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I give this movie a ONE, for it is truly an awful movie. Sound track of the DVD is so bad, it actually hurts my ear. But the vision, no matter how disjointed, does show something really fancy in the Italian society. I will not go into detail what actually was so shocking , but the various incidents are absolutely abnormal. So for the kink value, i give it one.Otherwise, the video, photography, acting of the adults actors /actresses are simply substandard, a practical jock to people who love foreign movies.Roberto, the main character, has full spectrum of emotions but exaggerated to the point of being unbelievable.however, the children in the movie are mostly 3/4 years old, and they are genuine and the movie provides glimpse of the Italian life.. | 0neg
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] |
While Fred Schepisi's "I.Q." doesn't really have any important qualities, it's still worth seeing. Walter Matthau plays Albert Einstein, trying to help mechanic Ed Walters (Tim Robbins) fall in love with Princeton mathematics doctoral candidate Catherine Boyd (Meg Ryan). Probably the funniest scene is when Dr. Frizzyhead and friends (Lou Jacobi, Gene Saks and Joseph Maher) try to make Ed look like a scientist: he ends up looking like a French impressionist. Obviously little of the movie is historically accurate, but that's not the point. It's not intended as anything except a light comedy, quite the opposite of Robbins's most famous movie from 1994 (The Shawshank Redemption). A movie about Einstein's whole life would have to focus not only on his scientific achievements, but also his political activism, namely how he wrote a letter on behalf of the Scottsboro Nine and came out against nuclear weapons (it got to the point where the FBI kept a file on him). So anyway, this one is acceptable. Also starring Stephen Fry, Tony Shalhoub, Frank Whaley, Charles Durning and Keene Curtis. | 1pos
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] |
Lessons of Darkness (1992) looks and acts like a companion piece to Fata Morgana (1971). As with the earlier film, Lessons either captures viewers or leaves them confused and bored within the first few minutes. Early in Lessons we see an aerial shot of an unusual city. It is obviously a contemporary urban area because we see highways, traffic, stoplights, and large buildings, but it is also obvious that it is not an American city. The narrator (Herzog) announces that this city is about to be destroyed by war and the thought of this strange but vibrant place being destroyed becomes completely repugnant. Thus, Herzog succeeds here with the approach he initially planned and then abandoned in Fata Morgana. Lessons of Darkness triumphs as a mock Science Fiction story of an apocalypse that threatens all of civilization. Luckily, it doesn't take a college education to realize that the footage is shot in Iraq in the aftermath of the First Gulf War. Luckily as well, Herzog's anti-war statement does not need to be explicit to be effective. Early in the film, interviews with two Iraqi women suggest the human price of this military event. In the rest of the film, humans appear to be on the periphery of the "action" but they keep coming back to the center of our consciousness. Those who persist in their viewing will eventually encounter a chilling repetitiveness in this film (the fires are still burning!) However, that repetitiveness can become cumulative and mesmerizing. This is not a film experience for everyone, but for those who have a taste for it the film will be unforgettable. | -1no label
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] |
Unfortunately this film made me reflect on a good friend who was married just like Harry Hamlin(Cameron Thomas),"Strange Hearts",'01, and had a nice family, good job and made a nice career for himself and family. However, just like Cameron Thomas, he was not able to stay faithful to his wife and family and ran after every woman he could find. This is a dreadful illness and leads to many other problems which this film portrays. Lisa Rinna,(Joanna Thomas),"Good Advice",'01, finally found out about her husband and went through a living hell. Cameron promised his wife Lisa, he would try to straighten out, but wound up looking at Porno on the Internet and just simply could not do anything else but fill his brain with SEX. If you have a friend or family member like this, get them HELP! | -1no label
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] |
This movie is pretty good. Half a year ago, i bought it on DVD. But first i thought that it was the original film. I have seen the series and it is a good film, but here, they have put "The Living Legend,part1 and 2",and "Fire in space" together. The same as they did with the first film, but with other episodes. But still, it is a pretty good film. Only the ending is strange (you don't see what happens with the Pegasus). But I still think that it is pretty good. The actors and special effects were good. If you haven't seen it, go see it. Starring:Richard Hatch, Dirk Benedict, Lorne Greene, Herb. Jefferson Jr., Tony Swartz, Terry Carter, Lloyd Bridges, Jack Stauffer. | 1pos
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] |
The filming of this picture was interrupted on two occasions, one from an old back injury, Karloff was rushed to the hospital for an emergency spinal operation and Actress Rose Hobart was replaced in the role of the cataleptic (Mrs. St. Aubyn) by Katherine Emery. This so called "horror" film had a great lack of action and was a drag, even its suspense only mildly was interesting. Even Boris Karloff fans will note the tired way he performs through the entire film. This picture takes place during Balkan War of 1912, General Pherides (Boris Karloff) rows to a tiny Grecian island to visit the grave of his wife. Oliver Davis (Marc Cramer), an American newspaperman, accompanies him. After finding the coffin looted by thieves, they accept lodging in the household of Albrecht (Jason Robards Sr.,) father of Jason Robards Jr. an antique collector. But they soon discover plague has infested the island. Kyra (Helene Thimig), superstitious old crone, believes Thea (Ellen Drew), an attractive Greek girl, is a vampire and responsible for the deaths. This film is not one of Karloff's best performances. However, it is a Classic and a must see film for all Karloff fans ! | -1no label
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] |
Like TWO ARABIAN KNIGHTS, a couple of American soldiers attempt the daring rescue of a Middle Eastern princess from a loveless betrothal. Producer Howard Hughes became a Hollywood power with the very successful release of this, his third motion picture. Thought lost for decades, this wonderful silent comedy has recently been rediscovered & restored and given a splendid orchestral score by Robert Israel. Directed with verve by Lewis Milestone and greatly benefiting from William Cameron Menzies' art direction, the high jinks & high adventure of this antique buddy film are once again ready to delight the viewing audience. Clean-cut private William Boyd and plug-ugly sergeant Louis Wolheim battle Germans, Arabs and each other across Europe, the Mediterranean and into Palestine. They make a terrific comedy duo, constantly involved in one-upmanship and dangerous exploits whether in a POW camp, on a prisoner train, aboard a tramp steamer, or in a Moslem souk and emir's palace. Wolheim, with his hilariously expressive face, has a slight advantage in the scene stealing category, while Boyd has the upper hand in the romantics department. Mary Astor, as the endangered princess, is the willing recipient of Boyd's attentions. Her role doesn't give her a great deal to do except look lovely & alarmed, but these she carries off admirably. In the supporting cast, Michael Visaroff is the black hearted ship's captain who comes into conflict with Boyd & Wolheim; look fast for Boris Karloff as his purser. Dashing Ian Keith nicely plays the young Arab chieftain who will stop at nothing to make Astor his bride. At various points throughout the movie the viewer will notice the deterioration of the film stock, showing that TWO ARABIAN KNIGHTS was indeed rescued, like the princess, just in time. | -1no label
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] |
A simplistic, yet highly entertaining comedy starring Richard Pryor. Arlo pear (Pryor) seems to have literally EVERYTHING go wrong for him; from his house move, to a new job, to his daughter wanting to marry a sleaze bag! The dog wants to give up and bury itself, and as for the fixtures and fittings in the new house: "Are they staying there or are you taking those with you?". And "After 15 years I gave him the wrong finger!" Doesn't make any sense yet? Good. Track down a copy on ebay, amazon, or any good retailer and watch it. It's a shame Warner Bros won't release it on DVD though, as like many other Pryor classics (see Stir Crazy, Brewsters millions, and See no evil, hear no evil) this is fantastic. This film isn't meant to win any Oscars nor be critically acclaimed. It's mean to be watched and enjoyed by all. It achieves exactly what it set out to do. | -1no label
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] |
The fact that the movie is based on a true story contributes to a better and, of course, more realistic experience and keeps the viewer focused on the basic theme of the movie. The story is filled with unexpected twists which keeps the viewer at all times from figuring the ending out. In one moment you think that something happens to Coach Jones or Radio. Well it does, but certainly not what you'd expect. The film becomes at no point boring or too sentimental and the acting performances by Ed Harris & Cuba Gooding Jr. are some of their best in my opinion. The ending puts a long lasting smile on your face and makes you wonder if what you are doing is right. Well I guess that was what Michael Tollin & Mike Rich were trying to do. First-class movie. Esbjørn Nordby Birch. Denmark. | 1pos
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] |
Alright, maybe I shouldn't have expected much from a film called "Anita: Swedish Nymphet". Still, I was very disappointed by this Swedish softcore romp. The only reason why I watched it was because of Christina Lindberg. I'm a big fan of "Thriller: A Cruel Picture" (which remains the single greatest Swedish exploitation film of all time) and Mrs. Lindberg was truly revelatory in that. Shes hotter than all hell, combining a childlike face with a truly voluptuous body. In addition to being a major babe, shes a pretty decent actress as well. She can create sympathy and lend depth to her often depraved characters. With a title like "Anita: Swedish Nymphet", I was hoping Lindberg would appear naked a lot. Unfortunately, the film seems to want to create a serious study of "nymphomania", a symptom which has largely been proved to be nonexistent. So a lot of screen time is devoted to pseudo-academic talk and character exposition. If I would any of the characters remotely interesting, this could be bearable. However, the film becomes largely dull - it should have injected some life into the proceedings, gone over the top, and become a campy softcore romp. As it is, it isn't even good for unintended laughs. Still, the film is worth watching for Lindberg. When she does get naked, you can't take your eyes off the screen. Also, she does a good job with an uninteresting character. The film is worth watching if you were a fan of her work in "Thriller: A Cruel Picture", but don't be expecting too much. (4/10) | -1no label
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] |
Just saw this movie and the main selling point was Malkovich in the cast. He was fine, as was the female lead played by Evangeline Lilly. The main thing that did this movie in for me was a rather leaden performance from Romain Duris. The basic plot is that Malkovich is a "messenger" or someone who can foretell people's deaths. He is also a doctor working with dying people. He contacts Duris and, for the greater part of the movie, the audience is lead to believe that Duris is destined to die. Needless to say, this isn't the way the movie plays out. The director (or writer) manages to establish a dull, plodding rhythm to the film which is confusing and distracting. No more info for anyone interested in seeing the film and the film is worth a rental, if only to watch and revel in another quirky performance from Malkovich and a great performance from Evangeline Lilly. The main problem is it's difficult to empathize, sympathize or otherwise ize with Duris who has the emotional range of a rock in this film. | -1no label
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] |
I had the honor of watching this series about 2 years ago. I rented all 3 yes 3 DVDs from blockbuster and was not disappointed. The visuals are amazing, the characters well drawn and designed, the technology is well thought out as well. Its a simple story about human nature and how far someone will go to return home and to stand up for what they believe in. This series is why I love anime, Of all the anime series out there this and berserk are my favorite. initially I was struck by just how beautiful the whole thing looked and I like the idea that a kid can be a main character and not make the show seem fruity or childish like so many "made for America anime" some of that is o.k. but I really like more serious stuff:) | -1no label
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] |
I was a bit anxious at first when I heard about this remake. I have never been a fan of remakes. I always worry that they will somehow ruin a perfectly good classic movie. And being an avid lover of "Guess who is coming to dinner," I had even more to worry about. However, I believe that this "new take" on the movie was great and inventive. It was updated to give it a modern twist and wasn't an exact replica of the original. In fact I laughed hysterically through out the movie. Of course there may be some over-the-top antics, but it is in good fun and this definitely constitutes a meaningful feel-good movie. So I am recommend watching Guess Who highly. | -1no label
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] |
I can honestly say that I think "Rabid Grannies" is possibly, singularly, the worst film I have ever had the chance to watch. The acting is the equivalent of a 6 year old at the very best. Its hard to see any rational reason this film ever got funding let alone anyone decided to actual make it. The story line has been replicated, to much better standards, at least a thousand times before the directors of this film were even born. The only comedy side to this film is that when the killing starts the people act as though its nothing out of the ordinary. It appears these actors regularly have zombies running around their living room. Please please please avoid this film at all costs and if you can't, try to go to sleep! I am disgusted that this film managed to get 90 Min's of my life! | -1no label
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] |
Deceptive Advertising... I saw a commercial for Carlitos Way: Rise to Power that states "From the Producer of Scarface and Carlito's Way" LETS GET IT STRAIGHT... Michael Bergman did not produce Scarface, in fact he was 'editing room assistant' for Scarface. Not to take away from Bergman's talent... but in my opinion he should of had a little more class. I think I can speak for the masses when I say... We hate being blatantly lied to. As far as the movie goes, It was poor at best. I did think Puff Daddy did a good job. Although, Luis Guzman should be ashamed for working on this film. Overall this film did not do a good job filling in the blanks for Carlito's Way. It's obvious this project was an attempt to make a quick buck rather a good film. | 0neg
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] |
Lee Evans. The best British comedian of this generation and in my opinion can establish himself as one of the all time greats. His unique brand of physical comedy. His accents on stage makes this guy the funniest comedian on television. All of his live performances has him singing a song on his piano. And this one has been my favorite. Not only can he act, but damn he can sing too. If you have a chance to go and see this guy. It well be the best money you are going to spend if you want to laugh till it hurts. This is probably one of the best shows during his great career and you should really check out the wired and wonderful tour, that was also a great laugh. | -1no label
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] |
Okay, note to the people that put together these horror acting legends DVD-collections: I truly am grateful and I hugely support the initiative, but
have you even watched the films before selecting them as part of the collection? When I purchased the Boris Karloff collection there were several films in which the star only played a supportive and unessential role ("Tower of London", "The Strange Door"). "The Invisible Ray", however, is part of the Bela Lugosi collection and here it's actually Boris Karloff who overshadows Bela! This actually would have been a great title for the Boris Karloff collection instead! Bela Lugosi's character is quite possibly the most good-natured and earnest one he ever portrayed in his entire career and good old Karloff actually plays the mad and dangerously obsessed scientist here. "The Invisible Ray" features three main chapters. The first one, set in Dr. Janos Rukh's Carpathian castle is pretty boring and demands quite a lot of the viewer's patience, but of course the character drawings and the subject matter discussed here are fundamental for the rest of the film. Dr. Rukh (Karloff) demonstrates to a couple of eminent colleagues (among them Bela Lugosi as Dr. Benet) how he managed to capture extraterrestrial rays inside a self-manufactured device. The scientists are sincerely impressed with his work and invite Rukh and his lovely wife Diane along for an expedition in the heart of Africa. There Dr. Rukh isolates himself from the group, discovers the essential element "Radium X" to complete his medical ray and goes completely bonkers after being overexposed to the meteorite himself. The third and final act is obviously the best and most horrific one, as it revolves on a good old fashioned killing spree with ingenious gimmicks (melting statues) and a surprising climax. Karloff glows in the dark and, convinced the others are out to steal his discovery and even his life, he intends to eliminate them using his deadly touch. The narrative structure of "The Invisible Ray" sounds rather complicated, but the film is easy to follow and entertaining. The story is rather far-fetched but nevertheless compelling and director Lambert Hillyer provides several moments of sheer suspense. Boris Karloff is truly fantastic and so is Lugosi, even though he deserved to have a little more screen time. Their scenes together are the highlights of the film, along with the funky images of the glowing Boris. | 1pos
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] |
I rented this movie last night with friends and at first we were looking for a really bad movie with half naked men in it....actually looking for a homo-erotic horror by David DeCouteau.....what we found was Hellbent.....A really good horror movie....I got scared....it wasn't too campy it wasn't over the top gay....though as in most horror movies the characters sometimes do things...well quite often do things that make you say "why are you parking there?"...or .."Don't go near him."...it was just a group of gay guys ( very attractive gay guys) being stalked and I thought it was great. I'd recommend it to any horror fan looking for a good slasher flick....the acting is decent and the effects are very well done. | -1no label
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] |
Sadly, this film is a laugh-less failure (minus the very funny Will Ferrell cameo). When I went to see it the theatre was packed (Edwards in San Diego) but the complete lack of laughs and numerous groans from the crowd led to numerous couples walking out on the film. I admit to staying till the end but left the theatre wishing I had rented the hilarious "Zoolander" or the frenetic "Old School" instead. I was extremely disappointed, what a waste of the talent onboard. Many of the skits were taken from other movies ("Zoolander", "Envy", etc). Shame on Warner Brothers and Dimension for giving away all the good laughs and sequences in the trailer and commercials. A D+ is the final grade, and that is being charitable in every capacity possible. | -1no label
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] |
Sure there are camp moments in Sex Madness, a film which somehow tries to gain the notoriety that 'Reefer Madness' has but fails despite having tons of elements that should point in it's favor. In the beginning it starts off strongly, with all sorts of people going to a burlesque show (and jamming the auditorium up!). This show is probably the highlight of the movie, plenty of silly dancing, no nudity, and clunky choreography. I liked the personalities that showed up for this. A group of randy boys looking to party, a lesbian couple who can't stop pawing each other, and a man who gets all worked up he rapes the first girl he sees. Funny, but ALL of these plot lines get dropped for Millicent (!!), a dancer in the chorus, who finds out she has VD from her doctor. After taking a tour which she's all chipper about seeing icky cases of VD, she goes into treatment, carefully hiding it away from her fiancée. After going home and seeing another doctor who gives her a quack cure, she marries and.. well
you can guess the rest. Rest assured that as foul as it sounds, it drags somewhat, and is nowhere as memorable as 'Reefer', (admittedly, I thought It was going to be of the same looniness). It's okay for some laughs, but doesn't hold up. | -1no label
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] |
SILVER CITY (2+ outta 5 stars) As a huge fan of John Sayles' work for many years now I feel safe in saying that this is the worst movie he has ever done. That said, the movie isn't exactly *terrible*... just very uninspired. Sayles throws in familiar elements from his previous movies (corrupt politics, illegal immigration, the selling out of youthful ideals) but fails to bring them together in any new or meaningful way. Even the dialogue (usually Sayles' strong point) is disappointing this time around.. sounding clichéd and forced in almost every scene. The movie looks and sounds like episodes from a TV series that didn't make it past its third episode. There are tons of big stars on hand... and they try their best to make their bit parts come alive... but the material just isn't there this time around. While filming a campaign spot a governor-hopeful (a poor and obvious George W Bush stand-in) fishes a dead body out of a lake. An investigator is hired to try and warn away people who may have deliberately set this up to discredit the candidate... but he soon finds out that there are deeper and darker (and more clichéd) secrets to be discovered. Sayles has made similarly-themed movies so much better in the past ("Lone Star", "Matewan", "Return of the Secaucus Seven", "Men With Guns"). It's a shame that he went to the well one time too many and came up with tainted water. One good line, delivered by Richard Dreyfuss: "Danny, you're a loser. That's already been established beyond doubt. So just try and be a good one, okay?" | 0neg
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] |
Another masterpiece that needs a DVD release but some libraries have the VHS and well worth seeking out. Just a brilliant play about many things, foremost being euthanasia, "respectability", religion, and fundamental human relationships. The script effectively uses intelligent humor not only to cope with an issue like a severely disabled child, but to bind the parents in their love for "Jo" and each other. As the couple, Alan Bates and Janet Suzman are perfectly matched both in acting virtuosity and in bringing their deep, intelligent characters to life. I've recently seen Bates' brilliant performance in "Butley" which was released as a film a couple years after "Joe Egg" and he plays a teacher in both, cynical, intellectual, and funny, although Butley is much darker than his character of Bry here. If you throw in such great performances in "The Go-Between", "Women in Love", "Whistle Down the Wind", "The Caretaker" and "Georgy Girl," not to mention the more obvious "King of Hearts" and "Zorba the Greek", and I'd say that Alan Bates had a career comparable to Peter O'Toole, Albert Finney, and the other great British actors of his era. Director Peter Medak also had one of my all-time favorites "The Ruling Class" released the same year (1972) as "Joe Egg", which comprises a career year in anybody's book. He's had kind of a spotty filmography("The Krays" was another highlight), but these two gems will mark him as a great director. | 1pos
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] |
When a newly wed couple traveling in Hungary are involved in a traffic accident in which their driver is killed and the car is destroyed, they seek shelter and aid in the home of a strange and devil-worshiping "friend" (Boris Karloff) of their chance companion (Bela Lugosi). It turns out that Dr. Werdegast (Lugosi) has a score to settle with Poelzig (Karloff) and is looking for his wife and daughter after a long and enforced separation. But Poelzig is searching for a fresh human sacrifice to Satan and sees the young bride as perfect for the task. There are a few twists in the plot from this point on, which I won't reveal here, but they do add interest to the film (even if somewhat predictable). The Black Cat, like the Raven, is named after Edgar Allan Poe's writings, but has very little to do with its namesake. The only reference to a black cat in the movie is Werdegast's phobia of them, and really, this could have been left out without affecting much of the plot or overall effect of the film. That said, I still enjoyed this film, especially because of the acting and dialog between Karloff and Lugosi. It just seemed to real and so perfect. The plot was a bit thin, but entertaining nevertheless. The setting was very different from the old castle settings of Frankenstein and Dracula, but its modern feel (I'm sorry I know little about architecture and interior design) still managed to carry a menace and dark atmosphere that was very appropriate. | -1no label
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] |
having recently watched the Austrian horror film " in drei tagen bist du tot" (english international title "dead in three days"), which was, as far as I'm concerned, a very decent experiment, I was interested in recent developments inside the Austrian film scene towards making genre flicks; so the prospect of seeing a science fiction film made in Austria instantaneously spiked my curiosity. But, to make it short, I was deeply, deeply disappointed by what I saw. if it wasn't for the score that makes a huge effort in trying to generate at least some kind of suspense, this movie simply is unutterably boring. having seen the German original version, I was suffering immensely from the poor dialogs, which are equally poorly executed by the actors. after the first 15 minutes the story seemed to turn in circles- which actually was a good thing for a friend of mine, who got out of the theater to buy some drinks and returned 15 minutes later: I didn't have to tell him what was going on while he was gone, because actually nothing happened at all. I know how difficult film making with a small budget is and that the production of a film like AINOA should therefore be considered as an achievement in its own right, but to me this would only be true if the result was in any way at least interesting to watch. but watching tranquillized actors in poor star wars/mad max replica standing around saying things like "it is meant to be" over and over again, my initial goodwill concerning this project evaporated- by the end of the show, I considered "AINOA" to be my personal "ground zero"- in this sense, a "groundbreaking" movie. | -1no label
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] |
Miscast, badly directed and atrociously written, this is watchable if you have an hour or two to kill or are suffering from insomnia, but only just. Robert Carlyle fully realises his potential as an actor of supreme mediocrity with only one expression to his repertoire (that of a chronically constipated football hooligan nursing a crippling inferiority complex), which he manages at times to alter slightly by flaring his nostrils and baring a row of skewed yellow teeth (this to indicate anger, tenderness, grief, surprise, horror, hilarity, compassion, etc.) In his role as "the best marine engineer in the UK" and son of a university professor he is about as convincing as my neighbour's cat. Tom Courtenay, equally miscast, slurring and mistiming every line, appears permanently soused to the eyeballs, and would seem no more able to tell a flood from a puddle of his own urine if he were standing in it. All in all, another silly attempt on the part of the British to imitate Hollywood pulp at its most rubbishy. The dialogue is a series of badly-delivered clichés; the action is disjointed; the plot is pointless and amputated; and the characters, if you can call them that, do not even make it into the basic two-dimensional sphere of their American counterparts. | 0neg
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] |
The title is a misnomer:the movie depicts barely one year of the so-called "divin marquis" .Twas a hard time for him 'cause he was threatened by the guillotine :the quiet joys of the reign of Terror . Historically speaking,the background is rather sketchy: "the fête De l'et re supreme",Robespierre's failed attempt to create a secular religion,his downfall ,a heaven sent opportunity for showing Doctor Guillotin's sinister machine at work (full speed). As far as Sade is concerned ,it's a downright mediocre affair :he's waiting in a former nunnery with other nobles ,a golden cage if you compare it to ,say,Marie-Antoinette's or scientist Lavoisier's fates,and he exchanges futile conversations with a young virgin about death,love and other trivia.There's the obligatory "daring" scene but you've got to be patient because it's a long time before it comes on the screen.And anyway ,by today's standards ,can we call that risqué? Cy Enfield's "De Sade" ,which enjoys one of the lowest ratings of the IMDb ,is at least entertaining ,and Keir Dullea was a more credible marquis than the aging Auteuil.And it featured John Huston. | 0neg
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] |
Christian Slater was absolutely amazing in his role. An office drone that is ready to administer his "justice" to all those who refuse to accept him, when an unexpected twist occurs that leads him down a different path. He's a deeply disturbed man, who can only live with himself by either becoming a hero or a tragic sacrifice. The dramatic finish to the self-obsessed paranoia of a man who dropped his sixth bullet. "Sometimes the only dignity left, is death. Who wants some ice cream?!" Some of the surreal effects were a bit over-the-top and unnecessary, bit this flick is all that and a bag of chips. If you like dark movies with excellent storytelling, this is for you. You'll be hooked after the first 15 minutes. | -1no label
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] |
Dean Koontz's book "Watchers" is one of the finest books I have read. Sadly, the movie is a sad caricature of the book. The disillusioned middle-aged hero and the lonely spinster with whom he finds a meaning to his life are converted in the movie into a couple of silly teenagers, the stoic security agent and the conscientious sheriff are combined into a farcical villain - you get the picture? The moviemakers have taken a moving tale of love, horror and adventure and converted it into a Z-Grade horror flick aimed - very poorly - at the teen market. Buy the book and enjoy many hours of reading - it will be far, far more rewarding than watching the movie. | 0neg
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] |
Well, what was fun... except for the fun part. It's my second least favorite so far, I even thought it was worse than 'Lazarus' and 'Ghost in the Machine'. Let's start with the good. The teaser, it was incredibly well done and also emotional. Being the great animal lover that I am, it was fun seeing so many beautiful animals in this episode. But then there's all the bad, and believe me there is a lot of it. Little made sense, so those animals were being abducted by aliens and impregnated? whaaa??? the dialog was also pretty awful. There were about one or two quotable lines. and worst of all, having pretty much all those animals die was very unpleasant for me. In the end... what's the point? they all pretty much died. We didn't learn anything, we weren't entertained, and I couldn't even find Sophia's death sad... just very frustrating. * star. shame because Season 2 was doing so well. | 0neg
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] |
I somehow managed to make it all the way through this movie, but was dumbfounded by the complete lack of entertainment delivered. My friends and I are fans of HK film, but WOW. This movie has it all, and by all I mean everything a movie shouldn't have. Underdeveloped and stereotyped characters, way over-the-top overacting, cheesy special effects, talking robots, no less than 20 double-foot jumpkicks, impossible situations, unfunny "gags" and "jokes", elementary school premise, mindless killings, and too-long running time for the material. Throw in the fact that Gen-X Cops was a decent film and this movie becomes even harder to bear. Quite simply, if you're entertaining the idea of watching this film...don't. | 0neg
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] |
A very weak movie, mainly because of a poor story, but also poor acting in the case of Robert Downey Jr., and irrational behaviour by many of the characters. If you are someone who likes to switch your mind off and simply watch a movie for it's creativity or acting criteria, then you may like this movie. Personally I can't do that with a drama and found this too far-fetched. I'm particularly annoyed when a main character, that is supposed to be an intelligent person, continually acts like a complete imbecile. In this movie, if the main character acted the way a person would normally act in these situations, there would be no movie. The first highly unlikely act is when the main character, a successful attorney named Magruder, played by Kenneth Branagh, is leaving a party and happens upon a girl, Mallory Doss played by Embeth Davidtz, who is screaming that her car has been stolen. They are standing around in a tropical rainstorm as he badgers her into accepting a ride home. She tells him about her weird father who belongs to some kind of weird sect and does crazy things. When they arrive at her dilapidated shack in the poorer part of town, they notice that her car is in the driveway. Also the house lights are on and some objects in the house have been broken. Things are very odd, she's weird (looking like a tramp, she undresses in front of him until she's completely naked
oh yeah!). Also, the father's strange, the house is a wreck -- everything should have told Magruder, "hey this is too weird for me, I'm out of here!' But not Magruder, he sleeps with her and then, motivated by her story and sex, takes up the case of trying to have her father committed. It all screams set-up! Then, being the top-flight attorney that he is, he arrives late at the office wearing the same shirt he had on the night before, (a fact that all of the women in the office notice). Is it likely that a successful attorney would act like a 16-year-old? Magruder has upset the police in some of his cases so when he goes to the police claiming, with ample evidence, that the father is terrorising them, the police ignore him. I could have believed begrudging assistance. But no help at all -- not likely! It's just too unlikely. | 0neg
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] |
At first I was convinced that this was a made-for-TV movie that wasn't worthy of primetime. But after a few minutes of dumb-struck awe, I realized that there was at least comic value in the over-the-top stunts and c-movie acting. This movie would have gotten a 1 if my wife and I hadn't laughed so hard as we watched it in wonder that the actors could keep a straight face. It was like a less-funny spy version of The Big Hit (I laughed so much I actually bought the Big Hit DVD) with even-worse acting. We were disappointed that Nick chose to marry Elena, and not Jim, after all of the hugging and high-fives. A few rum and cokes will definitely help it go down easier. | 0neg
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] |
Effort aside (This isn't a review about good intentions, its about the final product), this film is poorly written, overacted, and poorly directed. The story obviously had potential, but that story is nowhere present in this film. Clara Barton was a human being. She had passions, desires, love, pain, embarrassment, weakness, and self doubt just like the rest of us. You would never know that from this film of the lead actress's performance. In fact apply that to every character in the film, but in Barton's case: Every sentence is a speech. An epic over the top speech as though from an inhuman robot. In fact the only scene that plays well in one in the board meeting, and I realized thats because she's making a speech! Every idea she has is unbelievable in its context and she comes up with ideas that sound like they take a lifetime of soul searching right on the spot. For example, when she sees a wounded man, she'll start pontificating about the needs of the battlefield and to protect soldiers and putting up white flags, etc. As played in the film, there's no WAY she could come up with such a detailed well thought out idea in seconds. IN conclusion, this film robs Clara Barton of her struggles. It robs her of her humanity, and it inherently cheapens all she did because the script is written in clichés. The writer doesn't know Clara Barton, and seems to have based his script on an encyclopedia Britannica article. (yes they had those back then) But hey, nice Technicolor! (who cares) | 0neg
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] |
"Pink Flamingos" is a cult classic.The plot of this film revolves around the throwdown challenge to Divine's supremacy as the filthiest person alive."Pink Flamingos" contains some memorably repulsive scenes like a sex scene with a chicken and the scene where Divine eats fresh dog feces.Yes,the movie is shocking and funny at the same time,but the biggest laughs come from the actors' lines.Check out especially this line from Divine:"Kill everyone now!Condone first degree murder!Advocate cannibalism!Eat s***!Filth is my politics!Filth is my life!".On the whole,I really enjoyed this film.Still its tagline "An Exercise in Bad Taste" should be taken to heart and even those used to the gross out movies today may find this gem hard to stomach.Highly recommended. | 1pos
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] |
A very interesting movie indeed! Screenplay, acting and direction are strong points. Some incidents are very disturbing. Nagesh Kukunoor is a better director than actor (he's not a bad actor though). The climax - ? I have to watch the movie again. I sure did not expect the climax, even though once it started unfolding, I started getting the whole thing. I'm not sure what I think of the climax. MAJOR, MAJOR SPOILERS AHEAD - PLEASE DO NOT READ AHEAD IF YOU HAVEN'T SEEN THE MOVIE If Ishaan is the only one who knows what is going on right from the beginning of the movie, does it mean that Naseeruddin Shah and the director decided to deliberately deceive the audience by not portraying the role as they should have? "Aapko pehle kahin dekha hoon" is the lamest excuse. May be I did miss Ishaan's reactions when I watched the movie for the first time. So I don't know for sure if this is greatness or this is cheating that Kukunoor pulled the wool on my eyes, though I tend to think it's the latter. In any case, the way Kukunoor used the inspiration from Shawshank Redemption is brilliant. Kudos! *** END MAJOR SPOILERS The movie clocks at just 2 hours. I wished Juhi's life could be fleshed out a little bit better. Shri Vallabh Vyas's role as her husband is woefully underused and underwritten. Pity. On the other hand, the prison life as depicted in the movie deeply affected me - particularly the issue of prison homosexuality and AIDS. The conflict of the HIV+ rapist is eschewed to show him as a monster. The indirect effect is the negative impression of homosexuality that all gay men are predators. Even though one can objectively see that the hatred depicted for him is because he is a rapist who could get away with the heinous crime, it could very easily be projected on to homosexuals in general. A pretty damning condition of homosexuals in India. I wish Kukunoor had not muddled up different issues here. Overall, a very interesting movie by Nagesh Kukunoor. Keep it up! | -1no label
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] |
I first saw "Signs of Life" on PBS as an American Playhouse presentation. It's a wonderfully written, ensemble production with terrific performances by Michael Lewis as Joey and Vincent D'Onofrio as his brother, Daryl. Arthur Kennedy, in one of his last roles, is also excellent as an aging shipbuilder whose family business is about to close. The rest of the cast which includes Beau Bridges, Kathy Bates and Mary-Louise Parker give remarkable clarity and substance to their characters. The direction is subtle and effective. I've watched this movie several times over the years and would very much recommend it. A beautiful piece of filmmaking. | 1pos
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] |
Much like Orson Welles thirty years earlier,Mike Sarne was given "the biggest train set in the world"to play with,but unfortunately lacked the ability to do anything more than watch his train set become a train wreck that is still spoken of with shock and a strange sort of awe. Despite post - modern interpretations purporting somehow to see it as a gay or even feminist tract,the fact of the matter is that it was a major disaster in 1970 and remains one today.How anyone given the resources at Mr Sarne's disposal could have screwed up so royally remains a closely - guarded secret.Only Michael Cimino ever came close with the political and artistic Armageddon that constitutes "Heaven's Gate".Both films appeared to be ego trips for their respective directors but at least Mr Cimino had made one of the great movies of the 1970s before squandering the studio's largesse,whereas Mr Sarne had only the rather fey "Joanna" in his locker. Furthermore,"Heaven's Gate" could boast some memorable and well - handled set - pieces where,tragically,"Myra Breckinridge"s cupboard was bare. Simply put,it is overwhelmingly the worst example of biting the hand that feeds in the history of Hollywood. | 0neg
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] |
I'd just like to say that i've seen this film twice now and i love it! The acting is great and even though it is a similar plot to "Raise Your Voice" I think that the plot never gets boring for people who like that kind of thing. It has some great lessons in it and shows us that we can do anything if we try. An incredible film. I am sure that this is one i will be watching for a long time to come. Even though Britney Spears write the book it is quite a realistic plot, maybe not about the falling in love part, but the part about being different and struggling but coming out best in the end is very true to real life. The only minor criticism is why is the main girl in these films always beautiful? Do you really think that Holly would have met the perfect guy of her dreams if she was ugly or average? I doubt it.. | 1pos
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] |
Documentary starts in 1986 in NYC where black and hispanic drag queens hold "balls". That's where they dress up however they like, strut their stuff in front of an audience and are voted on. We get to know many of the members and see how they all hold together and support each other. As one man says to another--"You have three strikes against you--you're black, gay and a drag queen". These are people who (sadly) are not accepted in society--only at the balls. There they can be whoever and whatever they want and be accepted. Then the film cuts to three years later (1989) and you see how things have changed (tragically for some). Sounds depressing but it's not. Most of the people interviewed are actually very funny and get a lot of humor out of their situations. They're well aware of their position in society and accept it with humor--just as they should. We find out they all live in "houses" run by various "mothers" and all help each other out. The sense of community in this film is fascinating. When this film came out in 1990 it was controversial--and a big hit. It won Best Documentary Awards at numerous festivals--but was never even nominated for an Academy Award. Their reason was "Black and hispanic drag queens are not Academy material". Fascinating isn't it? Homophobia and racism all together. Seen today it's still a great film--and a period piece. It just isn't like that anymore--the NY they show no longer exists. The balls are still held but not in the spirit we see here. Also drag has become more "accepted" in society (for better or worse). And I've heard the houses are gone too. That's kind of sad. I WOULD like to know where these characters are now--I know two died of AIDS but I have no idea about the others. And what DID happen to that 13 year old and 15 year old shown? Still, it a one of a kind documentary--fascinating, funny and riveting. A must see all the way! A definite 10. Where's the DVD??? | 1pos
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To begin with, I really love Lucy. Her TV show still makes me laugh. She was one of the greatest comedians who ever lived, right up there with Chaplin and Keaton. But, her performance in this movie is disappointing. She was too old, and the gauze filters on the lens make her look like a London fog refugee. She couldn't sing, and her voice was so froggy that she croaked through every song. Her dancing days were long in the past. Just because you are a Lucy fan, don't gloss over this mistaken, sad performance and sing it's praises. I prefer to remember Lucy in her wonderful TV series(I Love Lucy) and to draw the curtain of charity over the terrible mess of a movie called "Mame". | 0neg
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I'm a jaded horror-movie fan, hence approximately once in a blue moon do I get to watch a film from this genre that has me glued to the screen rather than bored or sneering/almost laughing at the gore when I'm not supposed to. But perhaps that was the key here, the essential ingredient - or rather the lack of it: the fact that there is no gore. Just like in the Japanese "Ringu", the eeriness comes out of what is insinuated rather than catchup-stained limbs flying through rooms as if they had wings. "Kairo" remains interesting in spite of its 2-hour length, although a little editing snip here or there might have made it a little more compact. The dialogue is mostly standard, i.e. not that interesting (with some exceptions), so it's the ghost scenes that elevate this movie above 98% of the usual horror crap. The story is slightly muddled (or were my subtitles bad?) but it matters not. "Kairo" shows once again why the Japanese (or Orientals in general) have an upper hand in the genre in recent years. And even if you disliked it: it still beats watching a Stephen King or Wes Craven film, doesn't it? Plus, Japanese actresses are so much better-looking than the increasingly ugly, masculine blonds Hollywood serves us lately... "Printo screenki": this is how one male character referred to a certain computer-keyboard feature... | -1no label
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Wow. Rarely have I felt the need to comment on movies lately, but this one especially is begging for a beatdown. Let's start at the beginning. First, writer-director Susan Montford puts Kim Basinger in the tired old victim role, complete with the requisite abusive husband and dull suburban existence. Let it be said right now that almost all content in this dull movie is completely hackneyed and trite. Montford's pathetic attempt at symbolism involving the Christmas tree with no star is laughable. When She Goes Out for some Christmas wrapping paper one dark and ominous night, Della is furious that somebody double-parked their car on the busiest shopping night of the year. She decides to do something about it, so she leaves a nasty note on the car's windshield. The next fifteen minutes of the movie are devoted to Della walking around aimlessly in the shopping mall. When she finally gets to her car, the thugs confront her about the note, a cop is killed, and she runs, and they catch up to her, and she gets away, and they chase her some more, and on and on. Everything is completely predictable and uninvolving. The thugs are not scary or menacing at all, and they all get picked off one by one in all the usual ways. This is one of those movies in which all the action depends on the characters being as stupid as you can imagine. Why the bad guys don't just kill her instead of waiting for her to hit them with a tire iron is beyond me. And once, just once, in a film like this, does the leader of the pack have to die last? What does it matter that they are all picked off one by one when they are all equally inept? Much of the movie simply consists of Lukas Haas running around in the woods screaming "Della!!!" And the inclusion of Joy Division on the soundtrack of this wretched film is insulting. The part that really made me run for my computer keypad was when Della, exhausted and hurt, cries out to the heavens, "Where are you, God?" Where, indeed, was god when this movie was being made? I give it a 2 only because of competent cinematography and lighting, and it's not as bad as 'BTK Killer,' the ultimate marker for judging any terrible film. Cheers! | 0neg
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] |
This is an odd um- comedy with Frederick March, Gary Cooper, and Miriam Hopkins. March and Cooper play artist friends, writer and painter respectively, who meet Hopkins at the same time and find her abrasiveness cute. I'm thinking this must have been pre-code, because the word "sex" is used quite a bit, and listen closely, and there is even a cute "flockin'" flaunting of the F word. Hopkins bossily dates both of them, plays them against each other, advances their careers and somehow, by the end, they decide they like it. This naive ménage a trios certainly could not have helped the rumors about Cooper's private life.Cooper and March really are good foils for each other, Cooper playing the more passionate, less polished painter, and March, the more refined and verbal. It works. Edward Everett Horton plays a boring advertising Exec who has been the mentor of Hopkins and who is also in love with her, in his way. The premise really is not funny, and while this may have had some shock value in its day, because Hopkins certainly played it brazen, it is very hard to find cute. Hopkins has a gorgeous wardrobe, and the figure to wear it, she looks fantastic
if she just weren't such a sharp tack. Naturally, two years later she played Becky Sharp in 1935s VANITY FAIR, and she was perfectly cast for the hard edged heroine. I'm a fan of Cooper, March and Horton, but the only thing I liked about this one was Hopkin's wardrobe. | -1no label
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] |
Boy, what a frustrating film to watch....even though it is very good and has been a part of my collection for a number of years now. Still, it's hard to see the good guy, the little guy, beaten up by the big guys. Here's one story where Goliath beats David. Anyway, this was an interesting supposedly- true-life story of how Preston Tucker got a raw deal form the Big Three car-makers of the day, and by the government after he built a much better automobile in 1948. The film details how the big boys made sure Tucker's company never sold any of those cars. As mentioned, it's maddening to watch at times, to hear lies and false charges brought against a man who had the right ideas about car safety and engineering and was way ahead of his time. The 1940s atmosphere in this film is very good and the old music is fun to hear, too. The cinematography is great, too, with some tinted vintage-type color at times. It looks wonderful on DVD. The car is super to look at and admire. Jeff Bridges does a solid job of portraying Tucker, an upbeat, positive-thinking inventor. It also was refreshing to see a nice, supportive family, too. I enjoyed all the main actors in this film: Bridges, Joan Alen, Martin Landau, Frederic Forest, Elias Koteas and Christian Slater | -1no label
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I caught this movie on IFC and I enjoyed it, although I felt like the editing job was a little rough, though it may have been deliberate. I had a little bit of a hard time figuring out what was going on at first because they seemed to be going for a little bit of a Pulp Fiction-style non-linear plot presentation. It seemed a little forced, though. I certainly think that the movie is worth watching, but I think it could have used a little cleaning up. Some scenes just don't seem to make sense after others. I'm surprised to see the rating here as low as it is. It's not outstanding, but it doesn't have any really serious problems. I gave it a 7/10. The movie did show at least that Laurence Fishburne can act when he wants to. They must have just told him not to in the Matrix movies. | 1pos
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] |
This movie's got a good enough plot that it's been made at least 4 times, so you know that part's covered. It's a good story that holds up and moves at a good pace. The cast of stars are caught at interesting times in their varying careers. Dietrich is riding the Destry saloon girl role in a carbon copy of the original that belabors a huge oversized Gibson-girl wig and multiple extraordinary outfits befitting Marlene "the star". She brings her distinctive charm to the role and has a tongue-in-cheek ball with the sexually loaded script, but her role has nothing extra-special or magical. John Wayne is full of swagger and charm and working his way up the ladder towards the title of big stud cowboy on campus. Randolph Scott is turning the corner of his career into Westerns also; abandoning those light comedy or milquestoast leading roles and showing a glimpse of the hardnose tough guy & questionably moral cowboy that he came to be in later career moves. This is the penultimate film for Richard Barthelmess and his role is a morose and bitter one that fits his personal situation of a star who had had his day in the sun and was ready to step-down. Kudos, big laughs and a robust round of applause to the best delivery, lines and most entertaining scenes which are all handled by Marlene's maid - Idabelle - played beautifully and naturally by Marietta Canty. She WILL have you laughing out loud! This film is chock full of sexual innuendo, lust-filled motivation and snide comments; all subtly and enjoyably delivered. | -1no label
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The odd thing about Galaxina is not that it is supremely bad, although it is. The odd thing is that in spite of being supremely bad, it is not funny. Supremely bad movies have their own particular brand of unintended humor--the secret of their success, you might say. But Galaxina is quite uniquely different--it is MST3K's worst nightmare, a bad movie in which the intentional *and* the unintentional humor alike fall flat. It is easy enough to figure out why the intentional jokes fail--and the reasons are quite varied. Sometimes it's a timing question; sometimes it's a good idea badly worked out (the human restaurant *could* have been hilarious, but it wasn't); sometimes it feels like there was some mixup in the cutting room, with the punchline ending up on the floor; and sometimes the jokes are just bad jokes. Bad movies get their laughs from such unintentional snafus. It's harder to figure out why Galaxina doesn't get any laughs on that count. Something is subtly wrong with the unintentional humor in this movie, just as something is wrong (not at all subtly) with the intentional humor. It is a supremely bad movie whose very badness is not the redeeming quality it usually is. It's absolutely unique in my experience. | 0neg
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] |
May contain spoilers. Grace's Choice is one of the most inspiring movies I've seen. A true story of a teenager who takes on the responsibility of raising her 3 brothers due to their drunken mother's absence. She changes her life and gives up a lot to care for her brothers, keep them together and create a stable, loving home.In the process, through very hard times she manages to work full-time and finish school. I recommend this movie to everyone, it is well worth your time, it shows people anything is possible if you put your heart in it. It is a little bit of a chick flick, but very much worth watching. I give this movie 10/10. | -1no label
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] |
This is a good film for die-hard Chucky fans. Okay I'm sure it's not as good as what the Child's Play movie were like, but this can get really funny and enjoyable, Chucky's laughs are hilarious. (SPOILERS) Now not one doll, but two, meaning double the impact, Jennifer Tilly played the part really well and definitely pulled off the best kill of the movie. If you have seen the Child's Play movies this would be a worthy film on your Chucky collection, but if you've never seen the Child's play movies before, this'll will be a new start. Of course you'll not have a clue on how Chucky got into his current state (cause I'm not telling you) but you'll figure out why Chucky is very popular. Overall a very enjoyable movie. | 1pos
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] |
I know that I am probably two decades older than the target audience for "One Tree Hill". I saw this particular episode by accident. I think the subject matter of school shootings is very important. I just wished that the treatment here was more imaginative and, especially the final plot twist at the end of the episode, not so contrived. The only bright spot in this episode was the credible performance of Colin Fickes as Jimmy Edwards, the distraught student who held his fellow students hostage. I felt that the actor was on an entirely different level than the others. The stars and the supporting cast were very bland and uninteresting. At least with this episode, I kept thinking about how "Degrassi: The Next Generation" did a much better job than "One Tree Hill". I noticed that the average age of the actors on "One Tree Hill" is around 23 or 24 years old while the actors on Degrassi is closer to high school age. Sometimes when it comes to television shows or movies about teens or young adults, it depends not only on the script but the casting and the talent of the actors. | -1no label
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] |
I never seen the original "Texas Chainsaw Massacre", but the remake looks very interesting & entertaining. Leatherface character is now a legend in horror movies. When he took a face and put it on himself, you feel very uncomfortable in your chair. The sequel of the remake shows the beginning of of cannibalistic, inbred psychopaths family, who kill teens in Texas... Two mos important characters in this movie is Sheriff Hoyt & Thomas Hewitt (Leatherface). The torture them more, than in remake, who been released 3 years ago. Actors acted very creepy, but entertaining. They been so real. They accents makes you feel like in Texas. Acting was nice too. The emotions of teens was like it will be in true life. Dean & Eric fighting ,becouse they are brothers & they will give their life, if other will survive... Sadly, the ending was surprised. They all dead, in other hand - it looks logical. If Chrissie would be survived, she tell everyone about it and the family would be masked and we don't knew, hot the remake comes out... | -1no label
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] |
Let's face it: the final season (#8) was one of the worst seasons in any show I've ever enjoyed (mostly, I've never found dry spells to last a whole season). But if you judge this show by the last season, of course it's going to come across as inferior. That is an entirely unfair assessment-- because "That '70s Show" was, in its day, a brilliant and hilarious sitcom about a bygone era and how the people who lived there weren't so different than we are here in modern times. All right... ignoring Season 8. Topher Grace stars as Eric Forman, a horny geek of a teenager with a perpetual love of Donna (Laura Prepon), the feminist girl next door. Playing their friends, Danny Masterson (Hyde), Mila Kunis (Jackie), Wilmer Valderrama (Fez) and even Ashton Kutcher (Kelso) give fantastic performances in (almost) every episode. The best one is probably Fez, a foreign exchange student who is as mentally promiscuous as they get. What country is he from? Try to figure it out! For another dimension of entertainment, Debra Jo Rupp and Kurtwood Smith are phenomenal as Eric's parents. Rupp, as Kitty, is both formidable and sweet, sort of like Mrs. Brady meets Marie Barone, while Smith's Red exists mainly to scare the pogees out of everyone. Don Stark and Tanya Roberts play very well opposite each other as Donna's parents, the chauvinistic but likable Bob and the airheaded Midge. Tommy Chong has occasional appearances as Leo, a stoner who acts as a father figure to Hyde. Apart from the anachronistic errors that pop up quite frequently and the over-the-top lessons that sometimes come (and that deplorable final season), "'70s" is a terrific show with amazing writing, spot-on direction, and a feel-good vibe pulsing through every episode. They're all alright. | 1pos
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] |
Highlander fans - there simply are very few ways to enjoy this. Aside from totally ignoring the mythology of both the films and the series, the fight scenes were either poorly choreographed, poorly shot, or both. There are no flashbacks in a film that desperately needed some sort of underlying sub-plot and/or simple explanation of the main plot. The dialogue is cheesy, not one of the characters approaches anything like three-dimensionality (other than the recurring trio from the series - and that's only by virtue of fans' past experience with them), and there is no real motivation given for any of them aside from lame "having visions" plot. Like the last Highlander film that attempted a futuristic setting, this one misses everything that made the first film and the series great. And unlike Highlander 2, the vision of the future here is never really explained and doesn't make a great deal of sense. They should have stuck with the monkey and the airplane. (See the trivia section.) I can't even really say that if you aren't a Highlander fan it might be enjoyable - because even then it didn't make a lot of sense. I saw it, so I can't un-see it, but if you haven't spare yourself the train wreck. | -1no label
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] |
Right...first of all, and this is CRUCIAL, hmmmm?! Bin any bullshit you've heard about Twin Town being the Welsh Trainspotting as it is a thousand, zillion times a better film. It bothers with such niceties as a storyline and plot twists, for a start!!! Trainspotting was a good film - in it's day - but unlike Twin Town it's aged really badly. From the start of the credits, which shows Swansea bay and then pans up the hill to uplands, showing all manner of local characters, I was howling with laughter...I used to live in Swansea and I think the whole thing depicts "The Pretty Shitty City" in a fairly accurate manner. In fact, I used to live round the corner from the opening scene was shot...'Fatty's Boys' practically bouncing down a hill in a stolen car...a regular sight off screen too! The boys' antics shows that the Chav was alive and well long before the GLC reared their sun-visored heads...from a sister who works at the local massage parlour (as a receptionist, mind!) and bath-time bongs to a pet dog called Cantona...all the signs are there! The film also boasts a crazily eclectic soundtrack - I defy any fellow Welshie to now set foot on the Kingsway without Downtown resounding in their head! Ending with SFA's "Bad Behaviour" was a stroke of genius - did you know, fact fans, Rhys Ifans (a man who could snap my knicker elastic at 40 paces!) was once a member of the 'Furries?? He was kicked out "else they'd all be dead!" Anyway...I digress...if wittering was an Olympic sport I would win gold for my country every time! WATCH THE DAMN FILM YOU WON'T REGRET IT! | -1no label
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] |
I just finished watching one episode(S1-#5 A boy in a bush), so maybe my review is not very fair. But based on that episode, this is a very poor version of CSI, the acting is crap. The main character, Dr whatever her name is, is so fake it actually hurts. I wouldn't cast her to do an add for dog food! The other hurtful thing is David Boreanaz of the "Angel" fame, a good actor, does a great job, but wasted coz of the idiotic acting of that woman. Supporting cast is OK, but all is ruined due to this stupid acting of Emily Deschanel . Very disappointing version of CSI, very sorry to see it appear on the filmography of some of the potential talents involved in it. That woman is really sh#t, at least in that episode. But based on this one view, I will not even invest watching it even if it was shown on an elevator screen. | 0neg
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] |
In Mexico, the very religious woman Esperanza (Dolores Heredia) has just lost her teenager daughter Blanca (Maya Zapata) in a simple throat surgery. The girl contracted an unknown virus, and had to be buried in a sealed closed coffin. While cooking at home, Esperanza sees the image of São Judas Tadeu projected on the dirty oven of her stove, who tells her that she shall look for her daughter. Esperanza, in her mind, believes the doctor sold her virgin daughter to some brothel and decides to look for her in many whorehouses in her town, in Tijuana and in Los Angeles. She confesses every vision she had and what she did to Padre Salvador (Fernando Toree Laphame), who advises her about how to she should have proceeded. Her journey begins in Mexico and ends in Los Angeles, where she meets the fighter Ángel (Alberto Estrella). They fall in love for each other. The end of this funny story is not corny. This film is one of the most intelligent comedies I have ever seen. Beginning with the name of each character: Esperanza means `hope'; Blanca means `white', the symbol of purity; Padre Salvador means `priest who saves'; Los Angeles means `the angels'; Paloma means `dove', the symbol of peace; Ángel means `angel'. Further, there are many jokes with saints, but all of them very respectful. The confessions of Esperanza, always after some confusion, are also hilarious. However, the beliefs of Esperanza are very respected until the last scene. She begins very fragile, but in the end she finds love and accepts the death of her daughter, although keeping her faith. The story, although being a love and hope story, is not corny. I liked it a lot. My vote is eight. | -1no label
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One of the worst movies ever made. My friends and I walked out after an hour, so maybe it got better...but I doubt it. The humor is stupid and banal, but I knew that going in. What I didn't know is that no one in the cast would have any sense of comic timing, the production values would be close to nil, and that I wouldn't laugh. Ever. The story idea (taking a sweet Mormon kid from Utah and throwing him in the middle of the porn industry) could have turned into a really funny movie, but the script is dull and the performances are duller. This isn't even worth a rental. Bleah. | -1no label
| [
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This is, without a doubt, the single worst movie ever created. There's no arguing here. This is it. End of story. The story is juvenile and sub-moronic, looking like it was created by a three-year-old fascinated with dinosaurs. The entire concept is just plain dumb. It's inconceivable how someone could possibly come up with something so stupid and think it was entertaining. The jokes are also completely lame. If you haven't seen this movie yet, consider yourself lucky. If your morbidly curious as to how bad this movie is, please don't make me describe it. Words can't express how completely awful this movie is. This isn't just bad as in being a bad movie. Even those have cohesion, if not entertainment value. This. . . This is. . . Ugh! Think of the worst story ever told and multiply its badness level by 5,000, and you still haven't come close to how awful this movie is. After giving Pokemon the Movie one point, giving this movie one point seems like nothing short of charity. That's how bad it is. Did the producers and directors even take film classes? Because this is a perfect example of how not to make a film. It looks like some amateur high on paint thinner made this film. If you rented this, please take it back and ask for a refund. And don't even think about renting it again. | 0neg
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] |
I saw this film not too long ago. I borrowed it from a friend who bought the DVD in Canada. I thought 'Well? Let's see what this film is like..' To tell you the truth, I think director Albert Pyun's fourth Nemesis installment has sunk more lower than a submarine. Hitting the ocean floor or the abyss. In this film, there's so much talk and less action. I couldn't believe what Sue Price has got herself into. Stripping nude in the film as she carries gun, kill a few guys and that's it! Although she maybe good in the film.. I would've thought there would be more action. But it seems that Albert Pyun decided to tone it down in this crappy flick. Obviously the movie itself was set in 2080 AD. But it seems it's set in the 90's in some ghost town with nobody there. There was a scene where Sue Price's character, Alex fires one shot at a helicopter which was totally out of proportion. I thought Mel Gibson's character of Martin Riggs of Lethal Weapon would shoot the pilot dead within 3 shots. Anyway, this film is not as good as I thought. It was terribly done. Shame this fourth Nemesis movie really ran its course. I don't blame Sue Price. I hope in future, she gets better and decent roles than this. So for Sue Price, 10 out of 10! Well? You do the maths.. As for the film? 0 out of 10! Not my kind of film! Sorry..!! | -1no label
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] |
I was expecting a movie similar to Deuce Bigalow, which I enjoyed. However, this dud seemed to last forever. It's one of those flicks which enjoys the sad placement of PG-13 while not being kid appropriate. The jokes aren't just low-brow or f**t jokes, they're crude, lewd, and many acts cross the boundaries to not only bad taste but beyond legal and moral decency. Many scenes appear to have been chopped to get the PG-13 rating...too bad...it might have made a bigger splash as an R-rated film if the funny was left in. (Overstatement? Probably.) I do not recommend this movie. It is a full-on waste of time...and I'm a movie lover and ready to give just about anything a shot. At 45 minutes in, the movie felt like it should be winding down...and boy were we ready for it to. The ending is quaint but doesn't salvage the rest of this quagmire/tourist trap of a rental. 1/2 star (glad I saw it as a freebie...would have been sickened to pay hard-earned greenbacks for this tripe) | 0neg
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] |
A great little show that shows children a great deal about the world around them. The stories have a similar setup, Bing and Bong (the hero's) sit on their sofa and a giant catapult throws them to a different tiny planet where they have an adventure before returning back home and going to bed. Within this basic frame work many different areas are explored. Science, nature, music, even conflict resolutions are shown among many others. These stories are never condescending but easy to follow and great for kids. The program is cgi based with vivid backdrops and some inventive camera work. Rather than staying with the traditional side on camera angle, common to animation, the show sometimes puts in tracking or doll shots to place the kids in the middle of the action. Go in with an open mind, sit down with your children and enjoy. | -1no label
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Zombie Planet seems like an example of good ideas and laudable ambition overstepping budget. I thought the explanation for the zombies was real original and gnarly, and loved the dog munching in the exposition scene. The rest of the gore was effective in a low budget kinda way, but too spaced apart throughout the movie. The problem was that it was too long and anti-climatic. Sure, they had a intriguing, if derivative plot line, and a similarly familiar but cool setting, but a low budget zombie film really needs to be goretastic to make an impression and there just weren't enough red moments in this for me. I think there was surplus of cheap looking and bloodless fight scenes as well especially given the generally minimal grue. Plus, for a two hour movie, there's very little closure at the end, and though it kinda makes me want to track down Zombie Planet 2, I felt a tad cheated. So probably most worth looking for the two of them. | 0neg
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] |
First of all, those who are faint at heart should definitely avoid this film. Even those, like me, who are desensitized to most graphically violent and sexual acts in movies should beware. I'm not telling you to steer away from the film, but be aware that what you're about to see is some disturbing material. Definitely not a pleasing film to watch, but nothing is put on screen strictly for shock value. But I must admit, when I watched the film for a second time, I had to skip to the next chapter when the "razor blade scene" came up. The main character is one of the most unsympathetic sympathetic characters I can think of, but we start to better realize the humanity of her character later in the film's second act. In one scene, she stuffs broken glass in one of her student's jacket pocket after being dissatisfied with her apparently unsatisfactory performance and getting nervous when in front of a live audience. The student goes into her pocket and cries out with pain as she stares at her blood-stained hand. Next to the razor blade scene, that disturbed me most. The student's mother is not much more sympathetic than she. When she gets word that her daughter won't be able to play, she talks about it like she also got also her hand injured, being one of those spoiled mothers who tries to torture her daughter into becoming an overachiever. Though the film intrigued me and caught my interest for the most part, I felt more needed to be explained about Isabelle Huppert's character. When a woman is fascinated by sadomasochistic porno movies and engaging in that behavior herself, you want to understand the root of the problem. The movie establishes that she wants desperately to be loved. Then why the hateful attitude towards everyone? Why does she receive sexual pleasure from pain? The acting is terrific and I liked the glossy, stylized lighting. Altogether, it's not a film I'd recommend if you're in the mood to be entertained, but as I said it's very intriguing. And I'm sure if I watched it a few more times, I'd be able to spot certain subtleties that'll shed more light on aspects of the film I didn't realize initially. My score: 7 (out of 10) | 1pos
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] |
This is a crummy film, a pretender to a genre of surprise ending movies. And a genre that has been done so much better before. The plot limps along, with a predictable ending. (Yawn) The characters are unlikeable, and some are so unlikeable they are almost unwatchable. Matt Dillon, a fine, intense actor is totally miscast here and is stiff and mannered. The others are forgettable. Much of the dialog is sophomoric, again a pretender trying to be witty. I wouldn't hire the screenwriter to write my grocery list. Yes, it's that bad, veering from misogynistic to just plain gross, as in beyond frat-house gross. With so much real talent out there, I'm really surprised this movie ever got made. It shows the total lack of imagination of the office suits... | 0neg
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] |
Please note--this review is for the English-dubbed version. It's about 11 minutes shorter than the original film and I have no way of knowing how close it stuck to the original vision. It seemed to be dubbed reasonably well, but having never seen the original Chinese version, I am only guessing. The idea of making a Corsican Brothers-like film with two Jackie Chans sounded pretty dumb when I read about this movie. And, while in parts it is awfully silly, the overall effort was far better than I expected and was one of the better Chan movies I have seen. The movie begins with a prologue which shows how two twins were accidentally separated just after birth. The parents cannot locate the lost child and are forced to raise the remaining child. The second is fund by what appears to be a prostitute and this child is raised in a poor household. Many years later, when the rich and privileged Jackie returns to Hong Kong, he accidentally is mixed up for the poor one--the one that the local mob wants to kill! Now had this just been an action film with fight scene after fight scene, I think it wouldn't have worked as well. But, given that Jackie Chan did the movie a huge amount of comedy and clever situations involving two separate girlfriends were infused into the plot. Several times, I found myself laughing at some of the silliness of it all, but I also was impressed by how well the film all worked together pretty seamlessly. There were only two complaints about the film. First, the poor Jackie snorted a lot. Why? Couldn't there have been a better way to distinguish between them than making one of them sound like he's a pig or has a really bad cold? Secondly, the film seemed to go on a bit too long--particularly at the action-packed conclusion. Knocking five or ten minutes off would have probably made the film a bit better--as the fight scene just went on and on and on. Still, this is a decent martial arts film and is worth a look and a laugh. FYI--The film's second billing went to Maggie Cheung--a relatively famous Asian actress who has made a variety of excellent films. However, her role was no bigger or more prominent than the other lady in the film who didn't appear until much further in the credits. Bummer. | -1no label
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] |
Christoph Stark's second film comes not so long after that trendy, popular flick 'Run Lola Run' by Tom Twyker. It must still be fresh in Stark's memory, because something in 'Julietta' smells derivatively of the latter film. While Twkyer's film was quirky, and combined music with fast-paced shots without being too "MTV" about it, you have to wonder what Stark really wanted to do. The plot is all rather banal: young, and in all probability, wealthy German youth party it up at the annual Love Parade in Berlin. The protagonist Julietta heads up with her friends from Stuttgart to see her boyfriend Jiri and promptly loses him in party fervour and drugged out disorientation. In her near-unconscious state she has what should be a disturbing encounter with Max - a DJ/producer with a sensitive heart even though he'd sleep with a woman when she's passed out. Julietta returns to Berlin with a dilemma on hand and meets up with Max again (who has been befriended by boyfriend Jiri), and of course, what unravels is a predictable case of three-way tension, and so-called matters of the heart. Stark's camera movements - often times rapid - and the bright hues of primary colours that fill the screen (Julietta in bright reds) are all affected attempts at being stylistic, but come off strained. It is as if he wants to make a film about youth culture and troubled emotions, absent parent figures and city life. But all he does is churn out a conventional tale with a supposedly unconventional twist in the plot. This twist in the plot is set to make us believe that men who take advantage of women may suffer profound guilt afterwards and have a compassionate heart. Itself characterized poorly in the figure of Max. There's neither alluring style, nor substance to this film. An absolute waste of time. A pity, because lead actress Lavinia Wilson offers a promising performance which is wasted on this film. | -1no label
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] |
A cheap exploitation film about a mothers search for her daughter who has been kidnapped by people who make snuff porno films. The trail leads the mother all over Europe as she searches for her child and we in the audience struggle to stay asleep. This is one of the countless soft-core sleaze films that are made for people who want the excitement of porno with out the stigma or danger of it showing up on their credit card bill.Personally I'd rather have the stigma since those films tend to be more interesting and honest about what we're seeing. This is suppose to be a sexy thriller but its not. Mostly its people talking about things followed by lots of walking from place to place and lead to lead.Periodically through out the film various people get undressed and everything has more than a touch of S&M to the proceedings. The violence and fetish material is of the sort to provoke laughter rather than horror or even excitement, its all so incredibly fake. Worse there is not even enough nudity to keep it interesting. (Basically par for the course for many of these films) You'll forgive my lack of details but it simply is a dull boring film that I stayed with to the end hoping for something remotely prurient to occur, but there was nothing. The most interesting thing was the blonde haired villainess with the huge over bite and nose the size of a Buick. I watched her with morbid fascination wondering what she had looked like as a young girl and wondering whether she had had plastic surgery, not the type of things you should be thinking about in a gripping thriller. Avoid. | 0neg
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I didn't even bother watching the end. It was pointless. This was a stereotypical teen slasher movie without anything new to add to the genre. In an effort to make up for a poor story and poor acting, the producers and directors give us a full serving of hot young bodies to stare at so that (they must hope) completely miss the fact that the movie is horrible. If all you are looking for is eye candy (and there is plenty of that) and lots of blood then this is probably the movie for you. Of course, you probably enjoyed zombie strippers as well. If you're looking for a GOOD horror movie that is suspenseful and scary, you've come to the wrong place. | -1no label
| [
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This feels like a feature-lenght treatment of a comedy-routine that could have also been told in a ten-minute short. Also, technical credits are sup-par. The film really feels like a film school diploma project. The cast is a mix of seasoned stage pros and talented newcomers but the problems is the superficial scrip. Their lines feel constructed, exactly like cued TV show material. The director fails to take his protagonists seriously, therefore we are not touched by their problems and conflicts. The film has been cleverly marketed and offers a unique selling point, but in the end the film disappoints on all levels. | 0neg
| [
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] |
Desert Bloom belongs on a list of the ten most underrated movies of the last thirty years. An original setting -- no Rock and Roll pioneers, professional sports heroes, or other aspect of popular culture in this look at 1950's life in the U.S. -- excellent acting; and a believable, thought-provoking story; Desert Bloom has much to hold a viewer's interest. I realize that Desert Bloom, a story about common people and mostly devoid of action, may not appeal to the many people who look to movies for diversion and entertainment. For the person who enjoys films that cause one to reflect and to experience more than a thrill, however, Desert Bloom will probably make him feel that he has chosen a very meaningful way to spend two hours. While Jon Voight, as a rigid and occasionally explosive World War II veteran, gives a performance that rivals any of his other roles, and Jo Beth Williams, as his unfailingly optimistic and codependent wife, portrays her part convincingly, the work of Annabelle Gish leaves the most profound impression. The oldest daughter in a dysfunctional family (Voight and Williams as her troubled parents), Gish tells the story of her teenage years in retrospect as a forty-something adult. Speaking with the firmness and controlled confidence of someone who has had to endure, Rose (Gisch) indicates that she has not only survived her father's alcoholism and abuse, but also that the quality of her life has progressed well beyond the one afforded by her parents' pathetic relationship. More importantly, though, Rose makes the viewer aware that at a time when the U.S. military was developing weapons powerful enough to devastate any foe, some children were feeling nearly powerless in their own homes in the face of real threats to their safety. | -1no label
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] |
Quagmire didn't used to be one of my favorite episodes until I began to enjoy the humor of the X-Files more. I love this episode for the many in-jokes and the great Mulder and Scully dialogue. Especially when they get stranded on the rock near the end and their conversation runs from cannibalism to Moby Dick to metaphors about Mulder and a peg leg. One of the better in-jokes of the episode is the reappearance of the stoner kids from War of the Coprophages. "Oh... No..." Another in-joke which references back to Clyde Bruckman's Final Repose is that Scully brings along the dog Queequeg who she adopted when the original owner dies in that episode. Unfortunately the dog meets its demise in this episode. Interestingly both of these in-jokes reference back to episodes written by the great comedy episode writer Darrin Morgan however this particular episode is not written by him. It is written by Chris Carter and Kim Newton. Possibly a tribute to a good writer or perhaps he was involved with the Story Editing as he was with so many other episodes. While not necessarily one of the better episodes as far as creepiness or paranormal this is one of the funner episodes to watch. It is tame enough to use as an episode to break others in to the show. I give it a 9 out of 10. | -1no label
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] |
This movie makes Peter an elf in Robin Hood costume instead of a human boy in probably-not-Robin-Hood-costume and ignores all the persona features in him that really matter. This movie makes Wendy a babbling idiot. And poor Captain Hook a TOTAL clown. And of course as every Disney cartoon must have a character which has had too many hits in the head, they made one of the Lost Boys that one. The only character that has not been disgraced in this film is Tink. The only star is for her. The story itself then? The Darling parents don't even get the time to notice their kids are gone!!! Probably one of the most significant point in the original story and they ruined it! Also the famous nursery scene between Peter Pan and Wendy is a stunning piece of- There are no thimbles and no acorns - one of the little things that makes the original story such a unique one. It's a wonder he even had lost his shadow and she helped him stick it. (Even though to his shoes and it makes no sense to me.) Ruining a great story like this just to amuse children should be illegal. So know now if you haven't known it before - this Disney version does not have anything significant in common with the original story - which is not really a children's story but just a great, great story. This just annoys me to no end. | 0neg
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] |
I saw this movie a few months ago in the town which appeared as Greendale in the movie, which is the only reason I went to see it. Another local who was there just forwarded to me an email announcement of a repeat showing because the first had sold out and people were turned away. His editorial comment in his forward is a good summary: "Yuk." Unless you're a Neil Young fan or live in/near "Greendale" (if the latter you know the real name), skip this movie. It's mostly an ego trip for the filmmaker. It has no discernible plot, the music is merely OK, and too much of the lyrics are unintelligible making it impossible to follow what little shreds of plot there may be. I don't need to put in a spoiler warning because there are no surprises to give away. I'd give this a 1.5/10, but that's just for the amusement value of seeing the locales made into a movie. It wasn't worth the $6. I could rent a video camera and drive around "Greendale" and make a better movie myself. If you want to see a *good* environmental-message movie with no plot, go rent Koyaanisqatsi. | 0neg
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] |
If you think Hannah Montana or the Suite Life are at the bottom of tween sitcoms then you've obviously never watched iCarly. iCarly is without a doubt the worst show I've ever seen. From the lifeless acting to the low budget sets the show reeks of cheapness like last week's Chinese takeout left to simmer in your overheated car. The show revolves around a pretty, perky, and "supposed to be" funny girl named Carly, as she and her friends make a live web show called iCarly. Carly lives alone with her older brother who seriously needs some counseling or something, because he's a few cells short of a brain. The plots of the shows are highly ludicrous and unbearably annoying. But having to watch Carly and her friend, Sam, do their little iCarly show-within-in-a-show is even worse. They basically show weird pictures and stick things up their nose as the laugh-track plays over and over. I mean seriously, every two seconds the laugh track seems to come on for no reason. So, what's the point of this review? you may ask. Just to ridicule iCarly? Well, yeah, but I'm also warning you to beware of this show. Because seriously, if I had to choose between watching iCarly and Barney? No questions about it, I'd choose Barney. | 0neg
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Is there a book titled "How to Make a Movie with Every 'Man vs. Nature' Cliché Imaginable"? If not, Ants would make excellent source material for the chapter on killer insects. Ants doesn't have one shred of originality to be found at any point of its 100 minute runtime. I suppose the most surprising thing about Ants is that they actually stretched the film to 100 minutes. The set-up, the characters, the various sub-plots, the death scenes, and the way the ants are presented have been done before any number of times and in most cases, much better. It's amazing that so many of these Insects on a Rampage films were made in the 70s because they're all basically the same movie. And can someone please tell me what in God's name Myrna Loy is doing in this monkey-turd of a movie? A woman as talented and classy as Loy deserved better than Ants as one of her final movies. | 0neg
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The short films of Kenneth Anger are certainly NOT for the casual film goer! The best way to describe them is avant-garde--and often make little sense, as they are not meant to be shown to the masses. Some are incredibly artistic--like filmed work of art. Some are really cheaply made and definitely look it. Regardless, they are a challenge to watch and I very strongly recommend you see them with his commentary activated. So why would I see these shorts? Well, in a recent interview I noticed that John Waters credits Anger for much of his inspiration. And, since I have seen all the films of Waters that are available (a couple very early ones aren't), it seems natural I'd give Anger's films a try. This and four other reviews are best on the DVD "Films of Kenneth Anger: Volume 1". Watching and rating PUCE MOMENT was very difficult. While it was not an unpleasant short film, it really only was a snippet--part of a longer film that either no longer exists or which wasn't completed. As such, there really isn't a coherent story, just some nicely filmed footage of a 20s-inspired actress dressing and leaving her home. While not particularly interesting on its own, Anger's commentary is interesting--especially regarding what happened to this actress later in life. Overall, not a bad film but too short and disjoint. | -1no label
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] |
I didn't expect to like this movie - it seemed like the topic was too easily made into a simplistic 'hurt-emotion' and 'stand-up for yourself' type movie. After all, it was on the Lifetime channel and that is an often-used theme. However, the movie was much better than that and this surprised me. Basically, the story is about an attractive, popular high-school girl that undertakes a project to document what it's like to be fat. Of course, it's easy to predict the basics of the story, but there's more to the movie than just the basic plot element. The real value of this movie is that it doesn't try to be too preachy and shame everybody about having a reaction to 'fatness'. Instead, it explores many different angles and leaves you thinking about the many complex issues involved. The lead character is intelligent and grounded, so it's easy to become interested in her character and follow her as she is confronted with many different situations involving weight. These situations don't just involve her and various high-school cliques, but also her weight-recovering mother and chubby brother. The movie even acknowledges issues that relate to her judgments being affected by the fact that she can step out of the 'fat-suit' life at the end of the day. Because it's able to visit many such angles, the movie keeps a brisk pace and something is happening all the time. While the movie does have its flaws, it remains interesting. Sometimes there are no easy answers, but there's lots to think about. If you want to watch a movie that will leave you with a few interesting, self-reflecting ideas to ponder, this movie is a good choice. | -1no label
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] |
I just finished watching this movie on VH1 Classic, and I'll definitely be getting the DVD tomorrow. Fantastic documentary loaded with interviews with mostly pertinent people. It is well written from a more intellectual, anthropological point of view, but not so high minded as to alienate anyone. At the end of all this, in the last scene, the writer-director sums up his conclusions, and is followed by sound bites from the various musicians' interviews. This is played over a lingering shot of a crowd at a metal show, moshing, fists pumping in the air, devil horn salutes flying. And playing behind it all is Metallica's Master of Puppets, first the quiet intro - leading into the various movements while the sun glints through the knotted mass of arms. It's a fantastic moment that ties up the entire film and leads into the closing credit sequence that runs up the screen as Metallica's magnum opus builds its inevitable head of steam. The final analysis was something to the effect of 'either you get it or you don't'. I'm a lifelong metalhead, myself. My impression was that they got it, they understand the soul of it and explained it perfectly. I can't say if it will change any minds, but it's a good thing to watch for those of you getting ready to pass judgments. Good for headbangers and for the metal-curious. | -1no label
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] |
Definitely one of funny man Eddie Murphy's lesser films is this nonsense about a kidnapped mystical child, three hundred year old dragons and a "Chosen One". Murphy is the "Chosen One" in question, and as the opening song suggests, he is "the best man in the world". A finder of lost and missing children, he is approached by a mysterious Tibetan woman (Charlotte Lewis) who tells him he is "The Chosen One", and that it is his destiny to find and rescue "The Golden Child". For if the child were to die, compassion would die with him, as he is the bearer of compassion. If all this hocus pocus rubbish hasn't ruined it for you now, it surely will once the movie begins. Suffice to say the plot is abominable and destroys the whole film. Meant to be another vehicle for Murphy's egotistical brand of humour (the comedy isn't so great mind you), the movie fails on many levels. Even Charles Dance as the evil Sardo Numspa can't do much for proceedings. Very silly and disappointing. Sunday, December 12, 1993 - T.V. | 0neg
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] |
What about the freaking cat?? It's the only character in the whole damn movie I cared about. Oh, and Sophie--I hope she ran far and fast. It's bizarre that so many people and journalists raved about this. It's emotionally unsophisticated and full of tired clichés about pompous academics and Park Slope liberals. The director's completely unresolved issues are painfully displayed. Dude. Therapy. Get some. The father is so one-dimensional that he's not interesting to watch. But the mother--who is clearly the sympathetic parent in the director's eyes--is also horrible. Because her husband is so awful she's allowed to cheat on him for years? And did no one else think that SHE was equally responsible for leaving Frank alone for the weekend? He's a child--what if her husband had had his heart attack then? And where was she going that she couldn't wait 30 minutes for her ex to show up? Also, saving up the "you wanted joint custody because you're cheap" revelation timing for maximum emotional crippling? Nice. All in all, a family full of miserable people who all deserved one another. Do not be deceived by the stated running time: One and a half hours of torture can seem like five. | -1no label
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Mud and Sand is one of Stan Laurel's spoofs of the popular movies at the time, this one being of Rudolph Valentino's Blood and Sand (hence Stan being Rhubarb Vaselino). While partly inconsistent on characterization (how did he defeat those bulls in the beginning is not explained), this was mostly funny from beginning to end with one of the best sequences being a dance he does with his then common-law wife, Mae Laurel. Another funny sequence concerns his reluctance with romancing a femme fatale, Filet de Sole, while his wife, Caramel, is waiting for him that shows some glimpses of his later innocent character with Oliver Hardy. Well worth seeing for anyone interested in seeing Mr. Laurel's early work before his fateful teaming that made him popular around the world. | 1pos
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] |
This film was embarrassing in its clichés, poor acting and generally low production values. It starts out badly with the long haired 3 star general calling the hero, Masters, "major" when he is obviously wearing the silver oak leaves of lieutenant colonel. But what was most distressing was the crew of soldiers on Neptune Atoll. How out of touch with any kind of reality can you get? They were all experts on flying a 747 and the scenes of the soldiers digging the ditch were beyond comical. WARNING: THIS FILM IS DANGEROUS TO YOUR INTELLECTUAL HEALTH! WATCH AT YOUR OWN PERIL! | 0neg
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Jason Robards, at this point in his career, seemed to specialize in patriarch roles, such as in "All the President's Men", "Max Dugan Returns", and "You Can't Take it With You". And in this case, those of us who never saw him on the stage get a big treat, because this was a taped Broadway production. He dominates every scene, but in his natural "Grandpa" way, and only within the character. This is an ensemble play, which is why it's good for high school and community groups. But every actor has the chance to shine and does. Old television watchers will spot veteran actors Bill McCutcheon and Jack Dodson. I want to single out Elizabeth Wilson as the Mother, who exudes warmth and love, though in a contextually "loopy" way. Oddly bland are the romantic leads, although their characters put them at a disadvantage, since every one else is over the top. I enjoy the Frank Capra film, but he gets preachy in the second half (which has nothing to do with Kaufman/Hart), and it is an entirely different animal. This is a case where less is more. I guarantee you'll get misty eyed when Grandpa leads them in the blessing of the meal. | -1no label
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] |
I really liked this film when it was released, and I still do, because the storyline makes you feel hopeful about life in general, and people too...one of the things I like about the films of Lawrence Kasdan. In addition to the positive vibes from the film, there are other reasons to like Grand Canyon. For one thing, it has an outstanding cast...Kevin Kline and Danny Glover, for example. In my opinion, Crash, the highly acclaimed film that won the Oscar for best picture, was very similar to this film. The difference is that Grand Canyon leaves you feeling positive. Crash had the opposite effect with me; it was very dark. I would choose Grand Canyon over Crash any day. | 1pos
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LICENSE TO WED is a sophomoric and offensive "romantic comedy" that centers around Ben Murphy and Sadie Jones (THE OFFICE's John Krasinski and Mandy Moore), a recently engaged couple who, prior to taking their vows, agree to take a course on marriage being conducted by Jones family friend, Father Frank (Robin Williams), which includes things like classes on carrying the bridge across the thresh hold, role playing, animatronic babies, and blindfolded driving lessons. Pedestrian direction and a screenplay that offends at every turn provide further twists of the knife in this childish and predictable comedy that is an embarrassment to all involved. They lost me when Father Frank actually planted electronic listening devices in Ben and Sadie's home and it just goes downhill from there. John Krasinki's easy going charm almost makes the film worth sitting through, but not quite. Even Williams looks embarrassed to be trapped in this debacle. | -1no label
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] |
When this showed at the Seattle Int'l Film Fest I was the only person standing and clapping and cheering. The rest of the crowd booed or was silent. It is a well played small film that reaches deep into the reality of a young gay man's humanity. It is about a real man; and does not play to the insipid hyper-buffed muscular "gay paositive" that passes for the genre of non-porn Gay cinema (and that is why so much of contemporary Gay genre movies are so dull). This movie is Intense Passsion and Great Tragedy. The acting and directing and cinematography is fantastic; it all keeps the film clastrophobic and tense and passionate. Don't miss this if you can find it. | 1pos
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] |
I don't know if directors, screen players or others in the team ever go to analyze the culture of one nation before recording a movie, which has to do with the part of new world history. KFOR troops suffered first victim in 2001, in an accident shooting, and fact is that KLA has never attacked NATO troops, they were allies. Every movie that describes history in a wrong way is to be judged. I have seen the movie out of curiosity, but this production is far far away from qualitative movie. My tip for directors is: before you shoot a movie, analyze the culture of the people first... On the other hand, KFOR soldiers were not positioned in mountains and rural areas of Kosovo, they were positioned in towns, villages and populated areas. Serb soldiers have fled Kosovo one week after KFOR troops marched. If you make a movie just to show the action, then don't use someone else suffering to create so called art, but create a fiction story, don't mess with people feelings, or on the other hand, gather facts and then create a realistic movie, what has happened... but it looks like Spanish troops in Kosovo were partying more than others, and have done a movie just to show how "brave" they are.... pity, shame for world cinematography... Spain is not for action, I say stick with Almodavar | -1no label
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] |
Not being a fan of first person shooters I was very hesitant to play this game. After having played the demo however I was sold. "Undying" really manages to pull you in the game and be part of the universe that your character is in. You have this green amulet,called the "Gel'ziabar Stone" that has special powers and warns you of particular events or things to look at. With a special spell "the scrye" you can see certain things that otherwise would be invisible to you. Walking in a hallway you suddenly hear the magical stone whisper:" Look",with the stone glowing at for example a painting. And then using the scrye spell you can see some weird and creepy stuff on the painting. Let me tell you to witness something like that is scary as hell. People who expect to finish this game in a few hours can forget about that even with the use of cheats. This game relies on the character using wits and walking carefully around. Because like in any horror movie your surroundings are usually pretty dark. And ghosts and monster appear at random when you don't expect them and can kill you very quickly. There is this one scene where you want to enter a room where you are pushed back with such great force that it takes moments for you to realize what happened. This was a scene that could have come straight out of the horror classic "Evil Dead"! To experience something like this is a real accomplishment. There are a lot of elements that take "Undying" to the level of the best classic horror movies ever produced. But sadly I have to report that there are some flaws. For one thing the universe you are playing in is huge. You start out in a big mansion with all sorts of hidden,secret rooms and even a hidden hell dimension called "Oneiros". That is all fine in the beginning. But with all the loading times and some difficult enemies in between that can become frustrating. And there is no map. The game demands you memorize your surroundings. So patience is required. Also there are some jumping puzzles that you have to do otherwise you can't progress. I don't mind jumping on platforms in third person adventures. But in first person mode that can be an annoying task. Luckily you can save at anytime and anyplace. And trust me you will need it. Overall "Undying" is an extraordinary first person shooter that deserves to be played by any horror or game fan. | 1pos
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] |
Of life in (some) colleges. Of course there were artistic licenses taken, but some of what you saw in this film go on in some colleges. I went to colleges in Southern California where the races pretty much hang around with their own. It's funny because these are schools that want racial unity, equality etc. and I can honestly say, that it's there. But the thing is when class lets out, or when they're just hanging out waiting for class, they (students) seem to just hang around with people of their own race or ethnicity. Is that bad? Not really. Everyone needs a feeling of belonging. But like the school paper of one of the schools I attended once wrote about that, "we should all try to hang around with students of other ethnicities and try to know them." Otherwise you're creating your own segregation. Racism certainly existed in one of those schools I attended. One time someone put leaflets around campus talking about the glories of the Aryan Race and had the symbols of some of those racist organizations. Fortunately, nothing happened like the incident in the movie where the young Caucasian man went off and started shooting at a multiculturalism gathering. I can only hope and pray that nothing like that ever will happen. So is "Higher Learning" overly dramatic? Exaggerated? Maybe. Is it way "off mark?" It depends on where you went to or go to school. The race thing where the ethnicities just hang around with their own DOES happen. Minus the Hollywood exaggerations, the race thing hit pretty close to home for me. | 1pos
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] |
By all that's Holy! A film that made me cringe the whole way through! Dear Lord how the studio bosses must have laughed as they counted the money that they made off this turkey. Now, I thought the first MK was an OK film, great soundtrack, OK acting and plenty of fighting. A good no-brainer actioner. But this....this....defies belief. How on Earth can you get such a bunch of wooden actors together and still manage to hide all the strings? It comes to something when you look at a film and can honestly say the best actor in it is Brian Thompson! The actors playing the bad guys overacted so awfully it was painful to watch, expecially the centaur guy. He exuded ham to a level I've not seen before. The special effects were truly special, but only in a "special needs" kind of way. Looks like they were lifted straight from the video game itself. Laugh as you watch something resembling a dragon perform martial arts very badly. Laugh as Brian Thompson turns into a......thing. Laugh at the terrible lack of detail in it all. Laugh, laugh, laugh, laugh and laugh again, right up until they slap the straightjacket on you and cart you off to the loony bin. Because only someone truly demented would want to sit through this terrible, terrible film. Eh? What's that Doc? Yes, I know I sat through it. But it was all in the name of science, you see. I was doing research. By the way, you couldn't loosen this jacket a bit, could you? Anyway, as I say, the best actor was Brian Thompson. Only he saved it from getting a 1, but even then, the rest prevented it from getting any more than a 2. Avoid it if you value your sanity! | -1no label
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] |
I am a big fan of Fred MacMurray and Carole Lombard. And, in addition to them, Charles Butterworth (a very enjoyable supporting actor) was in this film,...so why didn't I particularly enjoy it?! Well, despite a good cast, this is one of the poorest written and most clichéd "A pictures" I have ever seen. Given the talent and money spent to make this film, it is shocking how slip-shod the writing was. I knew the film would be tedious when time after time early in the film I found myself predicting EXACTLY what would happen next--and I was always right! And this isn't because I am some sort of "movie savant", but was because almost no imagination or effort went into it. In fact, it seemed almost as if the film was just a long string of clichés all strung together! Also, I found it a bit irritating that Fred mistreated Carole so bad throughout the film and yet, true to convention, she came running to him in the end. Uggh! There is MORE suspense in a Lassie film ("will he bring people to rescue Timmy or will the rope he is dangling from break?"). Despite the very, very tired and clichéd script, there were a few positives about the film. It was pretty cool seeing Fred look like a broken lush at the end of the film--it was pretty believable and he looked like he hadn't eaten, shaved or slept in days. Also, Charles Butterworth's "prattle" did provide a few mildly humorous moments. But all this just wasn't enough to make this film look any different than a "B movie". It's a shame,...it could have been so much better. | 0neg
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] |
I though this would be an okay movie, since i like zombies and horror movies in general. But i did not think it would be such a piece of sh!t like it was. The only zombie in the movie is at the beginning and he gets ran over by a god damn car!!! The movie looks to be written by a porn director and filled by porn actors, i wouldn't ever call them actors! The costumes seems to be stolen from a local school play. Its seems like a road movie with almost no monsters. There is no fun at all in this piece of sh!t, only horror, but not in the way the director intended. I would rather be raped by a pedophile than see this movie ever again!!! ugh! | 0neg
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Its a typical American feel-good movie which is supposed to be a romantic comedy. The comedy is hard to spot and an hour and a half of predictable romances is just too much. There are no real turns in the plot and you already know the end of the movie within the first half hour. The only good thing about the movie is the feel-good part of it. It does make you relax and feel all romantic, although this is often spoiled by a moment of simple humor. If you're looking for a movie to watch when you're really feeling like simple humor and not too much thinking to do, this is it, else don't do it because you won't survive for an hour and a half. | -1no label
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] |
This film should have been a lot better, but so often the writing was filled with holes, the acting (especially with Ms. Hepburn and Mr. Gwen) overdone and excellent actors wasted (in the case of Cary Grant). While it is still watchable, this isn't exactly a glowing endorsement. The film begins in France where Edmund Gwen informs his daughter (Hepburn) he's being sought by the police for embezzlement. So, they sneak away to Britain--with Hepburn dressed as a young man to divert suspicion. While not the most convincing boy, this was believable enough. However, there was really no discernible reason for her to continue being a boy during the rest of the film. Inexplicably, she stayed in costume until she later fell in love with a Bohemian artist. On the trip to Britain, Hepburn and Gwen fall in with con-man Grant. And, despite it appearing that the film would be about their criminal gang, all the sudden they abandoned their evil ways and started traveling about the countryside performing little song and dance shows. Why? I have no idea--especially since they don't appear to have much talent. Also during this time, Gwen gets married to a lady and spends much of the rest of his screen time overacting and pretty much making a fool of himself. Some of this was deliberate, but most of it was just lousy acting. And, when he wasn't blubbering and acting foolish, Hepburn was doing much the same! Grant, while not overacting, was pretty much a cipher--giving an amazingly muted and uninspiring performance. He was there, but that's really about it! The only decent scenes in the film occurred when Sylvia fell in love with the artist. Their scenes together might have been the basis for a good movie--too bad everything leading up to it was so sub-par. Overall, this is a slightly worse than average film but I expected so much more with the talent involved. Ms. Hepburn was a good actress, but better parts were still a few years ahead. | -1no label
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] |
'About Last Night' is the story of a guy and girl who fall in and out of love, repeatedly mixed in with about an hour of raunchy, eye-crossing sex. I think the long-lasting appeal of this movie was soft porn and a popular 80s cast (Demi Moore and Rob Lowe in the leads). However, the love story would have been more sincere and convincing had Lowe's character not behaved like a prepubescent boy throughout the film. Demi's character actually seemed like she was looking for true love, while he just seemed to be an unsure floater. Resist the temptation to see it purely for the stars, you've been warned about what you're getting yourself into. | -1no label
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John Thaw, of Inspector Morse fame, plays old Tom Oakley in this movie. Tom lives in a tiny English village during 1939 and the start of the Second World War. A bit of a recluse, Tom has not yet recovered from the death of his wife and son while he was serving during the First World War. If you can imagine Inspector Morse old and retired, twice as crochety as when he was a policeman, then you've got Tom Oakley's character. Yet this heart of flint is about to melt. London children are evacuated in advance of the blitz. Young William (Willie) Beech is billeted with the protesting Tom. Willie is played to good effect by Nick Robinson. This boy is in need of care with a capital C. Behind in school, still wetting the bed, and unable to read are the smallest of his problems. He comes from a horrific background in London, with a mother who cannot cope, to put it mildly. Slowly, yet steadily, man and boy warm to each other. Tom discovers again his ability to love and care. And the boy learns to accept this love and caring. See Tom and Willie building a bomb shelter at the end of their garden. See Willie's joy at what is probably his first ever birthday party thrown by Tom. Not to give away the ending, but Willie is adopted by Tom after much struggle, and the pair begin a new life much richer for their mutual love. In this movie, Thaw and Robinson are following in a long line of movies where man meets boy and develop a mutual love. See the late Dirk Bogarde and Jon Whiteley in "Spanish Gardener". Or Clark Gable and Carlo Angeletti in "It Started in Naples". Or Robert Ulrich and Kenny Vadas in "Captains Courageous". Or Mel Gibson and Nick Stahl in "Man Without a Face". Two points of interest. This is the only appearance of Thaw that I know of where he sings. Only a verse of a hymn, New Jerusalem, but he does sing. Second, young Robinson also starred in a second movie featuring "Tom" in the title, "Tom's Midnight Garden", which is based on a classic children's novel. | 1pos
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] |
I initially tuned in to Paranormal State because I (more or less) find the paranormal search genre to be interesting TV, if nothing else. I really enjoy Ghost Hunters because well over half of their investigations result in total debunking, and find Most Haunted to be hilarious with its use of mediums and frumpy British women with Paris Hilton day-glo eyes fainting from fear/demonic presences all shot in lovely night-vision green. Paranormal State has none of this appeal. It feels like it was cobbled together from "leads" that Ghost Hunters rejected. The episodes ranged from trailer trash families and single mothers with emo adolescents sitting around and scaring themselves, to an "interview" with a 5 year old about the monster who lives in his room (the monster goes RAWRRR, we are told). All of these people calling upon a college club to solve their problems. The whole show is about Ryan and his partner, his enormous ego. He leads his troupe of doe-eyed coeds around, except when a case is deemed "too extreme" and orders them to remain at the hotel HAHAHA. Better leave it to the pros, ie himself. The unwitting comedy of this show is all in how gullible the participants are. Ryan spins his tales of being hunted, followed, etc by a demon that he first encountered when the Catholic Church recruited him to assist on a case. Sorry, but the Catholic Church has people who can do that, they don't need the day-shift manager at Quiznos to chip in his 2 cents. This show is awful, shame on A&E for bankrolling this silliness, trying to follow in the footsteps of some much better paranormal-themed shows. It's almost unintentionally funny, except that Ryan is so arrogant and devoid of charisma that watching the show long enough to mock it isn't worth the trouble. | 0neg
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] |
If you like a mystery full of shadows and moody lighting, you'll quite enjoy this rambling yarn. John Hodiak (who looks here like a classic co-respondent in a divorce case), is an amnesiac, who wanders from clue to clue, from character actor to supporting player, in a sort of bemused trance as he tries to piece together who he is and why a certain Larry Cravat wrote him a mysterious note. The mystery holds for a while, then this viewer became a bit tired of scene after scene of talky explanations, and not much cinematic action. Fortunately Hodiak meets a nice girl, played by the charming Nancy Guild, and things looked up (for me). Nancy falls for John, for some reason, and believes in him, although he is becoming convinced that he may be a killer. On he rambles, trying to unravel, in murky apartments, the docks, an insane asylum, etc. There's Nazi loot and a nightclub, and Lloyd Nolan as a chummy cop, and lots of quirky characters (including one of my favourites, Housely Stevenson), who are there mainly to distract you, because Hodiak's character is so passive that he isn't even in the final scene - a cheery wash-up reminiscent of a mild sitcom. | -1no label
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] |
Steven Chow has become one of my favorite directors. This somewhat dark comedy pays homage to Citizen Kane, The Godfather, The Shining and The Bugs Bunny Roadrunner Movie. The film has virtually the same theme and setting of "Gangs of New York" and still managed to create likable characters. Even though this is seemingly a more serious film than Shaolin Soccer, it still has the playful humor that made it such a fun movie. Kung Fu Hustle is a great mix of action cinematography and cartoon like special effects. Chow's brand of humor and understanding of new and classic cinema techniques makes him a truly great director, writer and actor. I haven't laughed this hard in a long time. Kung Fu Hustle is what "Gangs of New York" should have been. | -1no label
| [
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] |
I watched this film, along with every other adaptation I could get my hands on- including seeing plays- in preparation for some academic research. The cinematography is very moving, as is the music. Unfortunately all of the life was taken out of the story. I have never seen such an awful portrayal of Mr. Rochester. All of his most fundamental traits are gone. Where is his wit? Where is his passion? Scott's Rochester more closely resembles Rochester's foil, St.John, than the character from the novel. In fact, the actor playing St.John in this adaptation played a passionate St.John while Scott is content to smash things or just stare at the ceiling (which he does all the time). I have no idea what they were thinking. I would like to give this film a slightly higher vote based on the wonderful music and cinematography but I honestly can't bear to see this film for too long because of George C. Scott's performance. | 0neg
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] |
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