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...in an otherwise ghastly, misbegotten, would-be Oedipal comedy. I was the lone victim at a 7:20 screening tonight (3 days after the movie opened) , so there is some satisfaction in knowing that moviegoers heeded warnings. The bloom is off Jon Heder's rose. The emerging double chin isn't his fault; but rehashing his geeky kid shtick in another bad wig simply isn't working. It would be another crime if this were to be Eli Wallach's last screen appearance. Diane Keaton will probably survive having taken this paycheck - basically because so few will have seen her in this, the very worst vehicle she's chosen in the last few weeks. Sitting alone in the theater tonight I came alive (laughed, even) whenever Daniels was given the latitude in which to deliver the film's sole three dimensional character. He really is among our very best actors. In summary, even Jeff Daniels's work can't redeem this picture. | 0neg
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I'm very disappointed from this work of the Italian director Sergio Martino.We can't call this as a movie Also the Italian thrilling specialist writer Ernesto Gastaldi is hardy recognizable and it would be better for him to forget this text. Elvire Audray is a nice girl but not an actress and also Wandisa Guida only sexy and not so much. Better forget the music. But only the appearance of the Italian famous dramatic actress ANITA SAGNOTTI LAURENZI illuminate with her wonderful characterization and suggestion the scene.Her wonderful and deep voice remember the sweet time in Viterbo , were she is born , as she accepted the first declaration of love in old Greek. The characterization of Anita Sagnotti is short but unforgettable. Anita Sagnotti , daughter of a Carabinieri General ,is appreciated in many other better appearances by the Italian Radio-Television and remain unforgettable in my hearth. | -1no label
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] |
This show is the very sort of program that is needed--desperately. How many shows out there deal with the looming global catastrophe growing from the abuse of the ocean's resources? Human beings are having a devastating effect on life in the sea and few are even paying attention. Along comes a show that hints at the potential to address these vital issues and it never gets holds water. I guess it is like Dr. Chomsky says: television is not about the programs, it's about the advertising. In the television world, what they call "content" is the commercials they want us to watch while the "filler" is just the show that comes in between the ads. Maybe if more viewers understood this and were more discriminating and vocal about their television viewing, Hollywood and advertising sponsors alike would get the message that it is better to have a show that interests a lot of people than try to get advertisers that want or don't want to sponsor a particular show. (Though I can see how a company that sells tuna fish would not be so tempted to sponsor a show with a superhero character that makes fishermen out to be the (ofttime) bad guy.) I don't know that it was a sponsor that influenced this show to not get picked up but it makes sense that if not enough companies were willing to sponsor this show, its chances of getting on the air would sink straight to the bottom like a lead weight in water. Aquaman was one of my favorite superheroes in childhood and I would have very much liked to have seen this show become a regular series. I do believe it had good potential to float although the pilot in some ways felt weak to me. The acting was not particularly good and the scripts could have used more polish. I see that often in pilots and then the show gets better as time goes on so that could well have been the case here. Looks like we'll never get the chance to find out. What a shame. Perhaps if viewers show enough interest, this pilot might be further developed into a TV movie or a mini-series. I would certainly be one of the first in the water to buy it on iTunes. I rate this 7 out of 10. Wordcount: 392 | -1no label
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] |
I wasn't expecting "Citizen Kane" but I was hoping for some extreme guilty pleasure! The script is bad, but the school exterior shots were obviously done with the same 5 extras on the same day & the dorm exterior shots were easily shot during a hurricane. The wardrobe was swapped around so much, I hoped the wardrobe mistress had some good strong soap to wash the panties. I know the budget's time but do you think they could have bought a couple of DIFFERENT styles of underwear? What oversexed up vampiric hot chick would wear boy-leg panties under latex trousers? I was relieved to see one appearance of thong in the penultimate scene. Good points: the actors were all *very* attractive, and the girls had natural boobs. Too bad they never took the bras off. The special effects were neither effective and could only be describes as special, if they rode the short bus to the edit bay. The final scene in particular is horrifically, laughably bad. -Lizzzzzzzz | 0neg
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Let's be serious... this movie isn't meant to win an Oscar. It's just supposed to be fun and in my opinion succeeds on every level. The script is hokey, yet there are some really tender moments, like when Billy Hankins realizes who the Wraith really is. The acting is OK but this isn't Shakespeare. This movie is a great escape. Plus the revenge angle is definitely cool. The ending is actually a little reminiscent of "High Plains Drifter", where there is that one unspoken moment where fantasy and reality blur. This is actually one of my favorite films of the 80's. Sure it is massively dated, but, interesting none the less. Just a side note.... one of the waitresses at the drive in is a young Brook Burke of Wild On and Rockstar INXS fame!!! | -1no label
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I love this movie, and in re-watching it again I was impressed by Allison Forster's performance as Madeline. However, in looking on the internet, this appears to be her only work. Does anyone know what became of her? I would have hoped that someone that talented would have moved on, but I found nothing. This movie is a gem. I try to watch it once a year because it brings back long-forgotten memories of what it was like to ask for your first date, the awkwardness of the first kiss, and the whole new dimension of relating to the opposite sex. Thanks for any information you have on Allison, if only I had had a sister like that... [email protected] | -1no label
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The first thing I thought after watching "Mystery Men" was how could this movie be so unpopular? I found this movie so adorable and funny that it's status as a bomb defies logic. Well, I hope that in the future it becomes a cult hit, and you can count me amoung it's fans. Simply put, and without giving too much away, this movie does for comic books what "the Princess Bride" did for fairy tales and "Who Framed Roger Rabbit?" did for classic cartoons. That should give you a more accurate idea of the tone of the movie then the marketing commitee it was unfortunately signed to (this is one of those cases like "the Iron Giant" where the studio had no clue what it had on it's hands). Rent it the next time you're in the mood for something a little offbeat. You won't listen to the BeeGees in the same light ever again. | 1pos
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] |
There are so many wonderful bits in this picture that make it a delight to watch. A nervous Birmingham Brown waits outside the deserted fun house in the fog, and turns on the car radio for some music, and instead tunes in an eerie voice advising him to turn the lights out, and laughing maniacally. Later, he runs into the twin brother of a dead criminal and takes him for a ghost. Tommy Chan, Number Three Son, deliberately sabotages the jigsaw puzzle he gave to his father. When Charlie discovers the trick, he warns, " Next time you pull stunt like this, you experience sudden collision in rear end of pants!" A classic locked room mystery, multiple suspects, a gang of crooks using an abandoned amusement pier for their hideout, smuggled gems, a cryptic doctor who might be involved in the crimes, a love affair, a cat statue that conceals a vital clue, and many more elements are all crammed into a running time of little more than an hour. Corny humor, politically incorrect stereotyping, and cheap sets abound, but these very things are what make the Monogram Chan pictures so much fun to watch. This movie is sheer entertainment from beginning to end. | -1no label
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] |
This movie was release when I was 15 and I could easily relate to the themes the film portrayed. That was over 24 years ago and I haven't seen the movie since. This time around I cringed at some of the acting but still appreciate the film for what it is. Life is not always fair and the good guys don't always win in fact I think the movie did well to reflect that especially as a teenager the pricks always did better with a lot of girls. Also it doesn't matter how nice you are you cannot make someone like you. Girls/boys like who they want to like no matter how hard you try otherwise. Sometimes you just gotta let go and say next. Gary does a good job showing the intensity of his feelings for Karen. This is so true of teenagers when they get fixated on someone. I remember sitting around with mates laughing our arses off at some of the antics. The acting is not quite there compared with Fast Times at Ridgemount High but it kicks ass over this movie simply because FTARH has a lame viewer friendly ending where as this movie has a realistic ending. Nice guys finish last!! Gary comes across as pretty lame cringe worthy material but we all know guys like this who are far to sensitive. We all know a David, fun guy who makes you laugh. Some people on here bag the ending but hello the ending is exactly what can happen in real life. Some chicks just go back for more no matter how bad the dude treats them, especially at that age. I have experienced that first hand. Great sound track too!! U2 "I will follow" - Jesus is it that old?? | 1pos
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] |
A fantastic piece of entertainment: five little stories, five cities, four languages. That's all. This movie has no message but it portrays five regions of the world most sensitively. The L.A. episode is the weakest. It is not bad but it has one big problem: it is the first one. People start watching the movie and expect something sensational. This first episode cannot present anything spectacular, only first class character acting. There are no big surprises or twists, the episode is not particularly funny or anything. Honestly, when I saw the first minutes of this movie I thought: `O dear, I'm going to fall asleep!' Then, the N.Y. story came. This one made me laugh real hard, and it made Armin Mueller Stahl one of my favourite actors. I started to love this movie, and I was well prepared for the Paris episode, which is, in my opinion the best, the most satisfying of them. I found the story of the Roberto Benigni episode rather stupid, but his talent in exaggerating (so he did this even seven years before 1999's Oscar ceremony!) made up for it. Then, the huge contrast: The liveliest episode is followed by the dreariest. Finnish workers tell each other stories from their lives, each trying to tell the saddest. `Night on Earth' is not a movie for everybody but I think it is, in any case, the ideal movie to watch on television at two o'clock in the morning. | -1no label
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] |
I've got a question for those who thought of this idea. Why? What made them think to make a second movie of this. If memory serves, didn't Cinderella end with "They all lived happily ever after"? I'm pretty sure it did, or it was implied. Wait a minute, if they all lived happily ever after, how could there be a sequel? Unless they were trying to make the most boring story in history, there couldn't be a sequel. I mean sure, they could have Cinderella singing about nonsense for two hours, but why? A movie that ends in "happily ever after" can not have a sequel; if it does then they don't live happily ever after! Something's got to go wrong which causes problems with the first ending! Why? That's not right, it's evil. That's my final word on the matter. | 0neg
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] |
If you only read a synopsis of the plot, this movie would sound like quite a typical one of the 1930's. The story would seem quite contrived, the subject matter maudlin. The strength and beauty of this film is in the direct, earthy performances of the cast.I have seldom seen Jean Harlow display such a range of feeling, rich and subtle nuances float over her face. If you watch their faces during the wedding ceremony in the chapel, there is such an obvious depth of feeling between the principal characters. The raw emotions are so sincerely portrayed, so true. The final sequence is almost unbearably poignant: when Clark Gable looks down with such joy and surprise at his son, lifts him up and proudly says, "My kid!", I couldn't help remember that Mr. Gable's own son was born to him posthumously. This is one of the finest examples of Depression era cinema. | 1pos
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] |
This film grabs you from the opening scenes and never lets go. You watch indulgently upon viewing Janos Szaby's excitement over coming to America. He's a likable fellow. You cannot help being fond of him even when his eagerness is replaced by bitterness as his fortunes turn. You know that in his circumstances,you would be forced to make the same choices he does to survive. This movie comments on society's worship of beauty and all things superficial and is only more true in the culture of the twenty-first century. Janos himself becomes victim to this philosophy when he tells his blind girlfriend "you're young and beautiful; if you could see, you would have the world." And like many a modern gangster movie, when her safety is threatened, he extracts a powerful revenge. His innocence is not altogether lost however for he demands an equally high price of himself, knowing he deserves his fate. Peter Lorre is in fine form in this starring role. Only a few actors could convincingly accomplish this character's transformation from innocent to embittered criminal in sixty nine minutes. Lorre is well supported by all the cast making this a real ensemble picture and not just a vehicle for one star. With a bit less preachy dialogue, this movie would be a 10. Highly recommended. | 1pos
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] |
I have been looking forward to seeing the film version of Gil Courtemanche's book 'Un Dimanche à la piscine de Kigali'; it was a disturbing yet beautiful film. The film takes, it seems at first, its sweet time in shaping itself up; but it is merely a way to draw you into the story, making you a part of it. Robert Favreau did an incredible and sensitive job in being suggestive instead of using candid images but there are moments in the film that remain very hard to witness. By the time you are at the end of the film and the lights turn back on, you find yourself a bit stoned by the amount of emotions you have experienced. You then wish the film had taken even longer in presenting its different characters, or perhaps you wish you had paid better attention. You want to hate the film because it displays such a level of horror; the hellish reality of the Rwandan genocide is clear in this film. But 'Kigali' doesn't allow you to hate it as you see its love story take center stage and shining despite the darkness of the subject matter... | -1no label
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I was looking through the movie listings in my area on yahoo and seen a movie that had not been advertised. I looked closer and noticed that Peter Falk and Paul Reiser were in it. Having watched "Mad about you", once, I was not a fan of Paul Reiser. However, I am a big fan of Peter Falk. So the spouse and I took a chance. We were both swept into this story. The beautiful scenery, the heartfelt acting and the sense of family and moral values that are seldom seen in movies and the world today. Not that sappy emoted junk, but real life situations from real life-like people. I even have to say, Paul Reiser was excellent, although, I still won't watch "Mad about you". I don't know where this movie has gone. I heard it was put out in limited release. It should be shared with the world. It is one of the finest movies I have seen. M. | 1pos
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Ok, I wrote a scathing review b/c the movie is awful. As I was waiting another review (for Derrida) of mine to pop up, i decided to check out old reviews of this awful movie. Look at all the positive reviews. They ALL, I say ALL, come from contributors have have not rated any other movie other than this one. Crimminy! and wait till you to the "rosebud" [sic] review. Checkout the other movies rosebud reviewed and had glowing recommendations for. Oh, shoot!, they happen to be for the only other movies by the two writers and director. Holy Window-Wipers Batman. Joe, Tony, you suck as writers, and tony, you couldn't direct out of a bad script. No jobs for you! ALWAYS CHECK POSITIVE REVIEWS FOR A LOW RATED MOVIE! | 0neg
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i started watching this show when bbc America started airing it here in the states i watched the pilot because i thought it looked a lot similar to buffy the vampire slayer(my favorite show... rest in peace). the first episode was OK but as the series progresses it seems to get better and better. ill make it plain that hex is by no means my favorite show ever but it serves a good purpose of being a good summer show. up to episode seven it has been good and interesting with many plot twists and cool character. i ask that you try out this show and give it a chance because it really is worth it. it might also be a good show to pick up the season for because that way you can watch it at your leisure | -1no label
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] |
This is a masterpiece footage in B/W 35mm film. The film makes you see a strange way to begin the day at 7:35 am in a bar and how much things can happen there in 8 minutes. The short amazingly, gets you in a complex story using very little elements, and step to step makes you realize that something isn't totally right. It expresses a lot, makes your adrenalin go high with subtle details, and is incredibly understandable by anyone, not just the cinema critics experts. But I know how it sounds : European short, black and white and low budgeted. Don't let that scare you. Is really worth to see by anyone, not just experts in the genre. Isn't really much more to tell, since the film just lasts 8 minutes (exactly), and I don't want to spoil it. But I just watched it online and I couldn't understand why no one spent a few minutes to post a comment about it. Really worth watching it. 10/10. | 1pos
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] |
I am amazed that there are people in the film community who show any respect for this dated, awkward, racist film by giving it a "7" as a majority of the IMDb viewers have. The bonus that attracted me was the color version of Bill Robinson ("Bojangles") tap dancing in a carnaval scene. After suffering through the histrionic throes of unrequited love by the heroine, the wooden performance of the lead (a Metropolitan Opera reject), and the dull and obvious comic chatter of the comic duo, finally comes the big scene. Three minutes. Some steps, some synchronization and... what happened? This film is best relegated to the "classics" trash heap for occasional viewing by students of cinema history thankfully long dead. | -1no label
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POTENTIAL SPOILER!!! BEWARE!!! (Well, not really, but just to be on the safe side of things). From the glaring reviews posted here, on IMDb, I went out of my way (and, boy, did I ever go out of my way to see this dud! I live in Rio de Janeiro, Brazil, so hunting for a three-decade old and rather obscure giallo wasn't necessarily a walk in the park) to fetch a copy of "What have they done to your daughters" and what a put down it was! The film's plot, tenuously copied from Jules Dessin's 1948 masterpiece "Naked City", is so full of holes, seems like a swiss cheese! A good many of the leads go nowhere and the killings, which are central to the plot, or so seem to be, are really never explained; we have no idea why a mysterious biker goes zooming around Rome, with a meat ax, butchering lust-crazy teenagers, private detectives and, even, a district attorney (played by a rather dazed Giovanna Ralli - her 70s hairdo stood out way, way more than her deadpan acting). Well, yeah, there's the usual link with the "rich & powerful", but its just too lame to fully explain a good deal of the killings. The film ends on a rather low key, leaving you to wonder if there wasn't anything a tad more interesting to do with your 90 minutes instead of watching this incredibly confusing piece of italiana. In all due respect with the previous comments, can't really see what the praise is all about - probably, I should go back and give it another shot - but that would be wasting another hour and a half, and life is just too short of a deal. | -1no label
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] |
Interesting "Friday the 13th" entry has nothing connecting it to the last entry ("Jason Takes Manhattan"). Instead, the opening has Jason pursuing a nubile young woman through the woods; she turns out to be an FBI agent who lures Jason right into a trap - and his body is blown to smithereens in the ensuing ambush. HOWEVER (of course, there has to be a "however"), this still doesn't mean that Jason is dead - the evil force that has animated Jason all these years is still very much alive and free to inhabit a succession of victims. This ninth "Friday the 13th" movie has some interesting story twists that were only then, after eight previous movies, being concocted. This is an energetic, emphatically violent, lively (and very mean-spirited, unfortunately) horror sequel with spectacular gore (particularly in the unrated director's cut) and performances that are actually something approaching decent. An entertaining way to spend an hour and a half. There are a few visual in-jokes that horror fans will instantly recognize. In addition to playing Jason, stuntman Kane Hodder also appears sans makeup as one of two FBI agents (he's the big, bearded one) guarding the morgue. Even if you don't enjoy it, you may want to stick around for the surprise in the very last scene. It will either make you groan or clap, depending on your disposition towards these kinds of movies. 8/10 | -1no label
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] |
From rainy, dreary late winter England of early 1920s... ---where there is still sadness and many young widows and disabled vets from the great slaughter of men and killer of their womens' dreams--- known now as World War I... Four women share this lovely small sunny Italian castle on a hill; one a young widow who is drowning her sorrow in frantic partying, two women who will rediscover their own husbands, and a fourth woman who is tired of her famous dead friends... ...These four women will come together with two husbands and a former soldier - almost blind - to get a spiritual "makeover" for one great April vacation in early 1920's Italy. NOTE to would-be filmmakers. Study this film for how mood and beauty can tell a story. (Probably not a film to please many men...) NOTE: Stock up on coffee & hot chocolate and invite the girls over on some dreary late winter day...Spring is coming...Enchanted April promises you! | 1pos
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] |
I had seen Rik Mayall in Blackadder and the New Statesman, so I thought I'd give this film a try. At around 4 pm I bought it, at around 8pm I started to watch, at around 8.15pm I fast forwarded the remaining film to see if there was anything left watchable for a human being with a brain... but there wasn't. At around 8.45pm I threw the DVD into the dustbin. And that's where this "film" belongs. What ever happened to British humour? The humour so fine and witty, intelligent and artful that you find in Yes, Minister, Blackadder, Vicar of Dibley, Fawlty Towers or The Fast Show? The black humour Britain is so famous for? I don't want to insult anybody, but I presume even stupid children wouldn't find this funny. They deserve more intelligent fun. And Rik Mayall, you can do better, so please, do! | 0neg
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] |
I am a college student and I bought this movie at a used book store because it sounded really funny from the back description. Nothing would prepare me for what would be the FUNNIEST MOVIE EVER MADE! It is especially good to watch if you are an Atheist, like me. Because then you can see how silly these Christian people are. They seem to think non-believers like to live in really disgusting, messy houses and do nothing but drink beer and be mean to the neighbors. It's a LAUGH RIOT! My buddies and I watch it every couple of weeks so that we may be entertained beyond our wildest imaginations! See this movie NOW! Let's hope Rich Christiano makes some more of these movies to entertain us heathens! | 1pos
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] |
algernon4's comment that Ms Paget's "ultra lewd dance in (this film) is the most erotic in the history of films" is certainly one doozy of an exaggeration. It isn't even Debra Paget's most erotic dance. Her near nude gyrations in Fritz Lang's "The Indian Tomb" make this number look decidedly tame. As for being the most erotic in the history of dance. Well! Where do I start? Salma Hayek's performance as Santanico Pandemonium in "From Dusk to Dawn" (1996); Jamie Lee Curtis in "True Lies" (1994); Jessica Alba in "Sin City" (2005); Rose McGowan in "Terror Planet" (2007); Sheila Kelley in "Dancing at the Blue Iguana" (2000), blah, blah, blah. Don't get me wrong. I love the sequence and have included it in my "Cheesecake Dance" series on Youtube. I just think that making a claim like "most erotic in the history of film" is really going out on a very fragile limb. | 1pos
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] |
Joan Fontaine is "A Damsel in Distress" in this 1937 musical starring Fred Astaire, George Burns, and Gracie Allen. The plot, what there is of it, is about a British woman (Fontaine) in love with an American, who is mistaken for Astaire, a musical comedy star. The film, directed by George Stevens, contains some wonderful Gershwin music, including "Nice Work if You Can Get It" and "A Foggy Day." The best scene is the "Stiff Upper Lip" number, which takes place in a fun house. Astaire's singing voice sounds more robust in this film than it does in others, and he has a couple of excellent dance numbers. Burns plays his over the top publicist and Allen is Burns' secretary. She's hilarious. The problem, as others have pointed out, is Fontaine, who has to dance with Astaire at the end of the film. Stevens could easily have used a double because he shows the dance in a long shot, and it takes place among the trees. I would have thought it was a double except the dancing was so lousy. Definitely worth seeing despite its flaws. | 1pos
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] |
If you live in America and are a "Gods Must Be Cray" fan, you may never see this movie. Although this movie is popular on VHS and DVD in China, it is hard to view in America. First off Jamie Uys did not direct this film. Second off, in order to view this film you must purchase it on VCD. VCD is a type of DVD, but only viewable on computers and some DVD systems. Also if you buy it in English the characters have different names then in the Chinese version. It is also dubbed in English, and sounds kind of fake. But if you are a "Gods Must Be Crazy fan, then I suggest that you see this movie. If you do plan on viewing this movie, good luck finding it, you will need it. | -1no label
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] |
I think the animated series Astro Boy is more reminded because of ts cultural meaning than for its intrinsic attributes, because it was the first "anime" which found popularity outside of its natal Japan.Personally, I have never seen that series, so I went with zero expectations to see its film adaptation.However, the movie ended up being a boring, bland and cloying clothing which combines elements from A.I., Wall-E and Peter Pan. This film has a lot of clichés and pre-fabricated characters.Besides, there are too many irrelevant sub-plots which distract the attention from the story.The only positive point I found in here is that the voice cast (composed by Freddie Highmore, Nicolas Cage, Samuel L. Jackson, Charlize Theron, Kristen Bell, Donald Sutherland, Bill Nighy and Eugene Levy) makes a functional work. Astro Boy is another horrible animation film from Hollywood, which is truly boring and irritating, at the same time it lacks of any creativity.I suggest you to avoid it. | -1no label
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] |
Sweeping drama with great sets, costumes and performances though some folks are channeling Rhett, Scarlett, Melanie and even Lady Macbeth. Patrick Swayze and James Read are excellent as two men trying to maintain a friendship despite the ties of family and location. Splendid villains you'll want them all to come to a very bad end. Lots of strong female characters in this one both good and bad. Secondary story lines also are well developed. Several cameos by major stars of past eras. Good representation of history and conflicts for those caught between friendship and politics. Curl up on a rainy day with your DVD or VHS player and drink of choice with this one. A lap rug and a cat would be optional. | 1pos
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] |
I am a huge admirer of the graphic novel series this adaption is built upon and really can recommend X-1999 by CLAMP to everyone for it truly is a masterpiece. This film, however, was a complete waste of time and I cannot believe that CLAMP actually agreed on summing up the immense plot of the comic books in to one film that is not even two hours long. Because in my eyes it is not the apocalypse aspect which makes the series so absolutely amazing but the detailed characterization of each of the characters, which was here left out completely. Even the artwork is unable to compete with the visual beauty of the original work. This film left me completely unsatisfied! | -1no label
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] |
It was with great honor to broadcast such a phenomenal woman, a woman who was not afraid to bear her true essence in film, poetry, directing, teaching and having said the last word. The documentary brought tears to my eyes, with such greatness from her films and poetry, her works shall always be ingrain in my heart. It takes much courage to struggle in a world that has so-long been divided especially when it comes to finding black roles in the acting industry; as well as having her voice heard without being accused of being radical. I applaud all that allowed her story to be told...because she is indeed a woman of many talents and excellence. Her vitality and energy emerged until the very end...thank you Beah! | -1no label
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] |
If you read Errol Flynn's autobiography, My Wicked, Wicked Ways, you will see that this film is full of poetic licence. Not that that makes much of a difference, because Errol Flynn was pretty generous with poetic licence in the autobiography anyway. No need to worry about spoilers, since there is nothing there to spoil. To me it would seem more sensible to use the story about a fictitious Hollywood actor; then you could go out and find a better actor than Duncan Regehr to play him, and you wouldn't have to worry about the audience saying things like: "But he didn't have a moustaches in Captain Blood." Another failing of this film is that it shows Flynn as a two-dimensional character. Flynn was an intelligent man, well educated, well read. This film only concentrates on his funster image. Regehr is a disaster. The rest of the cast struggle with their scripts. Hal Linden is OK as Warner, and Barbara Hershey makes a believable Damita, although Lili Damita herself did not think so. The best thing to do with this film is to forget about it and let it gently slip away to oblivion. So what I am writing this for, I can't imagine. | 0neg
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] |
In Cameron, a group of hunters is attacked by a wild animal, and Charlie Cowley (Christopher Shyer) survives but sees his brother Scott (Andrew Bowen) dying. Seven years later, his teenage nephew Derek Cowley (Trevor Duke) steals the key of his stepfather's cabin in the isolated Fire Road 13 and travels with four classmates and his friend Sam (Kimberly J. Brown) to spend the weekend having a party with booze and sex. However, they are attacked by a Beast that kills his friends in a sadistic way. Sam and Derek survive, and they suspect that his stepfather Mitchell Toblat (Richard Tyson) is a werewolf. When Charlie meets Derek and Sam, they decide to collect evidence to prove that Mitchell is the Beast and kill him, but Mitchell discovers their plot and chases the trio. "Big Bad Wolf" is a surprisingly good werewolf movie, with gore and black humor. The beginning with teenagers going to an isolated cabin and finding a monster is not original, but the sadistic attack of the werewolf, specially the virgin girl, is hilarious. The situation of Sam collecting DNA sample is also funny. The special effects are great for a B-movie and in the end "Big Bad Wolf" is a very entertaining movie and recommended for fans of the genre. My vote is seven. Title (Brazil): Not Available | -1no label
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] |
I do like action films. If you are going to make it ridiculous, then let it be funny. I felt like there was an attempt to make it serious- which failed miserably. Banderas has the guns with 3000 bullets. He only runs out of ammo when the script is setting him up for predictable scene. It wasn't as bloody as Kill Bill- just close. I was stuck at the airport with only one DVD movie left to watch, so I viewed this one. If I had any alternatives to watch, I would have ejected it within the first 15 minutes. If they had just showed a little more of a naked Salma Hayek, she was worth the score of 2. (Too bad she didn't flash a little more, it could have doubled the score. | -1no label
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] |
This was a pleasant musical about the creation of the Moulin Rouge dance hall. In many ways, this reminds me of the Hollywood musicals of the 40s and 50s, in that it has many clichés leading up to the inevitable conclusion ("will the show STILL go on?"). While of course none of this is new, it was enjoyable and well made. The musical numbers at the end are frenetic and beautiful to watch. In many ways it reminds me of a sexier version of THE GREAT ZIEGFELD. In real life, Ziegfeld was quite the player but this was sanitized in the American film. But, in FRENCH CANCAN, the characters have fully functioning libidos--but nothing is really shown, so the movie is okay for kids. Nothing new but well done nevertheless. | -1no label
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] |
I don't exactly know what it is that makes this film better and more amusing than the overload of similar 80's splatter flicks but it just is! The lady who sold me the ex-rental VHS copy wholeheartedly agreed with me: "Neon Maniacs" is a classic piece of trash! Maybe it's because the screenplay is a bunch of unscrupulous and light-headed nonsense or maybe it's because you have a lot more sympathy for the characters here than it usually is the case in horror films, I don't know. Fact is that you will have a great time watching it. The Neon Maniacs are malevolent creatures (they look like hellraiser Cenobites only....goofier) who prowl at night in their San Franciscan territory, butcher teenagers and leave behind a funky green kind of mucus. The ravishing Nathalie (Sarelle - she'll later star alongside Sharon Stone in Basic Instinct) is the sole survivor of one of the maniacs' nightly attacks and now they're after her. As mentioned before, the premise of this film contains no logic at all. The existence of these Neon Maniacs is briefly linked to the downfall of humanity but, other than this, no background or origin is given. No problem, though, as there are tons of other absurd elements to enjoy. The costumes and make-up effects are great! Every Neon Maniac appears to be a costume designer's wet dream and their killing style is deliciously insane. We have axe decapitations, icky stranglings and several throats are being slit with rusty knives...Yay! whatever this movie lacks in suspense and intelligence, it makes it up in ingeniousness and black humor. The story loses some of its impact around the hour, when the tempo is constantly interfered with lousy rock 'n roll concert sequences (an often-returning problem in 80's horror). The exaggeratedly abrupt ending disappoints too, especially since the obvious sequel never got made. Nevertheless, it remains a highly recommended splatter flick! As long as you've got a sense of humor, an expert eye for female beauty and hunger for gore, you're guaranteed to LOVE this junk! | -1no label
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] |
This movie was one of the best movies that I have seen this year. I didn't see any cameos in the movie, but it is still pretty good. It is similar to Anchorman in the humor department, but I think this is a better put together movie. It actually has a point. If you are going to see a whole bunch of T&A you will be disappointed. Just a well put together movie!!!! If you have nothing to do for the day or you need a lot of humor, you will find this to be a really good movie. I definitely think that Ebert and Roeper's review of this movie is right on. I mean, I don't really like Ebert on most movies, but this is the movie that I will agree about. The movie contains a good enough story that it is actually believable that these type of people are out there. There is definitely something to be said about how they treat virginity in this movie. Yea, sure, you get laughed at when it is found out about, but it still suggests that you wait. Steve did a wonderful job of portraying the person that he did in this movie and yet, it is still funny. | 1pos
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] |
Once a year "comes" a movie like that and makes things easy for you. You don't have make an effort to think it is good, it's just is. You enjoy it while you watch it, and you take it home with you. I can't say it is totally flawless, but it's near. Acting - great, story -interesting and with elements of suspense. It's a small family story, pretty much predictable, but it's not the secret itself that matters. it is the way the it takes the blind girl to reach it. I was impressed by the way the director portrayed their deep relationship (the blind girl and her cousin). The only thing I didn't like that much is the actress that played the mother, she was too tough and without necessity. Keren | 1pos
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This documentary by Marian Cooper is absolutely amazing. I saw it tonight on Turner Classic Movie channel. I think I will see if I can order a copy of it on DVD. The film footage doesn't look all blurry and choppy like you might think from 1925 B & W silent film. Set in Iran in 1925, The nomadic tribe people in the documentary leave their desert home and cross a raging river, men, women, children, animals... Then up and over a snowy mountain pass all Barefoot. It is sink or swim and climb or die. In search of grass for their animals. They have cows, goats, dogs, horses, mules. In one scene a man is carrying a mule who is too sick to climb the mountain. The children in the documentary all look happy and healthy. They had such a hard life. I wonder if the nomadic tribes of Iran still live like this. Makes you appreciate modern life in USA. | 1pos
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] |
This film has an amazing cast. MGM took some of its finest character actors and starred them in a film with the usually adorable Margaret O'Brien. Lionel Barrymore, Edward Arnold and Lewis Stone star as three greedy old bachelors who live in the same home. While they have amassed a fortune over the years, they also have been selfish jerks. One of them has an idea to donate some property in order to buy themselves a good name (sort of like Carnegie) but it turns out the property they want to give away actually belongs to O'Brien. And, since she's an orphan, they volunteer to be her guardians so they can give HER property away and look like great philanthropists. There also is a goofy subplot involving fairies--led by the wonderful character actor Henry Davenport. And, since O'Brien is Irish (as evidenced by her outrageous accent), she and the little people make up much of the plot. Frankly, I absolutely hated this portion of the film and wished they'd just dropped it entirely. Instead, the story could STILL have been about sweet Margaret melting the mean old men's hearts--this would have worked. But...the "little people"?!? Sheesh! Overall, the actors try very, very hard but the silliness of the plot and the deadly earnest way they tried made me cringe. I noticed a lot of people liked this film--I guess I'm just an old grouch! I found the film horrible difficult to watch. | 0neg
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] |
I saw this movie when it first came out, and was obsessed with it. Boys, kissing, love and everything else was sooo new to me at the time, and this romance b/w Michael and Jessie became the fairytale that I dreamed of. As, I grew up, I never forgot the movie, and actually had an old copy on VHS recorded off the TV that eventually just fell to pieces. Then, a couple of years ago, I decided to look the movie up online, and found it on Amazon. I was elated and yes, I'll say it...giddy! I bought it and watch it every now and then when I want to escape to a simpler, less complicated time, with slumber parties, "Teen Beat" posters on the walls, vinyl records scattered about, slurping on NON-diet sodas and talking with my friends about boys and music and boys! Yup, I love this movie... and Rex paved the way for a lifetime attraction to tall blondes!!! You know... I hadn't seen the movie in about 20 years when I found it on Amazon, and the first time I replayed it...I STILL knew all the songs. That was a clear indication to me of the indelible impression "Sooner or Later" made on that starry-eyed girl of long ago! I am amazed, yet glad to see that there are others out there who love the movie, as well! | -1no label
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] |
I'm not much of an expert on acting or other movie details, but this movie just hit me deep. I don't think I'll ever forget it. One scene especially (I think that anybody who has seen the film will know of which one I am speaking) is imprinted on my brain. I also watched the similar movie Lilja 4-ever (as referred to by a previous commentator). It was also very moving, but not quite as straight to the point and brutal. If you are sensitive at all, either will bring tears to your eyes, but Anjos Do Sol (Angels of the Sun) may stay with you forever. This is very depressing subject matter, but I think, no, I HOPE that the film succeeds in bringing more attention to it. More people need to see this film!!!!!! | 1pos
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Being (somewhat) an independent filmmaker myself, I really understand what these guys were trying to do and it sounds like a good idea. On paper. On 16mm film, however, it's awful. I didn't realize the thing was made in the mid 90's because the film was so grainy and bad I would have sworn this was one of those 30 year old flicks where a porn producer tried to go mainstream. And the sound! Ugh, I don't know what kind of mic they were using to record but it sounds like someone is walking over dead leaves throughout the entire thing. I guess I shouldn't judge too harshly, after all, how many feature films has MY company put out? None, but I'd like to think that we'd at least have good picture and sound quality to go with our poor acting, writing, and directing. A+ for idea, F-- for execution. | 0neg
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] |
Oliver Stone is not one to shy away from a movie or theme for that matter. He is eager to confront people with their fears or show them their ugly faces in the mirror. Look on his CV for proof! This movie is not an exception, quite on the contrary, it is another gem, that unfortunately not many have seen. As controversial movies go, this is one that you should be thankful for. A movie that should encourage you to think about you, the people next to you. The prejudices that do exist and that everyone of us has in one form or another. Either we like to admit it or not, but it is easier to categorize people and be like "Ah he's 'xyz', yeah he must be like ...". Now I might be reading too much into it, but I don't believe that. I believe that Oliver Stone is a very intelligent filmmaker and that he was aiming for those things. And if that's something you want to explore (as a movie or within yourself), than watch this film and be excited! | 1pos
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Rock Hudson's second venture in the science fiction genre after Seconds is Embryo a film that combines elements of the Bride of Frankenstein and Pygmalion in one rather weird film about for lack of a better word a test tube baby that grows up to be Barbara Carrera. Hudson is scientist experimenting in organic development and gets a chance to first experiment on his own Doberman pincher when it is accidentally hit by his car. Some pituitary secretions from the female dog are given to a prematurely born puppy and it grows remarkably into an adult. Exalted with his success, Hudson takes a fetus from a dead accident victim and gives it some of the same stuff. What he gets is Barbara Carrera. And she develops physically and intellectually at a prodigious rate. What she doesn't do is develop emotionally. Still Hudson passes her off as his new research assistant to friends and family like sister-in-law Diane Ladd, son John Elerick, and daughter-in-law Anne Schedeen. Embryo doesn't explore some of the real issues in this kind of science, it exploits them instead. The special effects as they are, are pretty second rate. Hudson looks like he lost interest in the project about halfway through the film. Now what would have really been interesting is if he had gotten boy child and it grew up to be a harlequin novel hero. Now that would have been something Rock Hudson could have sunk his teeth into. | 0neg
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This film is about a family trying to come to terms with the death of the mother/wife by moving to Genova, Italy. The plot of "Genova" sounds promising, but unfortunately it is empty and without focus. The film only consists of a collection of scenes depicting the daily life of the family, such as swimming, taking piano lessons or cooking eggs. Most of such scenes are redundant and tiresome, completely failing to engage viewers emotionally. The ending is very disappointing as it is not spectacular, moving or emotional. I can safely say that I am disappointed and bored by "Genova" The only thing good about the film is the sunny weather and the beauty of Genova. "Genova" can serve as an extended tourism advertisement for the city, but not as a film to be enjoyed. | 0neg
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Mix exotic tropical locations, babes in skimpy attire, explosions, good-looking Dudley Do-Right clones, a movie star with his best years behind him (Martin Sheen), a little martial arts and a sexy villainess (Tracy Lor.....er, sorry...Tracy ELIZABETH Lords) and you'd think you'd be in for some escapist fun. Not so! This is a dreary TV movie and even though it likes to promote itself as a "Charlie's Angels" deal,it is nowhere near as good as the original series or even the gawdawful, irretrievably stupid, recent C.A. movies. This abomination is best described as a THIRD RATE Andy Sidaris film. Nowhere near as much fun as Andy's "Hard Ticket To Hawaii", although some of the fight scenes are decent enough. The girls spend too much time posing and trying too look prissy and it gets annoying after a while. There's better genre stuff that this out there. Oh yeah, and the "babes" aren't as hot as they like to think they are. Terrible soundtrack...when it's there. | 0neg
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] |
I'll admit that I didn't know of this films existence until a critically acclaimed movie critic went on a rant against it(hint: the same critic that gave Speed 2 a thumbs up). That was enough to make me go out and get it. Drop Squad will not be accepted by the keepers of Status Quo and their token friends but it will most likely be accepted by those that can see past their nose. The story is simple enough: the Drop Squad(Drop is an acronym for Deprogramming and Restoration Of Pride) is group that kidnap ignorant sellout blacks and force them to reconnect with their culture while getting them to realize what they're doing to their people is wrong. Rocky Seavers(Vondie Curtis-Hall) is the leader and has questions about some of the methods that the Drop Squad use on sellouts and begins to bump heads with one of his comrades, Garvey(Ving Rhames) about the methods used. They end up kidnapping corporate clown by the name of Bruford Jamison(Eriq La Salle). From then on Bruford gets flashbacks on all the times he sold out and recalls a crucial moment when he screwed over his own brother Flip(Afemo Omilami)by refusing to come help him out when he tried to get a job at his workplace. The acting is great. Eriq La Salle, Vondie Curtis-Hall and Ving Rhames all turn in some good performances. I like the message of the movie and felt that the scene where Flip confronts Bruford was a touching scene as well as the scene where Rocky talks to Bruford. Closing comments: Drop Squad is a necessary requirement for everybody thats into movies with substance. If the Drop Squad really did exist then I'm glad they did but if they didn't I couldn't be more disappointed especially since we need them now more than ever! Two Thumbs Way Up. | -1no label
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] |
I cannot remember the last time a horror movie irritated me to this degree...SHROOMS is about a group of American friends (who actually don't appear to like each other much) who go to Ireland for vacation. They're obviously spoiled brats because the only thing on their mind when they're in freakin' IRELAND is getting their hands on some magic mushrooms ASAP. They meet up with some Irish friend (who is obviously British faking a bad Irish accent) that the lead girl (played by the creepy little girl from JC's VILLAGE OF THE DAMNED--the rest of her face has now caught up with her forehead, thank goodness) is creaming over. They immediately go camping in the woods and searching for shrooms. VotD girl gnaws on a mushroom that the Irish-but-British guy specifically said not to eat because it's poisonous. Soon she starts flipping out and having flash-forwards about her friends dying. It's up to her to save her friends from the ominous backwoodsmen, the creepy black-hooded ghost that pops up between people legs and/or above their heads, and the obvious overused plot twists in the script. It seems like every line of dialogue spoken by the obnoxious 20-somethings in this movie features the word "shrooms." And you thought JUNOisms were annoying! If you took a sip of your Irish coffee every time someone in this movie said "shrooms," you'd be dead before the first jump scare. The only good thing about SHROOMS is the movie poster, which features a skull shaped out of SHROOMS in the moonlight. Cool! | -1no label
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"Joseph" is probably Andrew Lloyd Webber's best show, because it's intentionally derivative,and everything else he's written has been unintentionally derivative. Take one calypso number, one country number, one French-bistro number, etc., et al., and you've got a hit! Throw in an astonishingly illiterate script ("Famine's hand will stalk the land" -- how's that for a mixed metaphor?), and you've got a mega-hit. I did, to my surprise, like Donny Osmond in "Joseph." Ain't enough. The overwhelming unoriginality, tedious score and 2d-grade libretto easily make it one of the worst musicals ever. As Tim Rice candidly stated in an interview, "The best line in the show was the list of the colours in Joseph's coat. And I didn't even write that." | -1no label
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] |
The last person that commented on this movie needs to LIGHTEN UP! The comments made about "women" are to be taken lightly and jokingly. First of all, they are all men playing the roles of women. There are no women in the cast...that's the joke behind the movie! Plus, the characters are making fun of themselves. It's a comedy, it's not reality...in fact, far from it. Jack Plotnick's character of Evie steals the show by far!! Her b*tchy, catty dialog had me rolling through the entire film. Maybe we can get the director to consider a Girls will be Girls 2???!!!! I found the movie HILARIOUS, not just because I'm gay, but because I know how to take a joke, and enjoy a good, funny movie! | -1no label
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] |
I just saw this movie on HBO, and it was really good...a tragic love story indeed! I really appreciated the fact that the guy at the heart of the story had lost the use of his legs in an accident. It's rare to see a love story involving someone who is physically handicapped. The love that developed between that character and the woman who comes into his life nicely portrayed how I'd like to think love can heal someone's heart. Laura Leighton...all of 27 when she made this movie...was great as the woman so full of life she's able to revive this guy's heart. Unfortunately, since his family is wealthy and her's is not, "problems" develop. It's playing on HBO some more times this month. Check out the schedule here - http://www.hbo.com/apps/schedule/ ScheduleServlet?ACTION_DETAIL=DETAIL&FOCUS_ID=598947 | 1pos
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This has to be one of the worst movies I've ever seen. This movie has nothing positive about it. Some of you people actually like this movie! I've seen a lot of Dracula movies and I've liked everyone that I've seen, but when I saw this movie I said to myself, "What the hell is this?" What a stupid movie. Now they have Dracula becoming who he is because he is Judas. For those of you who don't know who Judas is, he betrayed Jesus Christ and then felt so guilty he hung himself. You have to be kidding me. That's the dumbest reason I've ever heard for why Dracula became evil. Who asked for a reason anyway? What a piece of sh** this movie is. Who ever came up with this sorry excuse for a movie should be beaten. Even the Dracula is horrible. If you ever saw this movie you wouldn't even think it was Dracula. Wow, Dracula 2000! Is that title supposed to impress me? Don't waste your time or your money on this trash. | 0neg
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] |
A Disney movie that dares to do something different should at least be awarded for effort. "Holes" doesn't make the same mistakes as one would expect from a Disney movie about troubled teenagers put in a camp. For the first time events are not explained in details. The flashback scenes really do serve a purpose and present several mature topics that may surprise the viewer. I must admit that at first I was a bit put off by the seriousness of the movie. But soon I realized that we had to endure those moments to see the beauty of the story. Besides the story this movie also does a good job of questioning some methods that are used in correctional facilities. (One example where Caveman is forbidden to teach Zero to read because they have to dig holes in order to build character,like learning to read won't contribute to that). "Holes" is a movie that is smart and beautiful. A must watch! | 1pos
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] |
I'm a sucker for werewolf movies and when I saw the DVD cover of Werewolf Hunter; that and its' title had me picking it up ASAP! I read the back and knew then that it wasn't a straight up werewolf movie but it still sounded interesting so I got it. The movie is based on true events of a serial killer named Romasanta. He was caught tried for killing 15 people in 1852. He claimed to have hunted them down as a wolf (werewolf) and had hunted many times with a man called Anonia who was also a werewolf. Blah, blah, blah, he was sentence to life instead of death and died in captivity. Now the movie takes a different approach to the the above events but most of the characters are there... Romasanta and Anonia. I was afraid the movie would try to trick you into thinking he was really a werewolf or leave you with questions but it didn't. It took you through a nice recreation of the original events with some decent added story. If you like horror thrillers...not a bad rent! | -1no label
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] |
All i hear about is how poorly the animation is done. It may not be up to par with what everyone expects, but look at it this way. Would you expect perfection in hell? It is my belief that the animation was made dry and gritty on purpose. It was great to see her character transformation in this movie, considering it will probably be as close to live action as we will ever get. I hope for a sequel very soon. If we want live action, i think we may be better off with Chastity or Purgatori. I don't think Lady Death would transfer well to film. But be that as it may, It is my own personal belief that all the naysayers about this movie are DEAD wrong. No pun intended. | 1pos
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] |
I am appalled to see that so many people have given positive reviews for this "film". This movie has no redeeming factors. The music is not good, the acting is pathetic, I have a difficult time understanding how someone could enjoy this movie, let alone sing its "praises". The idea is horrible, certain scenes linked to the plot (such as the continued love story even though the male romantic interest is a SHRUNKEN HEAD) are so bad that I wanted to do myself bodily harm while watching them. The fact that there is scene in which a shrunken head flies under a girls' shirt so he can "feel her up" AND she likes it is reason enough for everyone associated with this film to perish. The link to West Side Story can only be a mockery, since to reference such a great movie in such a horrible one is grounds alone to destroy all copies of this movie. To make a long story short, this film is horrible in every way. And if I had my way, everyone who likes it should go straight to hell.... | 0neg
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Horror fans (I'm speaking to the over 12's, although if you're under 12 I apologise for what you might deem an insult): In short, if you appreciate having your imagination disturbed by well written, original storytelling, punctuated by unpredictable well planted scares, and delivered via convincing performances, then I can heartily recommend - AVOIDING THESE STEAMERS - made by directors who have apparently long since past their sell by date. It's no accident that almost every episode feels as if it were made in the 1980's. Not to put blame squarely on the shoulders of some of these old boys (or indeed the 80's) because where would we be without certain movies from the likes of Argento, Carpenter, Landis, Dante and Barker (Actually Clive, WTF are you doing in there?! Glad to see Romero had the good sense to give it a miss as I'm sure he was asked to partake...). More perhaps we should point the finger at creator Mick Garris whose credentials include the logic defying and depressingly ill-advised TV remake of Stanley Kubrick's masterpiece 'The Shining'. Perhaps it is an indication of the state of television today. Are we so starved of good TV horror that we applaud any old sloppy schlock that the networks excrete onto our sets? Sadly, maybe so. Normally I wouldn't see the point of adding a comment that doesn't argue the faults and merits of a production, I'd just rate it accordingly. However, as this series is woefully lacking in any merit (with perhaps the sole exception of the theme tune) I write this as more of a warning than a review: DON'T WASTE YOUR TIME AND MONEY. If you disagree with me then it's more than likely that you haven't seen enough decent horror. Perhaps the earlier films of some of these directors would be a much better place to start, but if these 'Masters' of Horror were being assessed on these works alone, they'd never have been allowed to graduate with even their Bachelor's degree. Unless of course they were studying for a degree from the University Of S**t. | 0neg
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] |
Gregg Araki can be faulted for not inviting the "main stream" audience into his "vision" of the world. But this probably isn't really a goal of his, anyway. As I watched "Nowhere" in the theater (twice in one week) I was filled with awe that something I had always felt had been so colorfully put on celluloid: finding love is all that matters, but the world isn't designed to make that finding easy. So when "Dark" finds an amazingly true moment amongst the usual Araki violence, hilarity, sex and clutter (a moment to simply relax and hold the person in the bed next to him) it rings true to the heart of experience. The movie ends in the next moment with an equally true touch. So, the sooner we find love, the sooner it can find its own reason to leave us. Araki's best film. If you don't get it, then he probably doesn't want you to. | -1no label
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] |
Just watched this Oscar-nominated animated short by Caroline Leaf on the National Film Board of Canada blog as linked from Warren Leonhardt's blog. It's basically an autobiographical look at the childhood of the writer, Mordecai Richler, as he relates the last days of his grandmother's life and his mother's devotion to her. Except for what his sister mentions what possibly happens when someone is hanging, this might be a good educational experience for an under-12 to watch with a parent if that child wanted to know what dying was like. The watercolor images on glass are really compelling here. So on that note, I highly recommend Caroline Leaf's The Street. | -1no label
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] |
I want to say I liked this film, I really do, but when it boils down to it it was just far too boring. It starts off looking promising, and even once they get inside the mines the creepy atmosphere and mood is great. The problem is the monster, or lack of it. As people have said it's a stop-motion monster, but that's not the problem (stop-motion can look great if done properly). The problem is that we don't see enough of it and we don't get to see any deaths. This is meant to be a horror film so a lack of monster and a lack of deaths equals boredom. There were some scenes I liked, such as when one girl is using her camera in the dark and the monster is coming towards her. There are also a few other creepy scenes but they are far too few to hold your interest and definitely not worth watching the film for. It's a shame, because I can see that had it been handled correctly it would've been an effectively creepy horror flick. The saddest thing is that films like this will never be made again, because film makers over-polish their films these days and rely on crappy CGI effects. | 0neg
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] |
I never saw the other two "Ninja" movies and for all I know there are known, but for some reason I watched this one. This one starts out rather fast as this one ninja goes on a super killing spree. He is almost unstoppable as it takes quite a number of bullets to take him down. He is not out for the count though as he ends up possessing a woman and he then continues his killing ways by using her as his tool. Another ninja enters the fray and apparently the only way you kill a ninja is with another ninja so he volunteers. This leads up to a big battle at the end as the dead ninja goes back into his body and they have it out in an all out war. Sounds better than it actually turned out being, but at least it was not boring. | 0neg
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] |
IN THE VALLEY OF ELAH you feel the anguish, the anger and the pain of what this dreadful war in Iraq has done to American families and our soldiers. ELAH is a powerful film from the brilliant Director Paul Haggis that drives home on the screen in a magnificent performance from Tommy Lee Jones the fear a father may have in the loss of his son and how this war is being played out in the small towns of America where a family wonders if a man, or woman, might return home safe, or in a body bag. Charlize Theron and Susan Sarandon with a solid cast bring home the horror of Iraq in a film that is today's war in the Middle East. I can only hope that at Kudo time this well directed and written film will find itself on the list of nominated films. Bravo Paul Haggis for giving us another film to root for as we did with CRASH. | -1no label
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] |
Oh God, Why? I am aghast at the sheer ineptitude of this delicious blathering nonsense..as if all that makes sense. Well, like this film from bottom rung poverty row of 1940s Hollywood, nothing in this door slamming horror - made on three sets - makes much sense...except the horniness of Dr Markoff (jerkoff?) who lusts uncontrollably after some plonky piano-player's daughter who has big melons and a flouncy hairdoo. It is just terrible ...and even has a gorilla and a big dog for pointless added distractions. More Elephantine than Elephant man and that is just at 62 minutes!. ....THE MONSTER MAKER is the sort of film kids in 2005 just howl at with disbelief and wonder what the hell their grandparents saw in their youth that made them the lovable movie kooks they are today. I guess you just had to be there. In 1944 or whenever the hell this mad drivel was shown to impressionable 13 year olds in glorious 3000 seat velvet movie palaces on a wet day. Somehow. It was made for no reason, by botchville crapshooter movie scammers PRC Pictures in the war years by escaped German refugees who knew who to make a film since they got out of Europe as the Nazis advanced on UFA studios...the monster in this film, like the mad scientist is actually a Nazi nightmare. | 0neg
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] |
One of the worst theatrical movies of the year, if not all time. Anthony Hopkins belittles himself by even appearing in this joke. I can't believe David Mamet and Ridley Scott's name appear on this travesty. The best career move Jody Foster ever made was turning this one down. Julianne Moore was as emotionless throughout as a female Keanu Reeves. Gary Oldman was of course, his brilliant self. He is a crippled victim of Hannibal and the make-up is so good, I didn't know it was Gary until the final credits. but eaten by trained boars??? Give me a break! Rumor has it that he didn't want his name even mentioned in the credits. And frying and feeding his own brain to Ray Liotta...I was laughing at the absurdity, no make that stupidity of this flick at this point. I haven't seen so many people walk out of a movie since Who's That Girl. Pay someone else to go for you if you must, but miss this one AT ALL COST!!! | 0neg
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] |
Just saw the film tonight in a preview and it's a film for kids only. It does not improve or add to the original Disney film in any way. There is a corny Scottish pastiche style throughout, not helped by weak writing (where motives are lumped in by the spadeful) and acting that is uneven and often unengaging (despite what reads like a decent cast). I have no problem with the wee dog - although there is a certain "Skippy the Bush Kangaroo" (see below) quality about his shots. * For those that don't know, "Skippy" was an Australian kids' TV series from the 1960s where the kangaroo would be an essential part of all the stories. It is said that to get poor old Skippy to "act" they stuck an elastic band round his muzzle that he then tried to get off with his paws - sort of appearing to be communicating with the human actors!!! Bobby has a similar range and you just don't buy his series of heroic rescues at all. Advice would be to take kids aged 8-12. Below that, they might be scared. Above that, if they or you love it, good luck to you, but this is strictly cardboard cut-out film-making for the undemanding. It's a missed opportunity since there is real pathos and cuteness in the story of Bobby and this film fails to deliver it. | 0neg
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] |
I watched & enjoyed "The Family Stone." I watched and forgot "How to Lose a Guy." I don't have impossible standard for films. I love romantic comedies, and if I want to see more one movie a year, I can't afford standards. But this film, "Failure to Launch," made me want to give up and stay home. I could have popped "Love, Actually" into the DVD player for the thousandth time and had a better, more rewarding evening. There are many many ways this movie went wrong, but I'd like to focus on the nail that sealed its coffin. Two words . . . Animatronic animals. That's right . . . more than one. In this movie. Were you thinking "Must Love Dogs" or "The Wedding Date?" Think "Caddyshack" without the appeal. Four separate animatronic animals appeared, one in a subplot which provided neither support nor counterpoint to the purported "main plot" (the romance between SJP & MM). I wanted to like these subplot sections. Even with excessive sweat and scary, crazy eyes, I just love Bradley Cooper, but no actor on earth could have saved this movie. If even one of these animatronic monstrosities had appeared in a trailer, I would have saved my $8. Maybe the failure was in marketing a low-ball comedy as a romantic comedy. I don't ask that a romantic comedy be high art, but this was barely a romantic comedy at all. | -1no label
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] |
Some people on this site were comparing this movie to crash. At best this is a poor made after school movie. The movie never takes off, it drags, it wanders, it bores you to death. The only thing this movie made me want to do is buy a gun to put myself out of my misery. I watched it for free and I feel like I've been cheated. I should have been happy when it finally ended, but I was only left wondering why I had wasted the last hour of my life watching this movie. I noticed that there were about 20 songs in the credits but I must have been so numb with boredom that I can't recall a single line being played. Each song must have been uniquely unremarkable. The cherry on the top of this little masterpiece was Donald Sutherlands character, he easily could have been replaced by a rambling old man with senility taken off your local public transportation line. | -1no label
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] |
*THIS REVIEW MAY CONTAIN SPOILERS... OR MAYBE NOT. THE WARNING IS THE SAME FOR ALL* Dang it. Just when I thought that SCIFI Channel had used all of its ridiculous ideas for movies, they give us THIS. Actually, the plot itself it's nothing we haven't seen in movies like Snakes On A Plane, Deep Blue Sea, etc... That means, a monster/animal/menace of some kind is lurking in a close environment threatening a bunch of people. In this case, an alien in a train. Wow. I must say that, when I first saw this thing on cable, I couldn't stop laughing. No SCIFI film had prepared me for this; it was so incredibly pathetic I couldn't believe it! The actors are all a bunch of stereotypical-genre characters. But since they're not so famous (to say the least), I wasn't expecting much of them. Except Diamond Phillips. No comments there, but I think the guy was desperate to find a job. The problem was something called 'special effects', horrible even for SCIFI Channel standards. That model/toy they made us believe it was a real train (not to mention the model/toy helicopter, bigger than a train's wagon), the meteor coming HORIZONTALLY from space, the 'baby' alien (a sock puppet, and I ain't kiddin'), the regular aliens who looked pretty ugly... while they were static; when they started "moving", it was awful, the explosions (the terrorist blew up LITERALLY! And what about the exploding helicopter! Just how many barrels of gas was that thing carrying?), the insane mathematics used (they couldn't even solve a school problem right!)... And I won't talk about that doomsday-like ending, by that time I didn't know if to keep laughing or to start crying. If I remember right, I did both. It's an ideal movie to have a good laugh, alone or with friends. But be warned; it's so ridiculous at SO MANY levels... and you need a heck of a lot of suspension of disbelief... | 0neg
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] |
"As Good as it Gets" shows that comedies can have something more than laughs and silliness. Jack Nicholson (playing Melvin Udall, a very unusual man) and Helen Hunt (playing Carol, a very nice waitress and an ordinary person) really deserved the Oscar. I've already known that Nicholson was a great actor, but Helen surprised me. She's a wonderful and graceful actress; one of my favorite ones. Her character has the gift to change the life of a cold and boring man like Melvin. I think Greg Kinnear should have won the Oscar (he's much more better than Robin Williams). I can compare "As Good as it Gets" with another great comedy released recently - "Notting Hill". They both show you the disabilities and the joy of ordinary people (even if he is a maniac man, like Melvin Udall, or the most famous movie star, like Anna Scott - Julia Roberts - in "Notting Hill"). I think this film wouldn't be very good with other actors, but it's a very human comedy and it had the attention it deserved. 9/10 | -1no label
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] |
OK, lets keep this short and sweet. This movie is possibly the worst movie i have EVER seen, as the first one is one of my favorite sci-fi films of all time i have been bitterly disappointed twice so far !please save yourself the same heart ache and just watch the first Starship Troopers again while imagining in your own mind the endless possibilities they could of embraced to build open, then if you really must, watch the second and third films and see how it was completely and utterly screwed up. As for Ed Neumeier, you should be ashamed of yourself sir. Sorry about the rant but some things just need to be said. | -1no label
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xica da Silva is one of the best Brazilians opera soap ever! the a black slave's story that becomes queen of a small villa when conquering the most powerful man's of the area love, in the colonial period of the brazil dominated by Portugal, that explored its diamonds. The largest xica enemy, violante, bride that it was changed by xica, is a woman of big it influences the Portugal king close to and does to take revenge of the slave of everything. Very religious person, she is a picture of the hypocritical society and religious of the time, she dedicates its life the morality of the villa that was committed by xica, that is a woman full of lusts that it faces the society of the time to preach and it helps the slaves of the area. The story also bill with forbidden loves, sorceries and vampires and religious fervor. Xica da Silva does with that you don't want to lose a I only surrender, from beginning to end! | 1pos
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It seems ever since 1982, about every two or three years we get a movie that claims to be "The Next Officer and a Gentleman." There has yet to be one movie that has lived up to this claim and this movie is no different. We get the usual ripped off scenes from OAAG ("I want you DOR," the instructor gives the Richard Gere character his overdose of drills in hopes he'll quit, the Gere character comes back for the girl, the Gere character realizes the instructor is great, etc.) and this movie is as predictable as the sun rising in the East and is horribly miscast on top. Costner plays his usual "wise teacher" character, the only character he can play, and you really get a sense of his limited acting abilities here. Kutcher is terrible in the Richard Gere character, just miscast with acting skills barely a notch above Keanu Reeves. The main problem with this OAAG wannabe is the two main characters are so amazingly one-dimensional, you never care for either in the least and when Kutcher's character finally turns around (just like Gere did in OAAG) you just go "so what? The movie leaves no plot point unturned and seems to never end as if to say "oh wait, we forgot to close out the girlfriend story, or the what happens after he graduates story, or the other six plot points in the movie..." What's more baffling is the great "reviews" I see here. The general public's opinions never cease to amaze me. | 0neg
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] |
I can't believe people are looking for a plot in this film. This is Laural and Hardy. Lighten up already. These two were a riot. Their comic genius is as funny today as it was 70 years ago. Not a filthy word out of either mouth and they were able to keep audiences in stitches. Their comedy wasn't sophisticated by any stretch. If a whoopee cushion can't make you grin, there's no reason to watch any of the stuff these guys did. It was a simpler time, and people laughed at stuff that was funny without a plot. I guess it takes a simple mind to enjoy this stuff, so I qualify. Two man comedy teams don't compute, We're just too sophisticated... Aren't we fortunate? | 1pos
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] |
You know when you pass by a car wreck and you know that it's something bad, but you just have to look at it. Well, this is that movie! For the most part it has bad acting and a really silly plot. The only reason that I'm giving it a four is because the Locusts actually look really good when grouped up and close-ups are real Locusts. Some of the government action seems pretty realistic, except for this one General that wants to spray VX-Nerve Gas, but that's really all I can say good about this movie. If your so board out of your mind and you can't sleep then laugh yourself to sleep at this movie. If you have better things to do then you know what to do. I give this movie a very giving 4 out of 10! | -1no label
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] |
First of all; it's very dilettantish to try describe way of history only from positions of guns, germs and steel. The same tried to do Marxists from economical positions. The reason of Western success can't be just dumb luck, the advantages of domesticated plants and animals. We see, that all around the world any advantages and bonuses are complete useless if they aren't wisely managed. In the Japan there isn't huge natural resources, but Japan is one of the top world economies, the same situation in Singapore, but in Nigeria, country with rich oil resources, there are only middle-low success. Both of this nations had and still have access to Western technology and inventions, but why such gap? In the end of movie Daimond declared, that it's very important to understand factors of guns, germs and steel, to UNDERSTAND. Maybe the main factor of world's difference is not geography, but people ability to understand and use things? The mental ability to understand. And in this case geography is only subordinated. | 0neg
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] |
I have to admit that after reading the users comments from "adyt23" and another terrible review, I went into it without any great expectations and with my finger on the erase button as it was recorded on my PVR(Tivo in the U S). But boy am I glad I didn't erase it and ended up watching the movie!! I don't post many reviews on IMDb as I only post them when I'm am very pleasantly surprised by a movie as I was with this one. I really don't know how anybody could call this a bad movie. I thought it was one of the more memorable movies I've seen in the past few months or so and I highly recommend it. Their were some familiar faces so it was not just a bunch of unknowns in a low budget flick, it may not have had a big budget, but what it did with the finances it did have was put together a really good somewhat suspenseful type drama that involves bookies, gambling, a bit of drugs and all the ingredients that makes these "under the radar" or lesser known types of movies worth watching. The story is about a man played by Etan Embry, who has a serious gambling addiction and the ordeals he goes through to try and make good on his marriage. The events leading up to the final scene in the movie are riveting and I couldn't stop watching as it kept me glued to my seat the entire time. This movie is a hidden gem and as I said earlier, I highly recommend it and it is great from start to finish and boy what an ending it has. It really takes you for a loop but I'll leave it at that. | -1no label
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] |
I got this movie out of the bargain bin for a laugh, and honestly a laugh is all you can get out of this. The plot in a nutshell: American family re-locate to Ireland, man gets fusty over a hairy mutt and with the added extra of cheap Sinclair Spectrum style morphing the dog changes into a woman, he gets bedazzled by her baps and ignores his family to go off for a romp with her. All is well (unless by this point the cheesy porn music doesn't make you want to pull your ears off)until this hairy geezer shows up, with may I say equally bad acting, he wants to romp with the American's wife, but she is having none of it, in the end you get to see more Spectrum special effects, a woman changing into a robotic style bird with horrendous flapping wings and more crap music. There are more bad mistakes in this film that makes it more funny than making you want to get anything aroused by the woman's gyrating and boobs fwapping all over the place. For instance, she is supposed to be Irish and not have any luxuaries, yet when she does take her clothes off and actually speaks you can see she has very distinct tan lines and she has a strong American accent. All in all this film was fun for a laugh and making this review, I recycled the box for another DVD and the disc itself has ended up a rather artistic drinks coaster. | -1no label
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A bondage, humiliation, S&M show, and not much else. The plot is flat, really just a banal setup for the stylishly depraved set-pieces. The host of the aforementioned show, a silly little man who spouts drivel while prancing around the stage in dresses, was almost as painfully distracting as the attempts at artful editing. The dream-like ending felt tacked on. To the film's credit though, Aya Sugimoto was fairly convincing as the tortured lead. Flower and Snake has been compared with Eyes Wide Shut but aside from some minor surface similarities, Kubrick's is easily the more layered, artistic, and atmospheric picture. | 0neg
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There is only one film I can think of that might be as good or better than this one when it comes to Bugs Bunny and Daffy Duck--ALI BABA BUNNY. However, determining which is THE best is irrelevant--just watch them both and enjoy. I compared this to ALI BABA BUNNY because both feature Daffy at his absolute worst--greedy, nasty and very funny in the process. However, I think I prefer RABBIT SEASONING simply because Bugs is also pretty awful in this one--doing horrible things right back to Daffy every time Daffy tries a dirty trick. The film begins with Daffy leaving rabbit tracks right up to Bugs' hole in the hope that a hunter (naturally, it's Elmer) will blast the rabbit and leave Daffy alone! Not to be outdone, Bugs time and again takes all of Daffy's tricks and turns them around--and in most cases it involves Daffy getting shot in the face! It's all very, very clever and funny and I don't care how old you are, this cartoon will make you laugh unless you are a grouch. I especially love the great and unexpected ending, but I won't say more, as I don't want to spoil the surprise. | 1pos
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This show's format is the reason why I keep watching each season. Imagine travelling around the world and your final target is US$1 million, it's for those who dare to do it. The recently concluded season is one great show. The ultimate winners were whom I wanted to win and it's a great ending to a show that has won the Emmys before. Overall, if you are the one who has always wanted to see how the world really is and interested to see how the various teams outdo each other to the finish line, this show is for you. Also, prepare for culture-shock abound because as they say - 'When in Rome, do as the Romans do'. Phil really does a good job of being the host and it's almost impossible to not linking the guy who hosts The Amazing Race. The show is just...amazing! | -1no label
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I watched this movie on TCM yesterday for the first time. I have seen other movies starring Edward G. Robinson and have always liked his work. Without Robinson this movie would flop. Yes, Burt Lancaster stars in it too but he does not add much. Others could have played the role of the son and in fact Lancaster seems miscast as Robinson's son. When watching a new release I don't have the luxury to weed out the biases one acquires from watching something filmed in one's own date and time. One distinctive mark of a good movie is how it appeals over time. This movie was made more than 60 years ago yet it transcends time. The styles and fashions of the 1940s fail to get in the way of the story which seems just as real today as it was back then. This is the hallmark of a great movie. Edward G. Robinson plays his role perfectly. One would think that the character and actor are one in the same but this was not the case. Robinson's character lives in classic denial. He is convinced of his lie. When confronted by Lancaster you can see the pain in Robinson's eyes. I enjoyed this movie and the wonderful performance by Edward G. Robinson. It's a joy to unearth such a treasure as this movie turned out to be. Also fun was watching a young Arlene Francis and Henry Morgan. They strike me as such nice people. I enjoy watching old clips of "What's my Line." Also, growing up I always liked the comforting presence of Henry Morgan who is still alive today! | -1no label
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] |
Not well done at all, the whole movie was just the Grudge going around and killing random people out of nowhere. Random people that have nothing to do with the story get killed, like the 3 school girls for example. The family at the beginning has nothing to do with the story either, I believe them to be a random family that never went in the house, and never had anything to do with the killings of the Grudge. Did not impress me at all, I was not scared, I didn't jump at any parts, and the whole movie was just a random piece of crap to get more money off of. Makes the Gridge 1 look like crap also, which was actually an alright movie. I believe that The Grudge 2 is like a leading movie to The Grudge 3, if they ever make one. They shouldn't have even called this the Grudge 2, they should of called it the prologue to the Grudge 2, and you will see if you watched it, because I am not going to spoil anything. Not that it would have mattered anyway. 1/10, not scary, bad story, and is just completely random. | 0neg
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] |
I saw this movie on MST3K a couple of nights ago...let me just say, "It stinks!" It was very hilarious at times because of how awful it was. **SPOILERS** (not that it really matters) The beginning is ridiculous, showing clips from the wrong movie, and then once the movie does start, the acting is terrible, and very little things are understandable. The "pod people" or pod person, since there is only one, besides Trumpy, the lovable (not really) pod kid, goes around looking for its child (Trumpy) but you can only see its legs for most of the movie and when you do see it in its entirety, you see that it is very short and lame, almost looks like Alf. The main characters are a couple of 20-year-olds who are part of an awful band (they have a terrific musical number that is possibly the best part of the movie where the lyrics are incredibly inaudible They go into the mountains for a camping trip, and run into what seems to be some poachers and then find a cabin in which they stay with a family that has one young kid. As soon as the kid started to speak, I got a headache...he had the most awful high-pitched effeminate voice that sounded almost British. The kid finds a little pod person and calls him Trumpy. They have a magical time together (as is shown in one of the worst special effect scenes ever) but soon, Trumpy is accused of murder, (oh, right, the pod people like to kill humans by touching them on the head) and the kid leaves Trumpy in the middle of the forrest...THE END...even the credits were really awful I would recommend this science fiction thriller however, to everyone! Well...as long as its the the MST3K version, because this movie is pure crap. (1/10) | -1no label
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*Wonderland SPOILERS* July 1st, 1981: five people, Ron Launius (Josh Lucas), Susan Launius (Christina Applegate), Billy Deverell (Tim Blake Nelson), Barbara Richardson (Natasha Gregson Wagner) and Joy Miller (Janeane Garofalo) are attacked while they're asleep and brutally hit on the head with steel pipes in their home at 8763 Wonderland Avenue, Laurel Canyon, LA. Only Susan survives. Main Suspect: John Holmes (Val Kilmer), former king of porn, owner of a 30 cm long dick, and now a hopeless addict. Two investigators, Luis (Frankie G.) and Sam Nico (Ted Levine), are investigating on the case and try to crack it with the help of a witness that claims to know that John at the very least took part in the murders, David Lind (Dylan McDermott), Barbara's boyfriend, and trying to get a witness report out of Dawn Schiller (Kate Bosworth), Holmes' 19-year-old girlfriend and from Susan, who sadly doesn't remember anything more than shadows about the night her husband's head was bashed in and hers almost suffered the same fate, and the name of Eddie Nash (Eric Bogosian), a major drug kingpin (who is always around ladies such as Barbie (Paris Hilton)), comes into light as a suspect planner of the Wonderland massacre. But what did happen that night? And could Sharon (Lisa Kudrow), John's wife, know something about it? 'Wonderland' is a taught, intense thriller, a desperate love story and a story of a man's sad decline all in one; there is a clever use of the 'Rashomon' technique (we see the events of that fateful day and night from the eyes of David, John, Dawn, Susan (albeit very briefly) and Sharon), a nice direction and a great script, but is mostly compelling for the performances, especially Kilmer's, who takes central stage with his hopeless, tormented, sometimes childish Holmes, Lucas', whose Launius is strangely alluring, Kudrow's strong Sharon and Bosworth's innocent Dawn. Wonderland: 9/10. | 1pos
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] |
I thought Anywhere But Here was a good movie.It stars two wonderful actresses, Susan Sarandon and Natlie Portman, which when I heard they were in a movie together I resist watching it.Overall, it was a pretty enjoyable movie.It had it's moments where I felt as if they tried to hard, and there was also some really overdone and worn-out material, but there wasn't anything in the movie that I absolutely hated.I even liked how they used the pop-up performance of the uncredited Thora Birch, and all the little happy/sad moments are touching and effective.If you want to watch this movie, go ahead, because even though I don't recommend it, it's not something you should avoid, and a 5.9 rating seems unfair in my opinion. | 1pos
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] |
As much as I like Walter Matthau, I felt that the majority of his roles were tailored towards his personality. This role is one of the exceptions. He plays a dentist who is both charming and dishonest. This role does require much more acting than in most of his other roles. I liked the fact that the movie was honest about how a professional can be dishonest in order to avoid commitment in a relationship. His whole aim was to find a way to be in a relationship with a much younger woman, but not to be committed in any way. The alibi - using his secretary (Ingrid Bergman) to pretend to be his wife. At some point in the movie, the pretend Mr. and Mrs. actually are deluded into believing that they were actually really married. The ending was good, because a middle aged man found that pursuing someone in his own age group was more worthwhile. The movie was funny, entertaining, and didn't sell out by being preachy. | 1pos
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] |
Dreyfuss plays a mob boss who lost his mind, but now he's "fixed." Lane is his girl who's been messing around with his Number One (Goldblum), who's supposed to have something going with Lane's sister (Barkin). With what anyone could consider an all-star supporting cast (Burt Reynolds, Gabriel Byrne, Kyle MacLachlan and even an appearance by Richard Pryor) can't help this plot, as Dreyfuss proves he's not "fixed" and tries to kill just about everyone in sight. You know, it's not like you didn't know what was coming. The first ten minutes were nothing but guys trying to tell Goldblum what was in store for him when Dreyfuss gets out, but I'll save you all the trouble: skip this movie. The actual reason I picked this movie is because I've been on a Diane Lane kick lately and have been trying to see all her movies. The real let-down for me wasn't just the terrible plot, but also the fact that she doesn't show up until the last fifteen minutes of the movie (although we hear about her all through the movie). Even being a fan of over half of the cast can't help me enjoy this film. The parts where the suspense was supposed to mount found me laughing at what was actually going on. 3 out of 10 stars. | 0neg
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] |
I must say I was disappointed with this film. Although it is well acted and directed, the underlying story simply plods along too slowly. Granted, in another mood I would have liked it better. I did chuckle a lot, but rarely laughed out loud; and there was actually a sense of suspense to discover who won. But in contrast to another movie that my wife picked up the same day (one neither of us had heard of before) this one paled in comparison. If you see lots of movies, then by all means see this -- it's distinctly better than your average fare. But if you (like me) have limited time and want to watch only the best and most entertaining, save this for later. [Rate: 7/10] | 0neg
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] |
I'm usually not too into a specific show (save for The O.C. & Desperate Housewives...hey, I am 20!), but, no kidding, after one episode of Reunion I was hooked. I can't even say how bummed I was that it's time-slot conflicted with Bush's speech last night because I was really looking forward to the 1987 episode, which will now air next Thursday. Again, that conflict was disadvantageous because, being a new show, it needs to build up a following and having the second episode pushed back a week kills some momentum. That said, TV doesn't always have to be Emmy worthy to be enjoyable. I don't expect Reunion to take home any prizes, but I do expect it will be able to capture my attention all season. Ever watch the first few episodes of a beloved show years later? Sometimes you wonder how you ever got hooked. Character building takes some time. The one episode for each year idea is wonderful, in my opinion. The only other show I can recall doing something similar is 24, with each episode being an hour...and having an eventful year is more realistic than a day that eventful! Please give this show a shot. Relax about art form...it's just TV! | 1pos
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] |
I just caught this sixty-nine minute comedy/romance from RKO (released to American theaters in 1933) on TCM as part of their lost-and-found spot tonight. Very fun picture directed by John Cromwell and starring Ann Harding, William Powell, and Lucille Browne. I am not very familiar with Ms. Harding's career, but I must say that I was very much impressed with her performance here. Actresses today should watch her in this film and take lessons. Her facial expressions had so much depth and realism, something that we, with few exceptions, do not see in modern actors. Powell holds his own as a playboy wanting to do little with his life besides play Polo and women. This was a nice warm-up spot for Powell until he would make his most legendary 'The Thin Man' ('34) the following year. DOUBLE HARNESS has a heck of a lot to offer in its 69 minute runtime. Let's hope we see this one appear on DVD soon. | -1no label
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] |
The Doom Generation is quite possibly the worst film I have ever seen. I personally am at a loss as to why Gregg Araki receives the critical praise that he does. But, I concede that I am perhaps looking at it from a narrow point of view. I've only seen The Doom Generation and Nowhere so I don't have too much background in terms of Araki's body of work. Never the less, it seems to me that The Doom Generation is simply a pointless tail of three young adults carrying out acts of violence that have no real point. The acting is deplorable, the dialogue is trite, and the "symbolism" is about as subtle as being poked with a white hot cattle prod. I have heard people attempt to justify this film with comments such as "...the purposely bad dialogue is excellent..." and "it wonderfully depicts the decline of American youth..." but I don't buy it. But hey, quoth Dennis Miller, "That's just my opinion, I could be wrong." Films such as A Clockwork Orange and Kids deal with vaguely similar subjects matters but are far superior to The Doom Generation. Stay as far away from this as you can...unless you're in the mood to see one of the worst films out there. | -1no label
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] |
I remember this movie serial as a boy in the thirties,we would ask our mother's for a penny on a Wednesday after school,and line up at the local movie house along with hundreds of kids..mostly boys,it always promised fast action,the Mystery Squadron who had their hideout in a mountain cave,the Black Ace the leader always seemed as though he would never would be revealed,would provide the bad deeds,as the action heated up thousands of young feet would stomp on the balcony floor,it was a wonder that it never collapsed.it would build to a crescendo,THEN it would stop suddenly,everyone would hold their breath as the hero would be put in seemingly inescapable peril,NEXT WEEK...see the next thrilling chapter,we would pile outside still gripped in the spell and discus with actions what had taken place,we would then speculate as to how he was going to get out of this latest fix,Bob Steele,Tom Mix,Hoot Gibson,Buck Jones,Ken Maynard,our heroes,who never kissed a girl,in our games no one wanted to play the Black Ace.Happy innocent days. | -1no label
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] |
I rented this movie the other night, and I'll be damned if I still don't have a clue as to what is going on throughout this movie. Without getting into any spoilers hopefully, all I can say is that when watching other movies similar to the way this story is told in which it seems to jump around with no clear direction, just didn't work for me. I kept waiting for all the pieces of the story to come to a conclusion, but when it finally does (kind of), the story I think should have ended. It doesn't and that just leads to more confusion. For a low budget film I do think that the quality of the movie itself was pretty good, although the sound at times was annoying. Sometimes the music was too loud and the dialogue was drowned out. And I don't want to even try and figure out what was going on with Henry's facial marks??? I can't recommend this movie. I feel like I wasted 1 hr and 30 minutes. | -1no label
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] |
My subject sounds a big gray there, but so is the film. I saw this last night at the New York Film Critics screening in New Jersey and I came away with very mixed feelings. First the positives: 1. I loved Bang Bang. She was hilarious. Sadly, I think I was the only person who laughed at her antics. The theater was surprisingly quiet during her wacky moments. Shame. 2. The acting was phenomenal. The actors really fit into their roles and I enjoyed them tremendously. Now, the negatives: 1. When does this take place? I know this was an homage to old con films like Paper Moon, but I felt like not only was Penelope someone shut out of reality, but so was everyone else involved in the con. I know Stephen wanted to put Penelope into an alternate world with the steamer ship, but even the scenes that preceded her involvement were from another era. 2. The plot got lost somewhere in Prague. If you find it can you put it back into the film, please? Rian Johnson omitted a plot point because he said (at the Q&A afterward) that he couldn't come up with a clever idea for it. And so we're left wondering. Is this a good way to leave an audience guessing? I disagree. Instead he should have had Bloom and Stephen marvel over what had happened and not question it, for it raised a question in my head that will never be answered. 3. Johnson also omitted a scene because he felt it changed the mood of the film so dramatically that it didn't fit. I can totally understand that, but to not reveal the cause of an event that was kept in, removed me from the film. I found myself stepping backward by the last act, because I no longer felt connected to the story. In the end I felt like the one who had been conned. I understand that it's nice to discuss a film and have something to talk about with people, but to leave gaping holes in it because you couldn't come up with an idea on your own or because the scene filmed changed the mood just isn't the way to do it. It really ruined the climax for me. 4. Why did someone else narrate the film? Who was he? In the end I felt conned by the movie: It tugged at my heartstrings, but in the end left me empty. | -1no label
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] |
I rented Boogie Nights last week and I could tell you, when I watched the film I had a blast. If you think that when you watch the film you will get sicked by the porn. I mean yes, if your not a porn person who can't bother being by it, than this isn't the film to see. But the thing is, the whole film isn't really about porn. Well halfway through the film is about the porn industry but the other half is about the character development and the bad situations these characters go through. The actors played there roles perfect, especially Mark Wahlberg, John C. Reilly, and William H. Macy. The sex scenes, of course are terrific but mainly focus on the character's hype in porn films until there struggles. Excellent film, one of the best! Hedeen's Outlook: 10/10 **** A+ | 1pos
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] |
I was able to view this film at its American premiere at an historic theatre in Macon, GA. Why Macon, GA? Because the Soong sisters were educated at Wesleyan College, in Macon, GA. I was a student at Wesleyan at the time and was already in awe of the "aura" of the Soong sisters. This film only increased that awe. Being a history major, historical films are often difficult to for me to watch whenever there are any inaccuracies. However, I was completely engrossed with this film from the first beautifully shot scene to the last. The artistic merit of this movie is enough of a reason to watch it. I can't recommend this film to everyone; it is long, about history, & has subtitles (which my husband would argue makes for a horrible film). If you like films which draw you in & leave you wanting more, this is a good addition to your collection. | -1no label
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What a HUGE pile of dung. Shot-on-video (REALLY crappy camcorder, NOT digital) pile of garbage. It is without a doubt, the stupidest thing ever made. The fact that this crap was actually released is completely asanine. Everyone who sees it will become stupider for having watched it. Seriously. I felt like it killed several brain cells after I watched this garbage. The positive reviews of this a$$crap were obviously made by the "filmmaker" (and I use the term VERY loosely) himself and/or his family and friends because no normal person with the intelligence of a squirrel would honestly like this waste of life. Trust me, stay the hell away from this video. You'll thank me for it. Avoid it like herpes. | 0neg
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Thankfully I watched this film alone, enabling me to fast-forward through the worst scenes (aka most of the film, actually). OK, some of it is not all bad, with partially good photography (even some of the under water scenes) and at times not too bad directing. But it still doesn't save the incredibly poor script and way worse acting. Additionally, when I don't find the movies "hottie" to be all that, even the wannabe-sexy love making scenes get dull. Really dull! And for the drama: You know it's always a bad sign when you get to dislike all of the characters so much you really don't care who lives and who dies. If you still haven't gotten tired of the reality series Survivor, you may find something to your liking in this movie. If not, stay well clear! | 0neg
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The fluttering of butterfly wings in the Atlantic can unleash a hurricane in the Pacific. According to this theory (somehow related to the Chaos Theory, I'm not sure exactly how), every action, no matter how small or insignificant, will start a chain reaction that can lead to big events. This small jewel of a film shows us a series of seemingly-unrelated characters, most of them in Paris, whose actions will affect each others' lives. (The six-degrees-of-separation theory can be applied as well.) Each story is a facet of the jewel that is this film. The acting is finely-tuned and nuanced (Audrey Tautou is luminous), the stories mesh plausibly, the humor is just right, and the viewer leaves the theatre nodding in agreement. | 1pos
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