky hid the stars,
The shoremen worked at the jumping winch and the crew at the capstan bars.
To seaward the two tugs rose and fell in their own wild stormy glare
And her head came round for a fathom's length! for a mighty heave was there.
So, tide by tide, and yard by yard, they hove her off the shore
To fit, and load for her ports of call, and to sail for France once more.
Till at last she came with the wild blind rush of a frightened thing set free,
And they towed her round to the Sydney Heads and in from the stormy sea.
And the croakers say, when a man is down, with a shrug and a know-all glance,
Oh, he'll never get out of the gutter again, he has done with every chance;
But we'll 'haul and heave on the block and sheeve', wave-beaten and black-rock hemmed,
And we'll sail with cargoes that they shall buy, when their ships are all condemned. | 'Twas the glowing log of a picnic fire where a red light should not be,
Or the curtained glow of a sick room light in a window that faced the sea.
But the Manly lights seemed the Sydney lights, and the bluffs as the 'Heads' were seen;
And the Manly beach was the channel then'and the captain steered between.
The croakers said with a shoulder shrug, and a careless, know-all glance:
'You might pull out her stem, or pull out her stern'but she'll sail no more for France!'
Her stem was dry when the tide was out, and behind her banked the sand,
Where strong gales come from the Hurricane east and the sun sets on the land.
When the tide was high and the rollers struck she shuddered as if in pain,
She had no hope for the open sea and the fair full breeze again. | She turned her side to the pounding seas and the foam glared over the rails,
It seemed her fate to be sold and stripped, and broken by winter gales.
But they sent strong gear, and they sent the gangs, and they sent her a man who knew,
And the tugs came nosing round from the Heads to see what a tug could do;
The four-ton anchors they laid to sea in the waves and the wind and rain,
And the great steel hawser they hove aboard made fast to her cable chain.
And then, while the gaping townsfolk stared from the shining beach in doubt,
The crew and the shore-gangs lowered her yards and they hove the ballast out.
(To lie like a strange sea-grave upheaved on the smooth sand by her side)
And they made all ready and clear for the tugs to come on the rising tide.
And so, in the night when the tide was in and a black sky hid the stars,
The shoremen worked at the jumping winch and the crew at the capstan bars.
To seaward the two tugs rose and fell in their own wild stormy glare
And her head came round for a fathom's length! for a mighty heave was there.
So, tide by tide, and yard by yard, they hove her off the shore
To fit, and load for her ports of call, and to sail for France once more.
Till at last she came with the wild blind rush of a frightened thing set free,
And they towed her round to the Sydney Heads and in from the stormy sea.
And the croakers say, when a man is down, with a shrug and a know-all glance,
Oh, he'll never get out of the gutter again, he has done with every chance;
But we'll 'haul and heave on the block and sheeve', wave-beaten and black-rock hemmed,
And we'll sail with cargoes that they shall buy, when their ships are all condemned. | free_verse |
Alexander Pope | To A Lady, With The 'Temple Of Fame.' | What's fame with men, by custom of the nation,
Is call'd, in women, only reputation:
About them both why keep we such a pother?
Part you with one, and I'll renounce the other. | What's fame with men, by custom of the nation, | Is call'd, in women, only reputation:
About them both why keep we such a pother?
Part you with one, and I'll renounce the other. | quatrain |
Thomas Hardy | Leipzig | (1813)
Scene: The Master-tradesmen's Parlour at the Old Ship Inn, Casterbridge. Evening.
"Old Norbert with the flat blue cap
A German said to be -
Why let your pipe die on your lap,
Your eyes blink absently?" -
- "Ah! . . . Well, I had thought till my cheek was wet
Of my mother her voice and mien
When she used to sing and pirouette,
And touse the tambourine
"To the march that yon street-fiddler plies:
She told me 'twas the same
She'd heard from the trumpets, when the Allies
Her city overcame.
"My father was one of the German Hussars,
My mother of Leipzig; but he,
Long quartered here, fetched her at close of the wars,
And a Wessex lad reared me.
"And as I grew up, again and again
She'd tell, after trilling that air,
Of her youth, and the battles on Leipzig plain
And of all that was suffered there! . . .
" 'Twas a time of alarms. Three Chiefs-at-arms
Combined them to crush One,
And by numbers' might, for in equal fight
He stood the matched of none.
"Carl Schwarzenberg was of the plot,
And Blucher, prompt and prow,
And Jean the Crown-Prince Bernadotte:
Buonaparte was the foe.
"City and plain had felt his reign
From the North to the Middle Sea,
And he'd now sat down in the noble town
Of the King of Saxony.
"October's deep dew its wet gossamer threw
Upon Leipzig's lawns, leaf-strewn,
Where lately each fair avenue
Wrought shade for summer noon.
"To westward two dull rivers crept
Through miles of marsh and slough,
Whereover a streak of whiteness swept -
The Bridge of Lindenau.
"Hard by, in the City, the One, care-tossed,
Gloomed over his shrunken power;
And without the walls the hemming host
Waxed denser every hour.
"He had speech that night on the morrow's designs
With his chiefs by the bivouac fire,
While the belt of flames from the enemy's lines
Flared nigher him yet and nigher.
"Three sky-lights then from the girdling trine
Told, 'Ready!' As they rose
Their flashes seemed his Judgment-Sign
For bleeding Europe's woes.
"'Twas seen how the French watch-fires that night
Glowed still and steadily;
And the Three rejoiced, for they read in the sight
That the One disdained to flee . . .
" Five hundred guns began the affray
On next day morn at nine;
Such mad and mangling cannon-play
Had never torn human line.
"Around the town three battles beat,
Contracting like a gin;
As nearer marched the million feet
Of columns closing in.
"The first battle nighed on the low Southern side;
The second by the Western way;
The nearing of the third on the North was heard:
The French held all at bay.
"Against the first band did the Emperor stand;
Against the second stood Ney;
Marmont against the third gave the order-word:
Thus raged it throughout the day.
"Fifty thousand sturdy souls on those trampled plains and knolls,
Who met the dawn hopefully,
And were lotted their shares in a quarrel not theirs,
Dropt then in their agony.
"'O,' the old folks said, 'ye Preachers stern!
O so-called Christian time!
When will men's swords to ploughshares turn?
When come the promised prime?' . . .
" The clash of horse and man which that day began,
Closed not as evening wore;
And the morrow's armies, rear and van,
Still mustered more and more.
"From the City towers the Confederate Powers
Were eyed in glittering lines,
And up from the vast a murmuring passed
As from a wood of pines.
"''Tis well to cover a feeble skill
By numbers!' scoffed He;
'But give me a third of their strength, I'd fill
Half Hell with their soldiery!'
"All that day raged the war they waged,
And again dumb night held reign,
Save that ever upspread from the dark deathbed
A miles-wide pant of pain.
"Hard had striven brave Ney, the true Bertrand,
Victor, and Augereau,
Bold Poniatowski, and Lauriston,
To stay their overthrow;
"But, as in the dream of one sick to death
There comes a narrowing room
That pens him, body and limbs and breath,
To wait a hideous doom,
"So to Napoleon, in the hush
That held the town and towers
Through these dire nights, a creeping crush
Seemed inborne with the hours.
"One road to the rearward, and but one,
Did fitful Chance allow;
'Twas where the Pleiss' and Elster run -
The Bridge of Lindenau.
"The nineteenth dawned. Down street and Platz
The wasted French sank back,
Stretching long lines across the Flats
And on the bridge-way track;
"When there surged on the sky an earthen wave,
And stones, and men, as though
Some rebel churchyard crew updrave
Their sepulchres from below.
"To Heaven is blown Bridge Lindenau;
Wrecked regiments reel therefrom;
And rank and file in masses plough
The sullen Elster-Strom.
"A gulf was Lindenau; and dead
Were fifties, hundreds, tens;
And every current rippled red
With Marshal's blood and men's.
"The smart Macdonald swam therein,
And barely won the verge;
Bold Poniatowski plunged him in
Never to re-emerge.
"Then stayed the strife. The remnants wound
Their Rhineward way pell-mell;
And thus did Leipzig City sound
An Empire's passing bell;
"While in cavalcade, with band and blade,
Came Marshals, Princes, Kings;
And the town was theirs . . . Ay, as simple maid,
My mother saw these things!
"And whenever those notes in the street begin,
I recall her, and that far scene,
And her acting of how the Allies marched in,
And her touse of the tambourine!" | (1813)
Scene: The Master-tradesmen's Parlour at the Old Ship Inn, Casterbridge. Evening.
"Old Norbert with the flat blue cap
A German said to be -
Why let your pipe die on your lap,
Your eyes blink absently?" -
- "Ah! . . . Well, I had thought till my cheek was wet
Of my mother her voice and mien
When she used to sing and pirouette,
And touse the tambourine
"To the march that yon street-fiddler plies:
She told me 'twas the same
She'd heard from the trumpets, when the Allies
Her city overcame.
"My father was one of the German Hussars,
My mother of Leipzig; but he,
Long quartered here, fetched her at close of the wars,
And a Wessex lad reared me.
"And as I grew up, again and again
She'd tell, after trilling that air,
Of her youth, and the battles on Leipzig plain
And of all that was suffered there! . . .
" 'Twas a time of alarms. Three Chiefs-at-arms
Combined them to crush One,
And by numbers' might, for in equal fight
He stood the matched of none.
"Carl Schwarzenberg was of the plot,
And Blucher, prompt and prow,
And Jean the Crown-Prince Bernadotte:
Buonaparte was the foe.
"City and plain had felt his reign
From the North to the Middle Sea,
And he'd now sat down in the noble town
Of the King of Saxony.
"October's deep dew its wet gossamer threw
Upon Leipzig's lawns, leaf-strewn,
Where lately each fair avenue
Wrought shade for summer noon.
"To westward two dull rivers crept
Through miles of marsh and slough,
Whereover a streak of whiteness swept -
The Bridge of Lindenau.
"Hard by, in the City, the One, care-tossed,
Gloomed over his shrunken power;
And without the walls the hemming host
Waxed denser every hour.
"He had speech that night on the morrow's designs
With his chiefs by the bivouac fire, | While the belt of flames from the enemy's lines
Flared nigher him yet and nigher.
"Three sky-lights then from the girdling trine
Told, 'Ready!' As they rose
Their flashes seemed his Judgment-Sign
For bleeding Europe's woes.
"'Twas seen how the French watch-fires that night
Glowed still and steadily;
And the Three rejoiced, for they read in the sight
That the One disdained to flee . . .
" Five hundred guns began the affray
On next day morn at nine;
Such mad and mangling cannon-play
Had never torn human line.
"Around the town three battles beat,
Contracting like a gin;
As nearer marched the million feet
Of columns closing in.
"The first battle nighed on the low Southern side;
The second by the Western way;
The nearing of the third on the North was heard:
The French held all at bay.
"Against the first band did the Emperor stand;
Against the second stood Ney;
Marmont against the third gave the order-word:
Thus raged it throughout the day.
"Fifty thousand sturdy souls on those trampled plains and knolls,
Who met the dawn hopefully,
And were lotted their shares in a quarrel not theirs,
Dropt then in their agony.
"'O,' the old folks said, 'ye Preachers stern!
O so-called Christian time!
When will men's swords to ploughshares turn?
When come the promised prime?' . . .
" The clash of horse and man which that day began,
Closed not as evening wore;
And the morrow's armies, rear and van,
Still mustered more and more.
"From the City towers the Confederate Powers
Were eyed in glittering lines,
And up from the vast a murmuring passed
As from a wood of pines.
"''Tis well to cover a feeble skill
By numbers!' scoffed He;
'But give me a third of their strength, I'd fill
Half Hell with their soldiery!'
"All that day raged the war they waged,
And again dumb night held reign,
Save that ever upspread from the dark deathbed
A miles-wide pant of pain.
"Hard had striven brave Ney, the true Bertrand,
Victor, and Augereau,
Bold Poniatowski, and Lauriston,
To stay their overthrow;
"But, as in the dream of one sick to death
There comes a narrowing room
That pens him, body and limbs and breath,
To wait a hideous doom,
"So to Napoleon, in the hush
That held the town and towers
Through these dire nights, a creeping crush
Seemed inborne with the hours.
"One road to the rearward, and but one,
Did fitful Chance allow;
'Twas where the Pleiss' and Elster run -
The Bridge of Lindenau.
"The nineteenth dawned. Down street and Platz
The wasted French sank back,
Stretching long lines across the Flats
And on the bridge-way track;
"When there surged on the sky an earthen wave,
And stones, and men, as though
Some rebel churchyard crew updrave
Their sepulchres from below.
"To Heaven is blown Bridge Lindenau;
Wrecked regiments reel therefrom;
And rank and file in masses plough
The sullen Elster-Strom.
"A gulf was Lindenau; and dead
Were fifties, hundreds, tens;
And every current rippled red
With Marshal's blood and men's.
"The smart Macdonald swam therein,
And barely won the verge;
Bold Poniatowski plunged him in
Never to re-emerge.
"Then stayed the strife. The remnants wound
Their Rhineward way pell-mell;
And thus did Leipzig City sound
An Empire's passing bell;
"While in cavalcade, with band and blade,
Came Marshals, Princes, Kings;
And the town was theirs . . . Ay, as simple maid,
My mother saw these things!
"And whenever those notes in the street begin,
I recall her, and that far scene,
And her acting of how the Allies marched in,
And her touse of the tambourine!" | free_verse |
Emily Elizabeth Dickinson | Unwarned. | 'T is sunrise, little maid, hast thou
No station in the day?
'T was not thy wont to hinder so, --
Retrieve thine industry.
'T is noon, my little maid, alas!
And art thou sleeping yet?
The lily waiting to be wed,
The bee, dost thou forget?
My little maid, 't is night; alas,
That night should be to thee
Instead of morning! Hadst thou broached
Thy little plan to me,
Dissuade thee if I could not, sweet,
I might have aided thee. | 'T is sunrise, little maid, hast thou
No station in the day?
'T was not thy wont to hinder so, --
Retrieve thine industry. | 'T is noon, my little maid, alas!
And art thou sleeping yet?
The lily waiting to be wed,
The bee, dost thou forget?
My little maid, 't is night; alas,
That night should be to thee
Instead of morning! Hadst thou broached
Thy little plan to me,
Dissuade thee if I could not, sweet,
I might have aided thee. | sonnet |
Eric Mackay | Fairies. | VII.
Fairies.
Glory endures when calumny hath fled;
And fairies show themselves, in friendly guise,
To all who hold a trust beyond the dead,
And all who pray, albeit so worldly-wise,
With cheerful hearts or wildly-weeping eyes.
They come and go when children are in bed
To gladden them with dreams from out the skies
And sanctify all tears that they have shed!
Fairies are wing'd for wandering to and fro.
They live in legends; they survive the Greeks.
Wisdom is theirs; they live for us and grow,
Like things ambrosial, fairer than the freaks
Of signs and seasons which the poets know,
Or fires of sunset on the mountain-peaks.
| VII.
Fairies.
Glory endures when calumny hath fled;
And fairies show themselves, in friendly guise,
To all who hold a trust beyond the dead, | And all who pray, albeit so worldly-wise,
With cheerful hearts or wildly-weeping eyes.
They come and go when children are in bed
To gladden them with dreams from out the skies
And sanctify all tears that they have shed!
Fairies are wing'd for wandering to and fro.
They live in legends; they survive the Greeks.
Wisdom is theirs; they live for us and grow,
Like things ambrosial, fairer than the freaks
Of signs and seasons which the poets know,
Or fires of sunset on the mountain-peaks. | free_verse |
Robert Herrick | Upon Huncks. Epig. | Huncks has no money, he does swear or say,
About him, when the tavern's shot's to pay.
If he has none in 's pockets, trust me, Huncks
Has none at home in coffers, desks, or trunks. | Huncks has no money, he does swear or say, | About him, when the tavern's shot's to pay.
If he has none in 's pockets, trust me, Huncks
Has none at home in coffers, desks, or trunks. | quatrain |
Unknown | Nursery Rhyme. CCXLIII. Charms. | A Thatcher of Thatchwood went to Thatchet a thatching;
Did a thatcher of Thatchwood go to Thatchet a thatching?
If a thatcher of Thatchwood went to Thatchet a thatching,
Where's the thatching the thatcher of Thatchwood has thatch'd? | A Thatcher of Thatchwood went to Thatchet a thatching; | Did a thatcher of Thatchwood go to Thatchet a thatching?
If a thatcher of Thatchwood went to Thatchet a thatching,
Where's the thatching the thatcher of Thatchwood has thatch'd? | quatrain |
Robert Herrick | How Roses Came Red. | 'Tis said, as Cupid danc'd among
The gods he down the nectar flung,
Which on the white rose being shed
Made it for ever after red. | 'Tis said, as Cupid danc'd among | The gods he down the nectar flung,
Which on the white rose being shed
Made it for ever after red. | quatrain |
Johann Wolfgang von Goethe | The Best. | When head and heart are busy, say,
What better can be found?
Who neither loves nor goes astray,
Were better under ground. | When head and heart are busy, say, | What better can be found?
Who neither loves nor goes astray,
Were better under ground. | quatrain |
Emily Elizabeth Dickinson | The White Heat. | Dare you see a soul at the white heat?
Then crouch within the door.
Red is the fire's common tint;
But when the vivid ore
Has sated flame's conditions,
Its quivering substance plays
Without a color but the light
Of unanointed blaze.
Least village boasts its blacksmith,
Whose anvil's even din
Stands symbol for the finer forge
That soundless tugs within,
Refining these impatient ores
With hammer and with blaze,
Until the designated light
Repudiate the forge. | Dare you see a soul at the white heat?
Then crouch within the door.
Red is the fire's common tint;
But when the vivid ore
Has sated flame's conditions, | Its quivering substance plays
Without a color but the light
Of unanointed blaze.
Least village boasts its blacksmith,
Whose anvil's even din
Stands symbol for the finer forge
That soundless tugs within,
Refining these impatient ores
With hammer and with blaze,
Until the designated light
Repudiate the forge. | free_verse |
William Wordsworth | On The Sight Of A Manse In The South Of Scotland | Say, ye far-traveled clouds, far-seeing hills
Among the happiest-looking homes of men
Scattered all Britain over, through deep glen,
On airy upland, and by forest rills,
And o'er wide plains cheered by the lark that trills
His sky-born warblings, does aught meet your ken
More fit to animate the Poet's pen,
Aught that more surely by its aspect fills
Pure minds with sinless envy, than the Abode
Of the good Priest: who, faithful through all hours
To his high charge, and truly serving God,
Has yet a heart and hand for trees and flowers,
Enjoys the walks his predecessors trod,
Nor covets lineal rights in lands and towers. | Say, ye far-traveled clouds, far-seeing hills
Among the happiest-looking homes of men
Scattered all Britain over, through deep glen,
On airy upland, and by forest rills, | And o'er wide plains cheered by the lark that trills
His sky-born warblings, does aught meet your ken
More fit to animate the Poet's pen,
Aught that more surely by its aspect fills
Pure minds with sinless envy, than the Abode
Of the good Priest: who, faithful through all hours
To his high charge, and truly serving God,
Has yet a heart and hand for trees and flowers,
Enjoys the walks his predecessors trod,
Nor covets lineal rights in lands and towers. | sonnet |
Elizabeth Barrett Browning | Sonnets From The Portuguese II | But only three in all God's universe
Have heard this word thou hast said, Himself, beside
Thee speaking, and me listening! and replied
One of us . . . that was God, . . . and laid the curse
So darkly on my eyelids, as to amerce
My sight from seeing thee, that if I had died,
The death-weights, placed there, would have signified
Less absolute exclusion. 'Nay' is worse
From God than from all others, O my friend!
Men could not part us with their worldly jars,
Nor the seas change us, nor the tempests bend;
Our hands would touch for all the mountain-bars:
And, heaven being rolled between us at the end,
We should but vow the faster for the stars. | But only three in all God's universe
Have heard this word thou hast said, Himself, beside
Thee speaking, and me listening! and replied
One of us . . . that was God, . . . and laid the curse | So darkly on my eyelids, as to amerce
My sight from seeing thee, that if I had died,
The death-weights, placed there, would have signified
Less absolute exclusion. 'Nay' is worse
From God than from all others, O my friend!
Men could not part us with their worldly jars,
Nor the seas change us, nor the tempests bend;
Our hands would touch for all the mountain-bars:
And, heaven being rolled between us at the end,
We should but vow the faster for the stars. | sonnet |
Michael Drayton | Amour 34 | My fayre, looke from those turrets of thine eyes,
Into the Ocean of a troubled minde,
Where my poor soule, the Barke of sorrow, lyes,
Left to the mercy of the waues and winde.
See where she flotes, laden with purest loue,
Which those fayre Ilands of thy lookes affoord,
Desiring yet a thousand deaths to proue,
Then so to cast her Ballase ouerboard.
See how her sayles be rent, her tacklings worne,
Her Cable broke, her surest Anchor lost:
Her Marryners doe leaue her all forlorne,
Yet how shee bends towards that blessed Coast!
Loe! where she drownes in stormes of thy displeasure,
Whose worthy prize should haue enricht thy treasure. | My fayre, looke from those turrets of thine eyes,
Into the Ocean of a troubled minde,
Where my poor soule, the Barke of sorrow, lyes,
Left to the mercy of the waues and winde. | See where she flotes, laden with purest loue,
Which those fayre Ilands of thy lookes affoord,
Desiring yet a thousand deaths to proue,
Then so to cast her Ballase ouerboard.
See how her sayles be rent, her tacklings worne,
Her Cable broke, her surest Anchor lost:
Her Marryners doe leaue her all forlorne,
Yet how shee bends towards that blessed Coast!
Loe! where she drownes in stormes of thy displeasure,
Whose worthy prize should haue enricht thy treasure. | sonnet |
Edward Shanks | Song: Love in the Open Air. | I'll love you in the open air
But stuffy rooms and blazing fires
And mirrors with familiar stare
Cloak and befoul my high desires.
The dearest day that I have known
Was in the fields, when driving rain
Was like a veil around us thrown,
A grey close veil without a stain.
The young oak-tree was stripped and bare
But naked twigs a shelter made,
Where curious cows came round to stare
And stood astonished and dismayed.
Let it be rain or summer sun,
Smell of wet earth or scent of flowers,
Love, once more give me, give me one
Of these enchanted lover's hours.
| I'll love you in the open air
But stuffy rooms and blazing fires
And mirrors with familiar stare
Cloak and befoul my high desires.
The dearest day that I have known | Was in the fields, when driving rain
Was like a veil around us thrown,
A grey close veil without a stain.
The young oak-tree was stripped and bare
But naked twigs a shelter made,
Where curious cows came round to stare
And stood astonished and dismayed.
Let it be rain or summer sun,
Smell of wet earth or scent of flowers,
Love, once more give me, give me one
Of these enchanted lover's hours. | free_verse |
George MacDonald | A Winter Prayer. | Come through the gloom of clouded skies,
The slow dim rain and fog athwart;
Through east winds keen with wrong and lies
Come and lift up my hopeless heart.
Come through the sickness and the pain,
The sore unrest that tosses still;
Through aching dark that hides the gain
Come and arouse my fainting will.
Come through the prate of foolish words,
The science with no God behind;
Through all the pangs of untuned chords
Speak wisdom to my shaken mind.
Through all the fears that spirits bow
Of what hath been, or may befall,
Come down and talk with me, for thou
Canst tell me all about them all.
Hear, hear my sad lone heart entreat,
Heart of all joy, below, above!
Come near and let me kiss thy feet,
And name the names of those I love! | Come through the gloom of clouded skies,
The slow dim rain and fog athwart;
Through east winds keen with wrong and lies
Come and lift up my hopeless heart.
Come through the sickness and the pain,
The sore unrest that tosses still; | Through aching dark that hides the gain
Come and arouse my fainting will.
Come through the prate of foolish words,
The science with no God behind;
Through all the pangs of untuned chords
Speak wisdom to my shaken mind.
Through all the fears that spirits bow
Of what hath been, or may befall,
Come down and talk with me, for thou
Canst tell me all about them all.
Hear, hear my sad lone heart entreat,
Heart of all joy, below, above!
Come near and let me kiss thy feet,
And name the names of those I love! | free_verse |
Jean Blewett | The Ploughman. | Friend, mark these muscles; mine's a frame
Born, grown, and fitted for the toil.
My father, tiller of the soil,
Bequeathed them to me with my name.
Fear work? Nay, many times and oft
Upon my brow the sweat-bead stands,
And these two brown and sinewy hands,
Methinks, were never white or soft.
I earn my bread and know its worth,
Through days that chill and days that warm,
I wrest it with my strong right arm
From out the bosom of the earth.
The moneyed man may boast his wealth,
The high-born boast his pedigree,
But greater far, it seems to me,
My heritage of brawn and health.
My sinews strong, my sturdy frame,
My independence free and bold -
Mine is the richest dower, I hold,
And ploughman is a noble name.
Nor think me all uncouth and rough,
For, as I turn the furrows o'er,
Far clearer than the threshing-floor
I see the tender growing stuff.
A lab'rer, I, the long day through;
The lonely stretch of field and wood
Seem pleasant things to me, and good;
The river sings, the heaven's blue
Bends down so near the sun-crowned hill -
Thank God, I have the eyes to see
The beauty and the majesty
Of Nature, and the heart to thrill
At crimson sunset, dawn's soft flush,
The fields of gold that stretch afar,
The glimmer of the first pale star
That heralds in the evening's hush.
They lie who say that labor makes
A brute thing, an insensate clod,
Of man, the masterpiece of God;
They lie who say that labor takes
All from us save the lust of pelf,
Dulls eye, and ear, and soul, and mind,
For no man need be deaf or blind
Unless he wills it so himself.
This life I live's a goodly thing -
My soul keeps tune to one glad song
The while I turn the furrows long -
A ploughman happy as a king. | Friend, mark these muscles; mine's a frame
Born, grown, and fitted for the toil.
My father, tiller of the soil,
Bequeathed them to me with my name.
Fear work? Nay, many times and oft
Upon my brow the sweat-bead stands,
And these two brown and sinewy hands,
Methinks, were never white or soft.
I earn my bread and know its worth,
Through days that chill and days that warm,
I wrest it with my strong right arm
From out the bosom of the earth.
The moneyed man may boast his wealth,
The high-born boast his pedigree,
But greater far, it seems to me,
My heritage of brawn and health. | My sinews strong, my sturdy frame,
My independence free and bold -
Mine is the richest dower, I hold,
And ploughman is a noble name.
Nor think me all uncouth and rough,
For, as I turn the furrows o'er,
Far clearer than the threshing-floor
I see the tender growing stuff.
A lab'rer, I, the long day through;
The lonely stretch of field and wood
Seem pleasant things to me, and good;
The river sings, the heaven's blue
Bends down so near the sun-crowned hill -
Thank God, I have the eyes to see
The beauty and the majesty
Of Nature, and the heart to thrill
At crimson sunset, dawn's soft flush,
The fields of gold that stretch afar,
The glimmer of the first pale star
That heralds in the evening's hush.
They lie who say that labor makes
A brute thing, an insensate clod,
Of man, the masterpiece of God;
They lie who say that labor takes
All from us save the lust of pelf,
Dulls eye, and ear, and soul, and mind,
For no man need be deaf or blind
Unless he wills it so himself.
This life I live's a goodly thing -
My soul keeps tune to one glad song
The while I turn the furrows long -
A ploughman happy as a king. | free_verse |
Yehuda Amichai | My Child Wafts Peace | My child wafts peace.
When I lean over him,
It is not just the smell of soap.
All the people were children wafting peace.
(And in the whole land, not even one
Millstone remained that still turned).
Oh, the land torn like clothes
That can't be mended.
Hard, lonely fathers even in the cave of the Makhpela*
Childless silence.
My child wafts peace.
His mother's womb promised him
What God cannot
Promise us. | My child wafts peace.
When I lean over him,
It is not just the smell of soap.
All the people were children wafting peace. | (And in the whole land, not even one
Millstone remained that still turned).
Oh, the land torn like clothes
That can't be mended.
Hard, lonely fathers even in the cave of the Makhpela*
Childless silence.
My child wafts peace.
His mother's womb promised him
What God cannot
Promise us. | sonnet |
Alexander Pope | Epitaph V. Intended For Mr Rowe, In Westminster Abbey. | Thy relics, Rowe, to this fair urn we trust,
And sacred place by Dryden's awful dust:
Beneath a rude and nameless stone he lies,
To which thy tomb shall guide inquiring eyes.
Peace to thy gentle shade, and endless rest!
Blest in thy genius, in thy love, too, blest!
One grateful woman to thy fame supplies
What a whole thankless land to his denies. | Thy relics, Rowe, to this fair urn we trust,
And sacred place by Dryden's awful dust: | Beneath a rude and nameless stone he lies,
To which thy tomb shall guide inquiring eyes.
Peace to thy gentle shade, and endless rest!
Blest in thy genius, in thy love, too, blest!
One grateful woman to thy fame supplies
What a whole thankless land to his denies. | octave |
Robert Herrick | Upon Parrat. | Parrat protests 'tis he, and only he
Can teach a man the art of memory:
Believe him not; for he forgot it quite,
Being drunk, who 'twas that can'd his ribs last night. | Parrat protests 'tis he, and only he | Can teach a man the art of memory:
Believe him not; for he forgot it quite,
Being drunk, who 'twas that can'd his ribs last night. | quatrain |
William Blake | The Sick Rose | O rose, thou art sick!
The invisible worm,
That flies in the night,
In the howling storm,
Has found out thy bed
Of crimson joy,
And his dark secret love
Does thy life destroy. | O rose, thou art sick!
The invisible worm, | That flies in the night,
In the howling storm,
Has found out thy bed
Of crimson joy,
And his dark secret love
Does thy life destroy. | octave |
Emily Elizabeth Dickinson | Power. | You cannot put a fire out;
A thing that can ignite
Can go, itself, without a fan
Upon the slowest night.
You cannot fold a flood
And put it in a drawer, --
Because the winds would find it out,
And tell your cedar floor. | You cannot put a fire out;
A thing that can ignite | Can go, itself, without a fan
Upon the slowest night.
You cannot fold a flood
And put it in a drawer, --
Because the winds would find it out,
And tell your cedar floor. | octave |
Unknown | Nursery Rhyme. CCLVII. Gaffers And Gammers. | A little old man and I fell out;
How shall we bring this matter about?
Bring it about as well as you can,
Get you gone, you little old man! | A little old man and I fell out; | How shall we bring this matter about?
Bring it about as well as you can,
Get you gone, you little old man! | quatrain |
Unknown | Nursery Rhyme. CCCLXXX. Lullabies. | Hushy baby, my doll, I pray you don't cry,
And I'll give you some bread and some milk by and bye;
Or, perhaps you like custard, or may-be a tart, -
Then to either you're welcome, with all my whole heart. | Hushy baby, my doll, I pray you don't cry, | And I'll give you some bread and some milk by and bye;
Or, perhaps you like custard, or may-be a tart, -
Then to either you're welcome, with all my whole heart. | quatrain |
William Butler Yeats | Sweet Dancer | The girl goes dancing there
On the leaf-sown, new-mown, smooth
Grass plot of the garden;
Escaped from bitter youth,
Escaped out of her crowd,
Or out of her black cloud.
i(Ah, dancer, ah, sweet dancer.!)
If strange men come from the house
To lead her away, do not say
That she is happy being crazy;
Lead them gently astray;
Let her finish her dance,
Let her finish her dance.
i(Ah, dancer, ah, sweet dancer.!) | The girl goes dancing there
On the leaf-sown, new-mown, smooth
Grass plot of the garden;
Escaped from bitter youth, | Escaped out of her crowd,
Or out of her black cloud.
i(Ah, dancer, ah, sweet dancer.!)
If strange men come from the house
To lead her away, do not say
That she is happy being crazy;
Lead them gently astray;
Let her finish her dance,
Let her finish her dance.
i(Ah, dancer, ah, sweet dancer.!) | sonnet |
Sara Teasdale | A Little While | A little while when I am gone
My life will live in music after me,
As spun foam lifted and borne on
After the wave is lost in the full sea.
A while these nights and days will burn
In song with the bright frailty of foam,
Living in light before they turn
Back to the nothingness that is their home. | A little while when I am gone
My life will live in music after me, | As spun foam lifted and borne on
After the wave is lost in the full sea.
A while these nights and days will burn
In song with the bright frailty of foam,
Living in light before they turn
Back to the nothingness that is their home. | octave |
Madison Julius Cawein | The Wind Of Winter | The Winter Wind, the wind of death,
Who knocked upon my door,
Now through the key-hole entereth,
Invisible and hoar;
He breathes around his icy breath
And treads the flickering floor.
I heard him, wandering in the night,
Tap at my window pane,
With ghostly fingers, snowy white,
I heard him tug in vain,
Until the shuddering candle-light
With fear did cringe and strain.
The fire, awakened by his voice,
Leapt up with frantic arms,
Like some wild babe that greets with noise
Its father home who storms,
With rosy gestures that rejoice
And crimson kiss that warms.
Now in the hearth he sits and, drowned
Among the ashes, blows;
Or through the room goes stealing 'round
On cautious-stepping toes,
Deep mantled in the drowsy sound
Of night that sleets and snows.
And oft, like some thin fairy-thing,
The stormy hush amid,
I hear his captive trebles ring
Beneath the kettle's lid;
Or now a harp of elfland string
In some dark cranny hid.
Again I hear him, imp-like, whine
Cramped in the gusty flue;
Or knotted in the resinous pine
Raise goblin cry and hue,
While through the smoke his eyeballs shine,
A sooty red and blue.
At last I hear him, nearing dawn,
Take up his roaring broom,
And sweep wild leaves from wood and lawn,
And from the heavens the gloom,
To show the gaunt world lying wan,
And morn's cold rose a-bloom. | The Winter Wind, the wind of death,
Who knocked upon my door,
Now through the key-hole entereth,
Invisible and hoar;
He breathes around his icy breath
And treads the flickering floor.
I heard him, wandering in the night,
Tap at my window pane,
With ghostly fingers, snowy white,
I heard him tug in vain,
Until the shuddering candle-light
With fear did cringe and strain.
The fire, awakened by his voice,
Leapt up with frantic arms, | Like some wild babe that greets with noise
Its father home who storms,
With rosy gestures that rejoice
And crimson kiss that warms.
Now in the hearth he sits and, drowned
Among the ashes, blows;
Or through the room goes stealing 'round
On cautious-stepping toes,
Deep mantled in the drowsy sound
Of night that sleets and snows.
And oft, like some thin fairy-thing,
The stormy hush amid,
I hear his captive trebles ring
Beneath the kettle's lid;
Or now a harp of elfland string
In some dark cranny hid.
Again I hear him, imp-like, whine
Cramped in the gusty flue;
Or knotted in the resinous pine
Raise goblin cry and hue,
While through the smoke his eyeballs shine,
A sooty red and blue.
At last I hear him, nearing dawn,
Take up his roaring broom,
And sweep wild leaves from wood and lawn,
And from the heavens the gloom,
To show the gaunt world lying wan,
And morn's cold rose a-bloom. | free_verse |
William Butler Yeats | The Choice | The intellect of man is forced to choose
perfection of the life, or of the work,
And if it take the second must refuse
A heavenly mansion, raging in the dark.
When all that story's finished, what's the news?
In luck or out the toil has left its mark:
That old perplexity an empty purse,
Or the day's vanity, the night's remorse. | The intellect of man is forced to choose
perfection of the life, or of the work, | And if it take the second must refuse
A heavenly mansion, raging in the dark.
When all that story's finished, what's the news?
In luck or out the toil has left its mark:
That old perplexity an empty purse,
Or the day's vanity, the night's remorse. | octave |
William Browne | Visions - Sonnet - 4 | A gentle shepherd, born in Arcady,
That well could tune his pipe, and deftly play
The nymphs asleep with rural minstrelsy,
Methought I saw, upon a summer's day,
Take up a little satyr in a wood,
All masterless forlorn as none did know him,
And nursing him with those of his own blood,
On mighty Pan he lastly did bestow him;
But with the god he long time had not been,
Ere he the shepherd and himself forgot,
And most ingrateful, ever stepp'd between
Pan and all good befell the poor man's lot:
Whereat all good men griev'd, and strongly swore
They never would be foster-fathers more. | A gentle shepherd, born in Arcady,
That well could tune his pipe, and deftly play
The nymphs asleep with rural minstrelsy,
Methought I saw, upon a summer's day, | Take up a little satyr in a wood,
All masterless forlorn as none did know him,
And nursing him with those of his own blood,
On mighty Pan he lastly did bestow him;
But with the god he long time had not been,
Ere he the shepherd and himself forgot,
And most ingrateful, ever stepp'd between
Pan and all good befell the poor man's lot:
Whereat all good men griev'd, and strongly swore
They never would be foster-fathers more. | sonnet |
John Clare | The Maple Tree | The maple with its tassel flowers of green,
That turns to red a staghorn-shaped seed,
Just spreading out its scolloped leaves is seen,
Of yellowish hue, yet beautifully green;
Bark ribbed like corderoy in seamy screed,
That farther up the stem is smoother seen,
Where the white hemlock with white umbel flowers
Up each spread stoven to the branches towers;
And moss around the stoven spreads, dark green,
And blotched leaved orchis, and the blue bell flowers;
Thickly they grow and neath the leaves are seen;
I love to see them gemmed with morning hours,
I love the lone green places where they be,
And the sweet clothing of the maple tree. | The maple with its tassel flowers of green,
That turns to red a staghorn-shaped seed,
Just spreading out its scolloped leaves is seen,
Of yellowish hue, yet beautifully green; | Bark ribbed like corderoy in seamy screed,
That farther up the stem is smoother seen,
Where the white hemlock with white umbel flowers
Up each spread stoven to the branches towers;
And moss around the stoven spreads, dark green,
And blotched leaved orchis, and the blue bell flowers;
Thickly they grow and neath the leaves are seen;
I love to see them gemmed with morning hours,
I love the lone green places where they be,
And the sweet clothing of the maple tree. | sonnet |
Oliver Herford | Napoleon | I like to draw Napoleon best
Because one hand is in his vest,
The other hand behind his back.
(For drawing hands I have no knack.) | I like to draw Napoleon best | Because one hand is in his vest,
The other hand behind his back.
(For drawing hands I have no knack.) | quatrain |
John Alexander McCrae | In Due Season | If night should come and find me at my toil,
When all Life's day I had, tho' faintly, wrought,
And shallow furrows, cleft in stony soil
Were all my labour: Shall I count it naught
If only one poor gleaner, weak of hand,
Shall pick a scanty sheaf where I have sown?
"Nay, for of thee the Master doth demand
Thy work: the harvest rests with Him alone." | If night should come and find me at my toil,
When all Life's day I had, tho' faintly, wrought, | And shallow furrows, cleft in stony soil
Were all my labour: Shall I count it naught
If only one poor gleaner, weak of hand,
Shall pick a scanty sheaf where I have sown?
"Nay, for of thee the Master doth demand
Thy work: the harvest rests with Him alone." | octave |
Henry John Newbolt, Sir | Against Oblivion | Cities drowned in olden time
Keep, they say, a magic chime
Rolling up from far below
When the moon-led waters flow.
So within me, ocean deep,
Lies a sunken world asleep.
Lest its bells forget to ring,
Memory! set the tide a-swing! | Cities drowned in olden time
Keep, they say, a magic chime | Rolling up from far below
When the moon-led waters flow.
So within me, ocean deep,
Lies a sunken world asleep.
Lest its bells forget to ring,
Memory! set the tide a-swing! | octave |
Madison Julius Cawein | The Dunes | Far as the eye can see, in domes and spires,
Buttress and curve, ruins of shifting sand,
In whose wild making wind and sea took hand,
The white dunes stretch. The wind, that never tires,
Striving for strange effects that he admires,
Changes their form from time to time; the land
Forever passive to his mad demand,
And to the sea's, who with the wind conspires.
Here, as on towers of desolate cities, bay
And wire-grass grow, wherein no insect cries,
Only a bird, the swallow of the sea,
That homes in sand. I hear it far away
Crying or is it some lost soul that flies,
Above the land, ailing unceasingly? | Far as the eye can see, in domes and spires,
Buttress and curve, ruins of shifting sand,
In whose wild making wind and sea took hand,
The white dunes stretch. The wind, that never tires, | Striving for strange effects that he admires,
Changes their form from time to time; the land
Forever passive to his mad demand,
And to the sea's, who with the wind conspires.
Here, as on towers of desolate cities, bay
And wire-grass grow, wherein no insect cries,
Only a bird, the swallow of the sea,
That homes in sand. I hear it far away
Crying or is it some lost soul that flies,
Above the land, ailing unceasingly? | sonnet |
Sara Teasdale | Primavera Mia | As kings who see their little life-day pass,
Take off the heavy ermine and the crown,
So had the trees that autumn-time laid down
Their golden garments on the faded grass,
When I, who watched the seasons in the glass
Of mine own thoughts, saw all the autumn's brown
Leap into life and don a sunny gown
Of leafage such as happy April has.
Great spring came singing upward from the south;
For in my heart, far carried on the wind,
Your words like winged seeds took root and grew,
And all the world caught music from your mouth;
I saw the light as one who had been blind,
And knew my sun and song and spring were you. | As kings who see their little life-day pass,
Take off the heavy ermine and the crown,
So had the trees that autumn-time laid down
Their golden garments on the faded grass, | When I, who watched the seasons in the glass
Of mine own thoughts, saw all the autumn's brown
Leap into life and don a sunny gown
Of leafage such as happy April has.
Great spring came singing upward from the south;
For in my heart, far carried on the wind,
Your words like winged seeds took root and grew,
And all the world caught music from your mouth;
I saw the light as one who had been blind,
And knew my sun and song and spring were you. | sonnet |
Emily Elizabeth Dickinson | "Two Swimmers Wrestled On The Spar" | Two swimmers wrestled on the spar
Until the morning sun,
When one turned smiling to the land.
O God, the other one!
The stray ships passing spied a face
Upon the waters borne,
With eyes in death still begging raised,
And hands beseeching thrown. | Two swimmers wrestled on the spar
Until the morning sun, | When one turned smiling to the land.
O God, the other one!
The stray ships passing spied a face
Upon the waters borne,
With eyes in death still begging raised,
And hands beseeching thrown. | octave |
William Wordsworth | Memorials Of A Tour On The Continent, 1820 - XXVIII. - The Column Intended By Buonaparte For A Triumphal Edifice In Milan, Now Lying By The Way-Side In The Simplon Pass | Ambition, following down this far-famed slope
Her Pioneer, the snow-dissolving Sun,
While clarions prate of kingdoms to be won
Perchance, in future ages, here may stop;
Taught to mistrust her flattering horoscope
By admonition from this prostrate Stone!
Memento uninscribed of Pride o'erthrown;
Vanity's hieroglyphic; a choice trope
In Fortune's rhetoric. Daughter of the Rock,
Rest where thy course was stayed by Power divine!
The Soul transported sees, from hint of thine,
Crimes which the great Avenger's hand provoke,
Hears combats whistling o'er the ensanguined heath:
What groans! what shrieks! what quietness in death. | Ambition, following down this far-famed slope
Her Pioneer, the snow-dissolving Sun,
While clarions prate of kingdoms to be won
Perchance, in future ages, here may stop; | Taught to mistrust her flattering horoscope
By admonition from this prostrate Stone!
Memento uninscribed of Pride o'erthrown;
Vanity's hieroglyphic; a choice trope
In Fortune's rhetoric. Daughter of the Rock,
Rest where thy course was stayed by Power divine!
The Soul transported sees, from hint of thine,
Crimes which the great Avenger's hand provoke,
Hears combats whistling o'er the ensanguined heath:
What groans! what shrieks! what quietness in death. | sonnet |
James Thomson - (Bysshe Vanolis) | Life's Hebe | In the early morning-shine
Of a certain day divine,
I beheld a Maiden stand
With a pitcher in her hand;
Whence she poured into a cup
Until it was half filled up
Nectar that was golden light
In the cup of crystal bright.
And the first who took the cup
With pure water filled it up;
As he drank then, it was more
Ruddy golden than before:
And he leapt and danced and sang
As to Bacchic cymbals' clang.
But the next who took the cup
With the red wine filled it up;
What he drank then was in hue
Of a heavy sombre blue:
First he reeled and then he crept,
Then lay faint but never slept.
And the next who took the cup
With the white milk filled it up;
What he drank at first seemed blood,
Then turned thick and brown as mud:
And he moved away as slow
As a weary ox may go.
But the next who took the cup
With sweet honey filled it up;
Nathless that which he did drink
Was thin fluid black as ink:
As he went he stumbled, soon,
And lay still in deathlike swoon.
She the while without a word
Unto all the cup preferred;
Blandly smiled and sweetly laughed
As each mingled his own draught.
And the next who took the cup
To the sunshine held it up,
Gave it back and did not taste;
It was empty when replaced:
First he bowed a reverent bow,
Then he kissed her on the brow.
But the next who took the cup
Without mixture drank it up;
When she took it back from him
It was full unto the brim:
He with a right bold embrace
Kissed her sweet lips face to face.
Then she sang with blithest cheer:
Who has thirst, come here, come here!
Nectar that is golden light
In the cup of crystal bright,
Nectar that is sunny fire
Warm as warmest heart's desire:
Pitcher never lacketh more,
Arm is never tired to pour:
Honey, water, milk, or wine
Mingle with the draught divine,
Drink it pure, or drink it not;
Each is free to choose his lot:
Am I old? or am I cold?
Only two have kissed me bold!
She was young and fair and gay
As that young and gloriousday. | In the early morning-shine
Of a certain day divine,
I beheld a Maiden stand
With a pitcher in her hand;
Whence she poured into a cup
Until it was half filled up
Nectar that was golden light
In the cup of crystal bright.
And the first who took the cup
With pure water filled it up;
As he drank then, it was more
Ruddy golden than before:
And he leapt and danced and sang
As to Bacchic cymbals' clang.
But the next who took the cup
With the red wine filled it up;
What he drank then was in hue
Of a heavy sombre blue:
First he reeled and then he crept,
Then lay faint but never slept.
And the next who took the cup | With the white milk filled it up;
What he drank at first seemed blood,
Then turned thick and brown as mud:
And he moved away as slow
As a weary ox may go.
But the next who took the cup
With sweet honey filled it up;
Nathless that which he did drink
Was thin fluid black as ink:
As he went he stumbled, soon,
And lay still in deathlike swoon.
She the while without a word
Unto all the cup preferred;
Blandly smiled and sweetly laughed
As each mingled his own draught.
And the next who took the cup
To the sunshine held it up,
Gave it back and did not taste;
It was empty when replaced:
First he bowed a reverent bow,
Then he kissed her on the brow.
But the next who took the cup
Without mixture drank it up;
When she took it back from him
It was full unto the brim:
He with a right bold embrace
Kissed her sweet lips face to face.
Then she sang with blithest cheer:
Who has thirst, come here, come here!
Nectar that is golden light
In the cup of crystal bright,
Nectar that is sunny fire
Warm as warmest heart's desire:
Pitcher never lacketh more,
Arm is never tired to pour:
Honey, water, milk, or wine
Mingle with the draught divine,
Drink it pure, or drink it not;
Each is free to choose his lot:
Am I old? or am I cold?
Only two have kissed me bold!
She was young and fair and gay
As that young and gloriousday. | free_verse |
Frances Anne Kemble (Fanny) | To ---- | When we first met, dark wintry skies were glooming,
And the wild winds sang requiem to the year;
But thou, in all thy beauty's pride wert blooming,
And my young heart knew hope without a fear.
When we last parted, summer suns were smiling,
And the bright earth her flowery vesture wore;
But thou hadst lost the power of beguiling,
For my wrecked, wearied heart, could hope no more. | When we first met, dark wintry skies were glooming,
And the wild winds sang requiem to the year; | But thou, in all thy beauty's pride wert blooming,
And my young heart knew hope without a fear.
When we last parted, summer suns were smiling,
And the bright earth her flowery vesture wore;
But thou hadst lost the power of beguiling,
For my wrecked, wearied heart, could hope no more. | octave |
Fernando Ant'nio Nogueira Pessoa | Sonnet VI. | As a bad orator, badly o'er-book-skilled,
Doth overflow his purpose with made heat,
And, like a clock, winds with withoutness willed
What should have been an inner instinct's feat;
Or as a prose-wit, harshly poet turned,
Lacking the subtler music in his measure,
With useless care labours but to be spurned,
Courting in alien speech the Muse's pleasure;
I study how to love or how to hate,
Estranged by consciousness from sentiment,
With a thought feeling forced to be sedate
Even when the feeling's nature is violent;
As who would learn to swim without the river,
When nearest to the trick, as far as ever. | As a bad orator, badly o'er-book-skilled,
Doth overflow his purpose with made heat,
And, like a clock, winds with withoutness willed
What should have been an inner instinct's feat; | Or as a prose-wit, harshly poet turned,
Lacking the subtler music in his measure,
With useless care labours but to be spurned,
Courting in alien speech the Muse's pleasure;
I study how to love or how to hate,
Estranged by consciousness from sentiment,
With a thought feeling forced to be sedate
Even when the feeling's nature is violent;
As who would learn to swim without the river,
When nearest to the trick, as far as ever. | sonnet |
Jean Ingelow | Wishing. | When I reflect how little I have done,
And add to that how little I have seen,
Then furthermore how little I have won
Of joy, or good, how little known, or been:
I long for other life more full, more keen,
And yearn to change with such as well have run -
Yet reason mocks me - nay, the soul, I ween,
Granted her choice would dare to change with none;
No, - not to feel, as Blondel when his lay
Pierced the strong tower, and Richard answered it -
No, - not to do, as Eustace on the day
He left fair Calais to her weeping lit -
No, - not to be, Columbus, waked from sleep
When his new world rose from the charm'd deep. | When I reflect how little I have done,
And add to that how little I have seen,
Then furthermore how little I have won
Of joy, or good, how little known, or been: | I long for other life more full, more keen,
And yearn to change with such as well have run -
Yet reason mocks me - nay, the soul, I ween,
Granted her choice would dare to change with none;
No, - not to feel, as Blondel when his lay
Pierced the strong tower, and Richard answered it -
No, - not to do, as Eustace on the day
He left fair Calais to her weeping lit -
No, - not to be, Columbus, waked from sleep
When his new world rose from the charm'd deep. | sonnet |
Francesco Petrarca (Petrarch) | To Laura In Death. Sonnet XXVII. | Soleano i miei pensier soavemente.
HE COMFORTS HIMSELF WITH THE HOPE THAT SHE HEARS HIM.
My thoughts in fair alliance and array
Hold converse on the theme which most endears:
Pity approaches and repents delay:
E'en now she speaks of us, or hopes, or fears.
Since the last day, the terrible hour when Fate
This present life of her fair being reft,
From heaven she sees, and hears, and feels our state:
No other hope than this to me is left.
O fairest miracle! most fortunate mind!
O unexampled beauty, stately, rare!
Whence lent too late, too soon, alas! rejoin'd.
Hers is the crown and palm of good deeds there,
Who to the world so eminent and clear
Made her great virtue and my passion here.
MACGREGOR.
My thoughts were wont with sentiment so sweet
To meditate their object in my breast--
Perhaps her sympathies my wishes meet
With gentlest pity, seeing me distress'd:
Nor when removed to that her sacred rest
The present life changed for that blest retreat,
Vanish'd in air my former visions fleet,
My hopes, my tears, in vain to her address'd.
O lovely miracle! O favour'd mind!
Beauty beyond example high and rare,
So soon return'd from us to whence it came!
There the immortal wreaths her temples bind;
The sacred palm is hers: on earth so fair
Who shone by her own virtues and my flame.
CAPEL LOFFT. | Soleano i miei pensier soavemente.
HE COMFORTS HIMSELF WITH THE HOPE THAT SHE HEARS HIM.
My thoughts in fair alliance and array
Hold converse on the theme which most endears:
Pity approaches and repents delay:
E'en now she speaks of us, or hopes, or fears.
Since the last day, the terrible hour when Fate
This present life of her fair being reft,
From heaven she sees, and hears, and feels our state:
No other hope than this to me is left. | O fairest miracle! most fortunate mind!
O unexampled beauty, stately, rare!
Whence lent too late, too soon, alas! rejoin'd.
Hers is the crown and palm of good deeds there,
Who to the world so eminent and clear
Made her great virtue and my passion here.
MACGREGOR.
My thoughts were wont with sentiment so sweet
To meditate their object in my breast--
Perhaps her sympathies my wishes meet
With gentlest pity, seeing me distress'd:
Nor when removed to that her sacred rest
The present life changed for that blest retreat,
Vanish'd in air my former visions fleet,
My hopes, my tears, in vain to her address'd.
O lovely miracle! O favour'd mind!
Beauty beyond example high and rare,
So soon return'd from us to whence it came!
There the immortal wreaths her temples bind;
The sacred palm is hers: on earth so fair
Who shone by her own virtues and my flame.
CAPEL LOFFT. | free_verse |
Walt Whitman | The Runner | On a flat road runs the well-train'd runner;
He is lean and sinewy, with muscular legs;
He is thinly clothed he leans forward as he runs,
With lightly closed fists, and arms partially rais'd. | On a flat road runs the well-train'd runner; | He is lean and sinewy, with muscular legs;
He is thinly clothed he leans forward as he runs,
With lightly closed fists, and arms partially rais'd. | quatrain |
Robert Burns | Poem On Pastoral Poetry. | Hail Poesie! thou Nymph reserv'd!
In chase o' thee, what crowds hae swerv'd
Frae common sense, or sunk enerv'd
'Mang heaps o' clavers;
And och! o'er aft thy joes hae starv'd
Mid a' thy favours!
Say, Lassie, why thy train amang,
While loud the trump's heroic clang,
And sock or buskin skelp alang,
To death or marriage;
Scarce ane has tried the shepherd-sang
But wi' miscarriage?
In Homer's craft Jock Milton thrives;
Eschylus' pen Will Shakspeare drives;
Wee Pope, the knurlin, 'till him rives
Horatian fame;
In thy sweet sang, Barbauld, survives
Even Sappho's flame.
But thee, Theocritus, wha matches?
They're no herd's ballats, Maro's catches;
Squire Pope but busks his skinklin patches
O' heathen tatters;
I pass by hunders, nameless wretches,
That ape their betters.
In this braw age o' wit and lear,
Will nane the Shepherd's whistle mair
Blaw sweetly in its native air
And rural grace;
And wi' the far-fam'd Grecian share
A rival place?
Yes! there is ane; a Scottish callan,
There's ane; come forrit, honest Allan!
Thou need na jouk behint the hallan,
A chiel sae clever;
The teeth o' time may gnaw Tantallan,
But thou's for ever!
Thou paints auld nature to the nines,
In thy sweet Caledonian lines;
Nae gowden stream thro' myrtles twines,
Where Philomel,
While nightly breezes sweep the vines,
Her griefs will tell!
In gowany glens thy burnie strays,
Where bonnie lasses bleach their claes;
Or trots by hazelly shaws and braes,
Wi' hawthorns gray,
Where blackbirds join the shepherd's lays
At close o' day.
Thy rural loves are nature's sel';
Nae bombast spates o' nonsense swell;
Nae snap conceits, but that sweet spell
O' witchin' love;
That charm that can the strongest quell,
The sternest move. | Hail Poesie! thou Nymph reserv'd!
In chase o' thee, what crowds hae swerv'd
Frae common sense, or sunk enerv'd
'Mang heaps o' clavers;
And och! o'er aft thy joes hae starv'd
Mid a' thy favours!
Say, Lassie, why thy train amang,
While loud the trump's heroic clang,
And sock or buskin skelp alang,
To death or marriage;
Scarce ane has tried the shepherd-sang
But wi' miscarriage?
In Homer's craft Jock Milton thrives;
Eschylus' pen Will Shakspeare drives;
Wee Pope, the knurlin, 'till him rives
Horatian fame;
In thy sweet sang, Barbauld, survives
Even Sappho's flame. | But thee, Theocritus, wha matches?
They're no herd's ballats, Maro's catches;
Squire Pope but busks his skinklin patches
O' heathen tatters;
I pass by hunders, nameless wretches,
That ape their betters.
In this braw age o' wit and lear,
Will nane the Shepherd's whistle mair
Blaw sweetly in its native air
And rural grace;
And wi' the far-fam'd Grecian share
A rival place?
Yes! there is ane; a Scottish callan,
There's ane; come forrit, honest Allan!
Thou need na jouk behint the hallan,
A chiel sae clever;
The teeth o' time may gnaw Tantallan,
But thou's for ever!
Thou paints auld nature to the nines,
In thy sweet Caledonian lines;
Nae gowden stream thro' myrtles twines,
Where Philomel,
While nightly breezes sweep the vines,
Her griefs will tell!
In gowany glens thy burnie strays,
Where bonnie lasses bleach their claes;
Or trots by hazelly shaws and braes,
Wi' hawthorns gray,
Where blackbirds join the shepherd's lays
At close o' day.
Thy rural loves are nature's sel';
Nae bombast spates o' nonsense swell;
Nae snap conceits, but that sweet spell
O' witchin' love;
That charm that can the strongest quell,
The sternest move. | free_verse |
Victor James Daley | The Gods | Last night, as one who hears a tragic jest,
I woke from dreams, half-laughing, half in tears;
Methought that I had journeyed in the spheres
And stood upon the Planet of the Blest!
And found thereon a folk who prayed with zest
Exceeding, and through all their painful years,
Like strong souls struggled on, 'mid hopes and fears;
'Where dwell the gods,' they said, 'we shall find rest.'
The gods? What gods, I thought, are these who so
Inspire their worshippers with faith that flowers
Immortal, and who make them keep aglow
The flames for ever on their altar-towers?
'Where dwell these gods of yours?' I asked, and lo!
They pointed upward to this earth of ours! | Last night, as one who hears a tragic jest,
I woke from dreams, half-laughing, half in tears;
Methought that I had journeyed in the spheres
And stood upon the Planet of the Blest! | And found thereon a folk who prayed with zest
Exceeding, and through all their painful years,
Like strong souls struggled on, 'mid hopes and fears;
'Where dwell the gods,' they said, 'we shall find rest.'
The gods? What gods, I thought, are these who so
Inspire their worshippers with faith that flowers
Immortal, and who make them keep aglow
The flames for ever on their altar-towers?
'Where dwell these gods of yours?' I asked, and lo!
They pointed upward to this earth of ours! | sonnet |
Anna Seward | Sonnet LXIX. To A Young Lady, Purposing To Marry A Man Of Immoral Character In The Hope Of His Reformation. | Time, and thy charms, thou fanciest will redeem
Yon aweless Libertine from rooted vice.
Misleading thought! has he not paid the price,
His taste for virtue? - Ah, the sensual stream
Has flow'd too long. - What charms can so entice,
What frequent guilt so pall, as not to shame
The rash belief, presumptuous and unwise,
That crimes habitual will forsake the Frame? -
[1]Thus, on the river's bank, in fabled lore,
The Rustic stands; sees the stream swiftly go,
And thinks he soon shall find the gulph below
A channel dry, which he may safe pass o'er. -
Vain hope! - it flows - and flows - and yet will flow,
Volume decreaseless, to the FINAL HOUR.
1:
"Rusticus exspectat dum defluit amnis: at ille Labitur, et labetur in omne volubilis 'vum." HORACE.
| Time, and thy charms, thou fanciest will redeem
Yon aweless Libertine from rooted vice.
Misleading thought! has he not paid the price,
His taste for virtue? - Ah, the sensual stream
Has flow'd too long. - What charms can so entice, | What frequent guilt so pall, as not to shame
The rash belief, presumptuous and unwise,
That crimes habitual will forsake the Frame? -
[1]Thus, on the river's bank, in fabled lore,
The Rustic stands; sees the stream swiftly go,
And thinks he soon shall find the gulph below
A channel dry, which he may safe pass o'er. -
Vain hope! - it flows - and flows - and yet will flow,
Volume decreaseless, to the FINAL HOUR.
1:
"Rusticus exspectat dum defluit amnis: at ille Labitur, et labetur in omne volubilis 'vum." HORACE. | free_verse |
Oliver Herford | Hiram Maxim | From Hiram Maxim's hair you'd think
His specialty was spilling ink--
You'd never dream he'd spilt more blood
Than any one man since the Flood. | From Hiram Maxim's hair you'd think | His specialty was spilling ink--
You'd never dream he'd spilt more blood
Than any one man since the Flood. | quatrain |
George MacDonald | Thy Heart | Make not of thy heart a casket,
Opening seldom, quick to close;
But of bread a wide-mouthed basket,
Or a cup that overflows. | Make not of thy heart a casket, | Opening seldom, quick to close;
But of bread a wide-mouthed basket,
Or a cup that overflows. | quatrain |
Walt Whitman | City Of Ships | City of ships!
(O the black ships! O the fierce ships!
O the beautiful, sharp-bow'd steam-ships and sail-ships!)
City of the world! (for all races are here;
All the lands of the earth make contributions here;)
City of the sea! city of hurried and glittering tides!
City whose gleeful tides continually rush or recede, whirling in and out, with eddies and foam!
City of wharves and stores! city of tall fa'ades of marble and iron!
Proud and passionate city! mettlesome, mad, extravagant city!
Spring up, O city! not for peace alone, but be indeed yourself, warlike!
Fear not! submit to no models but your own, O city!
Behold me! incarnate me, as I have incarnated you!
I have rejected nothing you offer'd me--whom you adopted, I have adopted;
Good or bad, I never question you--I love all--I do not condemn anything;
I chant and celebrate all that is yours--yet peace no more;
In peace I chanted peace, but now the drum of war is mine;
War, red war, is my song through your streets, O city! | City of ships!
(O the black ships! O the fierce ships!
O the beautiful, sharp-bow'd steam-ships and sail-ships!)
City of the world! (for all races are here;
All the lands of the earth make contributions here;) | City of the sea! city of hurried and glittering tides!
City whose gleeful tides continually rush or recede, whirling in and out, with eddies and foam!
City of wharves and stores! city of tall fa'ades of marble and iron!
Proud and passionate city! mettlesome, mad, extravagant city!
Spring up, O city! not for peace alone, but be indeed yourself, warlike!
Fear not! submit to no models but your own, O city!
Behold me! incarnate me, as I have incarnated you!
I have rejected nothing you offer'd me--whom you adopted, I have adopted;
Good or bad, I never question you--I love all--I do not condemn anything;
I chant and celebrate all that is yours--yet peace no more;
In peace I chanted peace, but now the drum of war is mine;
War, red war, is my song through your streets, O city! | free_verse |
Robert Herrick | To Apollo. | Thou mighty lord and master of the lyre,
Unshorn Apollo, come and re-inspire
My fingers so, the lyric-strings to move,
That I may play and sing a hymn to Love. | Thou mighty lord and master of the lyre, | Unshorn Apollo, come and re-inspire
My fingers so, the lyric-strings to move,
That I may play and sing a hymn to Love. | quatrain |
Madison Julius Cawein | The Stars | These--the bright symbols of man's hope and fame,
In which he reads his blessing or his curse--
Are syllables with which God speaks His name
In the vast utterance of the universe. | These--the bright symbols of man's hope and fame, | In which he reads his blessing or his curse--
Are syllables with which God speaks His name
In the vast utterance of the universe. | quatrain |
William Schwenck Gilbert | A Classical Revival | At the outset I may mention it's my sovereign intention
To revive the classic memories of Athens at its best,
For my company possesses all the necessary dresses,
And a course of quiet cramming will supply us with the rest.
We've a choir hyporchematic (that is, ballet-operatic)
Who respond to the CHOREUTAE of that cultivated age,
And our clever chorus-master, all but captious criticaster,
Would accept as the CHOREGUS of the early Attic stage.
This return to classic ages is considered in their wages,
Which are always calculated by the day or by the week -
And I'll pay 'em (if they'll back me) all in OBOLOI and DRACHMAE,
Which they'll get (if they prefer it) at the Kalends that are Greek!
(At this juncture I may mention
That this erudition sham
Is but classical pretension,
The result of steady "cram.":
Periphrastic methods spurning,
To my readers all discerning
I admit this show of learning
Is the fruit of steady cram."!)
In the period Socratic every dining-room was Attic
(Which suggests an architecture of a topsy-turvy kind),
There they'd satisfy their twist on a RECHERCHE cold [Greek text which cannot be reproduced],
Which is what they called their lunch - and so may you, if you're inclined.
As they gradually got on, they'd [Greek text which cannot be reproduced]
(Which is Attic for a steady and a conscientious drink).
But they mixed their wine with water - which I'm sure they didn't oughter -
And we Anglo-Saxons know a trick worth two of that, I think!
Then came rather risky dances (under certain circumstances)
Which would shock that worthy gentleman, the Licenser of Plays,
Corybantian maniAC kick - Dionysiac or Bacchic -
And the Dithyrambic revels of those indecorous days.
(And perhaps I'd better mention
Lest alarming you I am,
That it isn't our intention
To perform a Dithyramb -
It displays a lot of stocking,
Which is always very shocking,
And of course I'm only mocking
At the prevalence of "cram.")
Yes, on reconsideration, there are customs of that nation
Which are not in strict accordance with the habits of our day,
And when I come to codify, their rules I mean to modify,
Or Mrs. Grundy, p'r'aps, may have a word or two to say:
For they hadn't macintoshes or umbrellas or goloshes -
And a shower with their dresses must have played the very deuce,
And it must have been unpleasing when they caught a fit of sneezing,
For, it seems, of pocket-handkerchiefs they didn't know the use.
They wore little underclothing - scarcely anything - or no-thing -
And their dress of Coan silk was quite transparent in design -
Well, in fact, in summer weather, something like the "altogether."
And it's THERE, I rather fancy, I shall have to draw the line!
(And again I wish to mention
That this erudition sham
Is but classical pretension,
The result of steady "cram."
Yet my classic love aggressive,
If you'll pardon the possessive,
Is exceedingly impressive
When you're passing an exam.) | At the outset I may mention it's my sovereign intention
To revive the classic memories of Athens at its best,
For my company possesses all the necessary dresses,
And a course of quiet cramming will supply us with the rest.
We've a choir hyporchematic (that is, ballet-operatic)
Who respond to the CHOREUTAE of that cultivated age,
And our clever chorus-master, all but captious criticaster,
Would accept as the CHOREGUS of the early Attic stage.
This return to classic ages is considered in their wages,
Which are always calculated by the day or by the week -
And I'll pay 'em (if they'll back me) all in OBOLOI and DRACHMAE,
Which they'll get (if they prefer it) at the Kalends that are Greek!
(At this juncture I may mention
That this erudition sham
Is but classical pretension,
The result of steady "cram.":
Periphrastic methods spurning,
To my readers all discerning
I admit this show of learning
Is the fruit of steady cram."!) | In the period Socratic every dining-room was Attic
(Which suggests an architecture of a topsy-turvy kind),
There they'd satisfy their twist on a RECHERCHE cold [Greek text which cannot be reproduced],
Which is what they called their lunch - and so may you, if you're inclined.
As they gradually got on, they'd [Greek text which cannot be reproduced]
(Which is Attic for a steady and a conscientious drink).
But they mixed their wine with water - which I'm sure they didn't oughter -
And we Anglo-Saxons know a trick worth two of that, I think!
Then came rather risky dances (under certain circumstances)
Which would shock that worthy gentleman, the Licenser of Plays,
Corybantian maniAC kick - Dionysiac or Bacchic -
And the Dithyrambic revels of those indecorous days.
(And perhaps I'd better mention
Lest alarming you I am,
That it isn't our intention
To perform a Dithyramb -
It displays a lot of stocking,
Which is always very shocking,
And of course I'm only mocking
At the prevalence of "cram.")
Yes, on reconsideration, there are customs of that nation
Which are not in strict accordance with the habits of our day,
And when I come to codify, their rules I mean to modify,
Or Mrs. Grundy, p'r'aps, may have a word or two to say:
For they hadn't macintoshes or umbrellas or goloshes -
And a shower with their dresses must have played the very deuce,
And it must have been unpleasing when they caught a fit of sneezing,
For, it seems, of pocket-handkerchiefs they didn't know the use.
They wore little underclothing - scarcely anything - or no-thing -
And their dress of Coan silk was quite transparent in design -
Well, in fact, in summer weather, something like the "altogether."
And it's THERE, I rather fancy, I shall have to draw the line!
(And again I wish to mention
That this erudition sham
Is but classical pretension,
The result of steady "cram."
Yet my classic love aggressive,
If you'll pardon the possessive,
Is exceedingly impressive
When you're passing an exam.) | free_verse |
Robert Herrick | To Women, To Hide Their Teeth If They Be Rotten Or Rusty. | Close keep your lips, if that you mean
To be accounted inside clean:
For if you cleave them we shall see
There in your teeth much leprosy. | Close keep your lips, if that you mean | To be accounted inside clean:
For if you cleave them we shall see
There in your teeth much leprosy. | quatrain |
Matthew Prior | Written In An Ovid | Ovid is the surest guide
You can name to show the way
To any woman, maid, or bride,
Who resolves to go astray. | Ovid is the surest guide | You can name to show the way
To any woman, maid, or bride,
Who resolves to go astray. | quatrain |
Jonathan Swift | Written In A Lady's Ivory Table-Book, 1698 | Peruse my leaves thro' ev'ry part,
And think thou seest my owner's heart,
Scrawl'd o'er with trifles thus, and quite
As hard, as senseless, and as light;
Expos'd to ev'ry coxcomb's eyes,
But hid with caution from the wise.
Here you may read, "Dear charming saint;"
Beneath, "A new receipt for paint:"
Here, in beau-spelling, "Tru tel deth;"
There, in her own, "For an el breth:"
Here, "Lovely nymph, pronounce my doom!"
There, "A safe way to use perfume:"
Here, a page fill'd with billets-doux;
On t'other side, "Laid out for shoes" -
"Madam, I die without your grace" -
"Item, for half a yard of lace."
Who that had wit would place it here,
For ev'ry peeping fop to jeer?
To think that your brains' issue is
Exposed to th'excrement of his,
In pow'r of spittle and a clout,
Whene'er he please, to blot it out;
And then, to heighten the disgrace,
Clap his own nonsense in the place.
Whoe'er expects to hold his part
In such a book, and such a heart,
If he be wealthy, and a fool,
Is in all points the fittest tool;
Of whom it may be justly said,
He's a gold pencil tipp'd with lead.
| Peruse my leaves thro' ev'ry part,
And think thou seest my owner's heart,
Scrawl'd o'er with trifles thus, and quite
As hard, as senseless, and as light;
Expos'd to ev'ry coxcomb's eyes,
But hid with caution from the wise.
Here you may read, "Dear charming saint;"
Beneath, "A new receipt for paint:"
Here, in beau-spelling, "Tru tel deth;"
There, in her own, "For an el breth:" | Here, "Lovely nymph, pronounce my doom!"
There, "A safe way to use perfume:"
Here, a page fill'd with billets-doux;
On t'other side, "Laid out for shoes" -
"Madam, I die without your grace" -
"Item, for half a yard of lace."
Who that had wit would place it here,
For ev'ry peeping fop to jeer?
To think that your brains' issue is
Exposed to th'excrement of his,
In pow'r of spittle and a clout,
Whene'er he please, to blot it out;
And then, to heighten the disgrace,
Clap his own nonsense in the place.
Whoe'er expects to hold his part
In such a book, and such a heart,
If he be wealthy, and a fool,
Is in all points the fittest tool;
Of whom it may be justly said,
He's a gold pencil tipp'd with lead. | free_verse |
Matthew Prior | Epigram - Thy Nags, The Leanest Things Alive | Thy nags, the leanest things alive,
So very hard thou lovest to drive,
I heard thy anxious coachman say
It costs thee more in whips than hay. | Thy nags, the leanest things alive, | So very hard thou lovest to drive,
I heard thy anxious coachman say
It costs thee more in whips than hay. | quatrain |
Johann Wolfgang von Goethe | Chuld Name. - Book Of Paradise. The Favoured Beasts. | Or beasts there have been chosen four
To come to Paradise,
And there with saints for evermore
They dwell in happy wise.
Amongst them all the Ass stands first;
He comes with joyous stride,
For to the Prophet-City erst
Did Jesus on him ride.
Half timid next a Wolf doth creep,
To whom Mahomet spake
"Spoil not the poor man of his sheep,
The rich man's thou mayst take."
And then the brave and faithful Hound,
Who by his master kept,
And slept with him the slumbers sound
The seven sleepers slept.
Abuherrira's Cat, too, here,
Purrs round his master blest,
For holy must the beast appear
The Prophet hath caress'd. | Or beasts there have been chosen four
To come to Paradise,
And there with saints for evermore
They dwell in happy wise.
Amongst them all the Ass stands first;
He comes with joyous stride, | For to the Prophet-City erst
Did Jesus on him ride.
Half timid next a Wolf doth creep,
To whom Mahomet spake
"Spoil not the poor man of his sheep,
The rich man's thou mayst take."
And then the brave and faithful Hound,
Who by his master kept,
And slept with him the slumbers sound
The seven sleepers slept.
Abuherrira's Cat, too, here,
Purrs round his master blest,
For holy must the beast appear
The Prophet hath caress'd. | free_verse |
John Alexander McCrae | Disarmament | One spake amid the nations, "Let us cease
From darkening with strife the fair World's light,
We who are great in war be great in peace.
No longer let us plead the cause by might."
But from a million British graves took birth
A silent voice -- the million spake as one --
"If ye have righted all the wrongs of earth
Lay by the sword! Its work and ours is done." | One spake amid the nations, "Let us cease
From darkening with strife the fair World's light, | We who are great in war be great in peace.
No longer let us plead the cause by might."
But from a million British graves took birth
A silent voice -- the million spake as one --
"If ye have righted all the wrongs of earth
Lay by the sword! Its work and ours is done." | octave |
Henry John Newbolt, Sir | Midway | Turn back, my Soul, no longer set
Thy peace upon the years to come
Turn back, the land of thy regret
Holds nothing doubtful, nothing dumb.
There are the voices, there the scenes
That make thy life in living truth
A tale of heroes and of queens,
Fairer than all the hopes of youth. | Turn back, my Soul, no longer set
Thy peace upon the years to come | Turn back, the land of thy regret
Holds nothing doubtful, nothing dumb.
There are the voices, there the scenes
That make thy life in living truth
A tale of heroes and of queens,
Fairer than all the hopes of youth. | octave |
Michael Drayton | Sonnets: Idea XVIII To The Celestial Numbers | To this our world, to learning, and to heaven,
Three nines there are, to every one a nine;
One number of the earth, the other both divine;
One woman now makes three odd numbers even.
Nine orders first of angels be in heaven;
Nine muses do with learning still frequent:
These with the gods are ever resident.
Nine worthy women to the world were given.
My worthy one to these nine worthies addeth;
And my fair Muse, one Muse unto the nine.
And my good angel, in my soul divine!--
With one more order these nine orders gladdeth.
My Muse, my worthy, and my angel then
Makes every one of these three nines a ten. | To this our world, to learning, and to heaven,
Three nines there are, to every one a nine;
One number of the earth, the other both divine;
One woman now makes three odd numbers even. | Nine orders first of angels be in heaven;
Nine muses do with learning still frequent:
These with the gods are ever resident.
Nine worthy women to the world were given.
My worthy one to these nine worthies addeth;
And my fair Muse, one Muse unto the nine.
And my good angel, in my soul divine!--
With one more order these nine orders gladdeth.
My Muse, my worthy, and my angel then
Makes every one of these three nines a ten. | sonnet |
William Wordsworth | A Gravestone Upon The Floor In The Cloisters Of Worcester Cathedral | "Miserrimus," and neither name nor date,
Prayer, text, or symbol, graven upon the stone;
Nought but that word assigned to the unknown,
That solitary word, to separate
From all, and cast a cloud around the fate
Of him who lies beneath. Most wretched one,
'Who' chose his epitaph? Himself alone
Could thus have dared the grave to agitate,
And claim, among the dead, this awful crown;
Nor doubt that He marked also for his own
Close to these cloistral steps a burial-place,
That every foot might fall with heavier tread,
Trampling upon his vileness. Stranger, pass
Softly! To save the contrite, Jesus bled. | "Miserrimus," and neither name nor date,
Prayer, text, or symbol, graven upon the stone;
Nought but that word assigned to the unknown,
That solitary word, to separate | From all, and cast a cloud around the fate
Of him who lies beneath. Most wretched one,
'Who' chose his epitaph? Himself alone
Could thus have dared the grave to agitate,
And claim, among the dead, this awful crown;
Nor doubt that He marked also for his own
Close to these cloistral steps a burial-place,
That every foot might fall with heavier tread,
Trampling upon his vileness. Stranger, pass
Softly! To save the contrite, Jesus bled. | sonnet |
William Arthur Dunkerley (John Oxenham) | The Christ | The good intent of God became the Christ.
And lived on earth--the Living Love of God,
That men might draw to closer touch with heaven,
Since Christ in all the ways of man hath trod. | The good intent of God became the Christ. | And lived on earth--the Living Love of God,
That men might draw to closer touch with heaven,
Since Christ in all the ways of man hath trod. | quatrain |
Matthew Prior | Two Riddles. | Sphinx was a monster that would eat
Whatever stranger she could get,
Unless his ready wit disclosed
The subtile riddle she proposed.
OEdipus was resolved to go
And try what strength of parts would do;
Says Sphinx, on this depends your fate;
Tell me what animal is that
Which has four feet at morning bright,
Has two at noon, and three at night?
'Tis Man, said he, who, weak by nature,
At first creeps, like his fellow-creature,
Upon all four; as years accrue,
With sturdy steps he walks on two;
In age at length grows weak and sick,
For his third leg adopts the stick.
Now, in your turn, 'tis just, methinks,
You should resolve me, Madam Sphinx,
What greater stranger yet is he
Who has four legs, then two, then three;
Then loses one, then gets two more,
And runs away at last on four? | Sphinx was a monster that would eat
Whatever stranger she could get,
Unless his ready wit disclosed
The subtile riddle she proposed.
OEdipus was resolved to go
And try what strength of parts would do;
Says Sphinx, on this depends your fate; | Tell me what animal is that
Which has four feet at morning bright,
Has two at noon, and three at night?
'Tis Man, said he, who, weak by nature,
At first creeps, like his fellow-creature,
Upon all four; as years accrue,
With sturdy steps he walks on two;
In age at length grows weak and sick,
For his third leg adopts the stick.
Now, in your turn, 'tis just, methinks,
You should resolve me, Madam Sphinx,
What greater stranger yet is he
Who has four legs, then two, then three;
Then loses one, then gets two more,
And runs away at last on four? | free_verse |
John Clare | To My Mother. | With filial duty I address thee, Mother,
Thou dearest tie which this world's wealth possesses;
Endearing name! no language owns another
That half the tenderness and love expresses;
The very word itself breathes the affection,
Which heaves the bosom of a luckless child
To thank thee, for that care and that protection,
Which once, where fortune frowns, so sweetly smil'd.
Ah, oft fond memory leaves its pillow'd anguish,
To think when in thy arms my sleep was sound;
And now my startled tear oft views thee languish,
And fain would drop its honey in the wound:
But I am doom'd the sad reverse to see,
Where the worst pain I feel, is loss of helping thee. | With filial duty I address thee, Mother,
Thou dearest tie which this world's wealth possesses;
Endearing name! no language owns another
That half the tenderness and love expresses; | The very word itself breathes the affection,
Which heaves the bosom of a luckless child
To thank thee, for that care and that protection,
Which once, where fortune frowns, so sweetly smil'd.
Ah, oft fond memory leaves its pillow'd anguish,
To think when in thy arms my sleep was sound;
And now my startled tear oft views thee languish,
And fain would drop its honey in the wound:
But I am doom'd the sad reverse to see,
Where the worst pain I feel, is loss of helping thee. | sonnet |
Robert Herrick | The Dream. | Methought last night Love in an anger came
And brought a rod, so whipt me with the same;
Myrtle the twigs were, merely to imply
Love strikes, but 'tis with gentle cruelty.
Patient I was: Love pitiful grew then
And strok'd the stripes, and I was whole again.
Thus, like a bee, Love gentle still doth bring
Honey to salve where he before did sting. | Methought last night Love in an anger came
And brought a rod, so whipt me with the same; | Myrtle the twigs were, merely to imply
Love strikes, but 'tis with gentle cruelty.
Patient I was: Love pitiful grew then
And strok'd the stripes, and I was whole again.
Thus, like a bee, Love gentle still doth bring
Honey to salve where he before did sting. | octave |
Robert Herrick | The Judgment-Day. | God hides from man the reck'ning day, that he
May fear it ever for uncertainty;
That being ignorant of that one, he may
Expect the coming of it every day. | God hides from man the reck'ning day, that he | May fear it ever for uncertainty;
That being ignorant of that one, he may
Expect the coming of it every day. | quatrain |
Michael Drayton | Sonnets: Idea XLIV | Whilst thus my pen strives to eternise thee,
Age rules my lines with wrinkles in my face,
Where in the map of all my misery
Is modelled out the world of my disgrace;
Whilst in despite of tyrannising times,
Medea-like, I make thee young again,
Proudly thou scorn'st my world-outwearing rhymes,
And murther'st virtue with thy coy disdain;
And though in youth my youth untimely perish,
To keep thee from oblivion and the grave,
Ensuing ages yet my rhymes shall cherish,
Where I intombed my better part shall save;
And though this earthly body fade and die,
My name shall mount upon eternity. | Whilst thus my pen strives to eternise thee,
Age rules my lines with wrinkles in my face,
Where in the map of all my misery
Is modelled out the world of my disgrace; | Whilst in despite of tyrannising times,
Medea-like, I make thee young again,
Proudly thou scorn'st my world-outwearing rhymes,
And murther'st virtue with thy coy disdain;
And though in youth my youth untimely perish,
To keep thee from oblivion and the grave,
Ensuing ages yet my rhymes shall cherish,
Where I intombed my better part shall save;
And though this earthly body fade and die,
My name shall mount upon eternity. | sonnet |
Eric Mackay | Diffidence. | I cannot deck my thought in proud attire,
Or make it fit for thee in any dress,
Or sing to thee the songs of thy desire,
In summer's heat, or by the winter's fire,
Or give thee cause to comfort or to bless.
For I have scann'd mine own unworthiness
And well I know the weakness of the lyre
Which I have striven to sway to thy caress.
Yet must I quell my tears and calm the smart
Of my vext soul, and steadfastly emerge
From lonesome thoughts, as from the tempest's surge.
I must control the beating of my heart,
And bid false pride be gone, who, with his art,
Has press'd, too long, a suit I dare not urge.
| I cannot deck my thought in proud attire,
Or make it fit for thee in any dress,
Or sing to thee the songs of thy desire,
In summer's heat, or by the winter's fire, | Or give thee cause to comfort or to bless.
For I have scann'd mine own unworthiness
And well I know the weakness of the lyre
Which I have striven to sway to thy caress.
Yet must I quell my tears and calm the smart
Of my vext soul, and steadfastly emerge
From lonesome thoughts, as from the tempest's surge.
I must control the beating of my heart,
And bid false pride be gone, who, with his art,
Has press'd, too long, a suit I dare not urge. | sonnet |
Alexander Pope | To Lady Mary Wortley Montagu | I
In beauty, or wit,
No mortal as yet
To question your empire has dared:
But men of discerning
Have thought that in learning
To yield to a lady was hard.
II
Impertinent schools,
With musty dull rules,
Have reading to females denied;
So Papists refuse
The Bible to use,
Lest flocks should be wise as their guide.
III
'Twas a woman at first
(Indeed she was curst)
In knowledge that tasted delight,
And sages agree
The laws should decree
To the first possessor the right.
IV
Then bravely, fair dame,
Resume the old claim,
Which to your whole sex does belong;
And let men receive,
From a second bright Eve,
The knowledge of right and of wrong.
V
But if the first Eve
Hard doom did receive,
When only one apple had she,
What a punishment new
Shall be found out for you,
Who tasting, have robb'd the whole tree? | I
In beauty, or wit,
No mortal as yet
To question your empire has dared:
But men of discerning
Have thought that in learning
To yield to a lady was hard.
II
Impertinent schools,
With musty dull rules,
Have reading to females denied; | So Papists refuse
The Bible to use,
Lest flocks should be wise as their guide.
III
'Twas a woman at first
(Indeed she was curst)
In knowledge that tasted delight,
And sages agree
The laws should decree
To the first possessor the right.
IV
Then bravely, fair dame,
Resume the old claim,
Which to your whole sex does belong;
And let men receive,
From a second bright Eve,
The knowledge of right and of wrong.
V
But if the first Eve
Hard doom did receive,
When only one apple had she,
What a punishment new
Shall be found out for you,
Who tasting, have robb'd the whole tree? | free_verse |
James Stephens | At The Fair (The Rocky Road To Dublin) | The lark shall never come to say
To a gombeen-man, "Good day,"
And the lark shall never cry
To a kindly man, "Good-bye."
See the greedy gombeen-man
Taking everything he can
From man and woman, dog and cat,
And the lark does not like that. | The lark shall never come to say
To a gombeen-man, "Good day," | And the lark shall never cry
To a kindly man, "Good-bye."
See the greedy gombeen-man
Taking everything he can
From man and woman, dog and cat,
And the lark does not like that. | octave |
Robert Herrick | On Himself. | If that my fate has now fulfill'd my year,
And so soon stopt my longer living here;
What was't, ye gods, a dying man to save,
But while he met with his paternal grave!
Though while we living 'bout the world do roam,
We love to rest in peaceful urns at home,
Where we may snug, and close together lie
By the dead bones of our dear ancestry. | If that my fate has now fulfill'd my year,
And so soon stopt my longer living here; | What was't, ye gods, a dying man to save,
But while he met with his paternal grave!
Though while we living 'bout the world do roam,
We love to rest in peaceful urns at home,
Where we may snug, and close together lie
By the dead bones of our dear ancestry. | octave |
Jean Ingelow | In The Nursery. | Where do you go, Bob, when you 're fast asleep?'
'Where? O well, once I went into a deep
Mine, father told of, and a cross man said
He'd make me help to dig, and eat black bread.
I saw the Queen once, in her room, quite near.
She said, "You rude boy, Bob, how came you here?"'
'Was it like mother's boudoir?'
'Grander far,
Gold chairs and things - all over diamonds - Ah!'
'You're sure it was the Queen?'
'Of course, a crown
Was on her, and a spangly purple gown.'
'I went to heaven last night.'
'O Lily, no,
How could you?'
'Yes I did, they told me so,
And my best doll, my favourite, with the blue
Frock, Jasmine, I took her to heaven too.'
'What was it like?'
'A kind of - I can't tell -
A sort of orchard place in a long dell,
With trees all over flowers. And there were birds
Who could do talking, say soft pretty words;
They let me stroke them, and I showed it all
To Jasmine. And I heard a blue dove call,
"Child, this is heaven." I was not frightened when
It spoke, I said "Where are the angels then?"'
'Well.'
'So it said, "Look up and you shall see."
There were two angels sitting in the tree,
As tall as mother; they had long gold hair.
They let drop down the fruit they gather'd there
And little angels came for it - so sweet.
Here they were beggar children in the street,
And the dove said they had the prettiest things,
And wore their best frocks every day.'
'And wings,
Had they no wings?'
'O yes, and lined with white
Like swallow wings, so soft - so very light
Fluttering about.'
'Well.'
'Well, I did not stay,
So that was all.'
'They made you go away?'
'I did not go - but - I was gone.'
'I know.'
'But it's a pity, Bob, we never go
Together.'
'Yes, and have no dreams to tell,
But the next day both know it all quite well.'
'And, Bob, if I could dream you came with me
You would be there perhaps.'
'Perhaps - we'll see.' | Where do you go, Bob, when you 're fast asleep?'
'Where? O well, once I went into a deep
Mine, father told of, and a cross man said
He'd make me help to dig, and eat black bread.
I saw the Queen once, in her room, quite near.
She said, "You rude boy, Bob, how came you here?"'
'Was it like mother's boudoir?'
'Grander far,
Gold chairs and things - all over diamonds - Ah!'
'You're sure it was the Queen?'
'Of course, a crown
Was on her, and a spangly purple gown.'
'I went to heaven last night.'
'O Lily, no,
How could you?'
'Yes I did, they told me so,
And my best doll, my favourite, with the blue
Frock, Jasmine, I took her to heaven too.' | 'What was it like?'
'A kind of - I can't tell -
A sort of orchard place in a long dell,
With trees all over flowers. And there were birds
Who could do talking, say soft pretty words;
They let me stroke them, and I showed it all
To Jasmine. And I heard a blue dove call,
"Child, this is heaven." I was not frightened when
It spoke, I said "Where are the angels then?"'
'Well.'
'So it said, "Look up and you shall see."
There were two angels sitting in the tree,
As tall as mother; they had long gold hair.
They let drop down the fruit they gather'd there
And little angels came for it - so sweet.
Here they were beggar children in the street,
And the dove said they had the prettiest things,
And wore their best frocks every day.'
'And wings,
Had they no wings?'
'O yes, and lined with white
Like swallow wings, so soft - so very light
Fluttering about.'
'Well.'
'Well, I did not stay,
So that was all.'
'They made you go away?'
'I did not go - but - I was gone.'
'I know.'
'But it's a pity, Bob, we never go
Together.'
'Yes, and have no dreams to tell,
But the next day both know it all quite well.'
'And, Bob, if I could dream you came with me
You would be there perhaps.'
'Perhaps - we'll see.' | free_verse |
Samuel Taylor Coleridge | Youth and Age | Verse, a breeze 'mid blossoms straying,
Where Hope clung feeding, like a bee -
Both were mine! Life went a-maying
With Nature, Hope, and Poesy,
When I was young!
When I was young? - Ah, woeful When!
Ah! for the change 'twixt Now and Then!
This breathing house not built with hands,
This body that does me grievous wrong,
O'er aery cliffs and glittering sands
How lightly then it flashed along,
Like those trim skiffs, unknown of yore,
On winding lakes and rivers wide,
That ask no aid of sail or oar,
That fear no spite of wind or tide!
Nought cared this body for wind or weather
When Youth and I lived in't together.
Flowers are lovely; Love is flower-like;
Friendship is a sheltering tree;
O the joys! that came down shower-like,
Of Friendship, Love, and Liberty,
Ere I was old!
Ere I was old? Ah woeful Ere,
Which tells me, Youth's no longer here!
O Youth! for years so many and sweet
'Tis known that Thou and I were one,
I'll think it but a fond conceit -
It cannot be that Thou art gone!
Thy vesper-bell hath not yet tolled -
And thou wert aye a masker bold!
What strange disguise hast now put on,
To make believe that thou art gone?
I see these locks in silvery slips,
This drooping gait, this altered size:
But Springtide blossoms on thy lips,
And tears take sunshine from thine eyes:
Life is but Thought: so think I will
That Youth and I are housemates still.
Dew-drops are the gems of morning,
But the tears of mournful eve!
Where no hope is, life's a warning
That only serves to make us grieve
When we are old:
That only serves to make us grieve
With oft and tedious taking-leave,
Like some poor nigh-related guest
That may not rudely be dismist;
Yet hath out-stayed his welcome while,
And tells the jest without the smile.
| Verse, a breeze 'mid blossoms straying,
Where Hope clung feeding, like a bee -
Both were mine! Life went a-maying
With Nature, Hope, and Poesy,
When I was young!
When I was young? - Ah, woeful When!
Ah! for the change 'twixt Now and Then!
This breathing house not built with hands,
This body that does me grievous wrong,
O'er aery cliffs and glittering sands
How lightly then it flashed along,
Like those trim skiffs, unknown of yore,
On winding lakes and rivers wide,
That ask no aid of sail or oar,
That fear no spite of wind or tide!
Nought cared this body for wind or weather | When Youth and I lived in't together.
Flowers are lovely; Love is flower-like;
Friendship is a sheltering tree;
O the joys! that came down shower-like,
Of Friendship, Love, and Liberty,
Ere I was old!
Ere I was old? Ah woeful Ere,
Which tells me, Youth's no longer here!
O Youth! for years so many and sweet
'Tis known that Thou and I were one,
I'll think it but a fond conceit -
It cannot be that Thou art gone!
Thy vesper-bell hath not yet tolled -
And thou wert aye a masker bold!
What strange disguise hast now put on,
To make believe that thou art gone?
I see these locks in silvery slips,
This drooping gait, this altered size:
But Springtide blossoms on thy lips,
And tears take sunshine from thine eyes:
Life is but Thought: so think I will
That Youth and I are housemates still.
Dew-drops are the gems of morning,
But the tears of mournful eve!
Where no hope is, life's a warning
That only serves to make us grieve
When we are old:
That only serves to make us grieve
With oft and tedious taking-leave,
Like some poor nigh-related guest
That may not rudely be dismist;
Yet hath out-stayed his welcome while,
And tells the jest without the smile. | free_verse |
William Shakespeare | The Sonnets I - From fairest creatures we desire increase | From fairest creatures we desire increase,
That thereby beauty's rose might never die,
But as the riper should by time decease,
His tender heir might bear his memory:
But thou contracted to thine own bright eyes,
Feed'st thy light's flame with self-substantial fuel,
Making a famine where abundance lies,
Thy self thy foe, to thy sweet self too cruel:
Thou that art now the world's fresh ornament,
And only herald to the gaudy spring,
Within thine own bud buriest thy content,
And tender churl mak'st waste in niggarding:
Pity the world, or else this glutton be,
To eat the world's due, by the grave and thee. | From fairest creatures we desire increase,
That thereby beauty's rose might never die,
But as the riper should by time decease,
His tender heir might bear his memory: | But thou contracted to thine own bright eyes,
Feed'st thy light's flame with self-substantial fuel,
Making a famine where abundance lies,
Thy self thy foe, to thy sweet self too cruel:
Thou that art now the world's fresh ornament,
And only herald to the gaudy spring,
Within thine own bud buriest thy content,
And tender churl mak'st waste in niggarding:
Pity the world, or else this glutton be,
To eat the world's due, by the grave and thee. | sonnet |
Matthew Prior | Fair Susan Did Her Wif-Hede Well Menteine - In Chaucer's Style | Fair Susan did her wif-hede well menteine,
Algates assaulted sore by letchours tweine;
Now, and I read aright that auncient song,
Olde were the paramours, the dame full yong.
Had thilke same tale in other guise been tolde;
Had they been young (pardie) and she been olde,
That, by St. Kit, had wrought much sorer tryal,
Full merveillous, I wrote, were swilk denyal. | Fair Susan did her wif-hede well menteine,
Algates assaulted sore by letchours tweine; | Now, and I read aright that auncient song,
Olde were the paramours, the dame full yong.
Had thilke same tale in other guise been tolde;
Had they been young (pardie) and she been olde,
That, by St. Kit, had wrought much sorer tryal,
Full merveillous, I wrote, were swilk denyal. | octave |
Walter Scott (Sir) | Answer | Sound, sound the clarion, fill the fife!
To all the sensual world proclaim,
One crowded hour of glorious life
Is worth an age without a name. | Sound, sound the clarion, fill the fife! | To all the sensual world proclaim,
One crowded hour of glorious life
Is worth an age without a name. | quatrain |
Johann Wolfgang von Goethe | Procemion. | In His blest name, who was His own creation,
Who from all time makes making his vocation;
The name of Him who makes our faith so bright,
Love, confidence, activity, and might;
In that One's name, who, named though oft He be,
Unknown is ever in Reality:
As far as ear can reach, or eyesight dim,
Thou findest but the known resembling Him;
How high so'er thy fiery spirit hovers,
Its simile and type it straight discovers
Onward thou'rt drawn, with feelings light and gay,
Where'er thou goest, smiling is the way;
No more thou numbrest, reckonest no time,
Each step is infinite, each step sublime. | In His blest name, who was His own creation,
Who from all time makes making his vocation;
The name of Him who makes our faith so bright,
Love, confidence, activity, and might; | In that One's name, who, named though oft He be,
Unknown is ever in Reality:
As far as ear can reach, or eyesight dim,
Thou findest but the known resembling Him;
How high so'er thy fiery spirit hovers,
Its simile and type it straight discovers
Onward thou'rt drawn, with feelings light and gay,
Where'er thou goest, smiling is the way;
No more thou numbrest, reckonest no time,
Each step is infinite, each step sublime. | sonnet |
Robert Herrick | Sweetness In Sacrifice. | 'Tis not greatness they require
To be offer'd up by fire;
But 'tis sweetness that doth please
Those Eternal Essences. | 'Tis not greatness they require | To be offer'd up by fire;
But 'tis sweetness that doth please
Those Eternal Essences. | quatrain |
Robert Herrick | The Perfume. | To-morrow, Julia, I betimes must rise,
For some small fault to offer sacrifice:
The altar's ready: fire to consume
The fat; breathe thou, and there's the rich perfume. | To-morrow, Julia, I betimes must rise, | For some small fault to offer sacrifice:
The altar's ready: fire to consume
The fat; breathe thou, and there's the rich perfume. | quatrain |
John McCrae | Disarmament | One spake amid the nations, "Let us cease
From darkening with strife the fair World's light,
We who are great in war be great in peace.
No longer let us plead the cause by might."
But from a million British graves took birth
A silent voice, the million spake as one,
"If ye have righted all the wrongs of earth
Lay by the sword! Its work and ours is done." | One spake amid the nations, "Let us cease
From darkening with strife the fair World's light, | We who are great in war be great in peace.
No longer let us plead the cause by might."
But from a million British graves took birth
A silent voice, the million spake as one,
"If ye have righted all the wrongs of earth
Lay by the sword! Its work and ours is done." | octave |
Sara Teasdale | Central Park At Dusk | Buildings above the leafless trees
Loom high as castles in a dream,
While one by one the lamps come out
To thread the twilight with a gleam.
There is no sign of leaf or bud,
A hush is over everything.
Silent as women wait for love,
The world is waiting for the spring. | Buildings above the leafless trees
Loom high as castles in a dream, | While one by one the lamps come out
To thread the twilight with a gleam.
There is no sign of leaf or bud,
A hush is over everything.
Silent as women wait for love,
The world is waiting for the spring. | octave |
Algernon Charles Swinburne | The Augurs | Lay the corpse out on the altar; bid the elect
Slaves clear the ways of service spiritual,
Sweep clean the stalled soul's serviceable stall,
Ere the chief priest's dismantling hands detect
The ulcerous flesh of faith all scaled and specked
Beneath the bandages that hid it all,
And with sharp edgetools oecumenical
The leprous carcases of creeds dissect.
As on the night ere Brutus grew divine
The sick-souled augurs found their ox or swine
Heartless; so now too by their after art
In the same Rome, at an uncleaner shrine,
Limb from rank limb, and putrid part from part,
They carve the corpse--a beast without a heart. | Lay the corpse out on the altar; bid the elect
Slaves clear the ways of service spiritual,
Sweep clean the stalled soul's serviceable stall,
Ere the chief priest's dismantling hands detect | The ulcerous flesh of faith all scaled and specked
Beneath the bandages that hid it all,
And with sharp edgetools oecumenical
The leprous carcases of creeds dissect.
As on the night ere Brutus grew divine
The sick-souled augurs found their ox or swine
Heartless; so now too by their after art
In the same Rome, at an uncleaner shrine,
Limb from rank limb, and putrid part from part,
They carve the corpse--a beast without a heart. | sonnet |
Jean de La Fontaine | The Bird Wounded By An Arrow. | [1]
A bird, with plum'd arrow shot,
In dying case deplored her lot:
'Alas!' she cried, 'the anguish of the thought!
This ruin partly by myself was brought!
Hard-hearted men! from us to borrow
What wings to us the fatal arrow!
But mock us not, ye cruel race,
For you must often take our place.'
The work of half the human brothers
Is making arms against the others. | [1]
A bird, with plum'd arrow shot,
In dying case deplored her lot: | 'Alas!' she cried, 'the anguish of the thought!
This ruin partly by myself was brought!
Hard-hearted men! from us to borrow
What wings to us the fatal arrow!
But mock us not, ye cruel race,
For you must often take our place.'
The work of half the human brothers
Is making arms against the others. | free_verse |
Emily Elizabeth Dickinson | My Nosegays Are For Captives | My nosegays are for captives;
Dim, long-expectant eyes,
Fingers denied the plucking,
Patient till paradise,
To such, if they should whisper
Of morning and the moor,
They bear no other errand,
And I, no other prayer. | My nosegays are for captives;
Dim, long-expectant eyes, | Fingers denied the plucking,
Patient till paradise,
To such, if they should whisper
Of morning and the moor,
They bear no other errand,
And I, no other prayer. | octave |
Edna St. Vincent Millay | Sonnet I | Thou art not lovelier than lilacs,--no,
Nor honeysuckle; thou art not more fair
Than small white single poppies,--I can bear
Thy beauty; though I bend before thee, though
From left to right, not knowing where to go,
I turn my troubled eyes, nor here nor there
Find any refuge from thee, yet I swear
So has it been with mist,--with moonlight so.
Like him who day by day unto his draught
Of delicate poison adds him one drop more
Till he may drink unharmed the death of ten,
Even so, inured to beauty, who have quaffed
Each hour more deeply than the hour before,
I drink--and live--what has destroyed some men. | Thou art not lovelier than lilacs,--no,
Nor honeysuckle; thou art not more fair
Than small white single poppies,--I can bear
Thy beauty; though I bend before thee, though | From left to right, not knowing where to go,
I turn my troubled eyes, nor here nor there
Find any refuge from thee, yet I swear
So has it been with mist,--with moonlight so.
Like him who day by day unto his draught
Of delicate poison adds him one drop more
Till he may drink unharmed the death of ten,
Even so, inured to beauty, who have quaffed
Each hour more deeply than the hour before,
I drink--and live--what has destroyed some men. | sonnet |
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